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Title: The Viper of Milan: A Romance Of Lombardy (1906)
Author: Marjorie Bowen
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Language:  English
Date first posted: February 2008
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Title: The Viper of Milan: A Romance Of Lombardy (1906)
Author: Marjorie Bowen




'Lovely in the midst of crime,
And yet unlovely through excess of guilt,
He dazzled through that dim-lit time,
And noble blood for a vain shadow spilt.'


TO MY MOTHER


CONTENTS

 1. Gian Galeazzo Maria Visconti
 2. 'Francisco'
 3. The Hostage of the d'Estes
 4. Valentine
 5. The Painter's Daughter
 6. The Rescue of Count von Schulembourg
 7. Graziosa's Bracelet
 8. For a Lady's Gift
 9. The Return of the Dead
10. The Turquoise Gloves
11. Mastino della Scala
12. Graziosa's Lover
13. Valentine Visconti's Toast
14. The Tumult at the Western Gate
15. A Prisoner from Milan
16. For a Game of Chess
17. The Terrors of the Night
18. Giacomo Carrara's Reward
19. A Sign from Heaven
20. In the Duke's Absence
21. The Duke's Return
22. The Secret Passage
23. For Love of Ambrogio
24. Treachery
25. In Cloth of Gold
26. In Visconti's Hands
27. Unequal Odds
28. The Viper
29. The Ordeal of Mastino della Scala
30. The Wedding
31. The Pride of the d'Estes
32. The Price of Dishonour
33. The Storm
34. An Instrument of God



AUTHOR'S NOTE

This story should be read as a fantasy, the theme of which is Italy of
the late Middle Ages. The various potentates mentioned and places
described belong to the author's imagination. The names of some of the
characters will be found in the history books, but the names only.


* * * * *



Chapter 1. - Gian Galeazzo Maria Visconti.


It is a day in early summer, as beautiful as such days were in the
Southern lands of 500 years ago. It is Italy steeped in golden sunlight
which lies like a haze over the spreading view; the year 1360, when
cities were beautiful and nature all-pervading. Here is Lombardy, spread
like a garden in the hollow of the hills, ringed about with the purple
Apennines, covered with flowers, white, yellow, purple, and pink. This
wide road, one of the finest in Italy, winds from Milan to Brescia, its
whole length through chestnut woods and plains covered with flowering
myrtle. Primroses in great clusters border its sides, and from the midst
of their delicate blooms spring the slender stems of poplar-trees; these
are red-gold, bursting into bloom against a tender sky; tufts of young
green; clumps of wild violets.

But for all its unspoiled beauty, the road was one of common use, for
Milan was within hail. Villas, the summer dwellings of its wealthy peers,
stood back among the trees, surrounded by magnificent grounds. Behind
them beautiful open country spread into the blue distance, fragrant and
glorious with budding trees. And cold and magnificent the great city
itself, with its huge walls and gates, crowned and emphasized the
landscape's beauty. The lines of hundreds of turrets and spires, bold and
delicate, leaped up against the sky. And paramount, catching the eye with
colour, weighing on the mind with meaning, were the city's banners. They
floated from the gates and the highest buildings, half a score of them,
all with the same device. Far off could that device be read: a green
viper on a silver ground: the emblazonment of the Visconti.

From afar the city was a vision of stately splendour, and the low
dwellings clustered round about her walls, in the shadow of the palaces,
appeared to the nearing traveller but a touch added of the picturesque. A
close survey, however, revealed semi-ruined huts; in their foul neglect
and unsightliness, a blot upon the scene. They were homes of peasants,
who, tattered and miserable, starved and unwashed, seemed their fitting
occupants. Here comes a band of them slowly dragging along the road
toward Milan, men, women, and children, leading a few rough-haired mules,
laden with scanty country produce. It was poor stuff, and a poor living
they made at it. The wealthy grew their own fruit and vegetables, the
poorer could not afford to buy. Crushed by hopeless oppression into a
perpetual dull acceptance, the crowd trudged along, with shuffling feet
and bent heads, unheeding the beauty and the sunshine, unnoticing the
glory of the spring, with dull faces from which all the soul had been
stamped out, and 'fear' writ large across the blank. Every movement
showed them slaves, every line in their bent figures told they lived
under a rule of terror, too potent for them to dare even to raise their
eyes to question. A stream of grey and brown monotony along the glorious
road, decked with the fairest beauty of fair Italy, these miserable
peasants were strangely out of keeping, both with the radiant blossoming
country and the magnificent city they drew near.

Keeping close behind them walked a young man and a boy, better attired
than the others, yet travel-worn and weary-looking. The delicate cast of
their features bespoke them of another part of Italy, as did the soft
Latin tongue in which they held their whispering excited conversation.
The elder, whom his companion called Tomaso, was a fair-haired youth of
about nineteen; the other, like enough to be a relative, a mere child of
ten or twelve. The sun was growing hot, and their stout cloaks of dull
red serge were flung back, showing their leathern doublets, to which the
elder boy wore attached a great pouch of undressed skin, which evidently
bore their day's provisions.

Suddenly, when Milan, clear and grey, was distant barely half a mile, the
group of wretched figures was roused from its shuffling apathy: and the
terror latent in their aspect leaped into life and motion.

Swept back by the others, the two Florentines gazed in amazement to learn
the cause of this panic. In the distance, brilliant between the dark
stone of the gateway of the city, fluttered a banner, blazoned with the
same device as those that blew above the walls. The peasants' eyes,
sharpened by fear, were quicker than Tomaso's: it was some seconds before
he could discern that the banner fluttered from the canopy of a splendid
coach, magnificent in gold and scarlet, issuing from the sombre shadow
into the sunshine of the road; and as it drew nearer, he looked with
pleasure not unmixed with wonder at the rich gildings, fine silk, the
beauty of the four black horses, the size and magnificent liveries of the
huge Negroes who walked at their heads. To him it was an interesting
sight, an incident of his travels. But to the Milanese peasants it was
the symbol of the dread power that ruled Lombardy with a grip of blood,
the device that kept Milan, the wealthiest, proudest city in the north,
cringing in silent slavery; the banner that had waved from city after
city, added by force or treachery to the dominions of Milan; the banner
of Gian Galeazzo Maria Visconti, Duke.

With trembling hands and muttered threats to their slow beasts, the hinds
dragged their burdens to the roadside, forcing the children back into the
hedges; leaving clear the way. Cowering and awestruck, in fascinated
expectation, they stared, toward that oncoming banner, and at the
horseman who rode behind.

Still at the same measured pace the coach advanced; a cumbrous structure,
swung high on massive gilded wheels, and open under an embroidered canopy
of scarlet silk. At the head of each black horse walked a Negro, richly
dressed in scarlet and gold. The trappings of the steeds were dazzling,
in stamped leather and metal.

But this splendour of array the peasant folk of Lombardy were used to; it
was not that which made them crouch as if they would ask the earth to
hide them, shiver and shudder yet farther back as if the soft green bank
could save them.

In the coach sat two, a man and a woman, but both so old and shrivelled
that the distinguishing characteristics of their sex were well-nigh lost.
Both were richly clad in furs, and half-hidden in satin cushions, nothing
of the old man visible but his wrinkled face, grey beard, and, loaded
with rings, thin yellow hands, the fingers of which were clutching
nervously at his heavy silken robe. The woman, painted and bedizened
under a large red wig, weighed down by a gown of cloth of gold, and
pearls around her neck, wrung her hands together, and whispered
incoherently below her breath. Both had sunk together among the cushions
in an attitude of despair, the man looking steadily in front of him with
white face, the woman casting terror-stricken eyes over the wretched
spectators in a mute appeal for help, if even from them.

Behind them rode the single horseman who had struck the terror. His pace
was leisurely, his horse's bridle held by a pale-faced man with long red
hair, of a stealthy bearing, crushed and mean-looking, but resplendent in
a jewelled dress. The rider himself, slight and handsome, about thirty,
plainly attired in green, gave, at a first glance, small token of the
spell he exercised. He rode with ease and surety: in one hand a
half-rolled parchment from which he read aloud in a soft voice, in the
other a long whip with which he flicked and teased the occupants of the
carriage.

The coach and its occupants, the solitary rider, and the red-haired man,
were the whole of the procession.

At the rider's side hung a single dagger, the others were unarmed, yet
the crowd trembled under a spell of fear as if half Italy had backed that
man. No one gave sign of feeling, no one moved, though the wretched
couple looked around keenly and eagerly, with the helpless misery of
those who have fallen below everything save fear, and will stoop to ask
help of the lowest. And the Visconti banner floated out dreamily upon the
light spring breeze, and the rider rode at ease and read from the
parchment with a smiling face.

Suddenly the old man rose, and threw out his hands with a wild gesture
toward the crouching peasants. His frantic cry was stifled on his lips,
and a cut from the whip sent him back to his seat with a snarl of
impotent fury. The woman sobbed aloud, but sat still, for the tease of
the whip followed their slightest movements, though the horseman seemed
to heed nothing but the parchment from which he read.

'Beautiful the Tuscan flowers grew
Around the Florentine--'

The soft lines died away on his smiling lips: he raised his eyes and
looked straight at the old man, who, at the words, had turned in his seat
and was gazing over his shoulder with an intensity of hate.

But on the pause there followed a cold laugh as the old man winced,
faltered, and dropped his eyes from that charmed and steady gaze. Again
the whip circled round them, and the calm voice continued

'But straight and firm the poplars grew
The Lombard ranks between.'

The woman gazed around at the crowd, desperate in hopeless misery.
Hopeless indeed. Not a finger was raised, not a word uttered, though, men
alone, they numbered more than fifty.

'Perchance thou wouldst not dare to turn
And draw the veil, from off that face,
Fearing what secrets thou might'st learn
Both for thine own and her disgrace,'

read the horseman, and the cavalcade passed on its heavy way, and the
faint hope that had leaped to life within the wretched victims, at sight
of human eyes upon them, died within them.

But on the outside of the crowd, Tomaso and Vittore, kneeling with the
rest, as that banner drew near, now stirred uneasily, and, as the coach
came abreast, the woman made a convulsive movement with her hands. The
elder sprang to his feet and stepped forward impulsively. At sight of him
in the roadway the horseman drew rein, and the terror-stricken crowd
watched breathless, while the youth advanced boldly to his stirrup, hot
words upon his lips, defiance in his eyes. The red-haired man at the
bridle crouched, but before the lad could speak, the rider, leaning
forward, struck him a blow full across the face.

There was no need for a second. With a scream of pain, Tomaso fell back,
and then, as if noticing them for the first time, the horseman sent his
glance on the crowd. No sound or movement: they cowered beneath his eyes
in deprecating silence.

'Drive on,' he said, and the dreary procession started again, winding
through the sun and shadow toward Brescia.

So great was the spell upon the peasants, that though the wounded boy lay
moaning in the road not a man, scarce a child among them, stirred from
his place till the banner of the Viper was a silver speck in the
distance.

Then with shaking hands the youth was dragged into the ditch amid a
babble of blame and fear. Vittore, rising from his stricken comrade,
gazed into the distance with horror-stricken eyes.

'Who was it?' he whispered at last to the woman near him. 'Who was it?'

She turned a dull face from the scattered vegetables she was gathering
together.

'Who art thou that thou knowest not?' she asked.

'I come from Florence,' said the lad quickly, 'travelling to Verona.'

'To Verona! Thou art not on thy way to Verona here.'

'I know it, but the company we travelled with was bound for Milan. Three
days ago we missed them, and thought to find them in the city where we
looked to spend the night, but now--'

He glanced at his companion and could scarce refrain from weeping.

'To Verona!' said an old peasant, turning sharply at the name. 'To
Verona!'

The child dropped again to his knees beside Tomaso.

'Yes,' he said, over his shoulder. 'My cousin--he is done to death, I
fear me--and I were travelling by way of Milan to della Scala's court--'

He broke off, and wrung his hands. 'Oh, help me, someone; Tomaso is
dying!'

With a certain dull humanity, kindness it could scarcely be called that
was so inert and full of apathy, one or two of them gave what help they
could.

'Thou art from Florence!' said the old man again. 'Aye, indeed, I know
thou art from Florence, for thy mate here to have had such daring. Why
camest thou from _Florence_ to anywhere by way of Milan?'

For even to the dull mind of the peasantry, Florence, who alone of the
cities of Italy had preserved her liberty, seemed a country of the free,
a republic of equality.

'Tomaso's father sent for him to come to him in della Scala's court, and
as last year my father was slain in the wars with Venice, since then I
have resided with my cousin--and so accompany him--having naught else to
do!'

The boy looked up bewildered; he was half-dazed with this sudden
misfortune.

'We go to Verona!' he repeated. 'We have food and a little money--if only
this had not happened!'

He turned to his prostrate cousin and burst into tears.

The woman looked at him with pity: the old peasant shrugged his
shoulders.

'Thy cousin was over-bold! As well face the evil one--' he mumbled and
crossed himself, 'as step into the path of the--' he stopped abruptly and
cast uneasy glances around him. 'And that?' cried the boy, his tears
arrested, 'that man on horseback?'

'That was the Visconti! Aye! Gian Galeazzo Maria, Duke of Milan!'

The lad gazed down the road with interest and new terror. 'The Duke of
Milan! He who lately warred with Florence!' he cried breathlessly.

'Aye, and beat her!' There was a touch of pride in the answer, for the
peasant was of Milan. But the boy did not notice the remark, he was too
absorbed in terrified conjecture.

'And they in the carriage?' he whispered.

A silence fell. The crowd shuffled away from him, and turned their faces
to the city. Used to scenes of horror as they were, the cavalcade that
had just passed them seemed, even to their half hearts, to have chilled
the sunlight with its terror.

A young woman suddenly snatched her child up from the ground and strained
it to her, in a passion of distress.

'Oh, Luigi, Luigi, my little child, it was his father and mother, his
father and mother!'

She grasped the old man's arm. 'Marked you how she looked at me?' she
cried.

The peasant checked her outbreak, but looked down the road with gloomy
eyes.

'They will never return from Brescia,' he said; 'they must be near
seventy--old for such an end. However, hush thee, woman, 'tis no affair
of ours!' Several anxious voices echoed him.

'Why should we care!' said one, ''tis a Visconti the less to crush us.'

And Vittore saw the whole band turning off, pushing, driving, and urging
their beasts along. He dragged at his still senseless companion in a
sudden panic.

'Help me!' he said. 'We would go on; I dare not stay alone.' The old man
laughed harshly.

'Where will you go to? Are we to drag you into Milan to be whipped to
death for harbouring you; and Verona is in the hands of the Visconti--his
last and greatest victory!'

'But my uncle--della Scala's court!' cried the boy distractedly. The old
man drew himself up in his rags and spoke with a mixture of pride and
awe.

'Mastino della Scala perished in the flames of his burning palace; his
wife is a prisoner, yonder in Milan, in the Visconti's hands. Thou hast
not much to look for from della Scala's court,' he said.

'Hold thy peace! Hold thy peace!' cried angry voices. 'What hast thou to
do with such as he?' and the old man, whose better intelligence made him
a source of danger to the others, was dragged away.

'But thou wilt not leave me here?' said Vittore, in distress. 'Where
shall I go? What shall I do?' But the peasant folk were not much moved by
his misfortunes, too much used to scenes like this.

'We risk our necks by staying by thee,' growled one dark-browed man. 'As
for thy companion, it is his own mad doing. He is dead, and we may be
dead by this time tomorrow, and kicked into the ditch like him.'

Even the woman listened blankly to his entreaties, and the throng
sullenly departed on its way.

'Any moment a soldier of the Visconti may come by, or the Visconti
himself may return, then anyone found tending one of his victims will be
in sorry plight.' This, mumbled out with curses at the delay, was their
only answer.

The peasants of Lombardy lived in the shadow of an awful name. Gian
Galeazzo Maria Visconti knew fear of neither God nor man, neither pity
nor remorse.

The young Florentine sank down upon the grass, and looked after the
retreating train in mute distress. To seek for help would mean to leave
his cousin, and he could not move him. Tomaso lay in a deep swoon, for
the blow had driven him back upon a stone. Terribly wounded about the
face, Tomaso added to his young cousin's distress by his ghastly
appearance, his head bound in rough bandages, torn from Vittore's
clothing, and now darkly stained with blood. The boy wrung his hands and
looked up and down the road--no one in sight.

It was just after the victory in the long-standing wars between the
cities; Verona had fallen into the Visconti's hands; interchange of
traffic was for the time laid low; the road was likely to be deserted,
and for hours none passed.

The boy dragged Tomaso's head and shoulders as far into the shade as he
could manage, remoistened the bandages about his head, and tried to force
down his throat some of the food and drink they carried. But the youth
muttered between clenched teeth, and lay with wide-staring eyes, inert
and unresponsive. His consciousness had returned, but he was delirious
with fever. As the day wore on, new and sickening terror seized on
Vittore. The Visconti would return to Milan! Hiding his face in his
hands, he sobbed aloud. Since the bright dawn of the morning, what a
change in prospects! Della Scala's court a ruin, and Tomaso's father--his
uncle, the only parent he had left now--what of him! And Tomaso too! He
must sit there and see him die beside him. As the noontide waned, he had
fallen again into stupor, and the boy looked at his changed face
distractedly.

'He is dead!' he cried, 'I know he is dead!' But he dared not leave him;
besides, Milan held a terror, and he would scarcely dare to enter it.
Perhaps when the peasants returned they might have pity on them; if
not--again his sobs filled up the lonely outlook. The long hours dragged
by; a horseman passed, a mercenary laden with some plunder from Verona;
he did not even turn in his saddle. A few peasants slowly came back from
Milan, seeking their huts around the neighbouring villas. But they were
as deaf to his cries as before; he could come with them if he liked; but
the other--he was dead and killed by the Visconti; let him lie there. And
now Vittore was in despair; the sun was beginning to drop behind the
trees, the delicate stems of the poplars stretched in long blue shadows,
the faint golden light lay across the primroses, making them fairylike.
Suddenly a step aroused him. Someone along the road. He started to his
feet, and there, still in the distance, but rapidly approaching, was the
figure of a traveller, his shadow thrown before him, his face set toward
Milan.



Chapter 2 - 'Francisco'


A gleam of hope sent Vittore forward. Here was someone who, alone and on
foot, must know the perils of travel, and might be kind-hearted; though,
with Tomaso dead, what even pity could do for him he scarcely knew. Then
again the boy's heart failed him. Perhaps this was no more than some
wandering robber. He paused, drew back, and the traveller came on not
noticing him, his gaze fixed keenly on the distant city.

By the roadside some boulders, half-hidden in violets and golden with
moss, offered a seat, and half-stumbling over them, the stranger abruptly
withdrew his eyes from Milan and saw for the first time the boy who from
a few paces off was timorously observing him.

He was a powerful man of gigantic size, clothed in coarse leather,
undressed, patched, slashed, and travel-worn. His legs were bound with
straw and thongs of skin, the feet encased in rough wooden shoes stuffed
with grass.

A battered leathern cap covered his head, and from his shoulder hung a
ragged scarlet cloak. A dagger and a sword were stuck in his belt, a
leather pouch hung at his side. The man's face and bearing belied his
dress. He was not handsome, and a peculiar effect was given to his
expression by the half-shut brown eyes, but he had a grave and stately
bearing, and as he bestowed a searching gaze upon Vittore, the boy felt
renewed encouragement.

'Sir,' cried the lad advancing, 'I am in great distress. My cousin lies
there dead, or dying. Help me to get him to some shelter.'

'I am a stranger here,' replied the traveller, 'and have no shelter for
myself tonight.'

His accent, like his bearing, again belied his dress. He spoke in the
refined Tuscan tongue, the language of the better classes, and to
Vittore, who was gently nurtured, more familiar than the rough dialect of
Lombardy, which he and Tomaso could only barely comprehend.

'But what I can find for myself,' he added, 'thou art welcome to share.
Where is thy cousin?'

Vittore pointed to the recumbent figure half-hidden in the bank; the man
glanced across, then around him. The sun was almost set, a whole flock of
delicate little pink clouds lay trembling over Milan, its noble outline
already half in shadow.

'It will be dark soon,' he said, 'and perchance--' he broke off abruptly.
'Thy cousin, didst thou say?--what has happened to him? Wounded in some
roadside fray?'

He rose as he spoke and crossed over to the fallen boy. 'And what are you
two doing travelling alone?' he demanded sternly.

'Alas, messer, we were going to Verona.'

'To Verona, by way of Milan?'

We had no choice. The company we travelled with were bound hither, but
three days ago we missed them, and came on here alone, lest perhaps they
had preceded us. But for this accident we thought to pass the night in
Milan--but now, what shall we do? And we hear that Verona has been
taken!'

The stranger was bending over Tomaso, and Vittore did not see his face.

'How did this happen?' he asked presently, touching the mark upon
Tomaso's face. And Vittore told him.

The stranger was quiet a long breath.

'So this is Visconti's doing,' he said at last. 'Thy cousin is a brave
lad.'

And he fell again into a silence which Vittore dared not break, while
under the stranger's care Tomaso opened his eyes, and feebly muttered and
tried to rise. But the other bade him wait a while, and turned to Vittore
again.

'And which way did Visconti ride?' he asked.

The boy pointed. 'The peasants said it was toward Brescia.'

'And he has not yet re-entered Milan?'

'No, messer.' By now Vittore felt and showed respect.

'Then we will not enter Milan either,' said the stranger, 'since Visconti
has not.'

The boy gazed on him, struck by his tone, and Tomaso's eyes,
half-closing, re-opened and fixed themselves upon the stranger's face.

'Messer, you hate Visconti?' whispered Vittore.

The man laughed shortly. 'There are many in Lombardy who hate Visconti,'
he said. 'Perhaps I not less than others. Boy,' he added, with sudden
intensity, 'I have only two things to live for: one is to tell Visconti
to his face what one man's hatred is.'

And leaving them half-terrified, he strode into the road, and shading his
eyes looked long and searchingly away from Milan; but the dusk was
settling fast, and there was not a soul in sight, not a sound.

Presently, with an air of relief, born of new-sprung resolution, the
stranger returned to the expectant boys.

Revived by his tendance and by the cool evening air, Tomaso was helped
upon his feet. Vittore clasped his hands in joy to see him move again.

'Messer, how shall we thank thee!' he exclaimed.

'Call me Francisco,' said the traveller. 'Thou wert journeying to Verona,
didst thou say? What kinsman hast thou there?'

'My father,' whispered Tomaso feebly, 'Giorgio Ligozzi.' Leaning against
the stranger, indeed half-carried by him, Tomaso felt him start. 'Thou
knewest him, messer?'

'He was put high in favour at della Scala's court, and sent for us to
share his fortune,' put in Vittore eagerly.

'Ah,' said Francisco, 'della Scala's court has perished. I am from
Verona. I saw it burned.'

Tomaso's head sank dizzily upon his helper's shoulder. Vittore's young
heart swelled, then seemed to break within him. He choked back his sobs.

'And della Scala--and my uncle: did they perish too?'

Who can tell?' replied the stranger sternly. 'Who shall say who perished
or who not on such a night as that on which Verona fell?'

'But della Scala's wife, the Duchess, is yonder, prisoner in Milan.'

'And that proves, thou thinkest, della Scala must be dead! Maybe; who
knows? All the same, thou art a brave lad and a gallant for the thought.'

He paused to rest Tomaso on the boulders that had been his seat. 'And for
that speech of thine, I'll tell thee something, boy. I am the Visconti's
foe. For the sake of della Scala, whom I knew, for the sake of Verona,
where I lived, for the sake of something dearer to a man than life, I am
sworn to hunt him down--and now, no more. We will see to shelter.'

Resting Tomaso's head against his knee, Francisco turned a trained and
searching gaze about him.

To the right, on some thickly wooded, slightly rising ground, could be
discerned the unmistakable outline of a great wall, built to a monstrous
height, no doubt the boundary of a villa of unusual size and
magnificence. Beneath the wall, half-hidden by a grove of chestnuts, was
the usual cluster of huts: the dwellings of the hinds and vassals of the
villa's noble owner. But no smoke trailed upward, nor did any sign of
life strike upon the ear.

'We will try those huts yonder,' said Francisco. 'They are far enough
from the road for security, yet not too far to hamper any return hither.
They seem deserted, but even if inhabited, they are scarce likely to
refuse me shelter for a wounded boy.'

And Vittore, looking at his size and stern appearance, thankfully agreed
with him. Almost carrying Tomaso, Francisco led the way, and quickly
reached a footpath which, after many twistings, brought them out into a
turf-grown opening around three sides of which the cottages were built.
The fourth was the wall enclosing the grounds, and along it, bordering a
ditch, ran a pleasant path which, as they subsequently discovered, led to
a small stream, artificially extended, where it passed the villa, to a
lake of some not inconsiderable size.

But, as Francisco had surmised, the whole place stood empty and deserted,
though it could not have been long since the faggots had blazed on the
open hearths. Signs of occupation were too recent.

The wayfarers gazed about them wonderingly. It was a place of charm. The
fast-grown grass was thick with flowers; and a wooden bucket hung idly
from its chain above the wooden runnel.

Supporting Tomaso, Francisco turned into the nearest hut, and noted it
was better fashioned and better fitted than many of the like. A low
doorway admitted into the long divisions of the space, each lit by small
square openings in the walls. The light by now had faded, and save that
it was empty of life, little else would have been discernible, but a
portion of the roof had been broken away, as if by some pikeman's
reckless thrust, and through the gap some of the sweet spring dusk showed
them faintly their surroundings. A few stools, a wooden table, roughly
hewn, a broken earthenware bowl, and a rudely painted crucifix, half-torn
from the wall, completed the furniture.

'They fled in haste,' said Francisco grimly. 'Has Visconti been here
too?'

'See,' cried Vittore, and he picked up from his feet a silver goblet.

The other turned from where he had laid Tomaso and took it from him
eagerly.

The piece was heavily chased, bearing a raised shield wrought with the
German eagle and lettering 'C.S.'.

'German,' he said. 'Plunder. Possibly from the villa. This may account
for its desertion. Yes--no doubt: the owner of the villa has crossed
Visconti's path.'

And his teeth ground over the name as he set the goblet on the table,
where it gleamed with a faint ghostly light.

'Sleep,' he said presently to Vittore. 'Eat this and then sleep. Thou
canst do so with safety.'

The boy, glancing up into his face, believed him, and was soon lost to
everything in the deep sleep of utter weariness of mind and body.
Francisco bent above Tomaso and gave him wine to swallow, and set water
by his side. The youth caught the hand that tended him and kissed it.

'I am grateful,' he murmured. 'Tomorrow I shall be well.'

'Aye, get better,' said Francisco. 'Thou mayst be of some service if thou
wilt. Nay,' he added, checking Tomaso's feeble but eager impulse, 'I know
not yet what I can do myself. But we have a cause in common,' and he
smiled faintly. 'And now sleep. You sought della Scala's court. I will
not desert thee.

Taking his tattered cloak from his shoulders, he laid it over him, and
Tomaso lay back on the ready spread couch of heather, and watched
peacefully.

There was no light in the hut, but the moonshine began to show across the
open doorway. Francisco pulled a stool to the table, and sitting, drew
out his dagger and carefully examined it, then laid it ready. He felt in
his wallet as if to reassure himself of something, and then Tomaso saw
him slip something on his hand--it gleamed: a ring!

Who is he?' thought the youth, not sure he gazed upon reality. 'Who is
he?'

Then he dozed unwittingly, and, waking with a start, saw the moonlight
streaming through the broken roof, the faint stars, and near him Vittore
sleeping. The goblet still shone upon the crazy table, but the hut door
had been closed and, save for themselves, the place was empty.

Francisco stepped out into the spring night, fire beating at his temples:
Visconti was abroad!

The moon, half-shrouded in a misty vapour, was rising above the fragrant
chestnuts, and brilliant in the semi-dark, like flame behind a veil, the
clumps of wallflowers gave out intoxicating scent.

Franciscco noticed them, and thought grimly they were the colour of blood
just dry.

The spell of the moon and of the hour lay on everything; a weird
ghostliness seemed to step among the trees; a sighing came from the great
bushes in the garden of the villa: _'Visconti is abroad!'_

Francisco touched his dagger and went forward. Across his path two white
moths fluttered, white by day, now silver purple, illusive and
mysterious. To the man's fevered mood they seemed an omen; souls of the
dead allowed to take farewell of earth; and with straining eyes he
watched them float away and up, and out of sight. Who had perchance just
died?

Francisco's giant sinews tightened. He went forward swiftly to the road,
and strained his eyes and ears along its silvery length.

Nothing to be heard! Nothing to be seen! Had he, lost his chance, had the
Duke re-entered Milan? Or had he gone too far to return that night? He
sat upon the boulders where he had rested previously, his face turned
toward Brescia, his hand upon his dagger.

The soft air was strengthening into a gentle wind; the poplar leaves were
dancing, and darkening clouds began to drive across the 'moon. But the
man heeded nothing the changing; light or dark, what matter once Visconti
had crossed his path? Long he waited. Not a sound save the dancing of the
leaves, the rising wind, the soft noises of the night. At length
Francisco leaped to his feet, and his breath came short and fast. He
could hear something. The wind was against him. He lay down; he put his
ear to the ground; then he leaped to his feet again, transformed. It was
unmistakable, though still far off; the thud of horse's flying feet.

Francisco waited.

With each second the wind rose; the clouds raced and gathered, and
darkened half the sky, and the man, straining every nerve, thought at
first it was the wind he heard mingling with the trample of the oncoming
hoofs. Then he knew it for screams of fury and wild shouting. 'It is the
Visconti,' he said, and involuntarily his tense arm sank and his muscles
loosened; those mad shrieks could freeze the marrow.

Nearer came the onset, trampling horse and yelling rider; and Francisco
set himself anew.

'He rides with his own soul for company,' he muttered grimly. Now the
furious cries came clearly, terrible, inhuman; and in another moment,
horse and rider were in view.

'Yes, Visconti.'

Standing in the stirrups, he lashed at the foaming horse in a blind rage
and horror. His cap was gone, and hair and cloak were blown about him. He
shouted wildly, cursed, and shrieked.

For a breath Francisco paused. This could be no human rider; well was it
known in Lombardy that the Visconti trafficked with the fiend, and this
must be he; and the man shrank and turned his eyes, lest he should see
his damning face.

But the next instant his courage and his purpose had returned. The horse
was upon him. Swift as thought, Francisco leaped and clutched the bridle
in a hand of steel.

But the mad impetus defeated him. He was dragged forward like a reed;
only his own great strength for the moment saved him. And now his wild
shouts were added to the rider's. He struck upward with his dagger; he
tore blindly.

'Do you not know me, Visconti?' he called. 'Do you not know me?'

But his dagger was dashed from him. The horse's foam blinded him as it
sprang desperately on. He heard Visconti's demon scream, and as the earth
whirled round with him, caught one fleeting glimpse of the white,
distorted, hated face--then, he was prone upon the ground, and Visconti,
spurring on his way, looked back upon him with triumphant yells.

'Fly fly!' he screamed, 'they are after us, but we escape them. Fly!'

The dawn was showing when Francisco, spent with the passion of failure
rather than from any hurt, came slowly back and picked his dagger from
the road. Not far from it he saw a parchment roll tossed from Visconti's
doublet in that frantic forward lunge--Visconti who had safely
disappeared within the walls of Milan!

Francisco picked up the roll.

It was inscribed with poetry and patched with blood.



Chapter 3. - The Hostage of the d'Estes

'A hundred thousand florins--and no more, even if they refuse the
bargain.'

It was the Visconti that spoke. In a small dark room in the Visconti
palace, he and the pale-faced, red-haired man, who had held the bridle of
his horse two days before in the procession that had wended toward
Brescia, were seated opposite to one another at the table; between them a
pile of papers over which the secretary bowed his shoulders.

'The demand is a hundred and fifty, my lord,' he said, his voice meek,
his eyes furtive.

'They said two hundred to begin with,' was the curt answer. 'A hundred
thousand florins, or I go elsewhere.'

The secretary's pen flew nervously across the parchment, filling it with
a cramped, mean writing that trailed unevenly along the page. Visconti's
secretary wrote a characteristic hand. Visconti leaned back in his chair,
watching him in silence.

The room was small and circular, hung with leather stamped in gold, and
furnished plainly even to bareness. A narrow lancet window, placed low in
the wall, admitted a subdued light, which fell upon the only spot of
colour in the room, the suit of turquoise blue the secretary wore.

'A hundred thousand florins, to be paid in gold,' repeated Visconti; 'and
no more, Giannotto.'

He rose and began to pace the room. Long habit and constant contact had
not lessened the secretary's fear of Visconti, nor mitigated the hate,
none the less intensified for being for ever concealed under the mask of
cringing servility. But in Giannotto's dislike there was nothing noble;
it was merely mean hate of a sordid soul that grudged the success of the
bold crimes itself could never dare to undertake. Had the secretary been
in Visconti's place, there would have been as vile a tyrant, of equal
cruelty and far less courage.

The Duke moved to the window and stood there in observation awhile, then
turning, spoke to Giannotto with a smile. His eyes were a beautiful grey,
open wide, and just now lighting up a pensive, pleasant face. But the
secretary knew it too under a different guise.

'My sister's alliance with the Duke of Orleans gratifies my ambition,
Giannotto,' he said, 'and is well worth a hundred thousand florins. So
far the Valois have never married out of royal houses.'

'Yet they consider themselves honoured by this match, my lord,' said the
secretary.

'They consider themselves well paid,' returned Visconti. 'Now, if I can
find a daughter of the Plantagenets for brother Tisio, behold us firmly
placed among the dynasties of Europe!'

Early in the fourteenth century, but no more than a meagre fifty years
ago, before the last Visconti culminated the evil of his race, Matteo
Visconti, Gian Galeazzo's grandfather, had first firmly established his
family as lords of Milan, supplanting their rival the Torriani, who had
long reigned as magistrates-in-chief, and under Martin della Torre risen
to some eminence. Every year of the fifty since then had seen some
increase of territory, some fresh acquisition of power, till with his
last overthrow of della Scala, the seizure of Verona, and the murder of
his father, already miserably deposed, Gian Galeazzo had planted himself
upon a level with kings.

Almost the whole of Lombardy was under his sway, and that sway extended
from Vercelli in Piedmont to Feltre and Belluno. Florence, lately leagued
against him in support of his deposed father, had been beaten in battle
after battle and was glad to escape, shorn of her fairest possessions,
and cherishing only her liberty.

All this Giannotto knew. Della Scala, Duke of Verona, had owned fair
lands and wide, Verona, Brescia, all now in Visconti's hands. The
secretary wondered, as he thought, how long it would be before the
triumphant Gian threw away the mere rag of respect, the mere mockery of a
title which bound him to the Empire, and became King of Lombardy in name
as well as power.

'And thou thyself, my lord,' he said. 'Thou wilt marry a Valois to thy
sister! Who will be thy bride?'

Visconti smiled. 'These marriages are for ambition. Dost thou think I
shall marry for ambition? No, Giannotto, I have placed myself above the
need of that. The alliances that make the Visconti one with the kings of
Europe are for Valentine and Tisio; I shall marry--'

'For love, my lord?' ventured the secretary, with a hint of sarcasm.

'Whom I please,' said Visconti. 'Which is not what Valentine is doing,'
he added with a smile.

'She may give trouble yet, my lord'

Visconti frowned. He thought of Conrad von Schulembourg, the brilliant
young German noble, who had been a favourite with him and all his court
and had won the heart of Valentine Visconti; no favourite of his now. 'As
for my lady sister,' he said, 'let her dare turn her eyes save where I
bid her.'

His own grew ominous, and Giannotto shuffled uneasily.

A noise without broke the sudden silence of reflection. Visconti,
responding at once to what it meant, glanced a moment from the window
where he still stood, then swept down to the head of the table. He leaned
across to Giannotto, not that he valued any response that he could
offer--Visconti's secretary was no more to him than the chair on which he
sat, valued solely for his skill in letters--but his triumph had to have
its vent. 'Hark!' he cried. 'Listen to it, Giannotto! The wealth of
Verona is pouring into Milan! The spoils of Verona, Giannotto, the
treasures from Mastino della Scala's palace!'

Giannotto winced before Visconti's passionate joy.

''Twas a man I hated, Giannotto--I would he had lived to feel it. The
only man I ever hated, because the only man I ever feared, the only man
who ever dared to despise me! But he has fallen, he is dead, his wife is
in my power, and in his fall he has placed me higher than my highest
hopes.'

Carried away by his transports, he seized Giannotto by the arm and
dragged him to the window.

The secretary gazed into the courtyard, where a group of soldiers and
servants were busy conveying statues, gilt and silver plate, rich
tapestry, glass, china, and arms, from carts and mules into the narrow
doorways that led into the grim interior of the palace. They were
presided over by a major-domo in a black gown, who called out directions
in a shrill voice. To one side a few unhappy men, of note enough to have
been spared, watched in grim silence the unloading of the spoils that
came from the sacking of their palaces. The great gates stood at their
widest, and through them wound a long train of soldiers, some driving
before them groups of prisoners, tightly chained together, others
galloping in laden with plunder of all kinds, art treasures, blackened as
if by fire, banners, and suits of armour.

'Ah, Giannotto, look,' cried Visconti, 'della Scala's collection, della
Scala's jewels. How my treasury will be enriched! Only one thing mars it,
that he should not be here to see!'

He turned from the window. Giannotto followed, cringing. 'Still, thou
hast his wife, my lord,' he said. Gian's eyes flashed afresh.

'Isotta d'Este--ah!'

He leaned back against the wall in silence. A certain winter morning,
five years ago, rose clearly before him; a massive castle, frowning from
the rocks above Ferrara, and on its steps a fair girl who stood there and
laughed to see him ride away back to Milan, his offer of the Visconti's
friendship scorned and flung in his face by her proud family, the haughty
Estes. Visconti's face grew dark as he remembered her; almost more than
della Scala, her dead husband, did he hate Isotta, della Scala's wife.
And she was in his power. Greatly would it have soothed him to know her
death was in his power too, but the lust of ambition was greater with
this man even than the lust of pride or hate.

Isotta d'Este was a valuable hostage to be used against her family,
should they think of avenging their fallen kinsman.

'Where hast thou finally placed her, my lord?' asked Giannotto, with his
stealthy glance. The Duke started from his reverie.

'In the West Tower,' he smiled. 'Every day I go to gaze on the room that
holds her to make sure it is not a dream; to see and feel with my eyes
and my own hands that her prison is doubly sure. If Isotta d'Este should
now escape me--but she will not!'

He crossed the room to leave it, but paused at the door.

'Be watchful, Giannotto, the Princess Valentine may try to leave the
palace. I have spies on her every movement; still, thine eyes upon her
also will do no harm--to me!'

He laughed an instant. A rustle of the hangings and he was gone.
Giannotto sat on silently, looking in front of him. His thoughts were
with Valentine Visconti, Gian's unhappy sister, whom he had been told to
watch; from her they travelled to the German Count, who, five days ago,
had left the palace.

'I wonder if she loved him,' he mused. 'I do not think she did. Dear God,
she did not need to wait to love a man, her life was not such that she
could pick and choose her way of escaping from it. Conrad offered one and
she was ready to take it--now--_five days ago_! Yes--Count Conrad is dead,
and she will marry the Duke of Orleans! Ah, well! The German was a fool,
he deserved no better fate than a fool! I do not think she'll break her
heart if she can find some other way'

He returned to his papers, pausing now and then to glance toward the
door, as if to keep himself on the alert for the Duke's noiseless entry.

But Gian had bent his steps elsewhere. Plainly dressed, he passed almost
unnoticed across an inner courtyard to a dark angle of a wall where a
secret door anew admitted him. The whole Visconti palace was a sombre and
gloomy place; men crept about it on their tiptoe, glancing fearfully
around them, afraid of their own shadows. Visconti smiled to himself at
sight of fear; he loved to be feared, to hold lives in the hollow of his
hand, and play with them and death.

The door let him into a long narrow passage flagged with stone, and lit
by diamond-shaped holes left in the walls; the air was damp and chill,
and Visconti drew his cloak around him. Unlocking a second door, he
ascended a flight of stone steps, pitch dark, from which he emerged into
a large circular chamber with a thick pillar in the middle from which the
groined ceiling sprang. Save table and high-backed chair of blackened
wood, there was no furniture. This chamber was the outer guard-room of
the prison wing, and a gloomy-faced man leaned against the pillar, his
eyes fixed upon the opening door. It could be no other than the Visconti
entering thus, and he crouched almost to the ground.

What is thy guard?' said Visconti.

'Twenty men in each guard-room, my lord, and each one picked for size and
trustworthiness, and I myself keep watch upon the door. Escape is
impossible.'

'By so much the more that thy head will answer for it.'

As he spoke, Visconti flung wide one of a ring of doors opening from the
chamber, and stepped into a posse of soldiers. No one spoke. Glancing
keenly to the right and left, Visconti passed through their ranks into
the room beyond--a small apartment, dim lit and hung with arras. An old
woman sat at a tapestry frame with her back to the door, but at
Visconti's entrance she rose, as at something expected, and sank in a
deep obeisance.

Gian Maria closed the door behind him.

'How is she?' he said. 'How, does she bear her change of prison?'

The old woman glanced toward an inner door, massive and iron-clamped.

'When I am with her, my lord, she sits in silence, her eyes for ever on
her missal; indeed she has not spoken since we brought her here; but when
she is alone, she weeps, I have heard her through the door; she weeps
passionately, and calls wildly upon her husband to save her.'

'I would I had him, to stand him gagged against the door to hear her,'
said the Duke.

'By the look of her she will die of it,' continued the old woman. 'But if
I know anything of prisoners, and I have seen a few, thou wilt never
break her spirit, my lord.'

'She _must_ be more humbled now,' he said to himself. 'She must turn and
implore me for pity.'

The huge door creaked and swung on its hinges, and he stood at the top of
two low stone steps, looking down into Isotta's prison. It was little
better than a dungeon of stone, lofty but dark, with one window deep set,
high out of reach, and thickly barred. The walls were hung with faded
tapestry, the gloomy, sad-looking folds drooping like torn, captured
standards. A huge chest of sombre blackness leaned against the wall;
above it hung a horn lantern, which after dark gave all the light that
was obtained. For the rest, a few high-backed chairs stood stiffly about
the room. In his black dress Visconti, pausing at the head of the steps,
seemed part of its gloom. His wide-open grey eyes looked straight across
at the solitary occupant.

Isotta sat in one of the huge black chairs, her delicate hands resting on
the faded crimson velvet of the arms, her feet on a wooden footstool. She
was of a fair and noble appearance, but her face was marred by sorrow and
her eyes red from many tears. Her pale yellow hair was drawn under a
white veil. Her long grey dress clung close about her slender figure. On
her knee rested a little book, and on this she kept her eyes. Not by so
much as a flutter of her hand did she show she knew of the Visconti's
presence.

He waited, raging inwardly, but words would not come easily to break that
silence. At last he slowly descended into the room, his eyes still on her
face.

She never stirred, nor raised her own. With his noiseless tread, Visconti
paced around the chamber, raising the arras, and testing with his dagger
every block of stone. It was a superfluous precaution; any attempt to
escape would have been simple madness, and Isotta d'Este was not likely
to give way to frenzy. Still it was joy to be sure and doubly sure that
she was safe. Every inch was inspected, every crevice searched. Meanwhile
from time to time he observed her keenly. But she seemed not to know her
solitude was broken, save that once, when he passed her, she swept in the
train of her gown, as she might have done had a leper come too near. A
simple thing, but it goaded him, and for a moment she was near her death;
rage almost overcoming prudence. But as he stood behind her chair,
half-inclined to strike, he noticed on her hand, a ring. His expression
changed; he smiled; his hand dropped down. The ring was of pearl, cut
with the arms of della Scala, and worn on the third finger of her left
hand; her wedding ring.

Visconti smiled again. Stooping, he raised her hand, and--'Will she bear
this in silence?' was his thought. For a moment it seemed as if she might
not. The delicate fingers stiffened and half-closed, then, as if
remembering anew, she left her hand passive in Visconti's hold, and only
by a faint quiver told she knew the ring had been withdrawn. The spoiled
hand fell back again on to the velvet arm, her eyes were fixed immovably
upon her book, and Visconti, turning away to the door, silent as he came,
looked back at her, incredulous of such control. She was sitting straight
and slender, her delicate head poised high, but--ah yes, he thought it
must be so!--he noted with delight that her breast heaved and the firm
line of her mouth trembled ever so slightly. For a second he stood thus,
a ray of the pale prison light caught by the ring he held, then the door
clattered and shook back into its bolts, and he was gone.



Chapter 4. - Valentine


Swiftly as he had come, Visconti returned to the palace, and the
banqueting hall beyond. He stepped in silently, and softly let the
curtains fall behind him.

The room was of enormous size, and overawed the gaze. The four large
entries, one in each wall, were curtained alike with gloomy purple. The
ceiling was domed and of immense height, showing a dim tracery of carved
wood, from which hung golden chains, suspending jewelled lamps. The high
and narrow windows were wrought with painted saints, splendid in
colouring. From domed ceiling to panelled floor the walls were carved
with men, women, saints, martyrs, flowers, and birds wrought together, in
simple-minded joyousness of design, executed with the delicate
workmanship of Niccolo Pisano's school. Silk arras, hung from carved gold
rods, here and there concealed the carving. A carpet, the work of two
men's lives, delicate in purple, brown, and gold, spread across the
centre, where long low tables of walnut wood, rich and dark, could seat
two hundred guests. Purple velvet chairs were set about in the corners,
and the light streaming through the coloured window saints fell in gold
and'' green across an ivory footstool inlaid with jewels.

As Visconti entered, the hall was empty, yet he stepped stealthily, as if
he felt eyes watching him. Seating himself in the window recess, he
waited, and presently, as if at an unuttered summons, the curtains at the
far end of the room were rustled apart, and a lady entered. She was
Valentine Visconti, Gian's sister. Her dress was of red and brown,
embroidered with gold, her tawny hair piled high under a golden net upon
her well-set head. She had the clear, colourless skin and the wide red
lips of the fair-haired Italians, their rich presence; she was of a fine
carriage, not easy to overlook; she might have been ten years younger
than her brother; she was as tall and as stately.

She looked straight toward the window where Visconti sat. Gian returned
her gaze, not changing his position. Valentine drew nearer.

Why hast thou set spies upon me?' she demanded.

'Why didst thou try to fly Milan with Count Conrad?' he returned. 'I was
foolish not to spy on thee before.'

Her grey eyes glinted.

'I tried to escape from a life that was grown intolerable,' she cried,
'and I will try yet again!'

Visconti smiled.

'My sister, thou art much too precious; I shall not let thee go. Thou art
worth a great deal to me. Through thee our family will be united to the
Royal House of France. My sister, thy husband will be the Duke of
Orleans, and not a German fool.'

But Valentine was also a Visconti: she advanced with blazing eyes.

'I will not marry to serve thy ambitions; I will not help to steady thee
upon the throne. Mark me, Gian, sooner than wed a Prince whom thou hast
chosen, I will drag thy name into the mire, and sit in rags at thy palace
gates.'

'Only thou hast not the choice,' he answered pleasantly.

Her anger rose the more as she felt her helplessness.

'I will not marry the Duke!' she cried. 'I will not walk up to the
altar.'

'Thou canst be carried,' said Visconti.

She moved up and down, twisting her hands in an agony of impotence.

'I will appeal to the Duke of Orleans himself!' she cried.

'A bridegroom who is bought for a hundred thousand florins!' sneered her
brother. 'And how will thy appeal reach him? Come, my sister, be calm,
the Duke will make as good a husband as Count Conrad. Bethink thyself,
thou mayst live to be crowned Queen of France. Wilt thou not thank me
then, that I saved thee from a German count?'

Valentine fell to weeping.

What has become of him?' she sobbed, 'the only human being who ever
turned to me in pity. The only one who ever cared for me. What has become
of him?'

'What becomes of a fool when he crosses the path of a Visconti?' asked
her brother calmly.

Valentine lifted her head.

'He is dead, then?' she said.

'It matters not to thee. Thy husband will be the Duke of Orleans, and
thou art a prisoner in the palace till he takes thee from it.'

She caught at the arras; Visconti left her, and reached the door, his
figure a shadow among the shadows.

The girl rushed forward with a cry. 'Gian!' she called.

He paused, his hand upon the curtain, and looked back at her.

'Gian!' she repeated, and stood still gasping, her hand upon her breast.
The stiff folds of her dress gleamed richly in the subdued light that
fell upon her from the painted window. 'I know thee for what thou art,'
she said; 'there are only three of us left, only three. Where are our
parents, Gian?'

'They were stricken down at Brescia,' and Visconti took a quick step
toward her.

'They are dead,' she breathed, 'and they died as our brothers died,
Filippo and Matteo--'

'Did they so! Then take warning by it,' and Gian, coming stealthily still
nearer, turned a look on her. Valentine quailed, as Francisco well-nigh
had done; the hot words of remorse and rebellion died away unuttered, and
she hid her face, her high spirit cowed again into a bitter weeping.

Visconti left her noiselessly.



Chapter 5. - The Painter's Daughter


Three days had passed since that futile midnight encounter, and Francisco
had found no means to enter Milan.

He stood on the banks of the water looking moodily toward the city,
watching the figure of Vittore, who trudged along the meadows--his errand
to procure provisions.

The three still sheltered in the ruins, to which no owner had returned,
nor had any signs of life or occupancy broken the silence within the
villa's all-encircling walls: now, as he watched Vittore out of
sight--the boy looking back often to renew his courage--Francisco's brow
was furrowed, and his eyes heavy with sleeplessness. The stream, clear,
deep, and sparkling, here ran darkened with the shadow of the willows
that bent over it their long bluish leaves. A path, thickly bordered with
reeds, ran beside the water to the head of the small lake into which the
stream flowed, whence it continued, a scarcely discernible footway,
toward the city.

Behind Francisco, separated from him only by the fosse, was the wall of
the villa and, Vittore being lost to view, Francisco withdrew his gaze,
always roaming restlessly in quest of something that should aid him, and
glanced along it curiously. His eyes rested on a great tuft of yellow
lichen, brilliant with scarlet spikes; it was so huge and spreading he
could not but stare at it. From the lichen his gaze travelled slowly
upward, but not a foothold could he see. Spreading above the wall the
topmost boughs of a gigantic yew showed a clear-cut black against the
sky, and on the broad, fan-like surface brooded a pair of doves, pink,
grey, and white. The beauty of the scene, its calmness and repose,
exasperated the man's inaction. He stamped on the little flowers at his
feet, then, with a bitter curse at his folly, threw himself upon the
grass to watch for Vittore's return, and ponder, for ever ponder, on his
purpose. Suddenly there shot into sight upon the stream a little boat,
with high curling prow and gaily painted sides. A blue sail was furled
above it, and it was impelled lightly forward by a delicate pair of oars.
The grounds of the villa formed a promontory, and coming around the brow
of it the boat broke upon his gaze and was within hail at one and the
same moment. It came rapidly nearer, and the stranger's first impulse was
to hide himself from these unexpected and unwelcome intruders; but there
was no time; as he rose he was observed, but the genial hand-wave and the
merry laughter reassured him. These were simple pleasure-seekers. He
reseated himself, and the boat came on.

The rower was a dark-haired man of middle age, clothed in a plain brown
robe. Lean and vivacious, eager-eyed, he appeared one of those people who
are always talking and moving; even seated and rowing he gave the
impression of restlessness; of the good humour common to the people too.
His companion was a young girl dressed in a simple blue gown. She was a
delicate blonde, very young, very slender; the curls of her amber hair
were blown across a round dimpled face; eyes of a dancing blue; a sweet
small mouth curled in laughter, a fine chin and throat, a slack young
figure. This was her principal characteristic, the floating yellow hair
like a veil about her.

Coming abreast of Francisco, the man paused on his oars with a friendly
greeting.

'Good day, messer,' he called. 'So thou hast found our secret haunt.
Graziosa and I had thought this place our own,' and as he spoke he waved
his hand around him at the water.

The boat rocked now alongside the path, and Francisco courteously
approached.

'I am a stranger here,' he said.

The other glanced at him anew, and with the awakening of a little
friendly wonder.

'A stranger? Ah, then, this is new to thee--this most beautiful part of
Italy. I assure thee,' he continued excitedly, 'I have been through the
fairest parts of Tuscany, I have wandered about Naples, but never have I
seen such colours, such lights as here!' Again he waved his all-inclusive
hand. 'Thou, messer, as a stranger, must see how wonderfully fair it is?'

He paddled the boat nearer among the reeds in his eagerness to obtain new
sympathy.

I have not been used to judge lands by their beauty,' returned Francisco.
'Yet methinks I have seen spots as beautiful and easier to hold in time
of need.'

The other twisted his mouth in contempt. The girl leaned forward,
laughing. 'You forget, father,' she said, 'everyone is not a painter.'

But the little man, as if he had found a sudden mission, secured the
boat, and, still in silence, stepped ashore, helping his daughter to
follow him. Francisco, preoccupied and mistrustful, saw this with
uneasiness, and would gladly have withdrawn. Moreover, the smiling face
of the happy girl was an added sting to a burning thought.

The enthusiast, however, had no idea of giving up a possible convert, and
swept aside the other's protestations while he commenced pointing out the
beauties of the yellow lichen against the villa wall, the sight of which
had restored all his good humour. 'See!' he exclaimed. 'How bright it is!
See the contrast of the yew--so brilliant, yet so in harmony, so--you do
not, paint?'

'No,' said Francisco between grimness and scorn. 'Do I look as if I did?'

The artist glanced anew at his huge frame and tattered attire, and
mentally decided he did not.

'Ah, then, thou dost not understand,' he said; 'but I, I am a painter.
Agnolo Vistarnini is my name, messer, a student of Taddeo Gaddi.' He
swept off his leather cap with an air of profound respect.

'Ah, he could paint! I am far behind him, messer, but I can see I can
see! Which thou canst not,' he added with superb pity.

'Graziosa,' he called, turning to his daughter, 'we will stay here
awhile.'

And seating himself on the bank, he produced from his wallet a panel of
wood, polished and carefully planed, upon which he began to draw the
outline of a corner of the scene, using a dark brown pigment.

Francisco fell again to brooding while the painter chattered on, dividing
his attention between the panel and his daughter, who was wandering up
the stream, filling with flowers a flat basket.

'Thou see'st yonder my daughter, messer,' he said, pointing to the
slender figure in blue. He blew a kiss in her direction. 'She is the
model for my angels--'

'And the model for thy devils?' asked Francisco suddenly. Vistarnini
started and looked around at the speaker.

'Devils! Messer!' He crossed himself. 'God forbid there should be a
model for such found anywhere,' he said.

'Yet methinks thou hast in thy city yonder,' said Francisco with a bitter
smile, 'one who well might sit for the fiend himself: Visconti.'

'The Duke? Ah, my friend, hush, hush, thou art a stranger, take care!
Even in this lonely spot such words are far from safe. Who art thou,
messer, who dost not live in Milan and yet speakest with such a look of
the Visconti?'

'Do not all who know the Visconti speak with such a look of him?'

The painter gazed at him in silence.

Tut thou askest for my name,' continued the other. 'I am Francisco di
Coldra, one who has suffered much from the Visconti'

'In the sack of Verona, perhaps?' asked Agnolo after a pause. 'The sack
of Verona was some time ago. The prisoners have been in Milan twenty
days!'

These words were inscrutable, and the little painter did not even try to
understand them; but they kindled a memory that would not be repressed.

'Ah, and what a night that was,' he cried, 'when the Duke re-entered
Milan with them! Since I do not hurt thee by the recollection, messer,
let me tell thee, it was a splendid sight, that night the Duke returned.
I live a quiet life, as an artist may do, even in Milan. I know little, I
care little for the wars of princes. They tell me the Visconti's crimes
outnumber the stars; but, messer, his shadow has not fallen across my
house, and what one does not see one does not fear--but when he returned
from Verona, that was a sight, messer. It was late. Our house overlooks
the western gate, and all day long the messengers had come and sped,
bringing the news the Duke was here. Towards evening--we leaning from the
window as did everyone--Alberic, da Salluzzo comes galloping to the
walls--red-hot upon some report that the Visconti has been slain--to look
to the arming of the citizens. Even as we strain from the window,
following the flash of his plumes--back he comes in madder haste--the
Visconti is alive! The people shout and yell, and some cry 'tis not the
Visconti's army on the road, but della Scala's. Meanwhile a mob, with
Napoleone della Torre at their head, begins to agitate, to threaten riot.
With a strong hand Alberic puts them down--the streets are cleared,
Graziosa and I on the balcony, all is dark, silent, save now and then the
clink of the armour of the sentries on the walls. I am too excited for
sleep, messer, all so hushed, so subdued, waiting, waiting. All at once
it comes. Oh, the rattle, the roar! The great gates clatter back, the
streets fill with crowds no man can keep back. The victorious army pelts
through them; two men on every horse, great flaring torches throwing
their yellow light on the torn banners and the wild faces of the
soldiers, and then the cannon, leaping over the rough stones, drawn by
the smoke-blackened gunners, all tearing, rushing through the streets, a
mass of light and shade, wonderful, wonderful! In the midst, the
Visconti, the ragged light streaming over his battered armour, and Isotta
d'Este, guarded between two soldiers, swaying on her black horse, and
above all the shouts of the frenzied triumph of the Milanese...Ah!'

Agnolo paused now for want of breath, and glanced at his companion.

But Francisco offered no response. His face was turned away, and his
hands were clenched. The little painter had a vague sense of having
allowed a mere artist's enthusiasm to carry him too far into a dangerous
theme.

'Ah, well,' he continued in a deprecating tone, 'a splendid sight truly,
and one to fire the blood, but I am a man of peace, and I greatly grieve
della Scala should have perished. He was a noble prince.'

The stranger rose abruptly.

'Do not speak of della Scala,' he said harshly. 'I love to hear his name
as little as Visconti's. His was the crime of failure.'

'Failure! Who would not have failed?' said Agnolo gently, for he thought
he spoke to one who must have lost his all in the sacked town. 'I know
little of such things, but 'twas here and there asserted he fell by craft
as well as force, and he was a great soldier and an honourable man,
Messer Francisco.'

'He had all the virtues, doubtless,' said Francisco, 'and lost Verona.'

'And his life!' replied the painter. 'Ah, well, these things are
grievous! The saints protect my daughter from all share in them,' and he
glanced affectionately toward Graziosa, returning through the grey-green
willows with lilies in her hands.

'For my pictures,' said the painter, pointing to them. 'I am painting an
altar-piece--for the lunettes. I shall have Graziosa as St Catherine, and
Ambrogio (her betrothed, messer) as St Michael. These flowers will make
the border.'

He took some as he spoke, and began arranging them in wreaths.

Francisco would scarcely have heeded the speaker's words, save that his
glance was caught almost involuntarily by the girl's sweet blush at
mention of her lover's name.

Thy betrothed,' he murmured, interested a moment in the happiness that
was such a contrast to his own feeling. 'And does he paint too?'

Graziosa looked up with sparkling eyes.

'Beautifully,' she said eagerly. 'He is at work now in the Church of
Sant'Apollinare in Brescia. We have not seen his painting, the journey is
too long; but some of the panel bits he has shown us, and they are
noble.'

Francisco smiled faintly at her outspokenness, and her father laughed
good-humouredly.

'Thou must not listen to her,' he said. 'She overrates his painting. He
paints well, truly, but cold! ah, so cold; no spirit in it! He will sit
for hours thinking how the fold of a robe should fall. I, however, have
seen Taddeo Gaddi paint! The angels would seem to flow from his brush as
if he gave no thought to them!' But Graziosa turned a smiling face from
the boat she was unmooring.

'His altar-piece will draw all Lombardy,' she cried.

'Say rather that his altar-piece draws him away from thee,' laughed the
painter, 'and thou wilt be nearer to the truth. The altar-piece has all
his time; thou but a few meagre hours a week! Still, they love each
other, messer, and are happy, so we never care whether Ambrogio paints
well or ill.' Graziosa seated herself under the blue sail, and looked up
with radiant-eyes.

'I am very happy,' she laughed softly, 'so never mind whether he paint
the best or the second best in Italy.'

The painter grasped the oars and pushed out into the stream: 'Good-bye,'
he called, and Graziosa waved a hand; then something in the stranger's
aspect made the little painter pause again.

'Gladly would we offer our poor hospitality, messer,' he said, 'only the
gates are sternly barred to any stranger...' But Graziosa, glancing also
at the strong, commanding figure, and the stern set face, checked her
father's impulse.

'We are too humble, father,' she said gently, 'but if there were any
service we could render, any message--? We live at the sign of _Lo Scudo_,
the armourer's, near to the western gate.'

'I will remember it,' said Francisco simply.

Graziosa drew her blue cloth hood about her smiling face, and, with
gentle strokes from the painter's paddle, the boat disappeared.

When Francisco found himself alone again, momentary misgiving seized him
that he had lost an opportunity.

Could these folk have been of service? They were of a sort unknown to
him; courtiers, soldiers, burghers, merchants, with all such he was at
home, but these plebeians of kindly nature and good speech, of humble
rank and careless happiness, were new to him. The painter's talk of his
craft had had no meaning for Francisco, it had passed from his mind for
craziness; but the girl had said they dwelt near the, western gate--could
they perchance have been of service? But presently he dismissed the
notion; they were too simple for his purpose.

Raging in the pain of rekindled memory and present helplessness,
Francisco paced to and fro, waiting for Vittore's figure in the distance.

Suddenly his eyes rested again on the great clump of yellow lichen, and
he stopped, arrested.

In the midst of it he had seen something that interested him, something
very much its colour, but not quite its kind.

He approached, and thrusting his hand in among the great tufts, touched
the rusty iron of a disused bolt. There was a door here, then, that led
into the grounds of the deserted villa! Francisco's heart beat strongly.

From the finding of the silver goblet in the ruined hut, he had
associated with the Visconti's name the darkened dwelling and its silent
grounds. There was none to question, for there was none of whom he dared
inquire; but more than once Francisco had thought of trying to enforce an
entrance, only to find, however, that by whomsoever abandoned, ingress to
the villa had been left well-nigh impossible. But here was an entrance
that had been overlooked, and it was not to be wondered at, for the rusty
bolt could have been discerned only by eyes as keen as his, and the door
belonging was completely hidden by close-growing ivy, too frail to climb
by, but the most effectual of all concealments. Tearing up the lichen
from its roots, Francisco set to work upon the ivy. The delicate,
rope-like strands clung with their black filaments like fingers
bewitched, and little had been accomplished when Francisco, taking
cautious survey around him, saw Vittore returning across the meadows.
Concealing what he was about, Francisco waited till the lad came up,
flushed and triumphant from a successful errand.

'What news going in the city?' asked Francisco.

'All is quiet. One of the soldiers snatched a leek from me, another bade
me tell my sister he was still unwed. They jested finely, but I should
not like them to have turned to questioning me. There were so many, and
so finely armed.'

'And the money? Didst thou need to change the pieces that I gave thee?'

'Yes, messer, I had not enough! They said it was Veronese.'

'Nothing new to them in Milan now--the money of the Veronese,' said
Francisco, with a flashing glance toward the ramparts.

'They told me 'twas no longer taken; that the Duke was having it recast.
But a bystander reached forward, and gave me a piece of Milanese. He said
that he would keep my piece; it bore the della Scala arms, he said, and
was a curiosity.'

Francisco muttered something that the lad did not catch.

'Well, thou hast faced the soldiers and the market now,' he said aloud,
'and art safe for other journeys, as I promised thee. Go on to the hut,
and give thyself food and Tomaso. Keep close and answer none. I will be
with thee presently.'

The boy went on obediently. These two days with his rescuer had taught
him and Tomaso both that what Francisco said he meant, and his word was
their law already. But Francisco needed stronger allies.

With some half-formed thought that the villa might conceal one, he now
returned to his attack upon the ivy, and after many a wrench and cut and
struggle, the garden door stood bare enough to use. It was stained,
discoloured, locked, and immovable.

But this was nothing to Francisco; with his dagger he cut the woodwork
around the lock, removed it, and, thrusting his hand and arm well through
the breach, with no great difficulty withdrew the upper and lower bolts.
With knee and shoulder then he pressed inward, driving against the weeds
and growths that choked it, and presently had forced an aperture that
would admit him.

After a cautious glance along the meadow path, fortunately for his
purpose little used, he replaced the loose strands of ivy as far as he
was able, and slipping through, pushed the door back into its place,
filling up the broken lock with green.

He was in a garden of great beauty. The yew-tree overhead shaded a patch
of velvety green starred with daisies. Before him a straight path led to
a marble seat and a belt of cypress trees.

The ring-doves cooed blissfully; the flowering trees stirred; there was
no other sound save the distant one of faintly splashing water. Treading
softly, Francisco set forward in the direction in which he knew the villa
lay.



Chapter 6. - The Rescue of Count von Schulembourg


The house, a low, graceful building of white marble, was approached by a
broad flight of steps, flanked by a balustrade almost hidden in early
roses, which trailed in great clusters over it and along the velvet turf.
Fronting it was a great fountain, and a wide avenue of yew-trees, patched
with sunshine, led up to the facade.

To right and left spread turf-grown paths, edged with orange and lemon
trees, and sweet with the scent of the citron and myrtle; around their
roots grew violets, primroses, daffodils; and behind, beyond, on all
sides, were grass and walks and trees, a sea of moving green.

The place was profoundly quiet. The statues, placed here and there,
looked out from the foliage smiling; the dainty seats of coloured stone
were empty, innocent of satin skirt or ruffled cloak. There was no sign
of the recent care of man; no wild things stirred; beside the basins of
the fountains lay two peacocks, dead. The villa doors were open, showing
something of the long corridor that traversed the lower floor, but silent
as the scene without. The stillness was unnatural; the beauty of the
place, the two dead gorgeous birds, the open doors and lovely sunshine,
made an impression that appalled.

The day was long past noon when, through the dim corridor, there was the
faint flutter of garments. Someone was slowly moving. The sunbeam's
slanting ray struck through the doorway on a strange, haggard-looking
figure: a man. He was wasted, bent, and shrunken; his limbs tottering
under him. Where his blue velvet cloak fell back, it showed a splendid
suit of black and gold, embroidered and decked out with ribbons, but the
splendour hung upon a hollow frame: a skeleton. Long locks of pale golden
hair heightened the ghastly hollowness of the pinched face. Conrad von
Schulembourg was paying with this form of death for the favour of
Valentine Visconti. As her brother's favourite, he had thought it safe to
lift his eyes to her; being something of a gallant fool, very gay to face
danger, very incredulous of its ever coming to him in this hideous shape.
He was not quick to read character, especially Visconti's character.
Could Gian Visconti have seen his victim now, even he might have started,
for it is hard to imagine what men who die of hunger look like.

The trees, softly moving, made pleasant light and shade; the myrtle
blossoms blew and sailed in little clouds of mauve, while the
sweet-smelling leaves of the citron hung their rich clusters over opening
lilies. Conrad, dragging himself across the grass, with straining eyes
and parted lips, thought only of the water in the fountain, and saw only
those dead birds. Poisoned! Visconti had forestalled all chances.

The Count had scarcely strength for any definite purpose of self-help. He
craved water, and turned to drag himself away in search of some he might
dare drink. Ere long, he knew not how, he reached it; a little hollow
fringed with fern, in its centre a calm and placid pool, the trees
mirrored in its peaceful surface. Count Conrad fell beside it, gazing
longingly. A statue of a wood-god, the sunlight yellow in the hollow
eyes, leaned from among the bushes, and mocked him with its smile.

Another effort and he had reached the stone. The water was so cool, so
clear, so pure and still, it seemed impossible that it should harm him.
He reached his hand out, then convulsively resisting the impulse, drew it
back, and sank again upon the grass. At a flutter of white from the
boughs near, Count Conrad lifted his eyes, and saw a dove that flew past
him to rest upon the rim; he watched it eagerly. The bird preened itself,
shook its feathers daintily, stooped and drank. Conrad drew himself a
little nearer. Suddenly with a cry the bird whirled up into the air, beat
its wings together vainly, and fell back into the water, dead! Poisoned!
All the water poisoned! Desperation giving him a moment's strength, Count
Conrad rose and regarded the dead dove with greedy eyes, but steeling
himself against the impulse to devour his own death, he crawled on with
the vague thought to reach the gate. Some instinct of remembrance guiding
his stumbling steps, he came upon it. It was twice his height, and all
its elaborate tracery offered no single aperture through which a child
could thrust his hand. Sick and blind he clung to it; he tried to shout,
to scream, his voice died in his throat. In helpless rage, his wild face
pressed against the iron, his eyes starting, his tongue lolling out of
his dry mouth, he gripped and shook the lock.

Two children running by, stopped, gazed, came nearer, and then at what
they saw, fled, screaming. No one else approached. The world seemed
empty. Twilight began to fall. Then in his half-delirium Count Conrad
thought again of the dead bird, and laughed wolfishly to himself, making
with tottering steps back toward the hollow. To search coherently for
food or drink or succour was now beyond his power. Presently again he,
sank across the grass and lay there crying like a child, whimpering and
whispering. Once or twice he made an effort, snatched at the long grass,
fell back again, and lay now in silence.

After a time, but while it was still light, he seemed to wake as from a
trance, and saw a figure moving down the glade toward him. Was he still
living? He could scarcely tell. Was this Visconti come again to mock him?
The thought spurred the man, though dying, almost to strive to rise and
meet his fate standing. But sky, grass, trees, and stone reeled about him
in a chaos of green and blue. He strove to speak, but his tongue refused.
The dark figure came nearer, stopped beside him, stooped and spoke, but
Count Conrad did not see nor heed. He lay, a woeful spectacle, as if dead
indeed.

He awoke, as he thought never to wake again, with moistened lips, and
water on his forehead, and a face that was not Visconti's bending over
him; a dark face with strange brown eyes that looked at him with sombre
interest.

'Thou comest from the Duke?' gasped Conrad. Francisco shook his head.

'I am no emissary of Visconti.'

'Then thou comest to save me?' whispered Conrad eagerly, hope dawning in
his eyes.

'I will save thee if I can,' replied Francisco. 'Thou art alone?'

Conrad moved his head. He was too weak for more. Then a sudden thought
shot horror into his face, and he struggled to a sitting posture.

The water!' he gasped out. The water--from that fountain--thou gayest me
to drink of that?'

Francisco followed in surprise the direction of his glance. 'No,' he
said. 'I had it with me; 'twas water and wine too.'

'Oh!' Conrad sank back. 'The water is poisoned--all--'

'Poisoned--Visconti's doing!' said Francisco.

'How didst thou get in?' whispered Conrad feebly. 'Visconti barred all
entrances.'

'I found one unknown to any; canst thou, with my help, walk there?'

'I think--I can walk--to safety,' was the answer, and the love of life
lending him strength, he staggered to his feet, and helped by Francisco
and invigorated by the wine, made slowly forward.

But they had not taken many steps before Francisco well perceived he had
rescued a man past helping himself, well-nigh past any help from others.

With a sigh Conrad sank speechless into his arms.

Francisco looked around him. He had come far from the entrance he had
forced, and Conrad, plainly starved and emaciated as he was, was still a
man full grown. To leave him and to return to Tomaso would be too
dangerous. The place must be under observation. But to seek safety
himself and abandon the helpless man was not a thought to occur to
Francisco, though, hampered by his dead weight, he would be at any
pursuer's mercy, or fall a prey to any ambush; so with stout words of
encouragement, and forcing more wine through his lips, he lifted the
Count to his shoulder and made as rapidly as he was able to the door
beside the lichen. It was a breathless journey, but at last, and
unmolested, Francisco gained the wall and laid his burden down.
Reconnoitring without, he saw no sign of danger, and, glad of the
oncoming dusk, dragged up the man and laid him, at least free, outside
the door. The cool air blowing from the water, a few drops more wine, in
which Francisco soaked some crumbs of bread he found within his wallet,
enabled the rescued man again to move.

It was an easy matter now to bring Vittore and Tomaso, who would not be
left, and between them Conrad, too spent to put questions, was carried to
their shelter and laid on the rough heather couch in the hut, from which
one of his own vassals had not long been driven; a poor asylum enough,
but one for which he only too gladly exchanged the deadly splendour of
his own magnificent abode.

'Who is he?' asked Tomaso, in timid surprise. For the first time since
their knowledge of him Francisco laughed, and without bitterness.

'One of Visconti's victims! It is some poor satisfaction to have rescued
two,' he said. 'I know nothing of him except that it is plainly to be
seen he is some person of distinction. We will nurse him to the best of
our skill. Tomaso, he may be of use--'

Then suddenly Francisco's humour changed. He glanced around him at the
boy, the youth, scarcely recovered from his fever, the ghastly figure on
the ground over which he bent, and fury shook him. Of what use anything
against Visconti? 'Oh, terrible to be so helpless!' he cried
passionately. 'We will leave this place. I break my heart in vain against
the walls of Milan. I will to Ferrara, to della Scala's kinsfolk there.'

'And they will aid thee?' asked Tomaso trembling.

Francisco smiled, but this time grimly. 'I can but try,' he said. 'Della
Scala was once known and trusted there. And in no case can we stay here!'
He pointed down at Conrad. 'The place will not be safe for us, let
Visconti once discover his victim has escaped him. We will depart to
Ferrara, and fall upon Visconti while he is unsuspecting that I--that
anyone lives still to animate the Estes against him.'

An hour or two later, while Vittore and Tomaso slept, Francisco keeping
watch beside him, Conrad woke from a light doze and felt that he had hold
on life again. He tried to murmur thanks to his preserver, but the other
checked him.

'Thou art not of Italy?' he said.

'I am Conrad von Schulembourg.'

'Conrad von Schulembourg!' echoed Francisco in surprise. Visconti's
trusted friend!'

'The trusted friend of him who fastened me within my villa yonder to die
a lingering death of hunger, or of poisoned food.' The drops started on
his forehead, he gasped for breath.

Francisco soothed and tended him.

'Think not of it; get well,' he said, as he had said to Tomaso. 'Live and
help rid the world of the Visconti. He would have thee die a dog's death.
Is not life dear to thee?'

'Yes, I will live,' said Conrad, 'and I will take revenge both for my own
wrongs and for a woman's sake.'

Francisco turned quickly and looked at him keenly.

'A woman's sake! Thy motive is the same as mine: I too am living for a
woman's sake.'

Then, at the other's questioning stare, Francisco continued more quietly:

'I am from Verona, Count; that will tell thee much. I belonged to della
Scala's court, and barely escaped with life from the sacking of the town.
Thou see'st I can for that and other matters more than equal thee in
hatred of Visconti.'

He rose and, moving toward the door, looked out.

'Oh, I am impatient!' he cried passionately, 'to be riding toward
Ferrara!'



Chapter 7. - Graziosa's Bracelet


Tisio Visconti, mounted on a white palfrey, rode slowly through the
streets of Milan, a lean figure, with a foolish face and vacant eyes.

For the elder Visconti was half crazed, a fact to which perhaps he owed
his life, Gian Galeazzo not fearing his poor disordered intellect enough
to deprive him of aught, save his birthright--the sovereignty of Milan.

One or two men-at-arms in splendid livery rode behind him, and as he
passed the people bowed humbly, respecting him solely as the Duke's
brother, for Tisio was powerless for good or ill. Some few there were who
pitied him.

About the streets of Milan he was a far more familiar figure than his
brother, who was seldom seen, but of whose unscrupulous power Tisio was
the living symbol.

Complete liberty was allowed him; still the soldiers behind were rather
guards than servants, and charged to see he did not leave the gates.
Dropping his loose reins on the palfrey's neck, Tisio Visconti looked
around him with lacklustre eyes and a dull smile. He was riding through
the long, narrow streets, cobbled and overhung with high straight houses,
that led to the western gate.

Through this gate his father lately, his brothers months ago, had been
driven to their deaths; his father, infamously, his mother beside him, in
the full light of day to Brescia; his brothers, secretly, at dead of
night, to Brescia also, whence they returned no more.

Yet to Tisio the gate and street had no memory or meaning; he looked
ahead of him at the green trees beyond, and his eyes lit up. It was to
see them he came. To him the world outside Milan was paradise; sometimes
the soul within him rose and chafed at his dull captivity, and then he
longed passionately for those green fields and trees, which he knew only
from within the city gates.

The street was empty now; it was noontide, the hour Tisio preferred, when
there were few abroad. The sun was hot, its rays flashing on the pikes of
the sentinels who paced the walls; and Tisio's followers wiped their
brows and chafed. But he gazed with wistful eyes, unheeding, into the
beauty and the calm, the green and the gold. The sentry took no heed of
him; so many times he had done the same; ridden to the gates, waited,
looking eagerly through, then patiently returned to the gloom of the
Visconti palace.

Either side the massive entrance lay houses, low, of grey stone, enclosed
in square courtyards, entered by doors deep set in the thick walls.

From one of these, as Tisio turned, a girl emerged in a scarlet robe. She
carried a bunch of lilies, on her arm hung the basket that betokened her
errand. She and the little group of horsemen were the only life in the
silent, sunny street. Tisio's eyes lit upon her, and he smiled. Like all
the Visconti, there was poetry mingled with his madness, and the sight of
beauty touched even his crazy brain.

The girl, starting when she saw the horsemen, paused, as if to retire,
her hand on the door, her brilliant robe gorgeous against the background
of grey wall. The colour, and the sunshine falling over her golden hair,
made a picture Tisio was not slow to see; his eyes fixed upon her
eagerly; he drew up his horse and turned to the page who, spy and
attendant in one, invariably accompanied him.

'I would speak to her,' he said, with the eagerness of a child.

The girl, seeing she attracted notice, turned, frightened and confused,
to make good her escape, but the page, riding up, stopped her
authoritatively, but with a reassuring smile.

''Tis the Lord Tisio Visconti, lady; fear nothing; he would only speak
with thee,' he said.

But the girl's alarm increased at the mention of that dreaded name.

'He mistakes me for another, sir,' she said. 'I have never so much as
seen even the Duke himself.'

'My lord would speak with thee,' repeated the page. 'He is not the Duke,
but it is the Duke's pleasure that he be obeyed in matters such as this.
Come, maiden, there is no need to fear: it is an honour.'

He turned his rein again, and, indeed, not daring to refuse, the girl
followed and stood timidly by Tisio's side. He looked at her long and
eagerly, at her scarlet dress, her sunny hair, the white and green lilies
in her hands. Still he did not speak, and she raised her head and looked
around questioningly and fearful. But the page only smiled: the
men-at-arms sat silent and indifferent.

'Thou art very beautiful,' said Tisio at last. 'What is thy name? Whose
daughter art thou?'

'Graziosa Vistarnini, my lord; Agnolo Vistarnini is my father. He is a
painter.'

But Tisio's eyes grew vacant, and his gaze wandered to the lilies.

Did they come from yonder?' he asked, and pointed beyond the gate.

'No, my lord. From a friend's garden. My father thinks to paint them.'

Still Tisio did not heed her answer; he laughed foolishly. 'I may go?'
asked Graziosa timidly. 'I may go, my lord?'

He bent from the saddle and lifted from her shoulder a long lock of her
curling hair, and stroked it, dropping it with a sigh. 'Give me these,'
he said, pointing to the lilies; 'all the flowers I know grow in Gian's
garden--Gian is the Duke of Milan.'

And at his words, and the tone in which he spoke them, Graziosa's pity
overcame her fear.

In silence, tears in her eyes, she handed him the flowers. He took them
eagerly, but before she could withdraw her hand, he grasped her arm with
a childish exclamation and touched the bracelet of fine workmanship she
wore upon the wrist.

'I will have this too,' he said, laughing with satisfaction: but the girl
drew her arm back sharply and turned to go.

Tisio fumed. 'The bracelet,' he said peevishly, and the page motioned her
harshly to remain.

Graziosa turned to him in confusion and distress.

'I cannot give it him,' she said, the tears starting. 'I entreat thee,
sir, ask him to let me go.'

But the page intimated to her warningly she had best make no to-do. There
was only one law for the citizens of Milan: that was the tyranny of the
Visconti; let the one who encountered it only in the capricious whim of
the crazy Tisio be thankful.

'Hold it good fortune, it is naught but a bauble he demands,' said the
page. 'Give him the bracelet; he will drop it, forgotten, tomorrow. Ask
for me one day at the palace. I will restore it. But give it now, before
he grows angry. Thou hadst better.'

Tisio's face was darkening.

'Make haste, make haste,' cried the page impatiently, 'or it will be thou
and thy bracelet both that will be carried off.'

'My betrothed gave it to me,' she murmured. 'I cannot part with it.'

'I will have it,' repeated Tisio imperiously, with outstretched hand.
Graziosa's helpless tears were flowing; slowly she unclasped the
bracelet; the page took her treasure with an easy air, handed it to his
master, and turned the horses' heads toward home.

'Thou wilt be none the worse,' he laughed, as they rode away. Tisio,
absorbed in his new toy, gave her neither look nor thought, for jewels,
gold ornaments of rare design, were the craze of this Visconti's diseased
brain.

Graziosa pressed her bare arm to her lips, and looked after them, the
tears of vexation streaming down. She thought of Ambrogio, the
painter-lover, whose gift it was: what would he say to find her bracelet
gone?

'Oh, if only Ambrogio had been here,' she cried, 'he would not have let
the Duke himself take it from me--but I--what could I do?--if only he is
not angry that I let it go.'

She had not much faith in the page's words besides, how dare she venture
to the Visconti's palace? Her tears flowed afresh; she picked up the poor
discarded lilies, all her pleasure gone. In the distance she could see
Tisio, still handling the bracelet with delight, and she half-smiled,
even through her tears, at so strange and pitiful a thing. 'It makes the
poor crazy lord happy,' she said softly, 'but it breaks my heart to lose
it.' She watched Tisio disappear; then, her loss a certainty, she turned
with reluctant feet upon her errand.

Meanwhile Tisio, absorbed in his new spoil, rode toward the palace.

The projecting gables of the houses sent clear-cut shadows across his
path; the strong noonday sun blended the city into brilliant light and
shade, broken only by the vivid colour of the drapery fluttering at some
unshaded window, or the sudden flash of pigeons' wings against the golden
air.

As they neared the great gate of the palace, a group of horsemen,
galloping noisily ahead of them, dashed into the vast courtyard and drew
rein with a fine clatter at the entrance steps. Tisio, following, raised
his head, and looked dully at them--a band of his brother's soldiers,
hired mercenaries; it was usual enough to meet them both within and
without the Visconti's abode. As he was dismounting, the leader of the
band addressed him familiarly.

'My lord hears thee not, sir,' said the page, 'his thoughts are with his
spoils.'

The soldier laughed with a grimace.

It was the freedom of one whose services are valuable enough, even when
well paid, to permit him to bear himself with small respect to his
employers. For the mercenaries were a power; the transfer of their
services could ruin states and lose towns, and even Visconti had to pay
them well and concede licence to their leaders; for upon them, to a great
extent, his sovereignty rested, and Alberic da Salluzzo could take more
liberties than any. He was a famous captain, noted for his skill in wars
and turbulence in peace, a man with no country and no honour, endowed
with dauntless courage and endurance, of vast rapacity and of all the
cruelty his age allowed.

Making no way for Tisio, and motioning curtly to his men, he strode up
the stairs, a stalwart figure, overdressed in splendid armour, and swung
into the ante-chamber of the Visconti's audience-room. It was deserted.
Alberic, astonished, paused on the threshold, looking round in amazement
for the crowd--courtiers, servants, seekers, soldiers--wont to fill it.

Opposite was the closed door of the Visconti's room, but even Alberic
dared not knock there unannounced. He was turning away to seek
enlightenment, when a dark form he had passed unnoticed in the distant
shadows of the great room rose, and he recognized, as it advanced, the
secretary's stooping figure.

'What has happened here?' demanded the soldier.

'Is there need to ask?' answered Giannotto. 'The Duke has had the room
cleared. He will see no one.' Alberic half-laughed, and shrugged his
shoulders.

'The madness is on him at Count von Schulembourg's escape. Is that it?'
he asked. 'But art even thou excluded?' he continued in surprise, for
Giannotto was the one man who could come and go unannounced, unbidden,
the one man who knew Visconti's secrets.

The secretary smiled, the slow smile that men's lips learned in the
Visconti palace.

'It is best for the Duke to be alone, and for me that he should be,' he
said. 'The news that Count Conrad has escaped hath galled him much; it
came at a bad moment too, following on those parchments twice found
within the grounds'--he paused. 'Thou wert sent to find the writer, or
the one who put them there; art thou successful?'

Alberic shook his head. 'I return as I went. Beyond finding that doorway
forced in the wall, messer secretary, there is no token whatsoever of how
the Count escaped. But after so long a fast, messer,' Alberic showed his
teeth, 'it is not likely that it was alone.'

'The one who aided him is he who inscribed those parchments?'

''Twould seem so,' answered Alberic. 'We have searched anew among the huts
from which we drove Count Conrad's German dogs; on the threshold of the
largest there was--this.'

He drew out of his breast a parchment, a long narrow strip, scrawled
across in irregular writing, and handed it to Giannotto.

'What does it say?' he asked.

Giannotto glanced at it hastily, his eyes on the Duke's door. He read,
'Della Scala lives!'

The captain whistled softly. 'Now, thou may'st hand that to the Duke
instead of me,' he said.

Giannotto searched the writing keenly. 'Della Scala cannot live; 'tis
some trick of the Torriani.'

Alberic laughed harshly. Whate'er it be, I say thou shalt have the
pleasure of showing it the Duke!'

'Nay, thou must speak of thy own failures, friend. Besides, the Duke will
need thee for his further orders. Count Conrad must be found, alive or
dead!'

Was it his ghost attacked the walls last night?' asked Alberic; and not
wholly did he speak in jest.

The secretary cast uneasy looks across his shoulder at the ominously shut
door.

'It angered Visconti strangely,' he whispered. 'But it was a handful of
madmen. Wandering robbers from the hills! They were four at most, and
they tried to scale the walls of Milan!' He smiled in scorn.

'And yet,' said Alberic, 'they were almost on the ramparts ere they were
discovered, and when they were pursued fled back into the night silently,
nor could we find whence they came, nor any trace of them.'

'However that may be,' said Giannotto, 'the Duke hath dismissed even me,
and the delivery of this parchment had best wait till his black fit has
left him.'

He raised the arras from the entrance that opened on the stairway, and
passed out of sight along the corridor, leaving Alberic standing in the
unguarded entrance of the deserted audience-room, undecided, the
parchment in his hand.

But he did not stand there long alone. One or two servants stole back to
their places, afraid to stay away; and presently, with slow steps and
vacant smile, there passed by him Tisio Visconti, followed by the page
who never left him.

'Thou, my lord?' cried Alberic. 'Now, how would it be if I ask him to
hand this parchment over?' and he turned with a swaggering laugh to the
page.

The page shook his head, not comprehending. Tisio, unheeding, seated
himself in one of the great chairs, Graziosa's bracelet still between his
fingers.

'I will wait no longer,' cried Alberic suddenly; 'let the Duke summon
me.'

But the next moment Alberic's swagger dropped, and he swung his plumed
hat low to the lady who, unattended, stole across the threshold.

It was Valentine Visconti.

Her breast was heaving; suppressed excitement showed in every movement;
it was not difficult for Alberic to read she had heard of Count Conrad's
rescue.

With a motion of the hand she bade him wait, and turned to her brother,
huddled in his chair, gazing blankly at the floor.

'Tisio!' she said, and her tone was very gentle. 'What dost thou here?'

He looked up, and his dull face lit at sight of her.

'I wait for Gian,' he said simply.

Valentine shuddered. 'What wouldst thou see him for, Tisio?'

He smiled, and held out the bracelet. 'To show him this' The tears rushed
to Valentine's eyes but she remembered the captain and turned to him.

'Thou carryest something here to give the Duke?' she asked. 'Another
parchment, lady,' said the captain. 'But I fear my lord is in no humour
for its contents'

Valentine's eyes sparkled brightly. 'Thou has not the courage to present
it?'

'I confess, lady, I am waiting till I am obliged to,' answered Alberic.

Valentine held out her hand. 'Give me the paper; I will give it to my
brother!'

The captain hesitated.

'Since thou hast not the courage,' she added almost with a laugh. All
Gian's orders had not availed to prevent some whisper reaching Valentine
of his evil humour and the cause of it: Conrad's escape, the threatening
parchments; the hint that della Scala lived. Alberic, glancing at her,
saw a triumph and a malice in the lady's glance that made him doubly feel
he did not care just then to await Visconti's coming. But still he
hesitated; the Duke might vent on him his fury with his sister.

'This business will not wait,' cried Valentine, 'give me the parchment to
deliver, or knock at yonder door and hand it to the Duke yourself.'

But the captain of the mercenaries bent low, shook his head with a
significant gesture, and, handing over the fatal missive, bowed himself
away. Valentine turned again to Tisio's page.

'Take thy lord away,' she said. 'The Duke may not be best pleased to see
him here.'

But Tisio would not go. Valentine, bending over him, stroked his hands
tenderly, then breaking from him, leaned against the wall in sudden woe.

'All of us crazed,' she cried bitterly. 'All of us, surely; wretched
people that we are!'

Then, at the sight of the parchment she held, her former mood returned.
Conrad was alive! He had vowed devotion. He would return to her rescue.
She would live to be free; to come and go outside the Visconti palace,
outside Milan, out yonder in the world. She leaned back against the arras
a moment, dizzy at the thought of so much joy, and her courage rose high,
her eyes danced.

'The Duke must have this parchment,' she said; 'and since Alberic da
Salluzzo does not care to seek an audience for it, why, Tisio, thou shalt
see me give it. The Duke loves not an interruption when he is angry,' she
added, with a soft laugh. 'But 'tis my duty to show him this.'

And she advanced toward the ominously closed door.

The page looked uneasy. He had no wish to face Visconti in his
fury. Yet well he knew he dared not leave his charge. Valentine
tapped at the door with gentle fingers.

'Gian!' she called.

'Lady, this is madness!' cried the page, startled into speech. She looked
over her shoulder.

'I am also a Visconti, boy,' she said. 'Why should I fear the Duke?'

'Gian!' she called again, her beautiful head close to the dark panels. 'I
have something here of great moment. Why let everyone know thou art so
moved? Gian! Thou makest thyself a mock; dost thou fear Count Conrad,
that his escape moves thee so?'

A pause: then with a smile Valentine stepped back a pace or two into the
chamber.

'The Duke comes!' she said, and the page turned pale.

The inner door opened as smoothly as silently, and Visconti stood there
looking at the trio. He was dressed in purple velvet, but his doublet was
tumbled, the fine lace frills at his wrists were torn to rags, his eyes
strained wide open, and for a moment, as it was with any who encountered
it, his expression gave his sister pause. But again she remembered Conrad
lived, and she held out the parchment. 'I thought it well to give you
this,' she said.

Gian advanced and took it in silence. But those torn ruffles, that
disordered doublet, had their meanings, and the look in those wide eyes,
as he turned them on her, quelled the mockery in hers, in spite of
herself.

'Begone!' he said, 'and do not usurp another's office again. Leave me.'

'With thine own thoughts, brother?' she said softly, facing him. 'Be
careful,' he answered; 'thou shouldst know my humours, and that 'tis
dangerous to cross them. Remember it only suits my purpose that thou
shouldst live!'

At this Tisio, as if half-comprehending the threat, rose, and his
brother's eyes fell on him.

'Thou too! What dost thou about my doors? Hast thou come too to dare me
with thy folly?'

His eyes blazed, his hands worked. Tisio, dazed and affrighted, let fall
Graziosa's bracelet.

The page stooped to recover it.

What hast thou there?' cried Visconti with sudden change of tone; and the
page, quivering for his life, handed the bracelet on bent knee. Visconti
studied it one second, then, with a sound of fury that sent the boy
crouching back against the wall, control left him. His eyes lighted on
Tisio, and in maniacal fury he seized him by the shoulder and shook him
as though he were a rag.

'How camest thou by this?' he yelled. 'How came this bracelet in the
Visconti's palace? Answer me!'

Tisio whimpered, but had no reply, till, with a shout, Visconti flung him
from him with such force that, save for Valentine, he would have fallen;
then he turned upon the page who knelt by, trembling.

'Answer me!' he cried furiously. 'Answer! Where got the fool this?' He
held the bracelet out. And the sight of those torn ruffles around his
long white hands made the boy's hair rise.

'Indeed, my lord,' he gasped, 'a girl, whom my Lord Tisio--met by the
western gate--'

'Gave it him!' shrieked Visconti. 'Ah, the three of you shall pay dearly
for this hour's trifling with me!'

'My lord took it,' cried the page, half-wild with terror. 'He took it, my
lord; she wept to give it.'

'She wept to give it,' said Visconti slowly.

There was a pause. When he spoke again, his tone was calmer.

'Then he shall be slain for taking it,' he said, flashing a look on
Tisio, who, huddled in the chair, moaned with distress as he leaned
against his sister.

'Shame! Calm thyself!' cried Valentine. 'What has Tisio done? Is this the
first ornament he has liked and taken? Have they not orders to let him
have his pleasure?'

'Mark me,' returned Visconti. 'Take care thou dost not make my dislike
overrule my ambition--the pair of you hold your lives solely at my
pleasure.'

He turned to the page.

'Go, and take thy fool with thee, and keep from my sight.' With a white
face the wretched page rose and helped Tisio to his feet. At a whisper
from his sister he went meekly, Visconti's mad eyes on him the while.

A terrible silence fell.

Valentine steadied herself against the arras. She was thankful to see
Tisio go--alive. To ask why the jewel Tisio had fondled had so angered
Gian was beyond her daring. 'He is possessed,' she murmured to herself.

With an unpleasant laugh Visconti turned to her.

'Didst thou urge him to flaunt me with this?' he asked. 'Flaunt thee?'
said Valentine. 'How should I know a toy like that could rouse such
fury?'

The Duke looked at her keenly, and crushed the bracelet together in his
hand.

'As I say, thou darest me far because thou art worth something to my
plans--but I have the power, and I keep it'

She was silent, and he turned to pass back into his own room. But at the
same moment Giannotto spoke. He had entered unobserved, and drew near his
master with an obsequious movement.

But Visconti met him with a snarl.

'I will see no one! Did I not say so? Take care, Giannotto, lest I see
thee too often.'

The secretary paled, but kept his composure. He had learned that to
shrink before Visconti only served to arouse him the more.

'I would merely say, my lord,' he remarked, 'Alberic da Salluzzo awaits
further orders'

'Hath he found the Count?' flashed Visconti.

'My lord, no; nor trace of him, unless these parchments be one.'

'Thou hast another there?'

Giannotto, bowing low, handed Visconti a packet. His head was bent, his
eyes downcast, and the smile that flickered over his thin lips unseen.

'This, my lord, was brought in by one of Alberic's men--found an hour
since outside the gates of Count Conrad's villa.'

It was sealed, and inscribed with the Visconti's name.

Visconti seized it, and Giannotto, stepping back, watched furtively his
furious face.

Gian looked at the packet. There was no attempt to disguise the writing.
It was the same as that upon the parchment Valentine had given him with
its brief threat: 'Della Scala lives', and the seal of it was the Ladder
of the Scaligeri. Long Visconti fingered it in silence, then remembering
he was not alone, glanced wrathfully up to see that Valentine was
watching him with a faint smile of scorn, and that Giannotto, for all his
downcast head, waited with eyes keen with expectation. But Visconti
curbed himself. To have the mastery of others he must keep the mastery of
himself.

'Giannotto,' he said, and the secretary started as if a whip had touched
him, 'thou wilt see to it that da Salluzzo searches Milan and all
Lombardy--that he spares neither treasure nor blood--and that he brings
to me dead, or living, Count Conrad von Schulembourg, and the writer of
these parchments.'

With an obeisance Giannotto went, in silence, and Visconti slowly broke
the seal of the packet. Then he turned to Valentine.

'Art thou waiting to see if it contains a message from thy Conrad?' he
said fiercely. 'Have no fear! Thou shalt see his head ere night.'

She shuddered before the taunt, and turned to leave him. It was always
the same; let her meet Visconti with never so high courage, she left him
quelled, discomfited, dismayed.

'Go!' shouted Visconti, in sudden fury, and she stayed no longer to
question or defy.

Carrying the half-opened packet and the parchment, Visconti re-entered
his private room. It was dark and silent; no sound from within or without
broke its deserted gloom.

He was alone, nor was he likely to be disturbed. Seating himself, not
without a furtive glance over his shoulder, he looked at the writing
again, the writing and the seal, then opened the packet.

A roll of parchment, close writ, strangely stained in places a reddish
brown, fell with a rattle on the floor. Visconti started back, he stared
at it, uttered a hoarse sound, stooped and picked it up. The parchment
was inscribed with poetry. Here and there among the stains a line was
readable.


PERCHANCE THOU WOULDST NOT DARE TO TURN--


His glance caught the words. He looked around with wild eyes.


A huge, black bureau, fitted with many drawers, stood in one corner of the
room. Visconti, the parchment in his shaking fingers, went to it, still
with glances around, and drew out drawer after drawer, till he had found
the thing he sought. It was among neat piles of parchments, annotated in
Giannotto's hand.

Visconti turned them over hastily, till he came upon a document hung with
the seals of Verona, a cartel of defiance, neatly endorsed in a clerkly
hand, and signed in large, bold writing, 'Mastino della Scala'.

Eagerly he turned to the cover of the packet, and laid the two writings
side by side. They were the same.

Visconti leaned against the black chest, breathing heavily, his face not
good to look on in its white devilry.

'He lives! Della Scala lives he cried, and struck himself in his rage.
Then his gaze came back to the bloodstained parchment crumpled in his
hand.

'And this--? And this--where got he this? The parchment that I read from
on the road that day; the parchment that I thought was left at Brescia,
in that--'

The words died away on his lips. In a sudden paroxysm of something more
than fury, Visconti drove it down among the others within the drawer, and
locked and double-locked it in.

The day was fading; in that dull chamber the light fled early and entered
late. Visconti glanced again stealthily at the dark arras, faint in the
dusk. He strained his ears listening; the air was full of voices, far
away, pleading for the most part, yet some so near and threatening,
Visconti held his ears. They died away as they had come, but to Visconti
the silence was more terrible.

'Giannotto!' he called. 'Lights! It grows dark--'

He listened; he heard those sighs again, then suddenly the sound of
flying feet, hurrying, hurrying; with a scream of horror Visconti rushed
up the steps calling wildly for lights.

The huge door swung open at his desperate push, then, falling to behind
him, shook the tapestry; as it fell into place again a long sighing
filled the empty room.



Chapter 8. - For a Lady's Gift


Tomaso Ligozzi sat in a corner of the ruined hut, with enthralled face,
listening to Count Conrad, who lounged against the wooden table opposite.
It was five days since Conrad's rescue. He had made a recovery the more
rapid that no leech had been there to meddle with him. Left to the
simplest nursing, the barest needful nourishment, and the vigour of his
own constitution, Conrad had rallied, till now, in almost full health, no
trace was left of the hollow-faced, emaciated figure Francisco had
carried into safety.

The morning after the rescue, it was decided that the hut was no longer a
safe shelter; and, carefully destroying all traces of their habitation,
the three, under Francisco's leadership, helping Conrad between them,
betook themselves into a thicket near. There, in his solitary prowlings
to and fro, Francisco had discovered a deep cave underneath a sandbank,
the entrance well overgrown with boughs and bushes. Here, not without
discomfort, they hid till Conrad should be fit to travel, and comforted
themselves for the wretched exchange when they heard the shouts of
Alberic's men.

Francisco was disappointed in his new ally. Count Conrad showed a levity,
a forgetfulness of injury, that chimed badly with his own deep purposes.
Tomaso was his chief reliance; his plan was to secure horses, by fair
means or foul, and, as soon as Conrad could sit the saddle, to depart for
Ferrara. So far Francisco's stealthy and cautious manoeuvres to possess
himself of what he needed had been unsuccessful; but at last he had come
upon the track of something possible, and today, with Vittore to help
him, he had departed to bring back with him the horses for their flight.

Twice between dawn and noon had Alberic's men scoured their
neighbourhood. Two, indeed, had come so near the hiding-place that their
talk was plain. They spoke of the parchment found the day before and of
the Visconti's fury.

It seemed fairly sure that for many hours at least the soldiery would not
return, as they could scarce confine their search to the one spot only;
so, before Francisco's departure, it was arranged between him and Tomaso
that their rendezvous at sundown should be the ruined hut where they had
first had shelter, there being no means of horsemen treading the thick
brushwood around the sand-cave, and the hut affording opportunities of
space and movement.

After a weary day and the second visit of the search party, which alarmed
them as to the heat of Visconti's pursuit, but reassured them also as to
returning to the hut, Tomaso and Conrad reached it an hour before sundown
and prepared to wait.

At first keenly anxious, straining for every sound, as time went on,
unconsciously they grew more at ease, and Conrad beguiled Tomaso with his
talk.

At last, with a sudden sigh, Conrad broke off, and lapsed into silence.
Tomaso sat alert, looking through the open door. 'Francisco is long,'
said Conrad after a while.

He was dressed in the leather doublet of a peasant, coarse and plain, yet
very different from the rough attire Francisco wore. He was very
handsome, of a sunny, pleasant expression, a quality rarely found among
the Italians of Lombardy; and today, although prepared for flight, his
blond curls were as carefully arranged as though he still shone at the
court of Milan.

'Messer Francisco is long,' he remarked again, and Tomaso turned with a
start.

'He has doubtless met with unexpected difficulty, lord,' he said with
some reproach. 'Horses must be found--somewhere--for our journey tonight.
Every hour we stay here is dangerous.'

'My heart misgives me that I did not accompany him,' said Conrad; 'we
should all four have kept together.'

'Doubtless too many would have hampered him,' was the reply.

Tomaso did not add, as he might have done, that Francisco had his doubts
of Conrad's discretion, and had left Tomaso charged to see he committed
no rashness in his absence.

'Thinkest thou he will get the horses?' continued the Count, twirling his
curls through his fingers. 'Let us hope he will try naught so mad as that
attempt on the walls of Milan we made two days ago! The saints preserve
us! But I thought it was all over with us! That was a fine race--tearing
through the dark with Visconti's soldiers at our heels!'

Tomaso was hurt at the flippant tone that reflected on Francisco's
judgement.

'It was a gallant attempt,' he said, 'and all but succeeded; once within
the town, we might have done much.'

'And so might Visconti,' remarked Conrad airily. 'Thou art young, Tomaso,
or thou wouldst see how worse than useless was such a mad escapade.'

'Something had to be done,' returned Tomaso, 'this inaction was maddening
Messer Francisco.'

Conrad smiled and changed the subject.

'Who is this Francisco, thinkest thou?' he asked. Tor a mere servitor at
della Scala's court, he bears a mighty hatred to Visconti.'

'He served the Prince, and lost his master and his all in the sack of
Verona. It is not strange he should wish to revenge della Scala's wrongs
and his own.'

'I think him of better birth and station than he claims,' said the Count
judicially. 'He has the bearing of one gently born.'

'I take him for what he calls himself,' the boy replied. 'I owe him my
life. I would die to serve him, nor would I question him.'

'But would remind me that I owe him something too?' laughed Conrad. 'When
the time comes to show it, I shall not prove ungrateful.'

He seated himself on the table, and idly swinging his legs, looked around
the hut with lazy distaste and seemed to think of dozing.

'Remember we travel tonight, my lord,' said Tomaso, annoyed at such
indifference.

'If our good friend gets the horses'

'There is no "if", unless we wish to perish,' flashed Tomaso. 'If
Francisco gets no horses, we must from here on foot.'

'I do not oppose it. Rather than be taken into Milan, I will travel on
foot in any other direction till I drop,' laughed the Count.

'Thou takest it lightly, my lord,' said Tomaso. 'Thou dost not seem as
eager for revenge as thou wert. Think of the death Visconti doomed thee
to. Thou hast great wrongs to right--wilt thou not return to Milan to
avenge them? Or wilt thou ride away and forget?'

The laugh faded from Count Conrad's face, and his eyes flashed.

'No, Tomaso, I shall not forget,' he said; 'too well do I recall that
night when I crept down the palace steps with my Lady Valentine. Visconti
met us; parted us; ah, when I think of her face!--she was forced back to
the horror of her life again: I, carried off to die of slow starvation in
my own villa. Yes, yes; if his wrongs are like mine, Francisco did well
the other night when we dashed on Milan; such wrongs put madness into
one. Think of it, Tomaso; bound, gagged, half-crazed at the misfortune, I
was hurried hither, secretly, at night, to be left to a dog's death in my
own villa. Death was what I expected, but I nerved myself to meet it as a
noble should. There is a long low room in yonder villa, with narrow
windows I could scarce get my hand through--all of stoney and meant for
cool in summer heat; into this I was forced, unbound, left with mock
ceremony, and the door locked upon me. Ah! the sound of that key, Tomaso;
they seemed to turn it in my heart, for I guessed its meaning. I had
heard too often of Visconti's letting his prisoners die of hunger, and,
as I listened to the soldiers' footsteps fading in the distance, the cold
horror of the truth seized my heart. At first it seemed impossible that I
could starve in my own dwelling. I mocked my fears; I could force, I
could break the window! I laugh now at my own absurdities. I could do
neither, I could do nothing! Terrible hours followed, Tomaso, terrible
hours and terrible days. Still I would not own the truth, and still, as
no one came, I knew it to be true! I thought of the Lady Valentine, and
wondered what her fate might be. I thought of Germany, and wept to think
I should never see it more! Then one evening, as I lay, I think,
half-senseless, I heard the key turn in the lock, and Visconti entered,
followed by Giannotto; two white hounds slunk at his heels: well I
remember. Dear Lord! I was fallen so low in my misery, I fell at his feet
and begged for mercy, for pity, or speedy death! And he--smiled on me,
and bade Giannotto bring food!

'I cursed myself for my weakness, but could have kissed his feet. Then
what happened I hardly knew. As in a dream I saw Giannotto lay a tempting
feast; a banquet for one or two, such as I and Visconti had often shared
together! I blessed him with uplifted hands! When all was set, he turned
to me, still smiling.

'"Thou askest for food," he said. "I would not refuse thy last request,
Count Conrad."

'And he flung one of the hounds a piece of meat: it ate and died! Without
a word they turned and left me, the feast still spread, the dead hound by
the table. Then methinks I lost my wits, and went mad with rage and
agony. When my ravings ceased, I found myself, my hands upon the food, it
almost at my lips. But I resisted; I set it from me; and then my eyes
wandered round the room in blank despair. I saw--the key still in the
lock! I thought it was a vision, a trick of Satan. I crawled toward the
door: I dragged myself along. It was no vision: they had gone and left me
free!' Conrad paused; Tomaso, an absorbed listener, drew a deep breath.

'What did it mean, lord?' he asked.

'Ask me not, Tomaso,' answered Conrad with a lighter air. 'They were so
certain I should eat and die, it made them careless, or Giannotto had a
throb of pity. Many kindnesses the knave has had from me. I know not what
it was; such things will happen. I have heard of them when in my native
land from prisoners of war. But all I knew and cared for was that I was
free! At first, indeed, it seemed to promise little good. I crept, I know
not how, into the garden into the air: the sky was overhead: it gave me
strength: let me but get to the water and I would live...As by a miracle
I reached the fountain.' Again Conrad paused, shuddering at remembrance
of his anguish.

'The fountain?' repeated Tomaso, absorbed in the relation. 'The fountains
were poisoned, boy; you know it; it boots not talking of it; it is all
past and done with, and I live, a sound, free man, thanks to our brave
Veronese; though in Booth how he could have saved me, had he not been a
giant, I leave to my good angel to think out'; and Conrad laughed.

Tomaso looked surprised. He could not understand how Conrad could so
easily shake off his hatred of Visconti, save when the thought was forced
on him.

A silence fell which Conrad was again the first to break.

'The Lady Valentine,' he said, following his own train of thought, rather
than addressing his companion, 'does she ever think of me?'

Tomaso inwardly wondered how much he thought of her. Save when telling
his tale to Francisco, this was the only time he had named her. It seemed
as if his sufferings and his love alike were to lie lightly on his mind.

'They say in Milan Lady Valentine is to marry the Duke of Orleans,'
Tomaso ventured presently.

'They say echoed Conrad with scorn. 'The Frenchman is not even yet in
Italy. Much may have happened ere he is.' Tomaso rose and looked from the
doorway anxiously.

'It is close on sundown,' he said, 'it is time Francisco came.'

'It is intolerably wearisome,' yawned Conrad. 'I would I had gone with
our friend--Would have been more enlivening than this.'

Tomaso's face ill concealed his scorn.

''Tis a matter of life and death, Count Conrad; even now the soldiers may
at any time return.'

With a pleasant smile von Schulembourg leaped from the table.

'Pardon me, if I vex thee with my seeming carelessness,' he said, with
the charm of manner that could always win him friends. 'I owe too large a
debt to all of you, to be really so heedless as I seem; but methinks
there is no single thing--'

'Save keep ourselves in readiness, my lord,' said Tomaso. 'Francisco
charged us to be so disposed that we could leap into the saddle without a
breath's delay.'

'I remember,' said Count Conrad, lapsing again into an idle mood.
'Methinks our Veronese deliverer issues commands as if well used to it.'

The youth made no reply; he was gazing eagerly along the
chestnut-bordered path, sorely impatient for Francisco's return. 'Canst
thou play chess?' asked Conrad suddenly.

Tomaso looked around at him in surprise. Did the German noble jest?

Von Schulembourg was again seated on the table, admiring his shapely
hand, which he held against the light.

'Play chess?' repeated Tomaso. 'No, my lord.'

Count Conrad crossed his legs daintily and sighed.

'It were a splendid chance to teach thee--had we but the men. Thou hast
read old romance, boy? And must remember how the knights and ladies play
at chess? 'Tis a royal game.'

He sighed again, and glanced with disdain down at his leather doublet.

'Yet 'twere strange to play chess in this garb,' he added, and kicked the
table with his heels in discontent.

Silence again fell, Tomaso still at the door, unheeding of the Count's
complaints, watching anxiously through the gathering dusk.

'By heaven, boy!' Conrad exclaimed suddenly. 'Till this moment I had
forgot it. Lady Valentine's gift--thinking of the chessmen brought it to
my mind. I swore never to leave it--with my life! And 'tis behind me in
the villa.'

'Behind thee, lord?' cried Tomaso, bewildered and startled at his excited
tones. 'Where? What?'

Conrad was on his feet, his eyes sparkling with excitement. 'At the
villa,' he cried. 'I know where it is, I will go and fetch it.'

'My lord, consider what thou say'st,' and Tomaso barred the door with
outstretched arms. We promised Francisco we would not leave the hut--to
attempt the villa would be simple madness!'

'Why, boy, the villa is close by,' laughed Conrad, 'and Francisco may not
be back for hours most like; he may hang back till dark. Meanwhile am I
to twirl my thumbs in here, and Lady Valentine's love-gift calling to me
from beyond that wall? Out of my way, Tomaso. The dagger may be useful,
and 'tis beautiful: a handle carved out of a single stone. Lady Valentine
will not forgive my losing it!'

'The Lady Valentine will forgive the loss of a dagger, lord, when thou
helpest to rescue her from Milan,' Tomaso said curtly. 'But what use to
seek her gift and give thyself again into the Visconti's power?'

'Cush, Visconti! Visconti!...I have heard the name enough,' returned
Count Conrad. 'I intend to have my lady's gift--it suits neither my
honour nor my affection to leave it there to be some mercenary's plunder;
and the chessmen too, boy! The set the Emperor gave--ah! you would love
them--silver and ivory--I will bring them too. They will while away more
weary hours such as these. What was I thinking of to leave them there so
long!'

'At any moment Francisco may return, and without thee here time will be
lost; moreover, his orders were that we await him.' At Tomaso's words,
Conrad raised his arched eyebrows. 'Order? To thee, maybe; thou art a
boy, and of humble station. I am von Schulembourg: orders scarcely tally
with that name.'

He drew his mantle over his despised doublet, and stepped to the door,
putting Tomaso aside and not heeding his entreaties. 'Calm thyself, I
shall be back long before the grim Veronese!' he said airily. 'Were there
light enough, there would be time to learn the game before he comes
again.'

'I will learn from no one who so little knows his duty,' cried Tomaso in
hot wrath.

But it was as impossible to anger Conrad as to stop him, and with a smile
on his lips and a good-humoured wave of his hand, he was gone.

Gone, absolutely gone, out of sight, into the heart of danger and at the
crucial moment, for a set of chessmen and for a lady's love-gift.

After an undecided pause of utter vexation, Tomaso could not resist the
impulse to start in pursuit after him. But Count Conrad was fleet of
foot; he had disappeared, and Tomaso dared follow no farther, for
Francisco might return at any moment, and to find them both gone would
make bad worse.

And scarcely had he re-entered the hut when he heard the sound of horses
ridden cautiously, and in a few moments more Francisco turned into the
open.

He was mounted, Vittore in front of him, on a powerful black horse, and
leading two others, and his face was animated with his triumph.

'Thou see'st,' he said, 'we are well provided, though it has taken me all
day...Now, to mount, without pause. Where is the Count?'

'The Count,' faltered Tomaso, half-crying with vexation, 'the Count--'

'Well, what of him?' said Francisco, pausing keenly.

'He has gone back to the villa--to fetch something. Oh, Messer Francisco,
prevent him I could not--he left but now--'

'Gone back to the villa!' cried Francisco. 'Did he rave? Is he in his
senses?'

Tomaso wrung his hands.

'He went to fetch a dagger he remembered and some chessmen.'

With a cry of rage Francisco flung himself from his saddle. 'Methinks I
left a fool to guard a fool,' he said. 'Did I not tell thee to see Count
Conrad kept from folly? Our lives are on it.'

Tomaso paled at his displeasure, and faltered out a recital of what had
happened, but Francisco cut him short.

'The thing has happened,' he said sternly, 'and may cost us dear, but
mine the fault to trust the foreign coxcomb.' Never had the two boys seen
him so moved, and they shrank into silence.

Francisco fumed with anger. We will ride without him,' he said at length;
but even while he bade Tomaso mount, and saw to his own girths, he paused
irresolute, and Tomaso was thankful. He did not like to think of the gay
Conrad left to meet his fate alone. He ventured to speak.

'The dagger was a lady's gift,' he said, 'the Lady Valentine's. He could
not bear to leave it.'

'He will be wishing that he had,' said Francisco brusquely; but his face
softened, and he added presently: 'He must be brought back, we cannot
wait, and 'tis too dangerous to abandon him--for him and for ourselves.'

He flung the reins to Tomaso, and lifted Vittore to the ground. 'Stretch
thy legs the while,' he said.

'Shall I go, messer?' asked the boy.

'He will come quicker at my bidding,' said Francisco grimly. 'Keep open
eyes,' he added, 'the soldiers must come by the road if come again they
do. Hold thither at once and spy, and then return and wait us here.
Tether the horses carefully and water them. They cost me something.' He
pointed to his roughly bandaged arm.

Half wild with remorseful vexation, Tomaso watched Francisco go the way
the Count had gone, till his tall figure was lost to view. Then he and
Vittore surveyed each other with anxious eyes.

'Oh, cousin!' cried the boy, 'we have had a fearful day!'

'Thou wert fortunate,' returned the other bitterly; 'Francisco is not
vexed with thee'

But Vittore, full of his tale, was eager rather for a listener than
himself to give sympathy.

'Till noon we found nothing,' he said. 'Francisco hung around the
farmhouses, but there were naught but sorry jades in every stable that we
peered into, every one we tried, Tomaso, and so we roamed farther and
farther across the plains--'

'But how didst thou ever get such steeds as these?' asked Tomaso, looking
admiringly at the splendid animals, well groomed and well fed, fresh and
vigorous.

We took them,' said Vittore proudly. We came upon a camp of soldiers with
horses and to spare, and Francisco asked them would they trade with him,
and offered money, but they jeered and shouted and drove us off. Then
Francisco stood before me while I crept up to those three and loosened
their halters. The soldiers drank and sang; some lay and snored; they
thought that we were gone, then suddenly 2 his voice sank with
excitement.

'What happened?' asked Tomaso with interest. 'I am glad that thou didst
show thyself a brave lad, Vittore; what happened?'

'They saw us; three of them rushed out; there was a fight, and Francisco
won.'

Won? Against three?' cried Tomaso.

'He scattered them like the wind,' said Vittore. 'I know not how. He is a
giant. He flung me on this black horse here; he mounted, I had the
halters of the others in my hand. We rushed away. Of one he broke the
head, I think, with his thick staff, and had his arm hit hard, but 'tis
not hurt, he says. Some followed awhile, but they drank too deep; we left
them like men dazed and mad, some falling by the road. It was a great
business, cousin, but I felt no fear; Francisco is a brave, brave man'

'He is a leader of men, methinks,' said Tomaso gravely. 'I little doubt
the Count is right; he is more than he appears. Now we will leave the
horses here behind these chestnuts, and step toward the road and
reconnoitre.'



Chapter 9. - The Return of the Dead


Gripping Vittore's hand, Tomaso looked cautiously up and down the road.

Crouching back in among the wayside trees, they commanded unseen a view
of any who might come or go; and though the days faded fast, it was still
light enough to see many paces off.

'No soldiery about tonight,' whispered Tomaso; 'they have ridden farther
afield. We will go back, Vittore.'

They had turned to retrace their steps when Vittore clutched his cousin's
hand yet tighter, and suppressed an exclamation.

'Look!' he whispered, 'a horseman coming toward Milan.'

Tomaso looked round nervously, and saw a single rider approaching
swiftly, but casting searching glances around.

As the boys watched, mistrustfully waiting, still in hiding, to see him
safely pass, to their dismay he slackened pace, and finally drew rein
altogether and looked eagerly in their direction.

'Not a movement,' breathed Tomaso, and Vittore crouched in silent fright.

None the less, motionless as they thought themselves, some slight
movement betrayed them, for the rider dismounted, advanced toward their
hiding-place, and softly spoke.

'Who is there? I am a friend,' he said.

'He is a Florentine,' whispered Vittore joyfully; but Tomaso leaned
against the tree in silence, and even through the gathering dusk, as the
younger boy looked up, he saw that he was pale and trembling.

'Canst thou direct me?' said the stranger. 'I can pay thee for thy
services.'

'Answer him, Tomaso,' Vittore whispered eagerly; 'he is a Florentine, he
will not hurt us.'

Tomaso made a step forward. 'It is someone we know,' he said chokingly,
'or my brain is playing me strange tricks.'

As he spoke, he put aside the branches that hid them, and stepped
forward. The stranger had guessed their hiding-place unerringly; he stood
close by, his horse's bridle across his arm. He was a slight,
roughly-dressed, but well-formed man of middle age, light in colour and
of strong yet delicate features.

'Thou needst not fear me,' he began with a smile; then, as the two
figures drew nearer, he paused, and in his turn grew pale and trembled.

Tomaso, tossing his hair back from his face, with parted lips, stepped
close, followed by Vittore.

'Father! Thou dost not know me!'

'Son! Tomaso!' cried the traveller. He seized him by the shoulders with
trembling hands, and scanned eagerly his face.

'Tomaso!' and his voice was shrill with feeling. 'Tomaso at last

They had not met for many months and years--two at least; the father
absent at a distant court, serving where chance had led him, for fame and
fortune; the son, growing from boyhood into man in distant Florence.

Since Verona fell, Tomaso had mourned his father as dead, and he, in his
turn, had wandered far, searching for the pair who had started out to
find him.

With stifled sobs of joy, Tomaso clung about his father's neck, and was
clasped to him in frenzied pleasure.

'They said thou wert dead, Father!' broke out the youth at last. 'I never
thought to see thy face again.'

'I thought the same of thee, my son,' returned Ligozzi tenderly. 'I have
been searching for traces of thee long and wearily. I thought thou must
have perished on thy long journey, having found out Verona had fallen.
But is this Vittore?' He drew to him paternally the boy who, so far, had
watched the scene with wide-eyed curiosity.

'And now, what art thou doing--and where staying?'

As if he feared to lose him, Tomaso held his father tightly by the
sleeve, over which the bridle had been slipped, and Vittore clinging to
the other hand, they drew him forward between them to the place from
which they had come.

'I am glad thou art not dead,' said Vittore; Tomaso grieved for thee
sorely, and so did I.'

Tomaso laughed happily. 'Grieve! Aye, did we! But now we can rejoice.'

'But why this haste?' Ligozzi asked, 'where dost thou hurry me?'

'Back, Father, whence we came, for I was left in trust. It is a path thy
horse can follow, and I will tell thee what has happened as we go.'

Ligozzi followed without further question, too full of joy for speech,
and taking so much pleasure in that it was his son who spoke as for the
moment not to heed too keenly what he said.

But when Tomaso, beginning, boy-fashion, with the last, and not the
first, came to mention of the Visconti's blow, Ligozzi roused to fury.

'Methought I saw a scar across thy face,' he said, 'yet in this
light I could not see too well. It is only one more wrong to set
against the Visconti's name, one deed the more to be avenged.'

Tomaso took the clenched hand and covered it with kisses.

'I can forgive him now,' he said, 'since thou wert not slain when Verona
fell.'

''Twas no fault of the Visconti's that any living soul escaped,' returned
his father. 'Still, go on with thy tale, Tomaso; who is this Francisco,
that thou nam'st so oft?'

Tomaso, eager and suddenly light of heart, told all he knew, and ere his
recital ended they had reached the open, and found everything as they had
left it, the horses safe, nothing seemingly disturbed.

'Francisco will be pleased at a helper such as thou, Father,' said Tomaso
proudly; 'thou wilt be of more service in his venture than the German
Count.'

'And when this Francisco returns presently, the plan is that we set forth
at once for Ferrara?' asked Ligozzi.

'And meanwhile rest, Father, and I will bring thee food. We have already
eaten.'

'I, too, my son,' answered Ligozzi; but he seated himself on one of the
rough wooden stools and watched Tomaso affectionately, as he brought the
poor horn lantern from the wall. He lit and set it on the table, where it
cast a straggling and wretched light.

'Francisco is surely overlong,' he said; 'suppose the soldiers think to
search again on their way home from some outlying district?'

'Then there will be another fight,' said Vittore, 'but Francisco will get
the best of it.'

Ligozzi laughed.

'I owe this Francisco much,' he said; 'he must be a brave man, and his
care saved you both. From Verona, didst thou say?'

'From Verona, Father. He said he knew thee, thy name; he is di Coldra; he
knew thee, he has said, and the della Scala also!'

At della Scala's name Ligozzi's eyes filled with tears, and his voice
trembled when he spoke.

'I at least knew della Scala well,' he said, 'and loved him too.' He
paused. 'Next to thee, Tomaso,' he continued sadly, 'his memory has
filled my heart during these weary weeks. I hoped, hope against hope, he
might have escaped even as I did, but there comes no sign he lives.'

'Then thou didst not see him perish?' asked Tomaso softly.

'On that fearful night on which Verona fell,' answered Ligozzi, 'della
Scala himself defended the gates, fighting like a lion. But he was
betrayed, Tomaso, by a dastard in his pay, and the Visconti's soldiers
poured in through the breach, secretly, and seized the palace, the Duke
unwitting till it was too late and the palace flaming. I had to carry him
the news; may I never have to do the like again. The palace was a sheet
of fire, the Duchess was within, and the Visconti's soldiers swarming.
The Prince rushed like a madman through the streets, a little group of us
behind him. Too late! The Duchess Was too great a prize, the miscreants
had lost no time, and she was gone. A tale had reached the Duke while he
still struck about him frantically that Gian Visconti himself had led the
onset, and was still within the precincts with his prisoner. But it was a
trap, Tomaso, set by a traitor. Della Scala, rushing where the pikeman
pointed, was led beneath a burning stairway. It crashed in. I was behind
the Duke; a beam struck me down, I thought among the dead, but some
friars found me and brought me back to life; of della Scala they knew
nothing.' He paused, and hid his eyes a moment in his hands.

'Thou didst care greatly?' said Tomaso, after a painful silence.

'He was a noble prince,' replied his father. 'I owe him everything; he
made a friend of me, and I ever found him brave and generous, as strong
as gentle, and most honourable--and he loved the Duchess, aye, he loved
her. The Duchess still lives, a prisoner in Milan, but della Scala--'

He sighed deeply, and rose as if to put from him the memory of the
tragedy.

'But to return to thy deliverer,' he said, 'one Francisco di Coldra, thou
say'st; he claims I know him. What manner of a man is he?'

As he spoke he moved with Tomaso to the door, and looked out into the
dark. What kept Francisco and the Count?

'He is tall and strong,' replied Tomaso, 'with thick brown hair and heavy
eyes; a handsome face, I think it, Father, stern and sad. He is worn--as
if from sickness. The Count thinks him better than he gives out; I know
not.'

Ligozzi was silent; his figure alone was visible.

'Seeing the case is as thou say'st, Tomaso,' he remarked at last, 'every
moment of delay is dangerous, and thy friend is long.'

Tomaso stepped into the open, and, to ease his impatience, brought
forward the horses.

'I think they come,' he cried joyfully in another moment. 'It seems a
dream, Father, that thou shouldst be here to meet Francisco.'

Ligozzi was still strangely silent. He drew back within the doorway.
Hurried footsteps were heard, the crackling of fallen boughs, the swish
of the flowering grass. Ligozzi saw a tall figure looming toward them
through the dusk, a slighter one beside him.

Tomaso, from where he stood, eager and excited by the horses, cried out
to them. Ligozzi, still farther back, bent down to Vittore, who stood
beside him; seen by the dim light of the horn lantern, his face was
strangely agitated.

'Has this Francisco half-closed eyes, and a ready, pleasant smile?' he
asked.

Vittore looked up in surprise.

'He has such eyes,' he answered. 'I have not ever seen him smile like
that. Thou didst know him then, my uncle?'

'Yes,' Ligozzi answered brokenly. 'I think--I remember him--at della
Scala's court.'

But here Tomaso, calling on him, re-entered the hut, followed by
Francisco, whose stately presence seemed to make the mean place smaller
still.

'My father,' said the boy joyfully; 'my father, saved from the taking of
Verona, and come a long way in search of us!'

Francisco fell back, uttering a stifled exclamation; the anger cleared
from his brow. He looked keenly at the figure in the shadow.

'Ligozzi!' he exclaimed, with shining eyes. 'Ligozzi lives!'

'It was a miracle, was it not?' said Tomaso eagerly. 'He has come to join
us. He owes thee thanks, Messer Francisco, as do we.

And all this time his father had not spoken. Tomaso wondered at it, and
now, when Ligozzi come forward shrinkingly, Francisco raised his hand as
if to keep him back, or warn him, or restrain.

'No thanks are needed,' he said quickly. 'I am Francisco di Coldra, from
Verona, and ever ready to serve those whom Visconti hates!'

Ligozzi stood bare-headed, as if dazed.

Francisco spoke again, with meaning. Thy travel hath confused thee, sir,'
he said; 'thou thinkest thou art still at the Duke of Verona's court,
that thou standest thus humble?'

At this, Ligozzi roused himself. 'Tomaso has told me--he began. But again
Francisco stopped him.

We must to horse!' he cried. 'To horse! Too much time has already been
shamelessly wasted,' and he strode out, motioning to them to follow.

By the horses stood Conrad von Schulembourg, bringing them one by one
under review, in the scanty gleam of light afforded by the lantern, and
that flickered upon them through the space that answered for a window.

'A roan!' he cried gaily. 'I ever loved a roan charger. I will have this
one, Francisco.' He spoke airily, as if ten minutes since Francisco had
not lashed him with his tongue, and threatened him even with death,
should his foolhardiness endanger them again.

'Thou wilt ride the black,' said Francisco coldly.

'Because I love the roan?' asked the other with a laugh. 'Because I say
so,' returned Francisco.

A mocking answer rose to Conrad's lips, but it was never spoken. With a
gesture, Francisco motioned him to silence. He turned and listened.

'Horses! And coming hither!' he said. 'Soldiers!'

The others, grouped close by, ready to mount, stopped paralysed--yes,
Francisco's ears had caught the sound aright, the tramp of horsemen, and
coming upon them from the road.

Escape with horses any other way there was none, though Conrad madly
urged they should mount and fly.

But Francisco turned on him threateningly.

'Am I to run thee through?' he said; 'these horses mean more to me than
thy life, or my own. Where shall we ride? Into the water? No, go back
into the hut.' He turned to Ligozzi. 'Aid me tether these beasts where
they may be unnoticed. These men perchance are only riding through.'

It was done in silence and with expedition. The soldiers' voices were now
plain, and the jangle of their arms.

'Come, Ligozzi,' said Francisco, 'thou and I will play at being soldiers,
and see how we can overcome Visconti's men. 'Tis a game that thou and I
have played before.'

He drew his dagger as he spoke, and stepped back with Ligozzi into the
hut. The door was closed. Francisco glanced around. By the table stood
Conrad, showing even at that moment the silver and ivory chessmen, which
he slipped out of his doublet one at a time, and passed them before
Vittore's now wandering, now fascinated gaze.

Ligozzi and Tomaso stood beside their leader, one on either hand.
Tomaso's face was white; the Visconti's scar showed plainly; his breast
throbbed with excitement. Ligozzi's gaze was riveted upon Francisco.

A sudden babble of voices outside told the soldiers were in the open. A
voice cried: 'Halt!'

But ere this Francisco had put out the light. They stood in darkness.

'I know that voice,' said Francisco at Ligozzi's ear; 'Alberic da
Salluzzo. When last I heard it 'twas in Verona, at the burning of the
palace. Dost remember?'

Ligozzi nodded. They held their daggers ready. No one stirred. Count
Conrad thrust his chessman back into his doublet. He regretted Francisco
had dragged him so furiously away before he had time to find Lady
Valentine's dagger with the emerald. It could have been of service now.

There was a lull outside. The soldiers had dismounted, but the captain
kept his seat. The horses champed, threw up their heads, and clanked
their trappings; but as he talked with the men told off to hold them
Alberic's swaggering tones were plainly audible.

Suddenly a shout arose.

'They have found the horses,' said Francisco.

Alberic flung himself from the saddle. They could hear that. Torchlight
suddenly flared across the opening, high up in the wall, and more faintly
through the broken roof. There was a sudden blow upon the door
Francisco's giant frame was barricading.

'Who is within here?' cried a harsh voice. 'Open!' and there came another
blow.

But it scarce had fallen when Francisco, so swiftly no one could foresee
his intention, stepped aside and let the door fly open as if the blow had
forced it. On the threshold stood Alberic da Salluzzo, resplendent in
jewelled armour and waving plumes. In the smoking torchlight, badly held,
it seemed as if the place he looked into were empty.

'Who harbours here?' he said, and stepped across the threshold. 'Bring
thy torch here, Guilliamo.'

But Francisco was swift. The door was shut before the soldier heard, and
Francisco set once more his giant frame against it. In an instant, by the
breathing of the men near him, da Salluzzo knew he had been trapped. He
turned to escape, he was about to call but a hand of iron closed round
his throat. In the dim light the place seemed full of threatening forms.

He was trapped indeed! Half-strangled, he ground his teeth at his folly
more than his plight, and struggled to get his dagger, but his hands were
caught.

In vain he struggled; he was a powerful man, but he who held him was more
powerful. In vain he tried to cry aloud to those without; his voice was
gripped within his throat. Slowly but irresistibly he was forced back
against the farther wall, with a strength he thought could not be man's.

In a moment more, the soldiers without, nonplussed, but only for an
instant, by their captain's disappearance, broke in the door. They could
scarce believe their senses. Da Salluzzo lay dead upon the floor, and
over him there towered a tall figure. They saw naught else. These men had
fought with Alberic at the Sacking of Verona; they knew that form, they
had seen that face before. By their torches' smoky glare it seemed
unearthly, and the eyes to flame, the form to fill the hut.

'Come and fetch your captain!' cried Francisco. But at the voice, at the
look of his wild face as he advanced, they dropped their torches and
scrambled back across the threshold panic-struck.

'Mastino della Scala!' they cried, 'Mastino della Scala!' And dropping
the lights they fled in terror.



Chapter 10. - The Turquoise Gloves


Della Scala is alive!

The news flew like fire around Milan, rousing even the indifferent to
some interest. The rumours then were true? Della Scala was alive? In the
market-place, in the streets, in the houses it was discussed--the name of
della Scala was on every lip. But in the Visconti palace it was not
spoken. Silent, sombre as ever, the castle frowned over its beautiful
gardens, and only by the companies of horse that spurred out of its side
gates to fortify still more strongly the nine cities once held by della
Scala and now the Visconti's, only by this could it be told how much the
news meant to the man within.

Giannotto, walking softly through the corridors, paused and looked out
into the garden.

Something had caught his keen eye, and he watched, hidden by the curtain
of purple silk.

A sea of flowers lay spread beneath him, while beyond a more formal part
of the grounds, crowned with white terraces and set with cypress-trees,
rose clear against the sapphire sky. To the right lay Isotta d'Este's
prison, the western tower, a massive building of huge strength, encircled
on three sides with a moat, and guarded by soldiers.

Giannotto's eyes glanced from the silver banner that hung above, lifeless
in the summer air, to the soldiers at their posts below.

There was an entrance to the tower near to the palace, guarded but little
used, half-hidden by myrtle that had filled up the dried moat and climbed
up the wall; and, as Giannotto still watched, the figure he had seen
enter there, hooded and cloaked, passed out again hurriedly, sped between
the sentries, who studiously took no heed, and was soon lost to sight
along the winding paths.

The movement was quick, the figure gone almost as soon as noticed; a
casual observer would have taken little heed, but Giannotto's eyes were
trained, and he knew the figure for whose it was: Valentine Visconti.

'She must have bribed high,' he thought. 'High indeed. Why should she
visit the prison of Isotta d'Este?' He followed her figure across the
garden with curious, suspicious thoughts.

'She is daring,' he mused, 'and foolish. Did she think no one's eyes
could be on her, when Visconti has spies who are to watch her every
movement?'

He turned back into the corridor, twisting the ends of his scarlet robe
between his fingers, and smiling to himself.

The secretary was in a better humour than his master; that Mastino della
Scala should live to vex Visconti, that he should have snatched von
Schulembourg, one of his dearest victims, back from underneath his very
hand, pleased Giannotto, as did anything that annoyed Visconti, save when
his master's rage was such that his secretary felt its working. The Duke
he knew to be alone. The brief audience he accorded was long over.
Visconti had no friends; they who must sought him in the morning in the
audience-room. For the rest, like the others of his tainted race, he
lived alone.

He paused outside Visconti's door, and the secretary smoothed a smile
from his face, and, tapping lightly, entered with a silent, cringing
movement.

The chamber was dark, although it was full noonday. Visconti had no love
for the sunlight, and even the narrow windows were obscured and shrouded
in dark purple.

The walls were panelled in carved wood, but, apart from the stiff chairs,
the sole furniture of the apartment was a long low chest, set open, and
showing silver goblets and curious bottles and glasses twisted into
strange shapes, and coloured. At the farther end were two doors close
together, and between them sat Visconti, huddled up against the wall,
gazing at the floor with strained, wide-open eyes.

Giannotto, entering softly, noticed in his hand a bracelet, fashioned as
a snake, emerald green, of striking workmanship.

'A messenger from the Bologna embassy, my lord,' he said, closing the
door behind him, 'has entreated me to ask thy attention for them.'

Visconti looked up quickly, and put out of sight the bracelet with a snap
of anger.

'What, do the Bolognese trouble me?' he said fiercely.

'They only follow the example of the Pavians, my lord,' returned the
secretary smoothly. 'They would have thy mediation between the rival
factions in their state.'

'My mediation! Pavia asked it, as thou say's; and so did Bergamo; yet do
the twain who then appealed, to me reign in either city now? The
Bolognese are foolish,' said Visconti.

Giannotto shrugged his shoulders. 'That need not trouble thee, my lord.
Bologna is a wealthy town. Thy lordship will think of it?'

The secretary's eyes were on the ground. Gian Galeazzo slipped his
bracelet into his doublet and rose.

'Aye, I will think of it,' he said, 'but for the moment there are more
precious things to do even than using the Bolognese against themselves.'

Giannotto waited. The Duke paced to and fro a moment, then broke into the
subject next his heart.

'Thinkest thou della Scala will outwit me?' he said eagerly. 'Thinkest
thou that if he do reach Ferrara he will rouse the Estes to action?'

'He had two good hours' start,' returned Giannotto, 'and the road to
Ferrara offers many chances.'

'And those men--who let him escape them? Do they still live?'

'Aye, my lord. They are valuable. It is enough that Alberic da Salluzzo
has been lost to us--'

'They shall yet hang for it,' said Visconti.

With rapid steps he returned to his seat, flung himself into it,
clutching the arms with vice-like grip.

'He cannot do anything, Giannotto,' he said. 'He cannot rouse the
Estes--against me! No; when della Scala ruled nine cities, and his
revenue was equalled only by the kings of France--I stripped him, I
routed him. And now!' he smiled and his eyes widened, 'he is a beggar.
Perhaps it is not so ill that he lives to know it. It is a better revenge
than any I could have devised, della Scala a beggar, a hanger-on at his
kinsman's court, deafening his ears with unwelcome prayers, sinking into
contempt before the people who once owned him lord!'

Giannotto was silent. He could not imagine Mastino della Scala a beggar
at any prince's court.

But Visconti, blinded and absorbed by hatred, continued unheedingly:

'Carrara also, the Duke of Padua, is too necessary to the Estes. They
cannot stand without him. Will he, thinkest thou, ever be won over to
side with Mastino? No, Giannotto, I do not fear him. Let della Scala live
robbed of all--and with Count Conrad as an ally!'

'Shall we then dismiss him, my lord?' ventured Giannotto smoothly; 'he
who is not worth fearing is not worth considering.' He seated himself at
the low table as he spoke, his watchful eyes on Visconti, and drew some
papers from the flat bag at his side.

The Duke returned no answer. In truth he heard not what was said, but
leaned back in his chair and fell to thinking. The secretary, looking at
his brooding face, shuddered a little at what his master's thoughts might
be. He wondered also as to that green bracelet Visconti had concealed.

The silence grew oppressive, and Giannotto moved uneasily. He loved not
to sit alone with Visconti when he fell into these musings.

The Duke roused himself.

'Ah,' he said, breaking suddenly into a passion of declaim. 'A god can do
no more than say, "I have succeeded--in all I have undertaken, I have
succeeded!" And I can say as much. I have succeeded. I looked on life and
took from it what I wanted, the fairest and the finest things that
offered; and the price--others paid it. Truly, I have succeeded!'

Giannotto shrank back at Visconti's outburst, and made no answer.

But the Duke had forgotten him. He was but uttering his thoughts aloud.

'Five years ago,' he said exultingly, 'I rode outside the gates of Verona
and challenged della Scala to single combat. He sent his lackey out with
a refusal, and in my heart I said: "I will bring that man so low that
life shall hold nothing so sweet to him as the thought of meeting me in
single fight!" I have succeeded! Isotta d'Este looked past me and
laughed, and I said, "She shall live to feel her life within my hand." In
that also I have succeeded!

'And three years ago, only three years ago, I stood within this very
room, four lives between me and the throne of Milan--four lives, all
crafty--and two young. But I--I, the youngest, took my fate and theirs
into my hand. I said: "It is for me to reign in Milan--I am the Duke." In
that I have succeeded!'

He paused, with dilating eyes and parted lips, intoxicated with pride.

'This ambition is his madness,' thought Giannotto; but he still was
silent.

'In another thing,' continued Visconti, and his voice was changed: he
breathed softly, and his eyes sparked pleasantly. 'Last May-day I saw the
people in the fields, pulling flowers; I knew they were what poets call
happy. Among them were two girls, one dark, one fair, and she with the
dark hair had her betrothed beside her. They were happy among the happy,
they loved each other--and I rode unseen. The may was thick and white, I
watched them through the flowers and vowed: "I too will be happy, even as
they are happy, though I am Visconti; I will be loved for myself alone;
that fair-haired girl shall care for me as her companion for her
lover--life shall give me that as well!"

And he rose, triumphant, smiling, resting his hand on the arras that hid
the door behind him.

The secretary gazed upon him fascinated.

Lifting the arras, he paused again, and looked back with a smile that
transformed his face.

'In that too have I succeeded!' he said melodiously; and, opening the
narrow door, he was gone, as always, noiselessly. The secretary shook
himself.

'Why does he unburden his soul to me?' he murmured. 'Does he think,
because I sit silent, I have no ears, no memory--that I shall forget? "In
that too have I succeeded!" Aye, thou hast it all thine own way,
Visconti, so far.'

With a slight shrug of the shoulders Giannotto fell to writing.

When his pages were finished, he put them into his bag for the Duke to
sign, and grumbling at his absence, stayed, but dared not follow.
Presently he decided to take his own dismissal.

As he rose to go he remembered Valentine Visconti, flying through the
garden after her secret visit, and he considered if she could bribe him
to silence heavily enough to make it worth his while to venture an
encounter with her.

Visconti did not stint his sister for money, and she might pay well.
Still, dare he let her know he spied?

Then his thoughts went to Isotta d'Este, and he wondered, with some
interest, what her fate would be.

In open day Isotta d'Este had been captured; all Europe knew she was his
prisoner; Tuscany and the Empire already looked with interest on the Duke
of Milan's growing power, and that Duke a usurper. Visconti had to step
warily.

Still busy with his thoughts, the secretary had reached the door, when it
opened and the ancient Luisa, Isotta's prison attendant and spy, entered,
glancing expectantly around.

Giannotto looked at her slowly; he hated her--indeed, he hated most
people, but her in particular, for she equalled him in servile cunning
and surpassed him in greed.

'I would see the Duke,' she said, looking at him mistrustfully. 'Thou
canst not see him,' returned the secretary, 'for he is not here.'

But old Luisa seated herself calmly on one of the black-backed chairs. 'I
will not take thy word for what I can or cannot do,' she said. 'I have
important tidings for his ear alone.'

Giannotto longingly wondered if it were possible to win her news from her
and share in the reward.

'I will get thy news in to the Duke,' he said. 'Trust it to me, and I
will see he does not forget who brought it, but 'tis impossible to see
him now.'

Luisa smiled.

'I would be my own news-bearer,' she said, and made no movement to go.

'Visconti is in his laboratory,' said Giannotto angrily. 'Whatever thy
news, art thou so mad as to think of following him there? Wilt thou not
trust it to me?' he added more gently. She shook her head placidly.

'Have thy way,' sneered Giannotto. 'Stay and see the Duke, and be
dismissed for having left thy post, and remember there are more eyes on
the western tower than thou knowest.'

The old woman looked uneasy, but stubbornly kept her place. And seizing
his bag and papers, Giannotto was gone, and the heavy door closed behind
him before she could know what was going to happen.

'Giannotto!' she cried in alarm. 'Listen a moment--' And she ran and
pushed at the door.

Giannotto opened it a little and showed his smiling, crafty face.

Wilt thou give me the news or wait till the Duke leaves his laboratory
and finds thou hast been absent from thy post an hour, perchance more?'

'Take it then,' said Luisa with a cry of vexation. 'But I will repay
thee, Giannotto.'

She thrust into his hands a piece of parchment.

'It was left with me by the Lady Valentine to give Isotta d'Este. Now,
make what else of it thou canst,' and Luisa shuffled past him, terror
overmastering greed. To be locked within that chamber to await the
Visconti was what she had not heart for. Moreover, she could tell the
Duke another time--and he would listen--how Giannotto had forestalled
her.

She shuffled off, and Giannotto in triumph re-entered the chamber. He
read the parchment, one of many: 'Della Scala lives'

'And the Lady Valentine conveys it to Isotta d'Este's prison,' mused
Giannotto. 'Now, shall I tell my lord that piece of news or no?'

He regarded the two doors, between which Visconti's chair was set, and
gently tried them: one was locked, the other opened to the touch. He
dared investigate no further, and returning to his chair, sat down to
wait. The minutes dragged on, and he fumed with impatience.

Visconti's laboratory was not altogether a secret place. Giannotto had
helped him in his experiments; there was an assistant who attended the
fires. But no one followed the Duke into it unbidden.

But, as time went on, Giannotto debated with himself that he would
venture. Visconti was long. What was he doing? It was an opportunity to
spy. If caught, the secretary could plead anxiety as to his master's
safety. Summoning his courage, Giannotto rose and crept to the unlocked
door and softly pushed it back.

It opened on a flight of stairs, black marble, carpeted in gold, the high
walls hung with tapestry in red.

The steps were few in number, before they twisted abruptly out of sight.
Round the bend floated a thin wisp of grey smoke.

Giannotto slowly and cautiously mounted. At the bend the steps still
continued, twisting again.

It was very silent, very still, only the lazy floating wreath of smoke
moving. Giannotto came within sight of a door, ajar. He marvelled at it.
It was thus Conrad von Schulembourg had escaped--through an unlocked
door. Visconti trusted overmuch to the terror of his name.

Giannotto slowly and cautiously pushed it a little further open. It
showed him the outer laboratory, a long low room of grey stone, and lit
by a large window set back a man's height in the wall.

Hanging over a clear charcoal fire, burning in a pan, was an elaborate
silver pot, seeming to quiver in the vapour that shimmered off the fire
underneath.

Around it on the floor stood glasses, vases, jars, and goblets, glass,
china, and gold.

Save this, the vault-like chamber was void of furniture; only on the
stove near the window lay a pile of things, curiously mixed. They held
Giannotto's eyes. They were not in the laboratory when he worked there.

A man's doublet of white satin, a scent bottle, a spray of roses, a mask,
a poniard, two scarfs intertwisted, and, sparkling on an inlaid tray, a
massive ring--he knew it, he had seen it on Isotta's hand--her wedding
ring; all this thrown among two birds and a hound, stiff and dead.

Giannotto started a step back. Then his eyes fell on the window-seat, and
even he could scarce suppress a cry. For Visconti stood there, erect and
motionless, so motionless and so one with the stone beside him, Giannotto
had not known him there. From head to foot he was clad in grey. In his
right hand he held a pair of gloves, turquoise blue, magnificently worked
in pearls, and in the other a small phial filled with a yellow,
slow-moving liquid. This he held high against the light, which fell
strong and cold upon his upturned face and thick, curling red hair, and
Giannotto gazed, fascinated, on the gleam of his teeth as he smiled with
a slow satisfaction. Giannotto had seen enough. His heart beat quickly.
He drew the door to again, and crept back down the steps unobserved,
gaining the outer chamber, trembling; and there for a moment fell upon
his knees, as if in thanks for a most merciful escape. His thanks were
not without their reason. Hardly was the secretary in his chair again,
when a light footfall sounded and Visconti entered.

For one moment Giannotto thrilled with terror, but a covert glance at the
Duke's face reassured him.

'I have this to give you, my lord,' he began at once. 'It was left in the
Lady Isotta's prison.'

Visconti took the parchment.

'By whom left there?' he asked.

'I know not, my lord,' said Giannotto. 'Luisa brought it, but dared not
leave her post.'

His own narrow escape of a moment since had tied up Giannotto's tongue.

'It will not be hard to discover,' said Visconti. 'Someone who did not
bribe Luisa high enough.'

'Della Scala lives,' he read again.

'Let the Lady Isotta have it,' he said. 'It may keep her alive. It looks
to me that she may die, Giannotto, of the bad air and the confinement,'
and he smiled. 'I would certainly not have her death. Give her the
parchment.' And he handed the parchment back, dismissing Giannotto with
the gesture.

Clearly Visconti was in a mood that held neither comment nor reward, but
one the secretary was glad to escape from so easily. With a deep
obeisance he departed.

'Who bribes the woman to comfort Isotta d'Este? The soldiers are to be
trusted,' mused Visconti. 'Once I know I will remember it.'

He drew from his doublet the velvet gloves of turquoise hue and laid them
on the table.

They were beautiful in their perfect workmanship, huge gauntlets fringed
with pearl and gold and tasselled at the points with rubies. On the back
was a rich design also in pearl and gold, and they were lined with white
satin, covered in fine silk lace.

Truly they were a work of art. Visconti raised them delicately by the
tassels and looked long at their rich blue, admiringly, and with a
curious expression.



Chapter 11. - Mastino Della Scala


In the council chamber of the Estes' summer palace at Ferrara were
gathered the heads of the reigning families of Lombardy. At a long table,
set across one end of the apartment, two men were seated talking to one
another in low voices. They were Ippolito d'Este and Giacomo Carrara,
Duke of Padua. D'Este, a stern, grey-haired man of fifty or so, with keen
eyes and a hard mouth, was talking rapidly, tapping the while his fingers
nervously upon the table.

Carrara, florrid, pleasant-mannered, with brilliant black eyes, black
hair, and a ready smile, leaned forward and listened, observing him
keenly. Opposite them, but the length of the table away, a lady with
tired eyes and a patient mouth leaned back in her chair, motionless,
watching the trees seen through the window.

She was Julia Gonzaga, the representative in this gathering in the name
of her infant nephew, of the city of Mantua and its domains, the head of
the fourth and last great family of Lombardy who dared to raise a hand
against the encroachments and the power of Visconti.

But if at this end of the chamber the only sound was low converse, all
subdued and quiet, at the farther end gay voices and bursts of laughter
broke the stillness.

For seated in the broad window-seat, toying with a sprig of myrtle, was
Count Conrad, brilliant and light-hearted, clad in the last extreme of
fashion, resplendent in primrose velvet and mauve silk, with long
scalloped sleeves that swept the ground.

Around his waist was a gold belt suspending, by a jewelled chain, an
orange stuck with cloves and enclosed in a case of silver filigree.

Count Conrad also wore ear-rings, pearl drops that shimmered through his
blond curls, and on each wrist a bracelet; yet even this effeminacy could
not altogether destroy a certain manliness that was the Count's, in spite
of an almost seeming wish to disallow it.

Beside him, half-leaning through the window, was a youth of twenty, of
that brilliant beauty too bright to last.

He too was dressed more like an idle courtier of the Valois court than a
fighting noble of the free cities, and the rare charm of his face was
marred by the spoiled affectation of his manner.

'Another war!' laughed Conrad. 'I have done naught but fight since I left
Germany. I am on the sick list.'

'Not when the war is of thine own seeking,' said Vincenzo. 'Because thou
needs must fall in love with the Visconti's sister--as if there were not
others as fair and far safer to woo!'

Conrad crossed his legs and glanced critically at the taper points of his
gold shoes.

''Tis not my wooing of Visconti's sister has caused war,' he replied.
'Thy brother-in-law--'

'I beseech thee,' cried Vincenzo petulantly, 'leave me some little rest
from mention of his name and wrongs! Ever since you rode into Ferrara
some six days ago, there has been naught else talked of but Mastino,
Mastino's wrongs, what we must do for Mastino--till I fair weary at the
name!'

'You would not risk your all to glut his vengeance?' remarked the Count.
'None the less his wife is your sister, and a d'Este.'

'No need for the heroics he makes over her, even so. Visconti will not
hurt her, yet we must be hurried into war for it, forsooth!'

'I owe della Scala my life,' returned Conrad airily. 'I should be the
last to speak; still, my wrongs are as many and as deep. I love the Lady
Valentine. I have lost my land and my jewels, my house and servants, yet
I am quite ready to settle in some other part of Italy--and forget
Visconti. I do not go about trying to entice other people into my
quarrels.'

He sniffed at his orange as he spoke, and breaking off the end of the
myrtle, stuck it in his belt.

Vincenzo's beautiful eyes flashed. 'Art thou a poltroon then?' he cried
scornfully. 'Loved I a lady and she were kept from me, I would not rest
while a stone of the palace that held her remained one on the other.'

Conrad raised his eyebrows, startled at the sudden change of front.

'Then you should understand Mastino,' he said.

'I hate Mastino. He is wearisome,' cried Vincenzo, pettishly. 'Still, I
do not love a laggard'

Conrad's reply was checked. Ippolito d'Este had arisen and was calling
them to join him. Reluctantly they rose, Vincenzo with a yawn of
distaste, and approached the table.

Ippolito frowned at Vincenzo's face.

'You would spend all your time in idleness, it seems,' he said. 'Have you
no interest then in our decision as to the aid della Scala asks?'

Vincenzo dropped into his seat, seemingly rebuked. 'Aid, my father?' he
said. 'I knew not it was aid della Scala asked, me-thought 'twas all!'

'My proposal is an army,' said Giacomo smoothly. 'A small army. Let us
see what success della Scala has with a small army. Our all is much to
ask.'

What say you to that?' asked Ippolito of his son.

'With all my heart,' returned Vincenzo. 'An army small or large, so long
as it rids us of his gloomy face about court.'

'Thou art an insolent boy,' interrupted his father sternly. 'At thy
sister's wedding thou wert proud that Mastino della Scala stooped to pat
thee on the head. The Duke of Verona was once as much greater than we,
Vincenzo, as we are higher than a footman. It goes not with nobility nor
with honour to slight the fallen.'

Vincenzo blushed under his father's rebuke and sat silent. But Giacomo,
always ready to smooth things over, turned to the Duchess of Mantua.

'And you,' he said. 'You, lady, what think you of trusting della Scala
with an army?'

Julia Gonzaga smiled a little wearily.

Where is he, to speak for himself?' she asked.

'We are waiting for him,' Ippolito replied. 'He said he would be with us.
He is late,' he added testily.

'Doubtless the hour has escaped him,' put in Giacomo pleasantly. 'The
Duke of Verona will not fail us.'

'He will disappoint us--if he turns up,' said Vincenzo under his breath.
But Conrad caught the whisper and choked with a suppressed laugh--not
that the remark was funny, but that Count von Schulembourg was foolish.
Ippolito's stern, eyes were turned on him.

'Is this a council of war?' he asked, 'or a gathering of--'

'A council of war,' interposed Conrad hastily, with his most winning
smile.

But d'Este looked on him with mistrust; he had no love for the
light-hearted German.

Still Mastino came not, and Giacomo moved with a great show of patience
and forbearance.

''Tis scarcely the way to treat with us,' he said.

''Tis treatment good enough for those who bear it,' breathed Vincenzo,
and Conrad sniffed his orange. Ippolito's brow grew dark; he struck a
gong beside him, and a page appeared.

'Tell my lord of Verona we wait for him.' He turned to the others. ''Tis
agreed,' he said quickly, 'that we furnish della Scala with a small
army--to be contributed between us'

Carrara moved in silent assent; on Julia Gonzaga's face a faint scorn
showed.

A silence fell, broken only by the tapping of d'Este's fingers on the
polished table.

Then at the farther end of the chamber two pages drew apart the scarlet
curtains and Mastino della Scala entered. Conrad, glancing up, wondered
how even for a moment he could have mistaken him for aught but what he
was, so noble and stately was his bearing.

Conrad and the d'Estes moved at his entrance, but slightly, and kept
their eyes upon him as he walked to the head of the table and there took
his place.

Though by far the plainest in attire, his simple leather doublet in
marked contrast with Conrad's display and Vincenzo's fashion, he took the
head of the council, naturally and unquestioned. So much of the glory of
his former greatness still remained to him.

'And are your councils ended?' he asked. 'I would hasten you, my lords.
Still further delay, and Visconti will be first in the field.'

He paused, and took his seat in the large black chair, looking keenly at
their faces.

For a moment no one answered, then Giacomo leaned forward with a
deprecating smile.

'My lord of Verona,' he said smoothly, 'you ask us to venture
everything--and give us five days in which to decide--surely you are not
surprised our answer is not quite ready?'

Mastino della Scala bit his lip to keep back an angry reply. 'Five hours
were enough in such a case as this, my lord,' he said quietly.

Now d'Este spoke hastily. 'We have come to a resolution, Mastino--one in
which we all agree,' and he looked questioningly around upon the others.
No one answered, and, taking silence for consent, Ippolito continued:

We will aid thee, Mastino, I and Carrara, and the Duchess of Mantua--'

He paused a little nervously, and Giacomo kept his bright black eyes on
Mastino's face.

'My lord of Ferrara says rightly,' he put in smoothly. 'I will second
him.'

The note of condescension in the Duke of Padua's voice stung della Scala
sharply; it was only with an effort he controlled himself.

'With what will you aid me?' he asked calmly.

Still d'Este hesitated, for his proposal was mean even in his own eyes,
but Giacomo answered for him in even tones: 'We will aid you with an army
of ten thousand men, Lord della Scala, to be recruited from Padua,
Mantua, and Ferrara; well armed and--'

But della Scala had risen.

'Spare thyself a catalogue of their virtue, my lord of Padua,' he said.
'For I refuse thy offer--one well worthy of a Carrara!' Giacomo paled
with anger; his merchant descent was a sore point, and Mastino's words
struck home.

'Refuse!' exclaimed Ippolito. 'Ten thousand men!' Della Scala glanced at
him with scorn.

'Ten thousand men!' he echoed. 'Yes, I refuse ten thousand men. I thought
thou once lovedst me, d'Este, and wert too much of a soldier to dishonour
me by such a proposal.'

'We can make it more--' began Ippolito.

'Dost thou not think I can see through this?' interrupted Mastino
bitterly. 'This offer is but given to get rid of me--a safer way of
dismissing me from the court that once cringed to entertain me than a
plain refusal. Ten thousand men! I thought better of thee, d'Este.'

'Then fifty thousand,' replied Ippolito, stung by the reproach. 'A royal
number,' put in Conrad, but della Scala turned on them in fury.

'No!' he cried. 'Not fifty nor a hundred thousand men, to make sport for
Visconti's leisure hours--Visconti who holds nine towns of mine alone,
Visconti who is leagued with France and has the Empire at his heels,
Visconti who has gained Bergamo, Lodi, and Bologna and has half the
mercenaries of Italy in his pay! No, d'Este, I have been too great for
that. Since you so forget what I have been, and who my wife is--I will
leave thee, nor trouble thy peace for men thou canst not give
ungrudgingly. And thou, Carrara, I will leave thee--in thy blind folly,
to wait for Visconti's eye to fall on thee; all thy prudence will not
save thee then. Meanwhile, I will try in the towns of Tuscany if there be
men left in Italy to face a tyrant!'

They sat silent beneath his wrath, and he turned to go, but paused and
looked back to them with a glance they could not meet.

'Only hear this before I go,' he said passionately; 'there is one thing
thy faint-heartedness shall not touch, one thing I will achieve without
thy aid, though thy meanness leaves me, and that is, at any cost, the
freedom'--his voice trembled--'of Isotta, my wife. I will free her,' he
continued sternly. 'Before you all I mean it; she shall be saved, even if
mine honour goes to do it.'

And he turned away, but Count Conrad rose, roused out of himself by the
excitement Mastino had inspired.

'I will follow thee,' he cried.

'What wouldst thou have, Mastino?' cried Ippolito after him,
half-distraught. 'What wouldst thou have?'

Della Scala turned in the middle of the chamber, magnificent in his wrath
and pain. 'All,' he said proudly. 'All thou canst give, and above all,
thy trust. I am no boy to be put off with a few soldiers. I need Modena,
Ferrara, Padua, every town of Lombardy that is in thy hands; all thy
money, all thy troops, everything thou canst give--and then I will crush
Visconti. When I fell it was through most foul treachery. I will league
with no half-hearted friends again.'

And again he turned to leave, this time Conrad at his heels, when a soft
voice arrested him, Julia Gonzaga's.

'I have this to say before thou leavest us, della Scala,' she said. 'All
I have, Mantua and its lands, is at thy disposal, and I am proud so great
a captain as my lord of Verona should command my men'

Mastino turned, his eyes sparkling with joy.

'My greatest thanks for thy gift, lady,' he said, 'and still more for the
gracious manner of thy giving.' And before he could say more Vincenzo
rose impulsively.

'Shall we be outdone by a woman!' he cried, his beautiful face flushed.
'It goes not with our honour, Father, we should leave Mantua to fight
Visconti!'

Ippolito no less was roused.

He stepped toward Mastino and held out his hand.

'I ask thy pardon for too much wariness,' he said with a faint smile. 'I
am as proud now as ever of my relationship to thee, and everything within
my hands is thine to use as thou wilt against Visconti.' Mastino grasped
his hand convulsively.

'Thou shalt not repent it,' he said, his generous soul melting at once.
'While I live thou shalt not repent.'

Meanwhile Giacomo Carrara's prudent brain had rapidly concluded it would
be most to his advantage, at least for the moment, to side openly with
della Scala, even in this wholesale fashion.

'I too am of the same mind,' he said pleasantly and frankly. 'All I have
is thine, della Scala.'

'Then in a few days I will march on Verona!' cried Mastino, 'and with thy
generous aid I shall recover it! My heart is too full. I cannot speak my
thanks,' he continued, 'but by my honour and my sword I swear, thou,
d'Este, thou, Carrara, and thou, lady, you shall never regret your trust
in me'



Chapter 12. - Graziosa's Lover


In the courtyard of the painter Agnolo's house in Milan, the sunshine
fell strong and golden, sparkling on the fountain that rose in the centre
from its rough stone basin, and throwing the waxen blossoms of the
chestnut into brilliant relief against the sapphire sky.

The courtyard was of stone. Around three sides ran the wall, one with its
door into the street; opposite was a large garden, entered by an archway,
the wicket in which stood always ajar.

The fourth side of the quadrangle was formed by the dwelling-house, which
stood with its back to the ivied walls, itself a long, low building, the
upper half of which, jutting above the lower, was supported on pillars of
carved stone.

Around the bottom wall ran a wide border of plants, some climbing, others
heavy with brilliant blossoms, trailing along the ground, and in the
cool, blue shadows in the recess formed by the projecting storey were
large pots of spreading ferns, vivid green, mingled with the spikes of
bright scarlet flowers.

The basin of the fountain in the centre was velvet green with moss, and
over the limpid water there spread the flat leaves of water-lilies. Above
the wall rose the sweet-smelling chestnuts, spreading their fan-like
foliage and snowy blossoms, tier upon tier, against the brilliant sky,
and through the low arch, trellised with roses, the garden stretched, a
bewildering mass of colour, white, mauve, yellow, pink, blue and red,
into the soft distance, a swaying mass of trees. It was late afternoon,
and the shadows were lengthening, as out of the house, the door of which
stood open, came the little painter. He stepped into the, sunshine,
mopping his face and shaking his clothes.

From head to foot he was a mass of green slime, his doublet torn, his
hands scratched, his face hot and perspiring. After a few vain attempts
to remove the dirt that clung to him, he looked around with a rueful
countenance.

'Graziosa!' he called. 'Graziosa!'

The lattice of an upper window was thrown open, and Graziosa looked out.

At sight of her father she laughed. 'Hast thou been down thy passage
again, Father?' she called from the window.

Agnolo made a wry face good-humouredly. 'That I have,' he returned, 'and
fell into a pond at the other end'

'The other end!' echoed his daughter. 'Then you got through?'

Vistarnini rubbed his damaged hands together with satisfaction. 'Aye,' he
said with a smile, 'after tearing my clothes, fighting briars, stepping
on toads, stifling with dust, and pitching on my face in the dark, I--'

'Fell into a pond!' laughed Graziosa.

'Got to the other end,' cried the little painter. 'Got to the other end!'
Graziosa disappeared from the window, and came running into the
courtyard, a slender figure in scarlet.

'Got to the other end,' repeated Vistarnini breathlessly. 'A noble
underground passage, Graziosa, that is what we have discovered, large
enough to admit an army if need were, and with a concealed opening,
leading out through a cave to the midst of--'

'A pond,' suggested Graziosa with a glance at his garments. 'A wood--the
pond was a mere accessory; a wood, some two miles beyond the town'

'Then since this end is reached from our house, we are the only ones who
can gain access to it?' said Graziosa.

We are,' returned the painter proudly. 'And, Graziosa, we will remain
so.'

'Thou mean'st thou wilt tell no one?' asked his daughter. 'No; it will be
very useful. I hate to be for ever passing the gate, giving accounts of
myself to every saucy soldier. In time of need, should there be a war
then perchance we can speak of it.'

'I think we should speak of it now,' said Graziosa thoughtfully. 'I think
we should tell the Duke.'

'Tell the weathercock!' said Vistarnini. 'I tell thee it will be useful;
the tolls nearly ruin me--and now I can bring everything I buy outside in
through the secret passage.'

''Tis scarce honest, Father'

Agnolo laughed.

'I discovered it,' he said. 'No one knew of it, and the Duke can well
spare my tolls.'

'Meanwhile change thy dress, Father,' laughed Graziosa, 'and thou always
dost as thou thinkest. I have no more to say.' Then, as Vistarnini moved
toward the house, his daughter called after him softly:

'I may tell Ambrogio, Father?'

'Thou mayst do no such thing,' returned Agnolo. 'His conscience would
prick him--he is over grave and honest--'

'He is not,' said Graziosa indignantly. 'I mean--he would not tell--I am
sure he will not tell!'

'And so am I--for he will never know,' said Agnolo with a smile. 'Now thy
promise, Graziosa, that thou tellest no one, not even thy precious
Ambrogio--and the first thing I smuggle through shall be a new silk gown
for thee!'

Graziosa laughed, and seated herself on the edge of the basin. 'I
promise,' she called. 'But as for the gown, thou couldst have brought me
that in any case!'

Vistarnini turned into the house, and silence again fell on the sunny
courtyard.

Graziosa looked musingly at the gate, then down at her bare arm and
sighed.

Two pet doves whirled down from the chestnuts and strutted across the
courtyard, with a show of white tails.

Graziosa noticed them suddenly, in the midst of her dreaming, and was
rising to get their evening meal, when the little painter, clean and
reclothed, bustled out of the house, carrying a flat dish.

'Here is thy food!' he cried to the birds. 'Are ye hungry, little ones?'

And he threw the grain in a golden shower.

'Ambrogio is not here to see you feed today,' he continued. 'What makes
him late, Graziosa?'

'The way is long,' she returned, 'from the convent where he works,
Father, and the monks grudge him any time away from the altar-piece.'

'And the bracelet?' said Agnolo. 'He vowed thou shouldst have it back.'

'I wish he had not,' said the girl in distress. 'He will do something
rash, I fear me. How can he get it back from the Visconti palace?'

'He won't get it back,' said the little painter cheerfully. 'Even a lover
would not be quite so mad as to beard the Visconti for a toy.'

'Yet he swore I should have it again. It was rash of me to tell him how I
lost it,' replied Graziosa.

'Then he would have thought thou hadst given it to the stone-cutter next
door, and there would have been high words, flashing eyes. "Ha--ha--come
out and be slain, thou varlet! Skulking dog, thou list!" then swords out,
and thou lying in a faint--bewailing the day of thy birth. After that,
thunder and lightning--gore--the brawlers driven into the street--the
soldiers come up--and off we go to prison for disturbing the streets with
our frays.'

'You jest too much, Father,' said Graziosa. 'It may be serious if
Ambrogio try to recover the bracelet.'

But a light knock on the outer door interrupted her, and with a
heightened colour she rose.

'It is he, Father!' she whispered. 'I knew he would not fail us.' Agnolo
hurried forward and drew back the bolts, and truly enough Ambrogio
entered.

Graziosa's lover was of medium height, a slight man, with beautiful grey
eyes. His attire was the plain garb of a student. Today his right hand
was hanging in a sling, while in, the other he carried a roll of
drawings.

'Still alive!' said Agnolo pleasantly. 'Graziosa was fearing thou hadst
spitted thyself on Visconti's sword in the recovery of her bracelet.'

Ambrogio took little heed of the painter, but closing the door softly
behind him, turned with a tender glance to Graziosa.

'Wert thou grieving for me?' he said gently. 'I am safe, my beautiful,
and see, I have kept my word.'

As he spoke he drew out the emerald bracelet from his robe, and handed it
with a smile to the girl who stood there, blushing with pleasure and
astonishment.

'Thou hast got it back,' she cried; 'from the Visconti's palace

Ambrogio smoothed her bright hair tenderly.

'The bracelet was thine,' he said, 'therefore I went there for it, and
have brought it back to thee, even from the, Visconti's palace.'

Agnolo was staring at him in amazement.

'How didst thou do it!' he exclaimed.

Ambrogio touched his bandaged arm with a smile.

'With only a small injury,' he said, 'since 'tis not the hand I paint
with.'

And now Graziosa broke in with passionate exclamations of pity for his
wound, of admiration for his courage, covering the injured hand with
caresses.

'Thou hast recovered it--by force?' asked Agnolo again, incredulous.

'Call it by force or what thou wilt,' returned Ambrogio. 'There is no
need to speak of it more. It is enough you are in no danger. No one will
follow me here to regain it.'

Graziosa kissed her recovered treasure and clasped it on her arm again.

'I shall never dare to wear it save within these walls,' she said.

Ambrogio took her hand in his, and led her toward the house.

'Do not fear, sweet,' he returned, looking down at her with a smile.
'Wear it where and how thou wilt. Tisio Visconti will not annoy thee
more.'

The girl glanced up, startled by the authority of his manner. Ambrogio,
noticing the questioning look, turned it aside with a pleasant laugh.

'The Duke is tired of his whims, and is putting him under a closer
watch,' he said. 'From now on he will not often ride the streets'

'I am sorry for him,' said Graziosa impulsively. 'I am very sorry for
him.'

They were at the house door, and Agnolo, stepping ahead into the dark
entrance, led the way up a flight of shallow wooden stairs.

'This is stirring news, Ambrogio,' he called over his shoulder. 'About
the Duke of Verona's escape, I mean. Do you think there will be a war?'

'I am a man of peace,' returned Ambrogio softly, his eyes on Graziosa.
'How should I know? Still, I do not think della Scala will trouble the
peace of Milan much.'

And now Agnolo, at the top of the flight of stairs, was holding open a
wide door through which they passed into Agnolo's workshop, filled with
the pleasant litter of his occupation. 'I do not agree with thee,' he
said. 'Della Scala's is a great name. Were I Visconti, I should not feel
secure.'

Graziosa and Ambrogio entered the long room, high and light, its windows
opening wide on to the street.

And Ambrogio, seating himself near one of the large easels, turned to
Agnolo, the while he drew Graziosa gently down beside him.

'What has the Duke of Milan to fear from della Scala?' he asked.

'Everything,' cried Vistarnini excitedly, for keenly did the little
painter love to air his views. 'Everything. Mark me, Ambrogio, if the
Duke of Verona do not suddenly fall on one of Visconti's towns.'

'He has no army,' said the student. 'He cannot rouse the d'Estes.'

'He will!' cried Agnolo. 'He will--he and Count Conrad. Didst thou not
rejoice, Ambrogio, when Count Conrad escaped? We heard of it from the
soldiers. Graziosa was glad at heart, as every man or woman or child must
be. Such a fate! Didst thou not rejoice he had escaped it?'

Ambrogio was mixing colours in a china saucer, and tapped his foot a
little impatiently.

'Why should we talk of della Scala--and Visconti?' he said.

'Visconti! Who wishes to talk of him?' returned the little painter.
'Tales have come to me about him, too terrible to repeat before our
Graziosa,' he added, lowering his voice.

'You gossip too much with the soldiers, Father,' said Graziosa. 'I do not
love the soldiers, nor should you listen to their tales about Visconti.'

'They would seem to tell them a little too freely,' murmured her lover,
and drew his brows together.

'What dost thou mean, Graziosa?' cried her father, 'as if it were only
from the soldiers we hear of the Duke. Lately some fine tales have got
about, and on no soldier's authority.'

'Shall we not set to work on the pictures?' interrupted Ambrogio. 'You
said, methinks, these tales were not for. Graziosa's ears.'

'Indeed, 'tis true,' and the little painter bustled to the second easel
and drew the curtain that hung before the large panel, revealing an
almost completed picture of St Catherine in scarlet robes.

'Thy work looks well, Ambrogio,' he said, and removing a similar covering
from the easel by which Ambrogio sat, gazed at the companion panel on
which was depicted the archangel Michael. But mine is better,' he added,
'as it should be; thy work will improve with thy years.'

''Tis as fine work as thy St Michael, Father,' said Graziosa, 'and a good
likeness.'

'Nay, not so fair by half as thou art,' murmured Ambrogio. 'Thou art not
easy to copy, Graziosa.'

Agnolo was studying his picture intently.

''Twas an idle fancy to take thee as my model for St Michael,' he said at
length. 'Thou does not inspire me as St Michael, Ambrogio.'

'As what then?' asked his daughter, smiling at her father's earnestness.

Agnolo laughed.

'As no saint at all,' he said. 'He is like nothing but the wicked young
man reclaimed in the legend of St Francis, and not very reclaimed
either!'

Graziosa smiled still more, but Ambrogio faintly flushed and bit his lip.

'Thou art welcome to paint me in that character another time,' he said.
'Meanwhile, I will work on my St Catherine's robe.'

And he seated himself on a low stool before the easel, Graziosa placing
herself on the floor at his feet.

Agnolo scrutinized the St Michael once more, but finally drew the curtain
again along the rod, for his day's work was over. Settling himself in the
window-seat, for a while he contentedly watched the other two; but not
for long could the little painter keep his tongue still, and Ambrogio's
visits were a fine opportunity for voluble talk, for the young man lived
in Como, and was he not now shut up in the convent of St Joseph, five
miles away, painting an altar-piece for avaricious monks who grudged him
even these occasional visits into Milan? What could he know of the city's
news?

'We had a fine procession this morning, Ambrogio,' he said. 'The Duke of
Orleans' retinue went by, a gay sight. We hoped to see the Duke ride out
to meet him, but my lord Gian Visconti keeps himself close. For all we
live so near the gate, I have never seen him, or only in his helmet; and
yet 'tis said he cares a good deal for sculpture and for painting, and
will make a fine thing of this grand new church he's building. I would
love to see what a tyrant and a painter both may look like.'

Ambrogio, bending over his painting, returned no answer; but that made
small difference to the talkative little man, who continued.

'He came not, however, so we contented ourselves with the French prince,
who is to marry the Lady Valentine. Graziosa did not care for him; I
thought him well-looking enough.'

'His air was not a gay one, and he seems foolish,' said Graziosa; 'and
since he is not marrying for love, I am sorry for the Lady Valentine.'

'Thou art always sorrowing for someone,' said her father. 'A princess
never marries for love.'

'Then I am glad I am no princess,' smiled Graziosa, looking up at her
betrothed.

Ambrogio raised her hand to his lips and kissed it in silence. Agnolo
continued his recitals, refreshing himself every now and again with
renewed glances from the window.

'A splendid view we have here, only some processions are not so pleasant
as the one that passed today. There was one in particular--some weeks
ago--we stayed in the back of the house that day. The old Visconti rode
to Brescia, the soldiers said, his son behind him! Ah, for that day's
work the Duke is a lost soul, Ambrogio.'

There was a silence after this; the painter kept his eyes on the
darkening sky.

Ambrogio dropped his brush and rose with a pale face. 'I can paint no
more,' he said. 'I am weary.'

His daughter's lover sometimes puzzled Agnolo. His history, as he had
told it to them, was a very plain one, his career straightforward, but
Ambrogio's manner strangely varied: sometimes authoritative, strangely
cold and haughty for a poor painter; strident sometimes, curious and
overawing. But to Graziosa he was always tender, and she saw nothing now
but his pale face.

'No wonder thou art weary,' she said tenderly. ''Tis a long way from St
Joseph, thy hand pains thee, and thou hast had no food.'

Ambrogio stooped and kissed her upon her upturned face.

'And I cannot stay for it even to take it from thy hands,' he said with a
sigh. 'I meant not to stay at all, and only came to give thee thy
bracelet, sweet; but soon, soon the altar-piece will be finished, and I
come never to return.'

'Finished,' murmured the girl, her head against his arm. 'When?'

'By midsummer, Graziosa. Is the time so long to thee too?'

'I am so happy, Ambrogio, it does not seem possible I could be happier;
still, I think I shall be when thy altar-piece is finished.'

Ambrogio looked at his painting longingly.

'If I could only stay,' he said, and kissed her again.

'Surely it is still early, even for St Joseph?' said Agnolo. Ambrogio
glanced out into the dusky street, where several gaily attired horsemen
were riding.

'The Prior begged my early return,' he said. 'And so farewell, my father,
for a little while, farewell!'

'Well, if it must be, it must,' said Vistarnini cheerfully, 'thou wilt
never fail for lack of industry. Still, Graziosa, even if thy lover goes,
there is something left to amuse us. This evening the nobles ride in to
attend the feast Visconti gives tonight to the French Duke. 'Twill be a
noble feast, yet I doubt if the Lady Valentine be as happy as thou art,
Graziosa.'

But his daughter returned no answer, for she was not there, but at the
top of the dark stairway. She was saying farewell to her betrothed; and
when Agnolo turned from the window, she was leaning on his arm across the
courtyard; for a last word at the gate.

'When comest thou again?' she whispered.

'Thy father jeers me for my industry, yet heaven knows what it costs me
to leave thee, sweet. In two days' time I will again be with thee.'

They were at the door, but still he lingered, gazing on her gentle face.

'Farewell,' he said at last, with a smile. 'For two days, my beautiful
Graziosa.' He took her face between his hands and kissed her.

'Farewell,' she smiled, and with a sudden effort he was gone.

But once well clear of the house, Graziosa's lover paused as if
undecided, then drew his hood, and wrapped himself closely in his mantle
and walked rapidly into the city, keeping close to the wall. After some
time he drew the bandage from his hand and flung it aside.

His left hand was as whole as his right.

Again he walked on rapidly, until, at the corner of a quiet street, a man
with bent shoulders and dressed in black stepped from the shadow of a
building.

It was Giannotto.

'News, Giannotto?' asked Graziosa's lover in a whisper.

'I am waiting for you, my lord, to tell you they are growing impatient.
Your absence is causing surprise.'

Two horsemen passed, and Ambrogio drew his mantle closer around him.

'No one has seen thee Waiting here?' he asked.

'No, my lord, I am too careful'

''Tis well,' said the other. 'Lead on toward the palace, Giannotto. I
will follow.'



Chapter 13. - Valentine Visconti's Toast


The Visconti palace was brilliant with lights and gay with the hum of
voices.

Splendidly attired, in all that wealth or taste could desire, the French
guests seemed to diffuse some of their own light-hearted gaiety over the
sombre abode of the Visconti.

The entrance stairs of fine white marble were spread with a purple silk
carpet, the golden balustrades intertwined with roses emitting their
fragrance, and the long gallery opening from the stairway and lit by wide
windows, deep set in the stone, showed the long, low balcony smothered in
myrtles, lemons, citrons, oranges, and gorgeous flowers, scented and
abundant, filling the corridors with the sense of summer and mingling
their slender trails with the stiff folds of the rare and costly
tapestries that covered the walls and were laid upon the floor.

At intervals stood statues, masterpieces of ancient art, faintly lit by
the golden glimmer of the swinging lamps.

And all the stairs and corridors and gallery were alive and brilliant
with the magnificent guests of the Visconti--lords and ladies, the finest
the dismantled court of France could boast. Yet, used to splendours as
they were, coming from the most refined court of Europe, the costly
display made by an Italian usurper impressed them with wonder, almost
with awe.

Tisio Visconti, most richly dressed and adorned with all his favourite
jewels, mingled in the throng, gay and happy, forgetful of everything
save the lights and the colours, the kindly respectful tones in which he
was addressed, unheeding the silent page that followed him.

The wide, usually so sombre, entrance of the palace stood open upon the
street, and the red flare of torches, the gleam of richly-caparisoned
horses, the bustle of pages and men-at-arms, were visible to the
courtiers within, and blended city and palace in one splendour.

'I would the French were always here,' cried Tisio, excitedly. 'I love
the palace to be light and gay.'

The gay flutter of silk and satin, the elegant grace of the strangers,
pleased him, and he smiled like a contented child. But suddenly all the
light was struck out of his face.

'Gian,' he said dully.

'The Duke!' the courtiers behind him took up the word, and the tattle of
voices ceased.

Gian Visconti was approaching down the gallery, followed by several pages
in the Viper's silver and green livery.

He passed between the rows of bowing courtiers carelessly; there were
many there of the proud nobility of France who found it hard to stand
silent and respectful before this man, whose crimes alone were his
passport to sovereignty.

To them this marriage was a humiliation, a disgrace to the French crown,
but to Visconti it was a triumph, the successful crowning of ambition. He
was in a genial mood, and as he passed Tisio stopped and smiled, telling
him for tonight he might go where he pleased.

It was not too much to spare to the brother whose possessions he enjoyed.

And as Visconti passed on, more than one Frenchman raised his eyebrows
and shrugged his shoulders expressively as the sweep of his scarlet train
disappeared.

Among the throng the ever-ready secretary waited for Visconti's eye to
fall on him, and the Duke, dismissing the pages, beckoned him forward.

'No news from Verona, or Mantua?' he asked.

'None, my lord.'

'None? The messengers are late. But after all why should they haste?'
said Visconti. 'Della Scala will hardly be in the field yet,' he added
with a smile.

'If ever, my lord,' replied the secretary smoothly.

The two had withdrawn in the embrasure of one of the great open windows,
and Visconti, glancing through it, turned his gaze there where, clear in
the blue summer night, rose the outline of an abutting building, grim and
dark and silent: Isotta's prison.

'See the guards be doubled there,' he said. The secretary bowed.

'As to the Lady Valentine, my lord,' he said insinuatingly, 'she is safe
and well, and at her prayers with her women. I have kept guard upon her
slightest motion.'

Visconti drew a ring from his finger. He was in a generous mood tonight,
a rare one enough, as Giannotto thought with bitterness.

'Take this for thy pains,' he said. 'And now I will relieve thee 'of thy
watch; she can hardly escape under my very eyes and with her bridegroom
waiting. Let the guests know I bring the bride, Giannotto.'

Visconti withdrew the length of one of the corridors, and paused there at
a door before which stood two soldiers, the guard of his sister's
apartments. At his soft approach they stood back, and, opening the
folding doors, Visconti passed through, and quickly threaded the deserted
anterooms until he reached the chapel that the lady used.

The place was dim, lit by red lamps that cast more shadow than light, and
with high, stained windows, now scarcely showing colour. And seated on
the floor under one of them, her head against a carved wall, her hands
listless in her lap, was Valentine.

She wore a dress of flame-coloured satin, and her hair was elaborately
dressed with rubies and pearls. She made no movement at her brother's
entrance.

The air was heavy with incense and the perfume of some white roses that
faded across the altar steps.

'We wait for thee, Valentine,' said Visconti.

A couple of her women moved forward from the shadows, and whispered to
the Duke they could do nothing with her. He motioned to them to withdraw.

'Valentine, come! Think of the splendid life that opens before thee from
today' Visconti's tone had the gentleness of one who has gained his
point. 'Thou mayst be Queen of France.' But Valentine Visconti had too
much of her brother's spirit, too much of the ungovernable pride of will,
not to hate this yielding to the force of power. She hated her brother's
tyranny. She hated this marriage. What would life be for her, with an
indifferent husband, in an idle, impoverished court, among foreigners,
strangers, far from her own land? She would not be forced to it. She rose
to her feet, desperate.

Visconti watched her keenly, standing waiting.

'Come,' he repeated, 'the Duke of Orleans. waits. The feast is ready.'

For one moment a mad hate of him overmastered her, a wild desire to
refuse to stir, to cling to the altar, dash herself against the floor,
anything rather than obey. She knew his parricide; he was not the elder.
She would not obey.

Words of defiance were on her lips, but glancing at his face, the words
died away, and a sense of the useless folly of resistance, the useless
humiliation of refusal, surged over her. She was in his power. When she
spoke, it was humbly, in a faltering voice, with tears.

'Gian,' she whispered. 'Gian--I have never asked anything mof thee
before. Gian--this marriage is hateful to me--' she paused, then stepped
forward with appealing eyes. 'Gian--have consideration--have mercy!'

'The Duke of Orleans waits,' smiled Visconti. 'Will you not let me lead
you to him?'

Valentine drew back and steadied herself against the wall.

She thought of Conrad with bitterness and shame, of his vows of devotion,
how he had sworn she should never wed the French prince--and--he was
free--had been so for many days, and never a word or a sign.

Visconti flung wide the chapel door, and in the adjoining room he
summoned to her side his sister's page. Valentine's eyes fell on him, and
she noted how the blood rushed to his face as he sprang to obey. He was a
fair-haired boy with eager eyes, who worshipped her with a romantic
devotion at which she had often smiled; but now--

He lifted her train, and Visconti held out his hand. Outside her doors
soldiers kept their motionless guard, and beyond the gay crowd swept to
and fro. Silently Valentine moved forward, but her heart was burning with
rebellious hate.

'I will still try once more for freedom,' was the thought she held to;
and as they traversed the great corridor and her eyes fell, as had her
brother's, on the grim outline of Isotta's prison, 'I will free her too,'
she added, with a swelling heart.

And Visconti thought her conquered, cowed into complete submission, and
watched her pass ahead of him down the banqueting chamber with a
satisfied smile to see her the fairest and the proudest there.

The brilliant courtiers streamed in, a mass of colour and jewels, and
Visconti, seated at the head of the table, glanced at the effeminate
faces and frivolous bearing of the guests with some contempt.

'No news?' he whispered to Giannotto behind his chair. 'No news from
Ferrara yet?'

'None as yet, my lord. The messengers are expected at any moment.'

The apartment was a blaze of wax candles that threw a thousand dancing
reflections on the elaborate silver and glass that covered the table.

The bright light fell too on the rubies on Valentine Visconti's throat.
She sat at her brother's side, with a pale face And sparkling eyes. On
Visconti's right was her bridegroom, the Duke of Orleans, an elegant
young man with weak eyes and a receding chin. His scanty, fair locks were
carefully arranged with grease and curling irons into stiff curls, the
ends of his moustache were elaborately twisted, and his face was rouged
plentifully on the cheeks.

Valentine looked at him once, then ignoring him utterly, she looked down
the long, glittering table to the great entrance facing her, with a crowd
and press of liveries and hurrying attendants, waiting pages. As for the
French duke, he conversed with Visconti, ignoring the hardly hidden
contempt that he was either too dull to see or too politic to resent.

The banqueting hall filled: and the guests in their seats, the secretary,
standing back among the servitors, crept out into the antechamber. After
the glare and splendour of the banquet, the room seemed dull and sombre,
and Giannotto stumbled over a crouching figure.

It was Valentine's page, weeping bitterly.

'Poor fool!' muttered the secretary. Wouldst thou lose thy place as well
as thy heart?' And he passed on with a laugh. But after a pace or two he
paused. Through the palace windows floated a sound as of distant
murmuring and commotion, yet so faint he could scarce be sure of it.

The page had risen, shamefaced at having been discovered. He was very
young, and his grief very real to him. He choked a little, stifling his
sobs.

'Silence!' said Giannotto angrily. 'Listen!' The sound grew nearer and
more distinct, and the secretary went to the window nearest and leaned
forward eagerly.

Several horsemen and soldiers came riding swiftly, holding flaming
torches; windows were flung open, people hurried to and fro.

'Some evil news has got abroad,' said Giannotto, straining eyes and ears.

And now the noise of angry shouts and frightened cries became too plain,
and the secretary could see by the flare of some horsemen's torches, a
throng of country folk, laden with their possessions, and some men
driving herds of cattle, and soldiers torn and dusty.

'Evil news, indeed, I fear,' he muttered, and waited anxiously.

A ray of brilliant light from the banqueting hall beyond fell between the
curtains and streamed across the room, there was laughter and clink of
glasses, and a voice singing in French to a lute. The page clenched his
fists and turned to go.

'Stay,' said Giannotto, 'stay. If thou wouldst end thy days, here comes a
chance, methinks, for someone will have to carry ill news to Visconti.'
And even as he spoke a white-faced servant entered.

'My lord,' he cried, as Giannotto stepped before him, 'there has been
some sore disaster--the country folk are trooping through the
gates--there is a panic in the city.'

'The messengers!' cried Giannotto, 'the messengers!'

'The messengers have not returned--but there are plenty bringing news who
were not sent for it, my lord.' And as the man spoke, a disordered group,
soldiers and servants, pressed into the room behind him.

'Gently, my friends,' said Giannotto, checking their agitated outcry and
pointing to the curtains that hid the banqueting hall. 'The Duke--'

A man, dusty and white-faced, forced himself out of the crowd, small, but
swelling every moment.

'I bear the news the Duke must hear,' he said, 'and quickly.' Where hast
thou come from?' asked the secretary. 'What is thy news?'

'Since daybreak I have been flying for my life--I am a servant in the
garrison at Brescia--it is destroyed,' gasped the man.

'Brescia!' The echo of horror. 'Has Brescia _fallen_?'

'Aye, fallen--into della Scala's hands.'

Giannotto looked around bewildered, incredulous.

'Della Scala at Brescia?' he said. 'You dream!'

But the room was filled now with a white-faced crowd that would not be
kept back, and from every side echoed the evil tidings.

'Brescia--at dawn today della Scala whirled down on us, flushed with
victory--and in two hours the town fell.'

'And Visconti thinks him idle at the d'Este's court!' broke from
Giannotto.

The crowd filled the chamber with the whisper of dismay and horror, but
from the banqueting room still came the song and the laughter--Visconti
was in blissful ignorance of evil. Who could tell him? Who would dare?

Well Giannotto knew the fall of Brescia could be only the last of a
series of incredible disasters; so swift as to seem miraculous. Victory
after victory must have fallen to della Scala before he could have
marched on and taken a place so near Milan; victories following too fast
on one another to have reached Visconti before their culmination. The
news indeed was terrible!

Who would enter the banqueting hall?

All shrank.

''Tis almost certain death,' they muttered, and Giannotto smiled.

'The Duke carries deadly weapons'

As he spoke the curtains were pulled aside for a moment as one of the
serving men stepped out, and Giannotto, bending eagerly forward, caught a
glimpse of two faces at the far end of the brilliant table.

Visconti's, laughing, triumphant, insolently handsome, and Valentine's,
set and white, with dangerous eyes.

The curtains fell to again, but Giannotto had a thought. 'Leave it to
me, good friends,' he said, and passed into the hall. 'The Lady
Valentine shall give the news!' That was the secretary's inspiration.
'The Duke dare not touch her, and it will be a pleasure to her that she
may reward' And the crowd, gathering in the anteroom, waited, bewildered
and terrified, to hear the blow had fallen.

'They will stop their song and jest,' said the man from Brescia, 'let the
Duke once know--' The entry of another, panting and torn, interrupted
him.

'Heaven save Milan!' he gasped. 'Verona has fallen.'

The shouts and clatter from the courtyard had penetrated faintly to the
banqueting hall, and Visconti paused a moment, listening.

Valentine listened too, and thought of Conrad.

But the noises died away, and Visconti turned to the Duke of Orleans with
a laugh.

'My soldiers revel in your honour,' he said, 'and we will drink my
sister's health, my lord.'

Valentine's breast heaved. Who was he, to dare to sacrifice her to his
pride and greed? She would not suffer it. Was she not also a Visconti?

As in a dream she heard her health drunk; as in a dream she saw the Duke
of Orleans' foolish look turned toward her in vacant admiration; then
suddenly, with a start, she noticed Giannotto's crafty face. Valentine's
eyes blazed with sudden purpose. She looked down toward the entrance, and
saw, between the curtains, white faces peering and figures half-thrust
forward.

'The Duke of Orleans!' cried Visconti, and the guests again rose.
Valentine rose also, with inspired eyes and crimsoned cheeks.

The Duke of Orleans!' she cried, lifting her glass, and at the first
words she had spoken they stood silent in an uneasy expectation. 'Will
the Duke of Orleans wait, Visconti, while I give a still nobler toast?'
Her voice rose triumphant. At her words, at the mad defiance of her
bearing, Visconti stood amazed.

'Here is to the one who has taken Brescia and Verona, even from thee,
Visconti; here is to the brave soldier who now marches on Milan--Mastino
della Scala!'

And she raised her glass high, and then turned and flung it at Visconti's
feet.

'The news is true,' she said, 'and now kill me for it.'

And with a stifled cry Visconti's hand was on his dagger, but Orleans
flung himself upon him, and caught him by the wrists. Visconti glanced at
him, and at the startled company, not grasping what had happened, and
then the cry, begun no one knew where, went in a growing volume around
the hall.

'Verona has fallen!'

It circled around the table, it passed from lip to lip, from the
white-faced, surging crowd to the brilliant guests, and the company broke
into confusion, and looked into one another's eyes with terror.

'Verona has fallen!'

'A lie!' thundered Visconti. 'A lie! My sister has gone mad. Who says the
word again shall die!'

'My lord,' said Giannotto, 'listen.' And into the sudden hush within it
came the wild hubbub of the panic-stricken city. 'Verona is fallen! Della
Scala marches fast on Milan!'



Chapter 14. - The Tumult at the Western Gate


Mastino della Scala with his army lay at Serio, a hamlet boasting a small
eminence crowned with a strongly built but insignificant castle. Some ten
miles farther on Brescia was held by Julia Gonzaga's army. Only a few
weeks had passed since della Scala, falling first on Verona and taking
it, had marched on Milan and almost snatched it from Visconti's
unsuspecting hold. But the alarm given at Valentine's wedding-feast had
come in time. With almost superhuman energy, in two hours' time Visconti
armed the walls and put the city in defence. To surprise a victory was
impossible. Still, the Duke of Verona's army was only some fifteen miles
from the walls, and day by day drew nearer.

Visconti, from the height of proud security, was suddenly, by one move,
placed in a position dangerous indeed. The towns and domains behind
Milan, from that city to Turin, were still his, as were Pavia and
Piacenza, but from Brescia to Verona, and from Modena to Lombardy, save
for a few scattered towns and forts held desperately by Visconti's men,
the whole was in the hands of della Scala and his allies. Still Milan was
not in a state of siege: men and supplies hurried in from Novara,
Vercelli, and other towns in the Visconti's dominions, and powerful aid
was coming to the Duke of Milan's assistance from the Empire.

Yet in Visconti's eyes this aid, needful as it was, was dearly bought,
for Charles IV, though an ignoble ruler and laughed at by his subjects,
was of an honourable, open disposition, and related by marriage to the
Estes, and the one condition on which he was dispatching to Visconti's
service his soldiers stationed in Switzerland and on the borders, was
that Isotta d'Este should be untouched.

In the bitterness of his rage, Visconti wished he had already slain her;
now, in truth, he dare not. It was no question now of gratifying an
ambition, it was simple fear of losing his own throne, fear of being in
his turn reduced to what he had reduced della Scala, that made him
respect the wishes of the Empire, and the feeling of the French who
thronged his court.

And the thought that he could not play the best card tyrant ever held was
rendered doubly bitter by the fact that della Scala knew him to be
helpless and Isotta safe.

Scheming in his crafty soul for means to outwit Mastino, Visconti thought
of Giacomo Carrara, who held Padua, Treviso, Cremona, Vicenza. He was
della Scala's ally, but a man of no upright soul.

'Could I gain him,' thought Visconti, in his musings, 'I could stand
without the Empire, without France, and use my captive as I please and
not as they dictate.'

To the Estes and Julia Gonzaga he gave no thought; well he knew they were
not likely to desert Mastino--but Carrara--Meanwhile, he threw his whole
strength against the opposing army, keeping it at bay, gaining time--and
planning.

But Mastino della Scala's object was not to lose time in idle skirmishes.
Brilliant success had fallen to his share, not one reverse had marred his
short campaign and it is not the policy of the victor to dally with time,
rather to seize the chances each day offers, while yet fortune smiles on
him.

But well della Scala knew that neither honour, nor pity, nor shame, but
fear alone, would restrain Gian Maria Visconti from venting his hatred on
Isotta d'Este.

Still, he kept up a stout heart. Visconti dare not! To make assurance
doubly sure, he used all his influence at the court of Rome to procure
the aid of the Church against the Duke of Milan.

Many a time had he rendered powerful help to the Pope, and, as his
present position stood, might do so yet again; and the result of his
appeal was a grave embassy from the Pope to Visconti, threatening him
with excommunication and the sword of the Church should he dare to touch
Isotta d'Este.

For the first, Visconti cared little; twice had the Church thrown him
out, and each time had he laughed at it and emerged triumphant; but now
his position was more perilous than it had ever been since he mounted the
throne of Milan, and he dare not treat this mandate of the Church as he
had done 'the others. The Pope's temporal power too was great; were that
once turned against him, even with the Empire's aid he could hardly
stand; so Visconti answered them with fair words, pledging his honour for
the Duchess of Verona's life.

One bright summer morning, Visconti sat at the open window of his palace,
thinking.

At the other end of the room the Duke of Orleans and Tisio were playing
at chess; between these two, during the Duke's enforced stay in Milan, a
friendship had sprung up, and Visconti, weary of his foolish guest, was
well pleased a foolish brother should take him off his hands.

The Frenchman was prepared at once to carry out the contract, marry
Valentine, and depart for France, but this Visconti's pride would not
permit. The Duke of Orleans had witnessed a reverse, he should behold a
triumph. Valentine should leave Italy as befitted his sister, not fly
from it as a fugitive; and the French prince, who in a few weeks had
yielded to Gian's influence and learned both to fear and obey Visconti,
assented meekly to delay, and whiled away the time as best he might.

Visconti sat so motionless and silent that the chess-players were
forgetful of his presence, and their voices rose high.

'My move,' said Tisio gleefully. 'See, the rook takes your knight.'

'Your rook could take my kight,' returned Orleans, 'if it were your move,
but as it is mine--'

'You are not watching the game,' was the angry rejoinder.

'Your pardon, _my_ move,' said the Frenchman calmly, and, with a smile
on his vacant face, he swept up one of Tisio's men.

'My move--and--mate, M'sieu.'

With a cry of childish rage, Tisio snatched at the board, spilling the
men on to the floor.

'I love not to play with you,' he cried. 'I would Count Conrad were here,
he was the one to play with.'

Orleans laughed.

'Because he always let you win, M'sieu?' he said.

Tisio began to whimper with annoyance, calling loudly on Valentine.

Visconti, aroused, drew the curtains aside, and stepped forward.

Orleans was, at his appearance, a little flurried. It was impossible for
his weak brain to meet those eyes and not feel flurried.

'Tisio and I are fallen out again,' he said feebly.

Visconti looked at him coldly.

'I would remind you, my lord, Tisio, though an infant, is my brother.'

'Gian!' cried Tisio, suddenly noticing him. 'Gian, it was my move!'

'Whether it was thy move or no, it does not please me thou shouldst be
annoyed--remember it, my Lord Duke'; and he turned into his inner room.
As he closed the door, his long brooding showed in his face. It was lined
and anxious. The position was a dizzy one: a perilous one: his dark dress
concealed the gleam of chain armour.

His enemies were many, and some powerful, and Visconti took no chances.

At his side hung a dagger, long and sharp, and his fingers were often on
the hilt in readiness. At his old place sat Giannotto. 'I have decided,'
said Visconti. 'I will attempt Carrara.'

'You think he is to be bought, my lord?'

'I think he is to be bought,' responded Visconti. 'At any rate we will
try. He and his force are with della Scala?'

'And fifteen miles outside our walls,' said Giannotto; then at the look
on the Duke's face, he was sorry he had spoken, and shrank together.

'Read what is on the parchment,' said Visconti; and the secretary, glad
to have been let off so easily, unwrapped the roll. Therein Visconti's
bribe was plainly set forth:

The town of Cologna, near to Padua, and well fortified, the protection
and close alliance of Milan, and the service of ten thousand trained
mercenaries, together with the right to trade free of toll in Visconti's
dominions--

'And a pair of turquoise gloves,' added Visconti, with a change of tone.

Giannotto glanced up.

'Are they not worth three hundred ducats?' said Visconti, smiling. 'Did
not the Pope and Emperor both wish to buy them, and fail?'

Giannotto bowed his head over again and studied the scrip in silence.

Visconti watched him keenly.

He thought, 'I know he would betray me for a ducat--if I were not
Visconti.'

He turned to the narrow window, and looked out on to the city spreading
beneath him.

'The Empire,' he muttered to himself. 'The Empire and the French--I will
awe them and humour them while I must--but let me once gain Carrara--as I
shall--I can dispense with them and deal with della Scala as I list.'

He turned from the window to Giannotto, and his face had lost its lines.

'Well?' he asked. 'What think you?'

'This is a master-stroke of temptation, my lord. You have always found
craft a good servant.'

'It would not serve me well in thee,' said Visconti with a sudden glance.
Now, see to it that parchment is dispatched, Giannotto, by a trusty
messenger, and with no delay.'

'I will give it to Ricardo with my own hands, my lord,' said Giannotto.
'He is the best man we have since Filippo was wounded this morning in a
skirmish by the western gate.

'The western gate?' Visconti looked up quickly.

'It was not worth while bringing to your notice, my lord. A band of the
enemy's soldiers have been skirmishing there.'

'They were beaten off without harm to anyone within the gates?'

'The gates were not forced, nor anyone injured--or I should have
acquainted you, my lord,' and he waited for possibly some mark of
appreciation; but the Duke motioned curtly to the roll he held, and
Giannotto crept out with bowed shoulders. As the tapestry fell into place
behind him, Visconti approached the black bureau between the windows, and
unlocked one of the long drawers.

In its dusky recess lay a gold box, and Visconti took it out, handling it
carefully.

The light fell in a straight shaft from the narrow window on the delicate
chasing of the casket as Visconti placed it on the table, and as he
turned the key and the lid flew back, it gleamed on the emeralds and
diamonds of an elaborate coronet, exquisitely enamelled and pointed.

Every inch was covered with precious stones: each point tapering into
delicate tracery of gold, as fine as lace.

Visconti drew a chair to the table, and leaned back in it, his eyes upon
the jewels; so absorbed was he, he did not heed the opening door nor
Tisio's entrance.

And Tisio scarcely saw his brother, for joy at the little coronet, so
brilliant in the sun's straight ray.

'How dost thou come here, Tisio?' asked his brother, startled; but at
sight of Tisio's vacant, foolish face, he sank back, and noticing his
joy, he smiled--for Tisio was crazed, and remembered nothing of even the
things that gave him pleasure. 'Dost thou like it?' he continued,
gratified at the delight in his brother's eyes. 'Thy taste in goldsmiths'
work is good, Tisio.'

''Tis beautiful, Gian, wondrous beautiful cried Tisio in rapt admiration.

'I bought it with the price of half a city,' said Gian. 'And hold it
cheap,'

The words had no meaning for Tisio, as his brother knew: he only voiced
his own pride in the lovely bauble.

'And wilt thou wear it?' asked Tisio.

The Duke laughed good-humouredly.

'Not Tisio; still soon--when della Scala's crushed--thou shalt see it
worn by someone--someone whose face will outshine these stones, Tisio.'

'Whose will it be?' asked his brother childishly.

'A lady, Tisio; and when this coronet is on her head, she will be
Visconti's wife and the Duchess of Milan!'

He paused on the word, and looked at Tisio; but there was no wonder in
his brother's eyes, his gaze held by the flashing stones.

'Now, by Saint Mark!' cried Visconti suddenly. 'This is no time to be
maundering with a toy and an idiot.'

He put the little coronet back and locked the casket.

'How comest thou to be alone, Tisio? Where is thy page?'

As he spoke he returned the casket to the bureau. Tisio, in eager
curiosity, looked over his shoulders into the open drawer. There lay the
turquoise-coloured gloves.

'Oh!' cried Tisio joyously. 'The beautiful, beautiful gloves!' And
before Gian could stop him, he had caught them up. Visconti snatched
them from him; at the same moment came a clamouring upon the door. It
was Giannotto knocking lustily. 'Now, who beats down the door?' cried
the Duke, and waiting for no further summons, Giannotto entered. The
Duke, starting, thrust the turquoise gloves into his doublet.

'What is it now, Giannotto? Did I not say that I was coming?'

'My lord, it presses. De Lana would see you--there has been fierce
fighting outside the walls--the army clamours for you--'

'Lead the way,' said Visconti shortly; and, preceded by his secretary, he
returned hastily towards his council chamber.

The anteroom, brilliant in pink stone and gold, the great hall itself,
flaring in painted walls and dazzling stained-glass windows, were full of
people--courtiers, soldiers, artists, and craftsmen.

Gian Visconti kept neither the open court nor the free table of his
father; he was neither lavish in his hospitality, save when it suited his
own ends, nor liberal in his rewards; still he loved, encouraged, and
jealously exacted the homage of all artists. Woe be to the painter or
poet who took his painting or poetry to any other in Milan save the Duke
himself!

There were many there today, eager-eyed among the throng, among them the
German architect of the glorious new church; but today Visconti passed
unheeding through them. The city was at war.

He stepped into the council chamber unannounced, followed solely by
Giannotto.

The great gilt ornate room was full of Milanese and foreigners, allies or
guests of Visconti.

'You look grave, my lords,' cried Visconti, his grey eyes wide, 'and
fearful. I had not thought you of so poor a courage. Yet, since you are
so faint of heart, I come to tell you from my own lips that I ride
against Verona today! Have you forgotten, my lords, that a Visconti still
rules Milan?'

There was no answer from the splendid throng; they had complained much of
late--but not to his face.

'Have you no thanks, for so much comfort?' laughed Visconti. 'Let all
those who may care to follow make them ready, and let those who care
not--stay to make us welcome from a victory. Come, de Lana.'

He turned away with his hand on his favourite captain's arm. To a man the
crowded assembly flocked to follow.

'Ah!' Visconti turned again.

'A crushed foe is scarcely to be feared! Have I not set my standard in
the market-place of Verona? Have I not dragged a hostage from della
Scala's palace? Lords of Milan, am I not Visconti?'

With one voice they broke into loud shouts.

'To the city walls! To the city walls! Down with della Scala! To the city
walls!'

And while the cry still sounded, before the enthusiasm could abate,
Visconti, armed and mounted, rode at the head of some thousand
mercenaries and Milanese to the farthest rampart of the city.

Orleans had not volunteered. The French duke remained in the well-guarded
palace, of which the Lady Valentine was left the governor during the
Duke's absence, an office she had often filled before quarrels had sprung
up between her and her brother, and while he held Milan against his
father and she was his counsellor and ally.

For a few brief hours, power again was hers, for Visconti had not
weakened her authority yet--outwardly at least. She could do nothing.

She thought of her helplessness with bitterness. All day long she set
herself to revolving schemes of escape--some way whereby to avail herself
of the confusion into which Milan had been thrown--some means to outwit
her brother.

She could not rest for her anxious thoughts. The Visconti palace was near
the walls, and Valentine, stepping on to the open balcony, looked through
the clustered pillars over the flat house-roofs to the distant country
where the advancing army lay.

The air was heavy. From the street came the sound of tumult, noise, and
hurry: the walls were manned.

'There is to be some fighting,' murmured Valentine.

She shaded her eyes from the sun that, beating on the red brickwork of
the palace, gave back a blinding glare.

'Oh, may God grant that victory may fall,' she murmured, 'where Count
Conrad draws his sword!'

It was evening before Visconti returned, weary from his survey of his
men, victorious after a fierce skirmish with some of Verona's
mercenaries, led by Mastino's trusted Captain Roccia.

The palace that till then had lain so quiet was suddenly a wild
confusion, a babel of noises, shouts, and trampling of horses.

Strange, flaring lights were thrown across the courtyard; the torches
flung ragged, straggling rays upon the sides of the palace, falling
grotesquely on the griffins that grinned either side the arched door,
falling across the long rows of straight windows, and, for a second, on
Valentine Visconti's pale face, looking eagerly below.

'Dogs of Veronese!' cried Visconti, turning his blazing eyes toward the
prisoners. 'They have cost us a wild hour!'

And he had been in the thick of it; his rich armour was dented, the
embroidered surtout torn to rags: Visconti's blood was up. In a fight,
even the Torriani could not say he lacked anything save prudence.

Without alighting, he took from his head his ponderous helmet with the
viper crest, and gave it to his page.

'We have given Roccia a taste of our quality!' he laughed, and pulled his
gauntlets off. 'Where is Giannotto?'

'I am here, lord,' said Giannotto.

He stood at the Duke's saddle, looking around him in confusion.

'What news, Giannotto?' cried Visconti. 'Thy pallid face seems too ready
to welcome me. Let me dismount.'

'Hear me first,' entreated the secretary, 'before you dismount--before
anything--lord!'

'Quick with thy news then--stand back, de Lana, I must hear this rogue.'

Giannotto drew closer.

'My lord, at noon today, Rinalta, the Tuscan captain, rode in. While
Roccia was engaging you, some mercenaries forced one of the gates, and
before they could be driven back, a house was broken into, some prisoners
made--'

The Duke fixed his widening eyes upon the speaker, and Giannotto shrank.

'What gate?' he asked. 'What house? What prisoners?'

'The western gate, lord, and Agnolo Vistarnini's house!'

With a sound of fury Visconti struck at his secretary violently, with the
ends of his bridle.

'And I was not told before!'

'It was held too small a fray, lord,' said the secretary. 'Could I tell
Lady Valentine one gate was more to you than another? I besought her to
send to you--I besought them all--could I tell them why?'

Even as he spoke de Lana rode up resolutely.

'More men are needed at the western gate,' he said; 'the Germans have
returned. I will lead them.'

'No!' cried Visconti; 'I, de Lana.'

The soldier looked surprised.

'You, lord? There is no need--'

'It is my will,' Visconti answered fiercely. 'At once, to the western
gate!'

At his cry the soldiers flung themselves again into the saddle, and those
who still sat their horses gathered up their reins.

'Your helmet, lord,' cried the startled squire; but Visconti swept him
aside and rushed bareheaded forward, de Lana and his troop of horsemen
after him in a wild riot of sound and light.

Giannotto stood bewildered in the doorway; nothing left of the wild
tumult that had filled spaces save echoing shouts and trampling hoofs.

'Visconti is mad,' he thought has ridden off almost unarmed! Now--I
wonder what may happen before he return from the western gate--the night
is dark and--dangerous.'

And with a thoughtful glance up at the cloudy sky, Giannotto slowly
withdrew.



Chapter 15. - A Prisoner from Milan


Mastino della Scala was proving himself. He had come to within fifteen
miles of Milan.

Verona was his again; that was in itself enough to justify his allies'
confidence.

Of them Julia Gonzaga's force and Ippolito d'Este's army lay at Brescia,
ready at any moment to advance.

Della Scala's position lay nearer Milan, and by far the larger half of
his support was Carrara, Duke of Padua's contingent, led by the Duke in
person.

Between the two forces, a quarter of a mile outside della Scala's camp,
was the castle of Brescia, at one time an occasional residence of
Barnabas, Visconti's father, and now a gloomy fortress, with an evil
reputation; for Barnabas, driven from Milan by his son, had died
there--with his wife--of fever it was said. In a gorgeous tent in the
midst of della Scala's camp sat Conrad von Schulembourg and the younger
d'Este.

It was the slumbrous hour after noon, the air heavy with an approaching
storm, and Conrad lounged languidly on a low divan, playing with his
dagger. The war, although success had fallen to his leader, had already
begun to weary this indolent cavalier, and even the sight of Milan in the
distance, where Valentine was imprisoned, could not keep him from whining
at the hardness of his fate. A parchment lay near him on the seat, and
from time to time he made some pretence of looking at it: pretence only.

In della Scala's force Conrad held third command under the Duke of Padua,
who was immediately under Mastino; but Conrad's post was largely a
sinecure, for though in the battle the Count's gallant courage roused
della Scala's warmest praise, he recognized that his capacity for
generalship was small.

None the less della Scala trusted him completely. His heart full of his
one object, elated by his successes, eagerly keeping his allies together,
della Scala had small leisure to notice Conrad's stifled yawns when the
council of war was held, or the fact that he gave more thought to playing
cards and chess with Vincenzo than to the discipline and efficiency of
the men under his orders. For the fiftieth time he put the parchment down
and turned to Vincenzo, who lay along the floor, eating nuts and hurling
the shells at the legs of the sentry visible through the flaps set wide
back for coolness. To make the soldier jump at a telling shot was more
just then to Vincenzo than the taking of Milan.

'I would there were someone else to read these despatches,' said Conrad.
'I love not this part of soldiering. When, think you, will there be
another city to be taken, Vincenzo?'

'There was fighting yesterday outside Milan,' returned the boy. 'Thou
shouldst have gone.'

'I asked the Prince to let me, but as usual I was bade stay at my post.'
And Conrad rose with a sigh of outraged virtue and adjusted the points of
his rose-coloured doublet.

'Asked the Prince mocked Vincenzo; 'thou shouldst have gone without
asking him.'

'A dash on the walls,' said Conrad, 'that is what we need, not this
idleness and skirmishing. I long to grasp my sword and fly to my Lady
Valentine's rescue--but the Prince--'

'Tell me not,' said Vincenzo. 'I know Mastino always counsels prudence,
and I am weary of it.'

'The Prince knows more of it than we, doubtless,' admitted Conrad.
'Nevertheless these parchments may wait while I have a game of chess with
thee.'

'May they, Count Conrad? And is chess thy notion truly?' said Mastino's
voice without, and unannounced he entered the tent, followed by Tomaso's
father, Giorgio Ligozzi.

He was from head to foot in armour.

His eyes fell on Vincenzo, and his face darkened.

'For shame, Vincenzo,' he said with scorn. 'Thou art no longer a child,
to indulge in these page's tricks, and must I marvel Count Conrad should
allow thee such licence.'

Vincenzo rose sullenly.

'Leave us,' continued della Scala with angry eyes. 'And learn from yonder
soldiers to play the man, and wear a leathern jacket with more grace than
a silken doublet. I am ashamed of thee, Vincenzo.'

D'Este's beautiful face flushed crimson.

'Tis not always the leathern jacket comes out best at time of need, my
lord,' he said defiantly. 'Try me in it in a fight.' Della Scala's glance
softened; he laid his hand on the boy's shoulder gently.

'Thou art a d'Este and my brother, Vincenzo. I do not fear thy behaviour
in battle, only learn the harder part--to beat thyself while waiting.'

Vincenzo was melted, but not caring to show it before Conrad, left the
tent without reply.

'He hath the makings of a soldier in him for all his wilfulness. I pray
you pardon his present idleness, my lord, and hold me as the cause,' said
Conrad. 'I should have roused him sooner.'

Mastino glanced around. It was the first time he had entered the German's
abode, and the lavishness of its appointments was not to his taste.

'This is an hour of great need, Count,' he said gravely. 'The downfall of
Visconti cannot mean to you what it does to me--it cannot mean so much to
any man--but am I not right in thinking it means all to you to see the
Lady Valentine Visconti free?'

'All! All I care for under heaven. By all the saints, Prince, I will give
my right arm to serve your cause, since it serves her,' cried Conrad.

Della Scala's brown eyes observed him keenly.

'I will ask a service of you, Count,' he said; 'not thy right hand, nor
any feat of knight-errantry, but something full as difficult to render.'

'Even if it be living on roots in a dungeon, I will do it!'

And, excited at the thought of some adventure, Count Conrad waited
expectantly, his hand upon his sword.

The Prince smiled sadly.

'I fear it is a harder task than that, Count Conrad, and so distasteful
that I would not burden you with it were there any other worthy to
entrust with it,' he said. 'But all the men here are mercenaries--Captain
Vanvitelli is a boor; Ligozzi goes with me to Brescia, whither I am
instantly bound to confer with Ferrara.'

'Prince, I am proud to execute your commands,' interrupted Conrad
eagerly.

Della Scala turned to Ligozzi, who stood silent behind him.

'See that no one listens, he said; and as Ligozzi disappeared and Mastino
drew nearer to him, the Count fell back, impressed by the eagerness of
the noble face.

But the Prince took him by the hand affectionately.

'Dost thou remember the huts outside thy villa, Conrad--and Francisco who
rescued thee? I am giving thee a trust. For his sake wilt thou be
faithful?'

'To the death!' cried Conrad. 'Prince, I will be faithful to the death!'

'Count,' said Mastino earnestly, 'I return from Brescia tomorrow,
bringing d'Este up with me to join in an assault on Milan that will make
the city ours, I trust, within a week. Of necessity I leave Carrara for
these hours in command--almost all the men are his providing--but,' his
voice sank still lower, 'I do not completely trust him--I doubt his
loyalty. I have misgivings as to the use he may make of my absence,
therefore,' he paused and laid his hand on Conrad's shoulder, 'I leave
you, Count von Schulembourg, privately in charge. Watch him--never leave
him out of your sight till my return.'

'Good! I understand! I swear!' cried Conrad again. Mastino della Scala
looked into his eyes.

'I trust thee,' he said simply. 'Thou knowest how my wife's safety lies
on my soul--and if Carrara play false, we are well-nigh ruined. These
weeks have I had him under Ligozzi's eyes, day and night, and now thou
must take his place.' Conrad kissed Mastino's hand in silence, his
emotional nature overcome to tears.

'Come, my lord, the time wears,' said Ligozzi, and della Scala turned to
leave.

At the entrance he looked back.

'Remember, I trust thee, and thee solely, Conrad,' he said. As he dropped
the flap behind him, he turned to Ligozzi.

'Will he be worthy of it, Ligozzi?' he said. 'But I must perforce trust
him when there is no other.'

Outside the Duke's tent, his escort was in readiness to start, and his
white horse waiting, held by Tomaso.

'After all, my lord,' whispered Ligozzi, 'Carrara may not be false.'

Mastino shook his head. 'He only awaits the opening,' he said.

'What does console me,' he added, 'is that I shall be back tomorrow.' And
he looked toward Milan as he spoke. 'Ligozzi,' he continued wistfully,
'how long the time seems since I saw her. The last words I heard her
speak are for ever in my ears: "While thou livest I fear nothing"; and I
live, Ligozzi. Sometimes I am ashamed of it!'

'You live to free her, my lord,' said Ligozzi softly.

Mastino mounted in silence. 'Yes, I live for that,' he said, after a
pause.

He turned and saw Tomaso watching him.

'Yes, thou shalt come with us,' he smiled; 'only mount in haste. The time
wears on.'

At this moment, foremost among a little group of horsemen, Carrara
cantered toward him, black-eyed, smiling, richly dressed, a plumed cap
between his smooth white fingers.

'Farewell, Carrara,' said Mastino. 'Count von Schulembourg is second in
command. I leave all to your discretion, subject to my orders already
given.'

Giacomo bowed, but made no reply other than his smiling eyes. His
meditated treasons were ripe for execution, and he could scarce contain
himself at the good fortune of it; Visconti's messenger had reached him
the same day that della Scala rode away. There remained only Conrad.

'Till tomorrow at noon,' murmured Carrara, repeating della Scala's last
words, as he watched him ride away. 'An attack on Milan, in less than a
week! You are mad for a woman's silly face--in less than a week I shall
have joined Visconti.'

Visconti understood the art of bribery, and knew whom to bribe. Carrara,
only waiting in the hope of it, had caught eagerly at the bait, and by
the returning messenger had agreed to join Visconti and leave della Scala
shorn of more than half his forces. And Mastino, by his absence, had made
it child's play. As Carrara returned now to his own tent, thinking and
scheming, a captain of mercenaries galloped up.

'The prisoners, my lord, captured by some of Count von Schulembourg's
men, in the scuffle outside Milan yesterday, are being brought into the
camp--is it to you or to him we bring them?'

Carrara fingered his bridle.

'Take them to the castle,' he said at last. 'I myself will see them
presently.'

He glanced over his shoulder at Count Conrad's tent. The embroidered
entrance was dosed, the black and yellow eagles fluttered idly over
it--there was no sign of the young German. The Duke of Padua smiled.

'Are those the prisoners?' he asked, pointing to a little group of
soldiers guarding a few men.

'Yes, my lord. We had almost forced the gates--when a band rushed out and
there was a desperate struggle; we were driven back, and these fellows,
in the heat of the victory, followed too far. Then we turned and had
them, and brought them in for ransom. They seemed worth it.'

'I will go and view them,' said Carrara suddenly, and he cantered his
horse toward the little group.

The noise of the prisoners' arrival was spreading, still there was no
sign of Count Conrad, and again the treacherous Carrara smiled. But in a
moment more the smile had faded. He noticed among the prisoners a face he
surely knew.

Prudence was Giacomo Carrara's ruling quality, and helped him now to keep
his wits.

'That fellow yonder,' he said, pointing, 'he with the red hair--who is
he? Has he told his quality?'

''Twas he who led the chase,' was the answer, 'screaming like a madman. He
is the squire of some nobleman, and gave out he thought we had his master
captive.'

Carrara breathed heavily.

'I know something of him, unless I much mistake; a dangerous rogue and
spy--place him apart, well guarded--in a separate compartment. Pinion
him. Tonight we will put him to the question.'

And again he glanced toward the German's tent. Conrad had not appeared,
and the prisoners wound away out of sight into what was once Barnabas
Visconti's summer residence, and where Barnabas Visconti not long since
had died.



Chapter 16. - For a Game of Chess


The day was wearing into evening when Conrad gave a last look in the
little polished mirror hanging on the tapestried walls of his tent, and
prepared to set out on a tour of inspection, including a visit to
Carrara, who in this moment's interval, he thought could not have gone
astray.

Della Scala had been gone four hours or more, but to the light-hearted
German it seemed he had only an instant ago turned from his tent.

He had employed the time in writing some verses (in imitation of the
fashionable Petrarch, a production with which he was perfectly satisfied,
and put aside to be fair copied by someone, a better adept in spelling
than himself), in teaching Vittore to dance, and in changing his doublet.

Count Conrad was very careful of his doublets. He had a great many, and
kept them carefully locked in the large coffer that stood at the head of
his tent bed.

The one he donned today was elegant in the extreme; peacock purple over a
under-garment of rose, curiously slashed with cream. Vittore, who had
become his page, was silent at the magnificence.

Conrad sighed as he smoothed the ruffles at his wrists to think that it
might not be the latest mode. He felt far from civilization, though only.
twice seven miles outside Milan, and secretly regretted that Valentine
Visconti had ever dazzled him into the imprudence of losing her brother's
favour and with it the joys of a splendid court. Still he had exquisite
leathern shoes with points a yard long, caught up and fastened by a chain
to his knee; also a cap, garnished with a ruby and a curling feather,
and, taking it from Vittore, he stepped out to begin his espionage of
Carrara.

'Vittore, follow me,' he said. 'I have it in trust to see this black-browed
duke gets into no mischief. Also,' he continued, ''tis in my mind to find
Vincenzo. Della Scala was severe this noon. I fear me the boy has gone to
practise sword-play.'

The camp was quiet and tranquil. It struck Conrad, however, that many of
Carrara's men were engaged with their horses and in packing the wagons;
but carried on so openly, in broad daylight, it aroused no suspicions on
the part of the easy von Schulembourg, who made toward Carrara's tent,
singing gaily.

The air was heavy, the sky black about the horizon.

'There will be a storm tonight, Vittore. Let me see, art thou afraid of
thunder?' and as he spoke the Count passed without ceremony into
Carrara's tent.

The Duke was there, but not expecting Conrad, and as he raised his eyes
at his sudden entrance, his look would have struck any save the
light-hearted fop as strained and anxious; but the German had personally
no doubt of Carrara, and the Duke's ready smile deceived him utterly.

'So your men move tonight, my lord?' he said. 'The Prince never mentioned
it to me.'

'It was a final resolve,' answered Carrara. 'I have my orders here,' and
he tapped a parchment beside him.

'Ah!' Conrad never even took the parchment up, but glanced through the
opening of the tent at the threatening sky. 'You move nearer Milan, of
course?'

Giacomo kept his black eyes on the floor.

'Nearer Milan,' he replied. 'Yes; but we do not break camp until the
morning, Count. You and the rest remain here to join the Prince.' Carrara
looked also out into the thunder-laden air, but not at the sky--at the
castle, frowning black above the encampment.

'An officer of mine,' said Conrad carelessly, 'said something to me of
some prisoners.'

'Yonder at the castle, Count. Will you question them with me?' asked
Giacomo smoothly.

'Question them!' laughed the Count. 'You may have that task, my
lord!--and I shall know then where you are,' he added under his breath.

Carrara kept his eyes down, lest even Conrad should see the excitement in
them.

'Possibly even I may not question them tonight, Count,' he returned with
a smile. 'I intend to rest now, as we march at dawn.'

Conrad rose, with a pleasant feeling of having done his duty, though in
his heart a little annoyed that della Scala had not trusted him with the
movement of the army.

'The thought of his wife has made him crazy,' he said to himself. 'Giving
Giacomo credit for treachery, still he entrusts him with orders he
withholds even the knowledge of from me.' And leaving Carrara, he went in
search of Vincenzo.

Giacomo sat silent till the Count's laughter had died away in the
distance, then rose with a passionate exclamation at his own luck and
Mastino's blindness.

Without a question the Count (left in trust, Carrara knew as plainly as
if he had been told) had swallowed his lies, and left him to do as he
pleased while he revelled with Vincenzo d'Este. Seeking the entrance once
more, Carrara looked out into the heavy evening.

In that great castle Visconti was a prisoner.

Though with his own eyes he had seen Gian Visconti bound between the
soldiers, he could not rest for his impatience to see him again and have
it confirmed before any other eyes should recognize this rare prize.

Tonight Carrara's army was to desert to Milan. That had been already
arranged with Visconti's disguised messenger. It should still desert, but
Visconti was now a prisoner, his life in Carrara's hands--there must be
slightly other terms between them.

To be in a position' to dictate to such a man! Giacomo stood in the
gathering dusk, waiting for the dark, his eyes on the castle that held
Gian Galeazzo Maria Visconti, Duke of Milan--a prisoner.


'The storm nears: how hot, good St Hubert, how hot!' And Conrad tossed
the damp curls back from his forehead. The entrance of his tent was flung
open to admit what little air there might be, showing to the soldiers
without Conrad and Vincenzo bending over a game of chess; on a table near
were flasks of wine and elegant glasses; along the floor Vittore lay,
half in a heavy sleep.

The tent was lit by jewelled lamps, and by their dull light Vincenzo's
beauty shone with an almost unearthly brilliancy. He was clothed in
white, his thick black hair falling about his shoulders.

Evidently Mastino's reproof was already forgotten. He leaned forward with
flushed cheeks and parted lips, eager and intent on a victory at chess;
war and the price of it far from thoughts.

'Hark!' said Conrad. 'Thunder!'

A low rumble filled the tent; d'Este took no heed.

'I take thy knight,' he said, 'it ruins thee.'

Conrad laughed, he did not take the game so seriously. 'I will visit
Carrara,' he said, rising, 'and go the rounds.'

'Thou wilt finish the game,' said Vincenzo angrily. 'Does it pall the
moment thou failest to win?'

'My faith, I fail when it palls. But doubtless thou wilt win yet, if thou
does not grow too hot,' and Conrad fanned the boy with the points of his
sleeves.

Vincenzo's lustrous eyes flashed.

Doubtless I shall, Count,' he drew from his finger an emerald ring, 'and
I will stake this on it.'

He dropped it on the table with a rattle, and Conrad was animated at
once.

'And I this,' he cried, 'my forfeit if the game is not mine in four
moves!'

He placed his pearl thumb-ring beside Vincenzo's emerald. 'Four moves!'
cried Vincenzo scornfully, and leaned back with shining eyes. Conrad
reached for the glasses with a glance of good humour at the dozing page.

'A night from the infernal regions!' he said, as he poured out the wine.
'How does Visconti feel tonight? Methinks some kinsfolk of his from below
are abroad.'

Vincenzo emptied his glass and moved.

Conrad emptied his and counter-moved. 'I hope thy emerald was not a
lady's gift,' he laughed.

Vincenzo bit his lip, reflected long, and moved again.

Conrad turned to the slender flasks and lifted them, one after the other;
empty all.

'Vittore!' he called. 'Vittore!'

The boy rose, rubbing his eyes, half-dazed.

'Bring us more wine, Vittore.' Conrad turned to the board again and
laughed at Vincenzo's intent face. 'My move,' he said; his plump hand
hesitated scarcely a breath, 'Check, Messer Vincenzo.'

'This is no light to play by,' cried Vincenzo, and in annoyance he moved
with too little thought.

Conrad waited provokingly till fresh wine had been brought and drunk,
patted Vittore's head, and turned to the game again.

'Mate, Messer Vincenzo, in three moves.' And he leaned back with the calm
air of a conqueror.

Vincenzo rose in a passion, dashing his glass to the ground. 'I question
thy fair play,' he cried.

'And I thy discretion,' returned the Count, and his eyes were suddenly
wrathful. 'Thou art a child, and canst not play; and so like a child cry
out: "You cheat."'

'I said no word of cheating,' returned Vincenzo. 'Is the accusation one
you are accustomed to, Count Conrad?'

Conrad crimsoned. 'Play another time with thy equals, boy, and take
better care not to insult thy betters!'

'Betters!' And Vincenzo laughed in reckless scorn, his hand on his
toy-like dagger. 'A d'Este demeans himself to play with thee--thou German
upstart!'

But Conrad was to be moved no more. With a smile more provoking than any
reply he picked up the rings and slipped them on his finger.

But Vincenzo, hot-tempered and passionate, sprang forward with boyish
passion.

'Thou shalt not have the emerald,' he cried.

'Must I fight for it?' smiled Conrad, and glanced at Vincenzo's little
dagger. 'The emerald seems worth it--only I should be afraid of hurting
thee.' And as he spoke he poured out more wine, drinking it gracefully.

'I will fight only with an equal,' said Vincenzo.

Conrad turned on him, and for all his smile, his blue eyes were dark.
'Thou reckless boy!' he said. 'The Germans are the lords of Italy. What
is thy family but a fief to the Emperor?'

Vittore had watched the scene in terror. Tomaso had let him know della
Scala had left von Schulembourg in trust, and he felt his master was
hardly acting as the Duke had meant. In child-like fashion, eager to stop
the quarrel, he spoke his thoughts.

'My lord,' he said, 'shall I not accompany you to the Duke of Padua's
tent, as the Prince commanded?'

'Commanded!' cried Vincenzo, catching at the words. 'Aye, Count Conrad,
remember my brother's commands!'

'I remember none,' returned the Count haughtily. 'What dost thou
mean, boy?'

But Vittore lost his courage under the angry glance.

'Only, my lord, what you said,' he stammered, 'about keeping watch upon
the Duke of Padua.'

'So you were left as a spy?' sneered Vincenzo, 'is that it? Make haste,
Count Conrad, hurry to Carrara's tent as you were told, and see what he
is doing.'

Conrad, flushed with wine, allowed the boyish sneer to goad him into
fury.

'I play the spy at no one's bidding,' he said. 'I do not leave my tent
tonight.' And he flung himself on the couch.

'But what did the Duke order? It will go ill with you when he hears of
disobedience,' sneered Vincenzo.

'Let it go well or ill, I will not leave my tent tonight on any errand,
save I choose.' And Count Conrad's words were heard by another than
Vincenzo and Vittore, Giacomo Carrara, who listened outside.

The storm-wind was beginning to howl and the rain to fall in heavy drops,
but the Duke of Padua only thanked his good fortune for such propitious
weather, as he turned away and made rapidly toward the castle to question
the prisoners.



Chapter 17. -  The Terrors of the Night


The storm had risen; the low whispering of the wind, the distant rumbles
of the thunder, gathering unheeded, burst suddenly into a tempest.

Its very fury spoke it brief, yet many cowered and shrank before it, as
if its termination must be the termination of the world. And to no one
did it strike more fear than to the solitary prisoner in the castle of
Brescia--Gian Visconti. In obedience to Carrara's orders, he had been
placed in a separate chamber, as far from the other prisoners as space
allowed. His chamber was a circular, vault-like space, once serving as
antechamber to a gloomy suite of rooms beyond, in which Barnabas Visconti
had chosen to beguile the summer heat. The doors of this suite were
locked; Gian Visconti himself had locked them, when he and his father
last came there together. This vault-like room was high and and, in the
blackness of the storm, pitch dark. Visconti sat underneath one of the
windows, whither he had dragged the wooden stool, the sole furniture the
place contained; his face was buried in his hands, and he writhed in
horror.

The wind howled and tore at the locked doors, making them creak and
groan; the thunder shook the building; and at every fresh convulsion
Visconti shrieked aloud in unison.

The lightning, flashing blue through the crevices, seemed to play about
that inner door, and he cowered from the sight, and bit at his fingers in
a fierce endeavour to resist the madness seizing him.

It was not so very long ago that he had turned the great key behind him
in that ponderous door, and ridden from the deed he had done, shouting
through the midnight. He thought then never to return, and here he was,
thrust in alone, and his madness on him. Visconti staggered from his
seat, groping blindly.

The blackness seemed to whirl with faces and clutching, tearing fingers;
he knew not where he was--he could see nothing--blackness and
space--seemingly unbounded.

Another flash revealed to him that he had drawn near that inner door--in
the instant it was visible; it seemed to open and shut--quickly.

Visconti fell back against the wall, and wrestled with his terrors as if
they were some living thing, and again with savage teeth he bit into his
flesh.

But the floor was opening beneath him, opening into gulfs deep and still
deeper, bottomless.

'I am mad!' said Visconti, and shrieked and howled with the storm. It did
not help him; he heard hurrying feet through all the alarm of the
tempest, hurrying to him behind that locked door. Let him not look, for
what he feared to see the dark could not conceal--and now they were at
the door, and now they were fitting a key.

'Keep away!' he yelled.

Then he stood, hushed, with bated breath, eyes staring into the
blackness, listening. And through the dark he heard the creaking and
twisting of the key, the slow opening of a heavy door, the groaning of
the hinges as it opened, slowly.

The wind howled in a wild gust, and suddenly through the narrow window
there showed the black sky torn in two by the lightning flash. As it
circled the chamber, Visconti raised his head--the door was open. And
through the opening two faces peered--they were not human faces--Visconti
knew them whence they were.

Utter blackness followed upon the vivid flash, and the thunder crashed
and rolled, and at last the rain came with a mighty roar.

'I am in hell!' yelled Visconti. 'I am dead, and in hell!' And maniac
shrieks rose. He dragged himself to the narrow slit that made the window,
and some of the heavy rain-drops were dashed in upon his face.

'I am alive!' he cried, 'alive! It does not rain in hell!' He dropped,
and lay prone along the ground. After a while he rose, and began groping
for the outer door.

The walls seemed to rock and twist, but on his face and hand was the cold
splash of the rain, and Visconti kept a hold upon his self-control,
saying between his teeth: 'A light; if I can get a light.'

He found the door, and struck upon it with the fury of madness.

There was no response: again he struck and shouted. The worst had gone
by, but only to leave his thoughts centred on one idea: to see a human
face and in the light.

Suddenly, in the midst of his blows, the door opened showing a glimmering
light, and in the entrance the figure of a soldier, who looked fearfully
around the chamber.

'I thought it was the fiend himself who called!' he said, and crossed
himself.

Visconti clutched his arm. 'It was the fiend,' he said. 'Legions of
them--the place is haunted! Give me a light!'

The soldier shrank back in horror at his words, at his hardly human eyes.

'Santa Maria!' he muttered. 'I have heard evil tales of this castle, the
storm too is fearful--'

'Give me a light,' said Visconti; 'give me a light!'

'None of the prisoners have lights--it is forbidden--' began the man, but
Gian Maria cut him short.

'A light, I say!' and he put his blood-marked hand upon the other's
shoulder.

'Thou heardst the fiend scream--and it was the fiend. Wilt thou give me a
light?'

The frightened soldier shrank from him anew.

'Thou art distraught,' he cried with a paling face.

Visconti laughed wildly. 'Do I not say so? Give me the lantern!' and he
held out his finger, on which there blazed a splendid ring.

Would any ordinary prisoner wear a ring like this? I tell thee it is a
coal from hell, and I will give it thee--for thy lantern. See how it
shines; try if it will burn thee to the bone,' and he stripped it from
his finger, dropping it on the pavement at the soldier's feet.

'Truly,' gasped the soldier, looking at him, 'thou art no ordinary man,
and as for they gems--whether they be coals or no, thou shalt have the
lantern.'

He stepped across the threshold as he spoke, a little fearfully, and
placed the lantern in the niche cut to receive it in the wall.

'Thou wilt be getting it down and firing thyself with it,' he remarked.
Tor thou art clean distraught, methinks.'

Visconti made no reply; he had noticed that both the inner doors were
shut.

'And as I must answer for thee,' continued the soldier, 'I will secure
thee with this,' and stepping back into the passage, he returned with a
rope and advanced toward the prisoner.

The Duke rose with flashing eyes.

'Remember thou art the devil, messer,' said the soldier soothingly, 'and
naught can really hold thee'

Visconti felt for the dagger that no longer hung by his side, then showed
the soldier his fingers, red and still bleeding.

'The teeth that met there can meet in thine,' he snarled, and his eyes
were like a wolf's.

The soldier stepped back, then with a sudden thought pointed to the
light.

'Stay unbound then, and I will take that away again,' he said, and again
advanced.

Visconti suffered his arms to be bound together at the elbows, nor did he
seem to heed when the soldier left him, and the great door fell to once
more in silence.

The storm had sobbed itself away, leaving only the steady patter of the
rain. The chamber had light, and the sight of a human face had restored
Visconti.

Once more he felt his hold on life and on reality, and he turned from
that closed door with its superstitious horror to face real terror and a
staggering mischance.

Milan! He had left Milan in an hour of need--and with no one to check
Valentine. Only within the last few weeks had he known what she was
capable of. What might she not attempt once she realized his absence?
Giannotto too, and the Duke of Orleans! What of their sincerity? He had
left not one man within the city whom he could trust implicitly.

Then he considered his own plight. Clearly they did not know him; none
the less they had him. He ground his teeth at the thought of della
Scala's triumph.

His act of bribery occurred to him, and he remembered with a savage
vexation how he had flung a jewel to his jailer for a light. A jewel that
might have purchased freedom. Still, it was in his madness; he might be
thankful he had not shouted his name--and his crimes. Suddenly, with a
start of recollection, it occurred to him anew that he had been placed
apart. Then Carrara had recognized him. The cords around Visconti's arms
began now to torture him: he was weak from lack of food and mad
excitement. Thoughts of Carrara vanished. He saw the face of the girl on
whose account he had risked his dukedom.

'Graziosa!' he cried, but the face looked at him unseeingly. 'You know
me!' as if in appeal. 'Graziosa, you know me!' The face suddenly
distorted, as if with horror. Visconti shrank from it--and she was gone.

'What frightened her? Those other faces,' Visconti whispered to himself,
then roused himself with a harsh laugh. Will Carrara come?' He fixed his
eyes on the lamp, then on the door. And presently he heard the subdued
bustle of arrival, the great door clang; the ringing answers of the
soldiers; then outside his own door hushed and respectful voices--the
door opened, shut, and Visconti saw his visitor.

A man, black-eyed, florid, richly dressed in velvet, well armed,
unattended, and carrying the castle keys--Giacomo Carrara. He stood in
amazement, and shrank back half-afraid, though the guard had warned him.

'Visconti!' he cried. 'What has happened?'

The sickly light of the lantern showed him a white, haggard face, with
wild, bloodshot eyes, the hair hanging lank and damp about its forehead,
the plain doublet gashed and torn, hands and face smeared with blood.

But, at sight of the man he hoped to buy, Visconti's face took on a more
human look.

'You have seen my messenger?'

'Hush!' and Giacomo looked around cautiously. 'Yes, I have seen him, and
dispatched my answer.'

'My offer suits you?' said Visconti grimly.

'It suited me, Visconti, till just now,' returned the other. 'It suited
me to such purpose that my men even now await my orders to desert to
Milan.'

'Ah!' Visconti said. 'And what of it now?' he added, looking around
again, the old subduing spirit in his glance.

'What of it? It shall still be done, only,' Carrara smiled, 'there is an
unforeseen addition to the bargain. Not only do you need my men,
Visconti; I think, as well, you need your liberty.'

'And so the price is higher. Is that what you would say? Unloose my arm.
It shall not be forgotten in the bribe,' he sneered.

Carrara advanced and undid the rope in silence. He knew Visconti was
unarmed.

Visconti gasped with relief as the torture was removed.

'And now,' he said, taking at once the mastery, 'how do matters stand
between us? Be wary; be brief.'

Rapidly Giacomo told him how, with the desertion, half Mastino's army
would be gone; how Padua was to be given into the hands of Visconti's
generals, and how Count Conrad played at chess.

Visconti hated the smooth traitor who was waiting to drive a hard bargain
with his necessity--and his freed hand went to his doublet: the turquoise
gloves had not been lost.

'And now, your terms?' he said.

The Duke of Padua hesitated a moment--even with Visconti in his power he
hesitated.

'Those you refused two years ago,' he said. 'When we warred with Pavia.'

Visconti remembered. Two years ago, when he had been by half not so great
as he stood now, he had refused them in scorn--they meant half his
dominions--they would place Carrara on a level with himself.

'Well?' he said, 'and if I refuse?'

'A prisoner does not refuse--his liberty,' smiled Giacomo. He could
afford to smile.

Visconti controlled himself.

'And if I accept--you take my word, all I have to give--a prisoner's
word?'

'A Visconti's word,' corrected Carrara. Nay, lord, I think I shall need
more than that.'

'What more can I give?' he asked. 'You waste the time, Carrara.'

Giacomo was playing with the keys in his hand.

'Yourself, Visconti,' he returned calmly. The army only waits for me to
march on Milan, leaving della Scala stripped of half his force. You will
go with it, Visconti, as my prisoner. My army will conduct you into
Milan--where I shall not leave you till the terms I offer are fulfilled.
Then, Visconti, but not till then, we will together ruin della Scala.'

Visconti was silent.

'Come,' continued Carrara, 'shall it be so--or will you wait and meet
della Scala and Count Conrad?'

'I accept your terms,' said Gian, and rose to his feet. 'I accept,
Carrara.'

Giacomo's eyes shone. With trembling fingers he unbuttoned his long black
velvet cloak and flung it on Visconti's shoulders.

'We must hasten; even now the tipsy German may think to visit the
castle.' And he selected a key from the bunch in his hand, and advanced
toward the inner door. Visconti started forward, with staring eyes.

Not that way!' he cried.

Carrara turned in surprise, the key in the lock.

''Tis the only way, Visconti. Are you thinking we could pass unnoticed,
you and I together?'

Gian, deathly white, sank back obstinately against the wall.

'I will not go that way,' he said. 'I will not go that way.'

'He is in his mad fit again,' thought Giacomo; aloud he said soothingly:
'Come, lord, this is the only way; will you rather wait to see Verona's
face when he discovers you? What is wrong with this way?' he added in
vexation as Visconti made no movement. 'Quick! the moments fly!'

Gian stepped forward with an effort.

''Tis my fancy,' he said. 'Idle, truly, at such a moment. Open the door,
Carrara.'

The key ground in the lock--as Visconti had heard it once before that
night, turned on the other side.

Carrara paused, however, and having taken the lamp from the niche, put it
down with a smile, and drew a parchment from his belt.

'I had forgotten,' he said. 'I will leave this, else Verona will miss the
point of the jest; we will tell him what a brave catch his lieutenant
hath allowed to escape the snare.' And with the end of his dagger he
drove the paper into the crevice of the stone. 'I never loved Verona,' he
added with an evil smile.

But Visconti had not heard, nor was he heeding him; his eyes were riveted
upon the door.

Again Padua raised the lantern above his head.

The glimmering light fell faintly on a dark chamber, and dimly lit a
large black couch from which the tapestry coverlet was half dragged off.
Visconti peered an instant over his rescuer's shoulder eagerly, then fell
back.

'I cannot,' he said sullenly. 'I will stay and face della Scala--I cannot
pass that way.'

Carrara turned and looked at him keenly.

'What do you know of these chambers, that you are afraid to pass them,
Visconti?' he asked.

''Tis no matter what I know--I will not pass them,' cried Visconti,
fiercely, and clutched at the rough wall as if to keep himself from being
made to enter them even by force. Giacomo looked into the chamber
curiously; the lantern showed only parts of it, and that dimly--an empty
audience chamber, stiff chairs against the wall, the couch, dust on the
floor and shadows in the arras--nothing more; and Carrara turned
impatiently.

'I risk my life for this,' he said. What do you think it will mean,
Visconti, if I am found helping you to escape?' He stepped across the
threshold, and flashed the lantern around.

'Nothing!' he laughed over his shoulder. 'Nothing,' but as he advanced he
paused a moment, and lifted up a corner of the dragged coverlet, 'save
that this coverlet is riddled as if with dagger-thrusts,' he added, 'and
the floor seems stained'--he sank his voice--'with blood.'

He looked back at Visconti, standing in the doorway, and with a sudden
fear of him his hand sought his sword.

Whom did you murder here, Visconti?' he asked, awestruck. Whoever it
was,' he added presently, 'I would not lose my life for fear of them,
seeing they are dead.'

In a second Visconti was by his side, gripping his arm, and Carrara,
startled, shrank, and kept his hand upon his dagger.

'I do not fear them,' whispered Visconti, in his ear. 'Nor you.' And he
hurried across the chamber, Carrara at his heels. Room after room they
traversed, deserted, gloomy, and unopened since that night.

'Hurry!' breathed Visconti. 'Shall we never see the blessed sky again?'

And snatching the keys, he pushed on, taking every door and turning with
a certainty that showed he knew them well. 'At last!' he cried, as they
stepped out into the air.

They were at the back of the castle, on a ledge overhung with ivy, and
overlooking a narrow flight of steps, the masonry half-ruined and
overgrown with flowers.

The storm was over, a few great clouds tore across the sky, but the moon
was clear and serene, the night calm and peaceful.

The cool air blew around Visconti's damp hair, and stirred the dark ivy
leaves, glistening with the rain. Beneath them lay the tents, a large
body of men, half the army, silently and swiftly preparing for flight.

'Some have gone already,' said Giacomo. 'These wait for me and you,
Visconti: come,' and stepping past him he led the way. There was no one
to observe them save Giacomo's men, that he had been careful to station
there; but when they had gained the bottom, and Carrara would have passed
on, Visconti caught at his sleeve and drew him behind a clump of elder.

'The German!' he whispered, and they waited, breathless.

A soft voice was gaily singing, and the words of the song came clearly
through the night.


'Heinrich was my bosom friend,
White feather and purple cloak:
Now that folly's at an end,
His the flame and mine the smoke!'


'He comes this way,' said Carrara. 'If he takes to questioning where I
am--'

'If he takes to coming nearer,' smiled Visconti, 'I shall be obliged
to--kill him.'


'We parted for a silken knot,
White feather and purple cloak:
Whose fault it was I have forgot,
His the flame and mine the smoke!'


The last words were lost in a burst of laughter, as Conrad and Vincenzo,
each mounted on a white horse, and attended by an escort with torches,
rode past, back to their tents.

So close they came, that Visconti, with gleaming eyes, leaned forward,
longing to strangle the singer with one of those long curls that hung
around his laughing, careless face.

But Carrara was relieved.

'As long as he does not inquire for me,' he said. 'But even then my
officers understand'

Visconti smiled grimly; he was to pay for that.

'Now!' he said, and as Conrad's German song and Vincenzo's wild laughter
passed, Visconti and Giacomo stepped out from behind the bushes and
looked after them, the freedom of one secured, the treachery of the other
well-nigh accomplished.



Chapter 18. - Giacomo Carrara's Reward


The dawn was breaking, the sky streaked and barred with cold grey light,
and along the winding road to Milan rode the Visconti and Carrara, the
army before them.

It had been accomplished, without demur, openly and completely; behind
them they left the Veronese and Mantuan troops, over whom Giacomo had no
command--and Count Conrad, laughing in his folly.

Quite near to them lay Milan--and Visconti rode in silence, wondering
what had befallen in the city; wondering, and fearing Valentine had
revealed too much of his own spirit; he was afraid of her.

Along the distant horizon the grey walls of the city began to be visible
across the flat plain, and Visconti's eyes lit at sight of his city, and
he turned to Carrara impulsively.

'Give me a sword, Carrara,' he said. ''Tis not fitting I should enter
Milan weaponless.'

'The Milanese will so rejoice to see you, my lord,' returned Padua, 'they
will never notice--'

'That I come as a prisoner?' flashed Visconti, but the next moment he
laughed and urged on his horse. 'But what care I how, so long as I do
re-enter Milan? Now, with you as my ally, Carrara, I can crush della
Scala without France or the Empire; and together, as ye say, we will rule
Lombardy.

Carrara rode abreast of him, glancing at him keenly.

'Even now he will try to outwit me,' he thought, and resolved he would
not be outdone in cunning for the lack of care.

'How came it you were captured?' he added, 'and in this guise?'

'The chances of war,' laughed Visconti. 'Foolishly I went myself to
defend the gates, and pursued della Scala's men too far.'

But this candour did not deceive Carrara. 'Foolish indeed he smiled.
'Your hurry excelled your prudence, lord.' And he wondered what was the
truth.

'You have cause to thank heaven no one knew you,' he continued.

'They were German boors,' answered Visconti, 'Count Conrad's men, and
there was nothing to tell my degree. Yet, had they looked a little
closer, they might have found one thing that would have told them I was
different from what I seemed--these.'

And he drew out of his doublet the turquoise gloves.

Even in that cold, faint light they showed brilliant and beautiful, and
Carrara gazed at them in wonder.

'As I was summoned,' continued Visconti, dreamily, 'I was looking at
them. Are they not beautiful, Carrara? Two years they took to make, and
cost more than I care to tell. Each turquoise is flawless, and set by
Antonio Fressi himself.'

'And is this a gift for someone?' asked Carrara, and he looked keenly
into Visconti's face.

'It was one of my bridal gifts to the Duke of Orleans. I must honour him,
Carrara, although I love him not,' said Visconti simply. 'But now I will
offer it to one to whom I owe my life. Take the gloves, a gift from me,
Giacomo.' And he turned in the saddle and held them with a winning smile
to Carrara, who, mistrustful, looked at him doubtingly and keenly.

'Thou wilt not refuse my gift?' and Visconti looked at him proudly. 'Let
it seal our bargain, Carrara. Take it, for the sake of the goodwill with
which it is offered.'

Carrara's ruling quality was prudence, and all Visconti's seeming
guilelessness did not deceive him; still, he hesitated, considering where
the trap lay.

Then, as he glanced down at the gloves, his eyes caught the gleam on the
hilt of his dagger, and a thought struck him.

'He means to make me put them on,' he thought, 'and snatch the sword
meanwhile'; and he smiled to think Visconti could be so simple.

'I thank thee for thy gift, Visconti, and for the goodwill that offers
it,' he said, with an ingenuousness equal to Visconti's, and reaching out
his hand, he took the gloves, meaning to have the gift and outwit
Visconti also.

Gian's manner had lost its gloom and wildness, he seemed light of heart
and in a pleasant mood.

'They are riding-gloves,' he cried. 'Wear them into Milan, Carrara.'

'Ah,' thought Giacomo, 'I see the plot. Thou wouldst snatch a weapon
while my hands were busy,' and, priding himself on his cunning, he deftly
slipped them on his hands, keeping his elbow on his sword-hilt and his
watchful eyes upon Visconti.

'A beautiful dawn,' said Gian softly, seeming to take no heed of
Carrara's clever manoeuvring; his eyes were fixed on the sunrise behind
Milan. 'All pearl and silver, blushing into life anon; about the time
when I shall enter Milan.'

And he fixed his eyes on Giacomo with a strange expression. 'When we
shall enter Milan,' corrected Carrara. 'The sun will be fairly high:
these marches are toilsome.' And he glanced down proudly at the beautiful
gauntlets on his hands, calculating what the pearls and turquoises might
be worth, picked off, and vain at having outwitted Visconti.

'The promise of the day!' said Visconti, dreamily and sadly. Hath it ever
struck thee how that promise never is fulfilled? Day after day, since the
world began, something in the mystery of the dawn is promised--something
the sunset smiles to see unfulfilled--something men have been ever
cheated of--something men will never know--the promise of the dawn!'

The road began now to be fringed with poplars, and in the faint light the
colours of the wayside flowers were visible. They rode awhile in silence.
Carrara looked back at the small rearguard in the distance, and before
him along the road to his army blackening the plain, and then again at
Visconti.

'Either he is always mad or--'

With a sharp exclamation he fell forward on his horse's neck, but
recovered himself instantly. Visconti turned to him, still with that
far-away look in his eyes.

'The road is stony,' he said. 'Thy horse stumbled?'

'Fool or devil?' Carrara was still wondering, and, looking at Visconti's
face, he almost thought him a fool.

'You and I,' cried Visconti, with a sudden change, 'together, Carrara!
Lords of Lombardy!'

And he struck his horse into a gallop so unexpectedly that Carrara had
difficulty to keep abreast with him.

'I have been so long away!' he cried. 'Haste! I long to be in my city
again. Valentine--and others--will be grieving. Haste!'

And he still urged his horse.

Carrara, galloping at his side, suddenly reeled in the saddle, with a cry
of anguish.

'Faster!' cried Visconti. 'Faster!'

With an effort Carrara kept his horse to the pace, but his face was
deathly, his lips set. Visconti never looked at him; his gaze was toward
Milan and the sunrise.

Suddenly Carrara cried aloud. 'Not so fast, Visconti, not so fast!'

But Gian flew along the level road.

'Milan he cried, 'on to Milan!'

Carrara swayed forward to grasp Visconti's cloak, but he shook him off
with a laugh.

'What ails you, Carrara? The army waits, you must ride faster still if
you mean to ride into Milan today with me.'

But Carrara was clutching at the neck of his doublet with staring eyes.

'My heart!' he gasped. 'I suffocate--ah--!'

And he rode on blindly.

'Your heart?' laughed Visconti, drawing rein a little. 'Do your
treacheries stop its beating? You suffocate? Do your lies choke you?'

A cry of mortal agony broke from the unhappy Carrara. 'Stop!' he gasped;
'I am--dying--stop--'

Then his glazing eyes fell on the brilliant blue gloves he wore, and he
sat upright with a scream of rage.

'The gloves! the gloves!' And with his remaining strength he tried to
tear them off. 'O fool! A Visconti!...I might--have known--'

Frantically he pulled at them, while Visconti, now moving almost at a
walk, looked dreamily ahead at the fast nearing city. 'Fiend!' cried
Carrara wildly. 'Fiend!'

And he lurched forward, falling heavily on to the road, where he lay,
convulsed, the turquoise gloves still on his hands.

Gian Maria drew rein now, and looked down at him, his face no longer
indifferent, as he gazed into the white and contorted countenance of the
dying man.

'"Whom did you murder here, Visconti?"' he quoted.

'"Whoever it be, do not fear him now, since he is dead"; and I answered,
did I not, that I feared neither him nor you? And now, Carrara, thou
mayst tell him what I said, him whom I murdered in that room we passed'

Giacomo, writhing on the ground, looked up at him with hate equal to his
own, and feebly still tried to pull off the turquoise gloves.

Visconti, leaning low from the saddle, gripped his sword and thrust it
through his belt.

'I shall not ride into Milan swordless,' he said; 'thou might'st have
spared thy caution, Carrara: I shall ride into Milan with thy army, thy
towns, and thy sword; and I have bought them--with a pair of turquoise
gloves.'

He looked curiously at Carrara, who suddenly sat upright; the cold light
fell on his face, his starting eyes looked straight into Visconti's.

'Thou are not human, Visconti,' he whispered. 'Yet, remember, even devils
meet their punishment, and there will be the bitterest of all for such as
thou art--failure.' And he fell back again among the flowers, where he
lay, white and still.

Visconti looked back at the advancing rearguard, waved to it, pointing
downward, and then before him to Milan, brilliant in the sunrise.

From its turrets still floated the banner of the Viper.



Chapter 19. - A Sign from Heaven


The day had dawned fair and clear after the storm, and the early sunlight
struck across the dark chamber that had held Visconti.

The stamped leather hung before the high window had been torn away and
lay along the ground, but the room was unchanged save that the inner door
was open, and near it, stuck into a crevice of the stone, a parchment
hung.

Before this stood Count Conrad, with a face dazed.

Vincenzo, when he learned the news, had flown like a madman along the
road to Milan, in a fury of rage, with some half-frenzied project of
overtaking the traitor.

Outside the door was a group of soldiers, who peeped through with
curiosity at the motionless figure within.

At last he moved dizzily to a seat. 'St Hubert, when the Duke returns!'
he gasped, and wiped the perspiration from his forehead with a groan of
woe.

He looked a somewhat sorry figure, his peacock doublet crumpled, his hair
uncurled, his hands shaking.

Last night, only last night, Visconti had been in this very room, a
prisoner in his power, and he had revelled with a boy and quarrelled over
a game! One of the soldiers pushed the door open softly and entered.

'The Prince has returned, my lord,' he said.

'So soon!' gasped Conrad. 'So soon!'

'The army is moving from Brescia; the intention is to march on Milan--'

'With the men who are not here!' groaned Conrad.

'The Duke met my lord d'Este. He knows,' said the soldier gruffly, and
left the room. It would have pleased him to strangle the foppish
foreigner who had well-nigh ruined them.

Conrad felt half relieved, half sorry; whether Vincenzo's relation had
been as kind to him as his own would have been he doubted--he felt a wild
desire to hide himself till della Scala's rage had blown a little over.

As he stood there, miserable, undecided, he heard the salutations of the
soldiers and a heavy tread outside.

He remembered that Mastino was a giant--he had once found it to his
advantage, he might now find it to his peril; but it was not fear, but
bitter shame, that brought Conrad almost to his knees.

He knew that della Scala was there, though he did not raise his head.

'Conrad,' said Mastino, and his voice was strangely altered. 'Conrad.'

The Count, with an effort, looked at Mastino, who stood in front of the
door he had closed, with a face from which all colour had been struck.

When did you discover--this?' continued della Scala, and pointed to the
parchment. All elaborate excuses and appeals for pardon Conrad had
prepared died away on his tongue. 'An hour ago,' he replied lamely.

'An hour ago!' Mastino walked across to the parchment hanging on the
wall.

Conrad's eyes followed him; he could find no words to break the silence.

Della Scala first read, then tore the writing down, and crushed it in his
hand; then he looked at the door, standing ajar.

'How many have deserted?' he asked in a hard voice. 'Vincenzo said half
the army.'

Conrad could not answer the truth.

'How many?' and Mastino turned toward him.

'Carrara has taken all his force,' faltered the wretched man. Mastino
crushed the parchment yet tighter in his hand, and walked up to Conrad,
who shrank before his face.

'Your sword, Count,' he said. Conrad hesitated, bewildered. 'You are no
longer in my service; as my officer you wear that sword; as what you are,
I demand it from you.'

And he held out his hand.

In silence Conrad drew the weapon.

Mastino took it, broke it, threw it on the floor.

'And now go,' he said.

At last Conrad found his voice.

'Lord!' he cried, 'let me stay.'

'Go,' said Mastino.

'I will stay,' faltered Conrad, 'and amend my fault.' But della Scala
turned his back on him.

'Go to Visconti,' he flashed. 'Tisio plays chess almost as well as
Vincenzo.'

The taunt made speech come more easily. 'No man can ask more than
another's humiliation, that other suing humbly for pardon--'

'I did not ask so much,' said Mastino, his back still to him. 'You are
unhurt.'

And the Count glanced at della Scala's face, and saw a little of what he
had done; that speech was useless.

He moved to go, murmuring something with bent head; at the door he turned
again. 'Della Scala,' he began, 'I--'

'I will never willingly see your face again,' interrupted Mastino. 'Go
and join my other allies--in Milan.'

Conrad drew himself up.

'God helping me, I _will_ go to Milan,' he said. 'I will further your cause
in Milan itself--even though I leave with you my sword.'

Still Mastino stood motionless, and slowly Conrad passed through the
door, and down the stairs, through the soldiery that turned their
backs--cast out. As the door clashed to behind the Count, Mastino turned
passionately and strode into the inner room, not knowing what he did, so
great the agony of his helpless fury and despair.

A gloomy window gave a view upon the open country.

Della Scala strode to it; little he heeded the gloomy couch and the
stained floor. He saw only the green plain of Lombardy, and his own
diminished tents, lessened by the better half. He struck his hand against
the window-frame violently--Visconti had triumphed!

This evening had he meant to seize Milan--the evening of this very day;
and, behold, now it was all to be done again, the weary, weary waiting,
the watching, the planning, the soothing his allies, the making good
Carrara's treachery; and meanwhile--Isotta!

Della Scala dropped his head into his hands with a cry wrung from his
heart. 'Isotta! Isotta!'

The sunlight fell too on the crumpled parchment on the floor, and
Mastino, raising his head, saw it lying there and ground it beneath his
heel.

'Am I to be for ever laughed at and betrayed?' he cried. 'Ever served by
traitors and leagued with fools? Shall I never learn I trust too much?'
He looked around the chamber, and thought, with a bitterness beyond
expression, that only a few hours before Visconti had passed through it.

Della Scala leaned against the wall; the very sunlight seemed black, the
very sky hopeless. Yet his spirit rose against his fate.

He drew out and kissed the little locket he wore around his neck, the
pearl locket that always hung there. Then suddenly rousing himself and
walking blindly forward, opening one door in mistake for another, he
found himself at the top of two steps, looking down into a chapel. For a
moment, his brain reeling and sick, he stepped back, bewildered, doubting
what he saw.

The place was high and dome-shaped, with plain stone walls, lit by two
windows facing each other, but shrouded in dark hangings that admitted
only a faint, cold light.

The air was damp and vault-like, and the room itself bare of any
furniture or adornment save a purple hassock, and two lamps of rusty gold
that hung by long, blackened chains from the ceiling. Opposite the
entrance hung against the stone wall a purple curtain, and before it a
large crucifix, crudely painted. The dim light just struck its dismal
colouring, and to Mastino's fevered fancy the dead Christ seemed to twist
and writhe along His contorted body.

The lamps were out, and the trace of incense in the air faint. Della
Scala entered softly, catching his breath painfully, the terror of
religion strong within him.

On the purple hassock he knelt, with clasped hands, before the disfigured
Christ, his heart rising to his lips in passionate prayer.

'Lord, thou understandest! Because I cannot deck thy altars with the gold
of victory, thou wilt not forsake me, thou wilt have mercy on me and on
her!'

And he stretched out his arms to the figure in an exaltation of trust and
hope. 'Even as I spare those who betray, so wilt thou spare her, O
Christ!' He flung himself from his knees, face downward on the stones, in
a tumult of hope and trust. Around the folds of Mastino's cloak lay the
leaves of some dead roses that had fluttered at his movement, from
forgotten wreaths, hanging brown against the wall.

Mastino rose, eager for some answer--some assent. But the dead Christ was
silent. Mastino could see the cracking paint on the ribs, the tawdry gold
of the halo, and he came still nearer in a strange desperation.

Half-hidden in shadow, two faces looked down on him--expressionless,
stone, the angels on the wall.

Mastino looked from them to the crucifix, and his fervent faith sank,
chilled.

'Stone,' he murmured in his heart. 'Stone and paint,' and he noticed the
empty lamps that should be blazing with eternal fire, and he cried aloud
in bitterness. 'Men keep those alight, and without them the eternal fire
dies! Stone angels and a painted God! What help in them?' And he dropped
again upon the floor. 'The lamps burn bright on Visconti's altars, and
his saints smile--for the painter limned them so.'

He turned from the dismantled chapel and rushed up the two steps, half
distraught.

In the outer chamber the sunlight dropped strong and golden, and Mastino
shut the door of the dark and gloomy chapel behind him with a shudder.

'Lord!' cried an eager voice. 'Lord!'

It was Tomaso and his father.

'Did ye fear for me, Ligozzi?' said della Scala kindly. 'I have been
praying for a patient heart.' And the two who loved him looked at him
awhile and could say nothing.

'My lord,' began Tomaso again with a timid eagerness, 'there is news--'

Tomaso,' said his father, 'thy news can wait.'

Mastino picked up his gauntlet from the deep window-seat where he laid it
down, and fastening it on, looked at Ligozzi.

'What hast thou to say, Ligozzi? Have any of the men returned?'

Ligozzi stood fidgeting with his cap, looking uneasily at the ground.

'Come,' and Mastino smiled sadly, 'I am used to bad news, Ligozzi.'

'Some few men have indeed returned from Giacomo's army, my lord, some
four score--'

'Some four score!' repeated della Scala. 'Are there so many as four score
that will not serve Visconti?'

'They have strange tales, my lord. They say Carrara himself is dead.'

'Carrara dead!' cried Mastino with a sudden fierceness, savage as a bite.
'Now, I had promised myself to kill Carrara. Who has forestalled me?'

'It is said--Visconti himself--they do not know.'

'And the traitor dead,' broke in della Scala, 'was there not one--not one
to lead the men back to me again? Visconti, single-handed and unarmed,
was allowed to take an army into Milan?'

'Alas, my lord, not only Carrara, his captains too, as it appears have
all been bought'

'Tell me no more,' cried Mastino. 'I am alone to blame. I cannot learn to
deal with traitors.'

'As for Count von Schulembourg, the wretched German,' continued Ligozzi,
'he has left the camp.' As he spoke, Ligozzi glanced through the window
at the tents. 'He took no one with him, but, ordering his Germans to
fight as one man to the death for you, he rode along the road to Milan.'

'Oh cried Mastino, with a great cry wrung from his soul. He rested his
hand a moment on Ligozzi's shoulder. 'I am well-nigh sick, Ligozzi,' he
said. 'The empty-headed and the villain prosper, and I--and mine--go to
the wall.'

Tomaso stole forward. Della Scala noticed him and turned kindly.

'Something to tell me, sayest thou?' he asked.

Tomaso's eyes were full of tears. For some moments he could not find his
voice.

'He hath discovered some secret passage; useless, I fear me,' said his
father.

'Nay, Father, I tell thee it leadeth to the city! Today, lord, as I
explored it, I found stored there some rolls of silk, new and clean;
together with some earths such as I have heard say painters use.'

Della Scala started. He found the news not so unimportant as Ligozzi had.

'Go on, Tomaso,' he said, and kept his half-closed eyes upon the ground.

'Indeed, my lord, it must be some old subway into Milan. 'Tis wide enough
to admit six abreast, and recently used, as it opens some mile and a half
outside the city. I have not yet penetrated to the extremity. Lord, think
of it--it must open into Milan!'

Della Scala's worn face flushed involuntarily, his eyes turned to the
closed door of the chapel. Had he belied the stone angels--the
extinguished lamps?

'This seems great news, Tomaso,' he said slowly. 'I will see into it.' He
moved as he spoke. 'My other gauntlet, Ligozzi?'

'I cannot see it, lord.'

'Ah!' said Mastino suddenly. 'I left it in the chapel!'

Tomaso had already departed for the gauntlet, Mastino, following to the
door, saw him stoop and lift it from the ground. Tomaso handed him the
ponderous glove, and, as Mastino took it, he stifled the cry on his lips,
and turned away to clasp it to his heart.

For inside his glove, almost hidden in the velvet lining, lay a soft
white rose: a sign from heaven.



Chapter 20. - In the Duke's Absence


'My chance has come,' said Valentine.

A day had passed since Visconti had ridden so wildly to the western gate,
and as yet he had not returned.

The soldiers, weary and wounded, had reeled that night into the palace
courtyards, de Lana at their head, expecting to find Visconti there
before them. They had missed him in the wild fray--the Germans had been
driven back from the walls without their prisoners--had not the Duke
returned?

Neither then nor as yet, near a day after the sortie. Doubtless he,
victorious as ever, was reconnoitring some stronghold of the enemy, or
their encampments outside Milan.

Still, in the palace some were getting anxious; there was no word, no
message. Who, in the Duke's absence, ruled Milan?

The question suggested itself among others to Valentine Visconti.

She put it to herself.

'I rule Milan, and I will give myself my freedom by it, whether Gian be
alive or dead, returning now or never.'

It was late afternoon, and Valentine had formed her plan; with courage
and skill she made no doubt of success. To enter her brother's private
room was the first step.

All day Valentine had plotted some means of accomplishing this.

The rooms were locked, and Gian wore the key around his neck.

The Visconti palace was part old, part new; the great circular tower in
which Isotta was confined, the low heavy stone buildings that surrounded
it were the only remaining portions of the ancient gothic castle.

The new building, bright in yellow and pink tiles, was supported on low,
horse-shoe arches, and gave straightly on the courtyard in front and the
gardens at the rear--the whole encircled by a great wall.

Detached from the palace, standing alone in the grounds, was a high,
square brick tower, the highest building in Milan, and from the summit
there floated night and day the banner of the Viper.

Along the second storey of the palace ran the open arcade of corridor, a
wide and pleasant walk, paved with black and white stone, looking on the
garden through the clustered columns that supported it, richly ornate
with carvings.

A private entrance to Visconti's rooms opened on to this corridor.

The banqueting hall gave upon it also, and to Valentine Visconti,
standing between the arches looking from the fair garden back to the
closed doors, a thought occurred.

In her wild intention to escape, she had only one ally, Adrian, her page,
feeble and powerless at best, but devoted to her with an utter devotion
that might be worth much.

Valentine had confided in him, since she must have help, if only the help
of speech; and now, of a sudden, his use appeared.

She had withdrawn from the observation of her women and the court, in
pretence of praying for her brother's safety, and no one was with her.

'Adrian!' she called softly, 'Adrian!' She had privately bidden him
follow her, and well she knew he was not far away. The boy came forward
eagerly.

'Hush!' said Valentine. 'Do not speak--listen--I have need of thee; wilt
thou serve me even to the death, for it may be that?'

'You know I do not heed death, lady,' replied the page with glad pride.
'Anything that may serve you will make me for ever happy.'

'Follow me,' said Valentine, and stepped on to the balcony. 'Now walk
behind, and as if I were not speaking to thee. There may be sharp eyes
upon us in the garden.'

The sun, late as it was, fall between the pillars in strong bars of gold,
and Valentine raised her ivory fan as if to shield her from the heat, but
in reality to conceal the movement of her lips, in case there might be
watchers.

'I must procure an entrance to my brother's rooms,' she said, speaking
low over her shoulder: 'They are locked. No key will fit them. I cannot
force the entrance in the palace. Still I must enter. You are listening,
Adrian?'

'With all my soul, lady!'

Valentine kept her eyes upon the garden; there was no one there to see.
The tower was not as yet finished, and so uninhabited; the garden itself
was empty; still Valentine kept her gaze before her and spoke without
turning her head.

'At any moment the Duke may return; or, if he does not, there will be
sore confusion I cannot cope with; it must be done.'

They had traversed almost the whole length of the corridor, and Valentine
suddenly stopped.

'There, this door,' said Valentine, 'into the Duke's rooms, Adrian,' and
she rested her hand against it as she spoke.

It was a folding door, opening in the middle, firmly bolted from the
inside, and appeared as hopeless as the great entrance to the suite
within the palace, though unguarded.

Either side of it were deep-set, circular windows, ringed round and round
with carving and ornamentation, placed too high to reach and too small to
gain admission by.

The door itself was of wood, as firm and heavy as iron, clamped with
gilded metal, and immovable to the touch. 'Does it look hopeless?'
whispered Valentine.

Adrian would not have said so for his life.

'You would force it?' he asked eagerly.

'Yes, hush!' Valentine leaned through the low arch and looked into the
garden; as before, all was quiet; the life and bustle of the palace came
through the front today, awaiting news of the absent Duke.

She turned again with glistening eyes.

'Yes, I would force it--and I will show you how, Adrian.' Half-way up the
door, deep set in the thin anti delicate foliage of the carving, were two
circular windows, one in each panel.

'Can you reach them?' asked Valentine. 'I am a hand too short.'

By means of standing on the base of one of the side pillars of the door,
Adrian could easily touch the whole span of the glass.

'Now, do I break it?' whispered the page.

'Yes,' returned Visconti's sister. 'But wait, there may be some soldier
on hidden guard.'

She looked around cautiously.

'I see no one,' she continued. 'Now, only through this one arch canst
thou be noticed from the garden, and there I will stand, with my open
fan; now quick--thy dagger handle.'

She turned her back to him and raised her hand against the stonework of
the arch, her mantle so falling over her arm that anyone, looking
thither, could have seen nothing save her figure.

Adrian leaned forward and struck the glass a violent blow with the handle
of his dagger; it was hard, and resisted, but at a second blow shivered.
The page tore away the metal framework, and slipping his arm through,
thrust back the first bolt. But it was fastened in three places, and the
other two were not so easy. Straining up to his full height, the page
forced half his body through the broken window and succeeded in slipping
back the second bolt; the third was almost at the bottom of the tall
door, nor was the opening he had forced large enough for him to do more
than admit his arm and shoulder through. He still held his dagger in his
hand, and grasping it at the end of the blade, struck violently downward
at the bolt head with the handle. It did not move the first time, nor the
second, nor the-third; but at the fourth blow it suddenly shot back and
the door was open. Adrian struggled through the window, backward, on to
his feet, his hand and arm torn in several places, dizzy with the strain.

Valentine turned with a glad cry.

'Now stand thou in the archway,' she said; 'and close the door behind me
and keep watch; our one need is haste!'

The page pushed the despoiled door open and Valentine sped through,
closing it carefully after her; the broken window would not be noticed
from the garden, but an open door might. The space she entered seemed so
dark after the bright glare outside that at first she could see nothing.

But soon the light sufficed to show Valentine this was not the room she
wanted.

It was gorgeously decorated, frescoes covered the walls, the ceiling was
richly gilt and painted, the floor glass mosaic, the furniture florid and
ornate.

Valentine glanced around hurriedly: at one end was a door, and trying it,
she found it opened easily, leading into another splendid
apartment--still not containing what she sought.

Hastening on through a door, not only unlocked, but standing ajar, she
found herself in a small, sombre room, hung with purple and gold; its
principal furniture the secretary's table, Visconti's chair, and the
imposing black carved bureau.

This was the room she wanted; and on the bureau, flung down in haste, a
bunch of keys.

Valentine seized them with trembling hands; they were the keys of the
drawers, and one by one she flung them open, so possessed with excitement
she could hardly stand. Gian was not in the palace, yet she seemed to
feel his eyes upon her; to hear his step; catch his low whisper of her
name; feel his touch upon her shoulder.

In one drawer were the parchment passports, some of them, for
convenience, already signed with Visconti's name. Hastily Valentine
thrust three into the bosom of her dress. But where were the palace keys?

She turned over the drawers in reckless haste; she found Visconti's seal
and one of his signet rings, and slipped them both into her gown--still
she could not find the keys. The Duke's pass-keys that unlocked every
door.

The seal and the parchment were much--but the keys would be everything.
They were not within the bureau; she rifled it once again--no, they were
not there.

She turned away in vexation, and stood a second irresolute.

These rooms, deserted, yet so full of their owner, were terrifying.
Valentine was sick with fear--still, she must have those keys.

Hastily she turned over every article in the room, left as Visconti had
left them--books, papers, ornaments.

There were no keys there.

She looked into the antechamber, that was bare and empty; she knew it too
well to suppose what she sought could be hidden there.

In desperation she retraced her steps and stood again within the second
room. An impulse made her lift the arras, and she beheld another door;
and another still; they were either side Visconti's empty seat. She tried
one: it opened immediately on a black marble stairway, and she closed it
again with a thrill.

Frantically, she opened the other door; held to her courage desperately,
and crossed the threshold. The room was panelled in black and scarlet,
floor and ceiling inlaid with gold and black.

A great mirror hung opposite the door; either side a table, covered with
a collection of articles left in utter confusion. Valentine turned them
over in frantic haste; there were laces and rings, jewels and curios,
gloves, and strangely carved bottles. She handled the last carefully--she
knew not what they might' contain.

Still there were no keys.

Valentine, fast losing nerve, felt that she had been in these rooms for
hours, the silence and suggestion oppressed her till she could have
screamed--but she had risked too much to retreat.

There was an inlaid bureau, and a coffer beneath it; she opened the
bureau and sought again; rings, dagger, treasures from della Scala's
collections, uncut gems, powders, scents, rosaries, charms, missals--only
no hint of what she looked for.

On top of the coffer was a roll of drawings, the plans of the new church,
several parchments, petitions, specimens of marble from the new quarries,
carvings, mail gauntlets--Valentine swept them off on to the floor, and
then threw the coffer open.

It was full of-clothes--upon the velvet of the topmost mantle lay the
small bunch of master-keys.

Valentine grasped it, and hid it in the little pocket at her side.

She had all she needed now, and was turning in relief to go, when, struck
by another thought, she bent again over the coffer, lifted the contents
out on to the floor.

Visconti's doublets were mostly too splendid for her purpose, but she
seized the plainest, wrapped it in her mantle, snatched one of his
daggers from the table. Then making rapidly through the rifled room, with
a breathless prayer of gratitude for safety, she stealthily pushed open
the door on to the balcony, and saw the sunlight and her page's eager
face.

'Shut the door,' she whispered. 'Climb up and shut the top bolt.'

The boy obeyed.

'No one has been?'

'No, lady; you have been quick.'

'Quick!' gasped Valentine. 'I thought I had been years.'

She unclasped her mantle and gave it to the boy. 'Take that back to my
room--say I was too hot--give it to Costanza--she alone is in my
confidence, as thou knowest; let no one stop thee--and listen--by
tomorrow we shall be outside the gates'

The page turned away with her mantle on his arm, and Valentine leaned
against the wall, and with her hand upon her heart, took a moment to
steady herself; then with excited eyes, but even steps, she too walked
slowly along the balcony toward the banqueting hall.

'The Duke has not returned,' said de Lana.

He spoke a little anxiously, arid looked around at the others who filled
the council chamber, a few nobles, and the principal captains of the army
and the mercenaries who defended Milan.

'Meanwhile, from whom do I take my orders? Who commands in Milan?'

'I cannot answer you, my lord,' said Giannotto. 'The Duke left no orders,
at least with me.'

'The Duke expected not to be gone so long,' said Martin della

Torre. 'And ill it will be for him if he stays too long.'

'Meanwhile,' cried de Lana again, 'to whom are we to look?' The two pages
announced the Lady Valentine.

The men glanced at one another.

'The Lady Valentine,' repeated Giannotto to de Lana. 'She may tell us
what to do.'

Not that he did not well know what terms of jeopardy she stood on with
the Duke--but it was a shifting of responsibility that he welcomed.

All in the room rose to their feet to greet Valentine.

She was leaning on Orleans' arm, Adrian and her women following.

She looked regal, glorious. There was a fine colour in her cheeks.

De Lana kissed her hand. She did not wait for him to speak, her eyes
wandered over the assembled faces.

'I have not come before, my lords,' she said, 'because I thought the Duke
might at any moment be again among us; but now, hearing you were gathered
here and that there was some question of the Duke's pleasure in his
absence as to who should issue orders for him, I am come to answer it in
person.'

She drew nearer the head of the table, Orleans dropping a step behind.

'My lords, the Duke left me in power; in any absence he may make,
enforced or at his pleasure, I rule in Milan.'

'You, lady!' cried Giannotto, the words forced from him in his great
surprise.

'I,' answered Valentine. 'Though I am no man--I am a Visconti. Has not
the Duke left me in charge before, de Lana?' She turned to the captain as
she spoke.

'In the late war with Florence--yes, lady.'

Valentine smiled.

'Still, I need not ask you to believe me on that only--lest any should be
doubtful, I have proofs.'

'Methinks they are needed before we take the law from thee, lady,' said
Martin della Torre, roughly.

Valentine looked at him. 'What is this, Lord della Torre?' And she laid
Visconti's signet ring and seal upon the table. Giannotto choked his
wonder back.

'Does the Duke give these to any save those he trusts--and these?' She
showed the keys lying on her open hand: the key of the armoury, the
treasury, the prisons: the master-keys of the whole palace.

'He gave them to me--when, Adrian?'

'Yesterday morning, lady.'

'Yesterday morning. Had he not left too hastily even for speech, he would
have made it public; doubtless he thought you would accept my word--and
these proofs'

There was silence.

'Are you convinced, lords?' asked Valentine.

'I am,' said Giannotto, bowing to hide the twinkle in his ugly eyes; and
the others, each according to his fashion, murmured an assent.

'And now I will take upon me my brother's duties,' continued Valentine.
'For you, de Lana, I have no commands; only look well to the arming of
the walls, let not my brother say we were idle in his absence; I would
have the soldiers in readiness to guard against a surprise--and meanwhile
I ask your company.' De Lana bowed.

'On a visit to della Scala's wife. She is a priceless hostage, and ill
would it suit with our safety even if aught befell her.'

'You would visit her yourself, lady?'

'Aye, myself, since with me lies the power and so the responsibility, and
I would not shirk it. Lords,' she continued generally, 'we can do little
else but wait--only hold yourselves in readiness--for the Duke's sake and
the honour and security of Milan!'

She put her hand on Orleans' arm again and left the room, followed by de
Lana and Giannotto.

'Now, I had almost forgot, my lord,' she said, pausing with a smile. 'My
page, his sister and his brother, would leave Milan tomorrow for
Brescia--what for, Adrian? Indeed, I have forgot--but I have the Duke's
permission, and would only ask your countersign upon this passport.'

She spread before the captain a parchment bearing Visconti's signature.

'This is no time to be leaving Milan, boy,' said de Lana. 'Our father is
sore sick at Brescia,' returned Adrian. 'Dying, my lord.'

De Lana smiled.

'A long and dangerous journey to make for a sick father.'

'There is money in the matter for these children, and it is my pleasure,'
said Valentine.

De Lana bent over the parchment, and affixed his name, and in that
second, Valentine glancing at Giannotto, their eyes met and the secretary
understood. He had meant to hasten to Visconti's rooms; he meant not to
now. De Lana gave the parchment back, and Valentine handed it to Adrian.

'And now, Lord Orleans, will you come with us to Isotta's prison?'

'Truly,' said de Lana, 'the lady is as firmly guarded as at any time. I
have looked to that.'

'Desperation is a great sharpener of the wits, my lord,' smiled Valentine
Visconti. 'When life and liberty are at stake, the weakest will
venture--and accomplish much.'

'Indeed, I think with the lady,' put in Giannotto, 'that too much zeal
cannot be shown for anything so near to the Duke's heart as this.'

De Lana shrugged.

We will go, lady.'

Half an hour later Giannotto and the captain waited in the guard-room of
Isotta's prison.

Valentine, one of her women, and the page, had entered the prison itself.
The Duke's signet had passed through all the formidable barriers. It was
late, almost dark.

'This shows a malice in the lady I do not like,' said de Lana. 'What need
she to triumph over her brother's victim?'

'She is a Visconti,' returned the secretary. 'She has something of the
Duke's temper and his strangeness--there may be in it curiosity also.'

'Curiosity?'

'To behold for herself if Isotta d'Este be as fair as she is--to spy into
her brother's treatment of his prisoners.'

'Have you seen the lady, my lord?'

'I? Never,' replied de Lana. 'Nor do I greatly care to.' Giannotto made
no reply; he felt unusually placid and content. He saw plainly enough
that Valentine was outwitting her brother, and as he hated the Duke and
admired his sister, he would help her with all his power as long as he
ran no risks. Visconti had not left him in charge--and for asking no
untimely questions, Valentine would reward him well.

With some excitement he awaited her return.

'She is a long time,' said de Lana impatiently.

'She has her brother's daring,' thought Giannotto. 'And yet--she would
hardly dare that--hardly.'

The door of Isotta's prison was opened and Valentine came out, followed
by her attendants--dark-cloaked figures keeping in the shadow. Adrian
closed and bolted the door behind them as she slowly stepped down into
the room.

'The prisoner is sick,' said Valentine. 'Not dangerously so, I hope; we
would not have her die in my brother's absence. She has fallen asleep and
must not be disturbed. Where is her woman?'

Luisa shuffled forward.

'You will not rouse your prisoner until my return with a physician,' she
continued. 'She sleeps. I will return or send; till then let no one pass
those doors, nor you yourself.'

The page and Valentine's two women still stood on the steps in the
shadow.

'Come,' said Valentine suddenly. 'Much as I am relieved to see my
brother's hostage in such security, this is gloomy, dark--come,
Costanza.'

The two ladies moved forward, one weeping sadly, keeping her hands to her
face.

The poor lady hath unnerved her,' said Valentine with a sharp word of
reproof, and she crossed to Orleans.

'Now it seems to me,' said de Lana to Giannotto, 'that only one lady
entered with the Princess.'

'Your eyes deceived you,' smiled Giannotto. 'I am trained to watch; I saw
two enter.' De Lana was silent. The two ladies had joined the few others
left by the outer door, the soldier kept his eyes upon the one who wept.

Valentine was talking gaily to Orleans, and led the way across the
garden. 'On your life I charge you to guard the prisoner,' she said to
the captain and the soldiers. 'She means more to the Duke than his own
life almost--more certainly than any other,' she added meaningly.

De Lana, watching keenly, still kept his eyes, as they crossed the
garden, upon that second lady, who puzzled him, and with a soldier's
indiscretion he whispered his fears to Giannotto.

'My Lady Valentine,' said the secretary smiling, 'my lord here thinks you
entered the prison with one lady and came out with two!'

Valentine laughed.

'And who, think you, was my second woman, then, lord? Isotta d'Este? Nay,
I will satisfy you.'

'Indeed, lady,' began de Lana hastily, but Valentine cut him short.

'Come here, Costanza.'

The girl came forward.

'Now hold the torch higher, Adrian,' laughed Valentine. The light fell on
Costanza's face.

'Is that Isotta d'Este, Giannotto?' she asked.

'Nay,' smiled the secretary.

'Now, Giulietta, come hither thou,' said Valentine.

The other lady stepped forward and threw back her hood. 'Now, my lord,
Giannotto shall satisfy you--is this Isotta d'Este?'

The secretary did not flinch.

'My lord,' he said, 'you must know della Scala's wife well enough, if by
hearsay only. Look yourself. This is not she.' They moved on again, de
Lana uneasily convinced.

'Ma foi,' said the silent Orleans suddenly. 'It is growing very damp.
These Italian nights are most unhealthy.' And so they passed into the
palace.

That night a light tap was heard by Giannotto, sitting in his room, and
Adrian entered and put two emerald earrings and a bag of ducats on the
table.

'For a lapse of memory,' he whispered, and went as softly and as swiftly
as he had come.



Chapter 21. The Duke's Return


Having succeeded so far, Valentine had little fear; it was now an almost
easy matter for her to accomplish the remainder of her plan.

She had the palace keys in her possession, and they unlocked secret
doors, and more than one hidden entry and private way, entries and ways
she knew well, and yet otherwise could not have used.

Soon after the dawn that saw Carrara fall by the wayside, Isotta d'Este
and Valentine slipped from the palace; aided by Costanza, and joined by
Adrian in the long gallery, they passed through the secret door that led
through winding passages to the old part of the building, and thence by
another entrance almost beneath the walls themselves.

Valentine wore a page's suit, her upper lip darkened, a heavy cloak, with
a hood such as was worn in travelling, drawn about her, and by her side
Visconti's dagger.

Despite her anxiety, her passionate desire to frustrate her brother's
tyranny, her wild eagerness to be free and outside Milan, Valentine
almost enjoyed the part that she was playing; she swaggered more than
Adrian, and looked with some scorn on the weakness of Mastino's wife, who
wept with her happiness.

The thought of Gian's rage and discomfiture was very sweet to Valentine,
almost as sweet as the thought of Conrad in della Scala's camp, and the
happy life of freedom coming.

Rapidly they traversed the narrow street that led to the gate, Valentine
erect and joyful, Isotta leaning on her arm, happy too, with a deeper
happiness, but faint and bewildered from her long imprisonment, nervous
and fearful of every sound.

Behind them strode Adrian, with eager eyes and swelling heart--the Lady
Valentine had smiled on him!

But the lady's thoughts were not on the page. With every step to freedom,
Count Conrad's blue eyes and merry laugh rose before her the more
clearly, and she remembered that last time she had essayed escape, and he
had near given her, for all he knew, his life. He was in della Scala's
camp.

But, hasten as she might, Isotta dragged her on yet faster. Her eagerness
was pitiful to see; Valentine looked down at her white face and trembling
lips, and with a sudden impulse stooped and kissed her.

It was still so early that the streets were empty, save at the gate where
the soldiers clustered, but they took small heed, for the three looked no
unusual figures.

'Now the passports,' whispered Valentine. 'Adrian must show them, but do
ye stand ready, Isotta, to answer if they question. I dare not, lest they
know my face. Remember, Adrian, an escort meets us half a league away,
and 'tis a quiet village that we travel to.'

Isotta d'Este steadied herself against the wall, and grasping Valentine's
hand, followed Adrian toward the soldiers on guard.

'Stand to thy part now, Adrian,' said Valentine; 'remember 'tis our
lives.'

A growing knot of men stood outside the guard-room; there seemed to be
some great excitement; ringing orders, loud talk, increasing bustle. No
one took heed of the three, nor even noticed them, and only after a delay
at which Isotta's heart sickened could Adrian find an officer to whom to
show the passports.

He glanced them over hastily. 'They seem to be in order,' he said, then
suddenly turned to the woman of the three: 'What do ye do leaving Milan,
mistress, when the country is in arms, with no escort save two boys?'

She hesitated, and Valentine stepped forward quietly.

'Our father is sick,' she said, 'and 'tis a pressing question of
inheritance. Our kinsfolk promise us an escort.'

The officer shrugged his shoulders.

''Tis your own lives,' he said. 'Later in the day ye can go. Not now.
There is an army coming, and the Duke in front of it.' Valentine stood
still and calm.

'Our father is very ill,' she said; 'if we are not in time, we may be
beggared. Our passports were signed by the Duke himself. We demand to
go.'

But the officer had hardly heard her. A fresh detachment, of soldiers had
ridden up, and the man's thoughts and eyes were engaged in half a dozen
places.

Half mad, Isotta sprang forward, shaking off Valentine's restraining
hand.

'We must pass, we must through this moment,' she cried. 'Let us through,
and we'll make it worth thy while.'

At the eagerness of her tone the officer turned, surprised. 'Ye are very
anxious,' he said.

'For the love of Heaven, a matter of life or death!' said Isotta, and in
her despair she would have knelt, only Valentine dragged her back beside
her.

'It is very serious,' she said. 'After the Duke has entered, we may
leave?' she asked. 'Indeed, ye cannot stay us.'

'Aye, leave after the Duke has entered, but now, clear yourself away; my
lord comes apace, some allies with him--' and with a wave of his halberd
he swept them back.

Valentine flushed at his tone, yet drew back, her hand on the page's
shoulder.

But Isotta struggled free and again rushed forward.

'I will pass!' she cried wildly. 'I will! I have not got so far to be
stopped now!'

'Oh! thy madness!' murmured Valentine.

But Isotta had rushed to the very gate itself, and was only forced back
by the pikes at her breast.

The officer looked at the group with mistrust.

'What is this?' he said. 'What means this passion?'

'She is half distraught,' said Valentine. 'Beggary is no small matter,
messer. We will be quiet, though, I promise you, until the Duke is
past--' And to Isotta at her side she whispered, holding her hand tight,
'Thou wilt ruin all; control thyself.'

But the unfortunate Isotta was calm enough now; she followed Valentine
without resistance.

And now Carrara's army had reached the gates, and fell back to await
Visconti. The whole city was in tumult, the streets filling with excited
people; there was mad shouting, the clash of arms. 'A Visconti! A
Visconti!'

'We shall be crushed to death,' said Adrian. 'I must find you shelter,
lady,' and he looked around eagerly.

The Duke--the Duke!' and the great gates began to open. 'It is useless!'
cried Valentine, 'and as well die this way as another.'

'There is a door here,' said Isotta; and turning with difficulty, they
saw indeed a door, deep set in the wall and closely shut.

In desperation, Adrian knocked loudly. 'A Visconti!' shouted the
soldiers. 'A Visconti!'

They were fast being hemmed in by the crowd, soldiers were pouring
through the gates in companies, strange soldiers, the new allies; and as
Valentine beheld them in strength and numbers, and heard them shout her
brother's name, she felt her last desperate throw was lost.

'A Visconti!'

'Knock on the door again,' cried Isotta, 'knock again.' Cavalry was
passing, going at a trot, so close the hoofs were almost in their faces,
the foam flew over their mantles.

Then in wild confusion they pressed back against the door; passing close,
a host of pennons waved from glittering spears, the tossing of the
horses' heads, the champing of their bits, a clamour of noises, deafening
shouts, a hurry of the cavalcade, and then--suddenly a horse drawn up
close to the Shrinking group in the shadow of the doorway, and a rider
looking down at them.

Wild with terror, Isotta flung herself against the door, which yielded.
Valentine looked up at the man who had stopped--saw her brother's face.

'Ah, my sister,' he said between his teeth; and Valentine, scarce knowing
what she did, fled after Isotta, the page behind, closing the door upon
Visconti.

In the pleasant courtyard was a girl, dressed in scarlet, who rose,
surprised at their disordered aspect.

''Tis only a moment gained,' cried Valentine, hoarsely. 'He will follow!'

Isotta turned to Graziosa in an agony. Tor the love of Heaven hide
us--for the love of Heaven, from Visconti!'

'Hide us!' said Valentine bitterly. 'Hide us from Visconti!' And Graziosa
thought of the secret passage.

'I will help you,' she said. 'I and my father do not love Visconti--'

'Quick, maiden,' cried the page. 'I see the spears are motionless
outside. I will guard the door.'

'They will kill thee,' cried Isotta. 'Thou art too young.'

But Valentine turned to the boy and gave him her beautiful hand. 'Guard
the door, gain us a moment, Adrian--for me,' she said, and hurried across
the sunny courtyard, followed by Graziosa and Isotta.

Tor me!' repeated Adrian, and set himself before the door proudly, with
flashing eyes and dagger drawn. He was only a boy, a page, she a
princess, but he could set his life against her smile, and think himself
well paid.

Graziosa, panting with excitement, hurried them into the house, and into
the lower room from which the secret passage opened. The pleasant little
home was still half dismantled from the recent attack of the Germans, the
neat trimness of the cool chambers gone.

At their entrance Agnolo came forward in alarm, but at his daughter's
hurried explanation, turned willingly to the secret door he kept well
concealed. For the little painter took no thought of what it must mean to
shelter any from Visconti's wrath.

'Quick!' cried Valentine imperiously. 'How long can one page keep that
door?'

'The poor boy!' moaned Isotta, hanging half lifeless upon Valentine's
arm. 'Unhappy boy--they will kill him!'

Valentine looked at her with scorn.

'Canst thou think of a page now?' she cried. 'Think of della Scala.
Quick!'

But the door would not yield, and while Agnolo struggled with the spring,
a crash was heard, a cry, the ring of armour and the tramp of feet.

'The door is down,' said Valentine. 'We are lost.'

'I cannot move the spring,' cried Agnolo.

'Quick! quick!' shrieked Graziosa, but even as she spoke, the chamber
door burst open and a man stepped in; there were others at his heels, but
he entered alone.

Agnolo, starting back, dropped his concealments into place and trembled
for his secret and these poor folk who had not escaped Visconti.

The man who entered was in black, it was all that could be seen in the
dark, disordered chamber, but Valentine needed no light to tell her who
it was. Isotta sank to the ground, shrieking wildly.

'Oh, Father, Father!' cried Graziosa, agonized, 'save them!' The newcomer
laid his hand on Valentine's shoulder, she standing calm and erect, and
turned his face to Graziosa.

'From me?' he said, and his voice was very sweet. 'From me, Graziosa?'

'Ambrogio! Ambrogio!' cried the girl. 'What do you here?' Valentine would
have spoken scornfully, but Visconti turned his eyes on her, and she
dared not. The courtyard was full of armed men.

'Ambrogio!' repeated the painter in dismay. 'What does this mean?'

Visconti laughed pleasantly, but his hand tightened on his sister's
shoulder.

'It means thy daughter hath found a lover worthy of her in Visconti.'

Visconti As in a flash the little painter saw explained a thousand things
that had perplexed him. Visconti! His quickly working brain had grasped
it and summed it up before Graziosa could even realize she heard aright.
She stared there silent, with a piteous look upon her face. Visconti
turned to his prisoners.

'Take Isotta d'Este back to her prison,' he said, curtly, and a group of
soldiers advanced.

Isotta clung to Valentine in an agony.

'At last!' said Visconti, in her ear, 'at last thy calm fails thee!' And
then he stood aside watching, while she implored in turn Valentine and
Agnolo to save her, in incoherent words of anguish.

'I cannot bear it!' she cried. 'I have borne it too long! O God, have
pity on me! Have pity on me, I have not the courage to face it again. I
have not the courage!'

Visconti turned to her in a savage triumph of hate he scarcely troubled
to conceal.

'Find thy courage again, where thou found'st it before,' he said. 'Thy
husband is not dead, although he leaves thee to pine in prison. He may
remember thee even yet.'

Isotta sprang up at the taunt, wild-eyed.

'Keep thy face away from me!' she shrieked. 'Ye have slain him! Kill me
too!'

Then, seeing resistance useless, and those who would have saved her
helpless, della Scala's unhappy wife surrendered quietly; only as she
crossed the courtyard with her guard, and saw the tree-tops wave above
the walls and the sky that was outside Milan, a cry rose that made the
hardened soldiers wince.

'Mastino! Oh, Mastino!'

Visconti watched her out of sight, then turned again to Graziosa, his
hand still on his sister's shoulder.

'Graziosa,' he murmured.

But the girl made no answer; she was huddled on the bench that ran along
the wall, looking out with frightened eyes.

As he spoke she shuddered, and crouched closer to the wall.

But Agnolo answered, and Visconti, serene in his pride, did not notice
the painter's tone.

'My daughter is dazed with her surprise, lord, as who would not be?
Graziosa, speak to the Duke, speak to thy Ambrogio,' and he gripped her
hand fiercely. But Graziosa rose at his touch, and snatching her hand
away, fled from the room, with one wild look toward Visconti.

'Ye see, my lord, she is bewildered, she can scarce believe it true 2

'It matters not for now,' said Visconti. 'Thy daughter loves me, painter,
and none the less, I doubt not, that I am Duke of Milan; and she shall be
my duchess, as I have vowed.'

'Truly the honour is more, I think; than she can bear,' and Agnolo bowed
to the ground.

'I have won a wife for myself--a wife who loves me for myself alone.'

'And she loves thee for what thou art not,' cried Valentine aloud.

But Visconti took no heed of her.

'Think of thy daughter as a precious charge, Agnolo,' he continued.
'Meanwhile I leave one of my captains here on guard. That last attack on
thee and thine came near costing me too dear.'

'My daughter--' began the painter, but Visconti interrupted him:

'Thy daughter will be my wife, painter; remember it, and heed her safety.
And thou, Valentine, come with me, and I will tell thee in private how
Count Conrad's folly lost della Scala thy dear brother, and gave me the
day--and an army.' He turned to go; Agnolo made an impulsive movement
forward, but checked himself.

'Tell Graziosa,' said Visconti, 'she is my duchess on the day my sister
weds the Duke of Orleans.'

Visconti crossed the courtyard; the soldiers closed around him and his
captive; Agnolo sprang forward, and drawing the little dagger he wore,
hurled it after him.

It fell unheard, unseen, amid the trampling feet.

'Your hand--hurts me,' gasped Valentine, suddenly very white and
trembling.

A soldier was pulling Adrian's dead body from the gate to allow of the
Duke's passing, and she, dragged in his grasp, had almost stepped on him.
This was what it had ended in--Adrian had flung away his life for
nothing.

Visconti's voice broke upon her.

'Take this cloak to hide thy garb; I could not have Milan see thee
thus--even if thou hast lost all shame.'

A ring of soldiers kept the crowd back, all the crowd the narrow streets
permitted. The high morning sun sparkled on their halberds, spears, and
armour; the dazzle of scarlet and gold from their trappings was blinding
in its confusion, and Valentine hid her eyes--from that and the dead
boy's face.

'A Visconti! A Visconti!' came the shout. The horses of the Paduans were
champing impatiently, Visconti's charger reared between its holders-in.

'Now, where is my lord?' cried de Lana, riding up breathless through the
noise and glitter. 'I have been outwitted--'

'Hush!' said Visconti softly. 'I am here, de Lana--and so is she who
outwitted thee,' and he' pointed to the cloaked figure beside him. 'Take
her ahead in secrecy, and swiftly, to the palace.'

The command and the movement were lost in the confusion. The horsemen
were forming up behind Visconti, the walls and street crowded; from every
distant window and housetop shouting spectators gazed on the gorgeous
scene below.

Visconti drew his sword, and held its glittering cross high up against
the sapphire sky.

'Now glory be to God, His angels, and Sant'Apollinare, my patron saint,
that I am entered into my city again; and for my most miraculous escape,
there shall be an altar of jasper and serpentine in the Lord's new
church--and therein hear my vow!'

He lowered his sword and kissed the hilt, then turning in his saddle to
the men who had followed him as their new leader: 'Have I not led you
well, Paduans,' he cried, 'safe into the fairest city of Lombardy? Do you
repent you of following a Visconti through the proud gates of
Milan--Milan that I have made more beautiful than Ravenna, and stronger
than Rome? I am your leader now, knights of Padua, and Gian Visconti
never yet led to aught but victory or turned against' a foe he did not
crush! Once already have I trampled della Scala to the dust, and ridden
through nine wide cities of his, and spoiled his palaces to pay my
soldiers, with pay that men would die to win!

'I do not pay with ducats, Paduans, or measure my rewards with coin;
follow me, and I will give you cities for your plunder, and nobles to
hold for ransom. Like to the thunder will I circle Lombardy, and city
after city shall surrender me its keys, and the meanest soldier in my
train shall gain him fame and riches from my spreading greatness such as
kings might envy! Now, who but a faint heart would follow della Scala,
who lost into my hands his very wife? So long as there is a Visconti, he
rules in Italy!'

Shout after shout, deafening, triumphant, greeted his words, the very air
filled with the spirit of victory, the madness of triumph, the glamour of
gold, the flash of scarlet, the high glitter of spears, that waved to and
fro, the mad plunging of a thousand horses blinded with the dazzle of the
sun; and from the throats of the thronging army, from the throats of the
thronging citizens, one wild cry arose: 'Visconti! Visconti! Sant'
Apollinare! Visconti and Milan! The Duke rides the city!'



Chapter 22. - The Secret Passage


Standing on the steps of the old castle, della Scala looked down on his
diminished army; at least they were purged of traitors, he thought
grimly; what remained were Veronese, and true.

At the news of Carrara's treachery, d'Este had marched aside to Mantua,
whither Vincenzo had been sent.

The sun was dazzling down, a glory of gold, sparkling on the still wet
leaves, and the brilliant colours of the pennons and banners that floated
above the tents.

Della Scala greeted Ligozzi and his son.

Tomaso would have spoken eagerly, but his father hushed him. 'The news is
most important, my lord,' he said, 'best tell it you in private.' Then,
unable to restrain himself, he added in a whisper: 'Oh, the saints and
angels be praised, I think we have Milan!'

Mastino della Scala, as he led the way back to the castle, trembled,
almost with awe. It was a sign from heaven.

As they gained the chamber, and Ligozzi closed the door, Tomaso burst out
into his tale, half-crazy with delight. 'It seems you have success,' said
Mastino quietly.

But he seated himself at the extemporized table, and with his hand shaded
his face; it was almost more than he could bear. 'The passage leads into
Milan,' said Ligozzi breathlessly. 'It is large enough to admit an army,
and opens into the house of one who is our friend. That, my lord, is why
we have been so long. The good fortune is miraculous, for we were brought
out into the house of a man mad against Visconti, and thinking of nothing
but revenge. He alone knows of this passage, and through it will admit
your men.'

'Ah!' Mastino drew a deep breath and raised his eyes. 'God hath heard me,
Ligozzi.'

'It was true,' cried Ligozzi. 'Oh, lord, he was indeed here. Only this
morning he re-entered Milan, Carrara's army behind him; returned in time
to stay his sister, who loathes her enforced marriage, and--and--' he
suddenly faltered in his recital as Tomaso laid his hand upon his
shoulder.

Mastino looked at them keenly.

'And what?' he asked,

'I was going to say, lord, that in his absence, Valentine Visconti,
trying to escape, was recaptured by the Duke himself in this Agnolo's
house.'

'Is it for that he hates Visconti?' asked della Scala.

'Nay, my lord, he hath other wrongs,' and Ligozzi proceeded to relate the
tale the little painter had poured into his ears that morning.

'"Not for naught did I conceal that passage!" he cried to me. My lord,
truly it was not for naught, seeing we shall thereby slay Visconti!

'This man, Agnolo, he is to be trusted?' said Mastino.

'If ever a man was! He would see Milan in ashes, and Visconti were among
them.'

'And the girl?'

'I did not see the girl, but methinks she has the same cause to hate
Visconti.'

'And that no one should know of this passage; it is strange,' mused della
Scala. 'Thou art sure there is no trap, Ligozzi? Much disappointment
makes me wary.'

'I will stake my life there is no trap, my lord, and that this man,
Agnolo Vistarnini, is dealing with the truth.'

'Vistarnini,' repeated Mastino. 'Methinks I know the name--a painter,
didst thou say?'

'A painter, my lord; the house is near the western gate.'

'The western gate! I remember. It was the day I found von Schulembourg.
Truly I think we may trust the man that I remember,' and Mastino faintly
smiled. 'There is no guile in him--nor in his daughter, poor lady. She
was happy then!'

'Visconti has left a guard of soldiers to protect the house; but not so
many that they will not be easily disposed of. Vistarnini speaks them
fair, they have no suspicion.'

Mastino rose and held out his hand. 'So thou hast done it, my friend,
thou and thy son. I owe thee much, Ligozzi. A poor man's thanks are but a
halting gift; some day, however, the Duke of Verona shall tell thee what
his gratitude is worth, my friend. I thank God, Ligozzi, for one friend!'


In a thick wood near Milan, a man on a white horse was slowly picking his
way through the dense undergrowth. The trees were close, and in their
dark shadow the place was nigh as black as night.

Great tufts of flowers grew in the cool shadows. There were no signs of
life, save the birds whirring through the leaves, the plants nodding in
the breeze.

The rider dismounted, and tied his horse to the low bough of a large
beech, flinging himself on the space of cleared ground beneath with a
sigh. He wore a dress of peacock-coloured velvet, tumbled and torn, and,
save for a richly jewelled dagger, more for ornament than use, was
unarmed; but in the fight from which Count Conrad had just emerged,
though a fight with two, weapons had not been needed; persuasion had done
the work, and he had come out victorious.

In a bundle on his saddle hung his spoils, and as he discontentedly
sucked the scratches on his wrist, he looked at them with interest and
triumph.

Presently he fell to fingering his hair, then, sitting suddenly upright,
drew his dagger with fine resolution. He seized the first of his long
curls and severed it.

Grimly, not giving himself time to pause, he proceeded to the next, and
one by one hacked them from his head, his beautiful blond, perfumed
curls.

Conrad sighed as he saw them lying on the grass, and felt his shorn head.
He longed for a mirror in which to see the extent of his disfigurement,
but there was not even a pool near.

Disconsolately he arose, and detaching the bundle from the saddle, he
laid it upon the ground and opened it.

It contained a monk's robe, a rosary, a book, a wallet, and a girdle.

Conrad opened the wallet, and found food therein, and he was growing
hungry; but when he came to consider it, he sickened at its coarseness.

Scraps of fat, sour, hard cakes, mostly cooked in stale wine--the refuse
of farmhouses.

'Have I parleyed with and robbed a begging friar?' cried the Count in
high disgust, and flung the wallet far into the bushes. 'Food for hogs!'

Then with many sighs he removed the peacock-coloured doublet and hose,
and donned the monk's garb, drawing the hood over his shorn head, tying
the girdle around his waist.

The robe was rather short, and Conrad noticed with dismay that his laced
white shoes showed beneath.

'Saint Dominick, curse him, but I forgot to take his sandals!' he cried
in a passion.

But passion did not avail him; he must go barefoot.

'Bleeding feet will complete the disguise,' he thought bitterly, and
flung off his shoes and stockings.

The robe was rather dirty; Count Conrad's fastidious nostrils fancied it
smelled of the roadside, 'where the old wretch has often slept, I
warrant', he said, then crossed himself in contrition at the sacrilege.

Next he hung the rosary and crucifix about his neck--it was hatefully
heavy--and the wallet about his shoulder. The strap galled him, and the
wretched Count moaned at his fate.

He was bound to admit he had brought it on himself; he would carry it
through; and with a truly heroic air he, strapped the velvet doublet on
the horse, and taking the bridle, made his way back toward the road.

On reaching it he flung the reins over the steed's back, and turned him
adrift toward Brescia; then, with resolution in his heart and tears in
his eyes, Count Conrad von Schulembourg, with feet bare on the stony
road, made painful progress toward Milan.



Chapter 23. - For Love of Ambrogio


It was early morning of the second day since Ligozzi had discovered the
secret passage, and Milan lay peaceful, for in those two days there had
been no fighting; but the calm was the lull before the storm.

Agnolo Vistarnini stood in front of the secret door, with shining eys.
The spring had just slipped back behind Tomaso, the last arrangements had
been made; tonight della Scala should enter Milan--and he, Agnolo, would
be the means.

Agnolo looked across the courtyard now in shadow to where a soldier kept
his guard. The guard was the Duke's orders, and to the painter's face the
soldiery showed all respect; yet well Agnolo knew they laughed at
Visconti's whim, and shrugged their shoulders at the pale-faced girl who
was to be Duchess of Milan. And the painter had heard their talk among
themselves.

'It was likely enough for the Duke to amuse himself in disguise,' they
said, 'but to marry a painter's daughter!'

'It were more reasonable had he dowered her to wed another, and yet 'tis
of a piece with all his madness!'

'I would sooner see her dead,' thought the little painter, 'than Duchess
of Milan, the Visconti's wife.'

The white agonized face of Isotta rose before him, the fierce rebellious
hate that marred Valentine Visconti's beauty, and Visconti's own
expression as he stooped to mock a woman in his power; the gallant heart
of the little painter throbbed with wrath and honest fury against the
tyrant who played with hearts, who thought the offer of a crown he had
usurped atoned for crimes as black as hell.

'Tonight, tonight!' he murmured to himself as he mounted the stair to
seek for his daughter. 'Tonight we shall both avenge the use of us to
please a whim.'

He entered his studio; it was empty, the two pictures stood with their
backs to the room. Agnolo looked at them grimly. How often had Visconti
sat painting that St Catherine, unarmed! How easy then to have struck him
low! What would Lombardy have said!

'Graziosa!' he called. He was eager to tell her Tomaso had been again.

He never doubted for a moment that her love had turned, as his had done,
to a passion of outraged pride.

'Graziosa!'

But no answer came, and Agnolo mounted the stair and entered her little
chamber in the turret. It was circular, lit by three long windows, and
now ablaze with the morning sun.

The walls were hung with painted linen, faded browns, and in each window
stood a rough stone jar of lilies, drooping neglected in the sun.

Seated on the floor near one of them was Graziosa, her face buried in her
hands, but at her father's entrance she raised her head and looked out of
the window.

'Graziosa,' said Agnolo, and there was a boyish triumph in his voice,
'Visconti dies tonight.'

She did not move.

'Tonight della Scala enters Milan; there is no chance of failure.'

'None?' she asked. Her voice was dull.

'None! Ah, Graziosa, Visconti roused more dangerous foes than he reckoned
on when he played with me and thee.'

The girl moved impatiently; her father's words jarred on her senses.

'Father, I am tired,' she said wearily, 'and my heart is very sore--'

'Never fear, my daughter; tonight, tonight!'

Graziosa turned to him; her face was white and strained.

'But if--he--the Duke--should not be--be slain?' she said. 'He has a new
army here in Milan.'

'Aye, but a surprise at dead of night is worth two armies to the others.
The palace is near; Visconti will be in their hands even while he
sleeps--'

'In della Scala's hands--' she breathed. 'That means, indeed--he--O God,
it means Ambrogio dies!'

The last words were breathed so low Agnolo did not hear them, but he saw
the pain on his daughter's face and came gently to her side.

'Forgive me if I pain thee, my dearest. God knows, if I speak lightly
'tis but to hide a bitter grief--'

But Graziosa interrupted him with a passionate cry and seizing his hands
covered them with kisses.

'Take no heed of me!' she cried. 'I am half distraught--soon I shall be
better.'

'After tonight there will be a shadow gone from off us, Graziosa, and not
from off us alone.'

'There is no chance of failure?' asked the girl again.

'Comfort thyself--none.'

Graziosa said no more, and Agnolo turned to leave, for there were the
soldiers still to hoodwink, but at the door his daughter called him.

'At what hour do della Scala's men enter?' she asked, in a low voice, her
head still turned away.

'One hour after midnight,' returned the little painter. 'Della Scala
leads them?'

'Della Scala himself,' said Agnolo, proudly. 'He is a noble prince.'

His daughter made no answer; long after the little painter had left her
alone again she sat there listless in the sunny, silent chamber,
listless, with her white face, leaning back against the window frame.

'There is no possibility of failure.' The words beat upon her heart till
she thought it would break.

'Tomorrow he will be dead!'

She sprang to her feet with sudden energy; the sun was rising high--the
time was short.

It was silent, maddeningly silent; Graziosa grew afraid of it--the
silence and the sun; she wished she were dead; it came to her to kill
herself, yet full well she knew that she had not the courage.

She twisted her damp, cold hands together; she wondered if she shut her
eyes and leaped from the window she might die without knowing it, and
nerving herself looked out.

But the stone courtyard seemed far away, hard and cruel, and she winced
back again.

In her own heart she knew she was a coward, and wept to think it was
so--wept to think she could not rise to act, in any way to act.

There was no tinge of greatness in Graziosa's soul; she would have gone
through life, if unmolested, merry, gentle, sweetness and happiness
itself, content always to stand aside for others, eager to do little
kindnesses that came within her compass, never tempted because never
seeing the temptation, happy in utter simplicity and ignorance; but a
great moment found her wanting, a crisis she could not face; as she tried
to think, right and wrong grew strangely confused. She only knew she
loved Visconti, and that he was in danger.

She was too weak to kill herself, although she did not shrink from the
cowardice of it, only from the pain; she was too weak to tell her father
she still loved Visconti; she could not bear to see his face should she
confess it; he would never understand.

'I will lock the door,' she said, with wild eyes, 'lock the door, and let
no one enter till it is all over--and perhaps my heart will break,' she
added pitifully.

Then she stood a long time, still with hands locked tight. Suddenly she
turned and her robe caught the jar of lilies, throwing them into the
room.

There they lay, faded by the heat, amid the broken jar, and Graziosa
looked with unseeing eyes, and picked them up mechanically.

Opposite hung a mirror, and as she raised her head she saw herself
reflected there.

The lilies dropped from her hands as they had dropped before in the
street, the day Tisio took her bracelet.

'He would have made me Duchess of Milan!'

She drew nearer and surveyed her pale face closely.

'Duchess of Milan! And he had all Italy to choose from!' The thought
brought a flush to her cheek.

'His sister is very, very beautiful. I am not so fair as she, nor as
della Scala's wife; and yet he thought me fit to share his throne--'

She moved toward the door with faltering steps.

'I must not think,' she moaned. 'I will lock the door--I will lock the
door--'

But another thought struck her, and she quivered with her agony.

'He trusted me--he trusted us--he never questioned our faith!'

Then her heart rose in rebellion at her own weakness. Let Visconti be
betrayed: why? What did she know of his crimes?

She could hear her father feasting the soldiers below, and thought of him
restless and impatient for nightfall. He had never loved Ambrogio.

She listened and heard his voice in pleasant laughter with a triumphant
ring in it, and a sort of rage rose in her heart.

Why are we to save Milan from a tyrant?' she thought. 'Ambrogio is more
to me than all the Milanese.'

She put her hand on the door handle.

When would he have sent for me?' she wondered dully. 'He smiled. His
voice was gentle; Ambrogio's voice! And he is Ambrogio, and--tonight,
tonight--'

Her eyes fell on the long blue hooded cloak hanging on the wall near. She
took it down and paused with it in her hand, looking at it with fixed
eyes.

A bird flew past the window, sending a swift shadow across the floor.

Graziosa opened the door slowly and stepped out on to the stair. It was
almost dark there; silently she closed the door behind her and wrapped
the cloak about her, drawing the hood over her head and face.

Leaning over the stair rail, she saw that the door of the room below was
open, her father's voice was silent: the soldiers had gone elsewhere.
Softly she crept down into that pleasant chamber where Visconti had sat
so often; the sunlight came in from the open door in a great band across
the dark floor, falling on her white face as she moved through it and out
into the yard. She saw there was no soldier by the door into the street.
She opened it, she could see her father and the guard chatting over
winecups by the sundial in the garden, they were not looking; she crossed
like the shadow of the bird upon the floor. Her pet doves flew away at
her guilty steps as if they did not know her, and Graziosa knew herself
indeed changed from the one who had last fed them.

The bolt of the door would at first not move for her trembling fingers,
but she did not stay here; in a second more she stood in the street, a
closed door behind her. Graziosa would never see it open more.

The houses stood clear against a brilliant sapphire sky, and above them
moved a silver banner, the banner of the Viper. It floated from the
Visconti palace, and Graziosa, with no glance back, bent her steps in its
direction.



Chapter 24. - Treachery


The day that was to place Milan in the enemy's hands was wearing to a
close; the sun had almost set in a wide sky, a flare of orange and
purple, against which the chestnuts stood in rich dark.

Mastino della Scala and some few of his officers were standing in the
little wood into which the secret passage opened Behind them the army was
in readiness.

'I have wrenched success from the hands of failure!' cried Mastino, his
eyes brilliant, a different man. He could have laughed aloud for joy; he
would see Isotta tonight, he would keep his word; Visconti's palace was
near the western gate, they would be upon him before he knew.

'There is no possibility of failure, Ligozzi; no possibility of
treachery?' he said, eagerly, and pressed his friend's hands in his.

'None, lord; Vistarnini is to be trusted to the death.'

'Von Schulembourg's horse returned to camp this morning,' said Ligozzi.
'I know not where the Count is.'

'When I am in Milan I will find him; he shall wed the Lady Valentine; I
bear him no bitterness. Ah, Ligozzi, the world will be a different place
tomorrow.'

And Mastino leaned forward eagerly, waiting for the first sign of the
return of Tomaso, who had been sent ahead to reconnoitre.

The sky flared and blazed through the trees till the whole world seemed
on fire; the red clouds were reflected in della Scala's polished armour
till it glowed in one bright flame, above which the plumes on his steel
cap floated long and white.

The next second the glory faded and was gone, leaving the world cold and
grey.

The sun had set.

A cold breeze stirred the leaves against the pale sky, but to Mastino,
leaning against the tree trunk, waiting, no foreboding came. It was
success, success--at last!

'Tomaso is long,' said Ligozzi.

'The way is long,' smiled Mastino. 'But not so long that we shall not
enter Milan before dawn!'

The passage opened into the undergrowth from the wide mouth of a cave,
and della Scala, in his eagerness, stepped forward into the shadow of its
blackness, listening intently.

No sound broke the stillness save the little murmur of the wind, the
occasional clank of the bridles of the idle horses. 'Hark cried Mastino.
'I hear him!'

He turned with shining eyes to Ligozzi.

'My friend, at last Heaven has heard!'

'He carries no torch,' said Ligozzi, wonderingly, for though footsteps
ascended, no ray of light fell across the dark. 'He stayed not for
torch,' cried della Scala. 'Bring up the men, Ligozzi!'

As he spoke, a figure forced itself out of the dark, a wild figure, and
yet Tomaso's; his white face was smeared with blood which trickled from a
great gash on his forehead, his doublet was rent and torn, and he reeled
as hurt and spent.

'O Mother of God!' muttered Mastino. 'Mother of God!' Tomaso sank at his
feet with a bitter cry.

'All is over!' he cried. 'We are betrayed. Oh, would I were dead before I
had to tell thee!'

'Betrayed?' echoed della Scala. All the life was struck out of him, he
steadied himself against the cavern wall and looked at the boy dully.
'Betrayed?'

'Betrayed? By whom?' cried Ligozzi. 'Ah, thou art hurt!'

'Nothing, nothing. I am in time--Visconti--his men guard the other
entrance--with difficulty I escaped to warn thee,' gasped Tomaso.

'Who betrayed us?' demanded his father, his face dark with passion.

'The girl,' said Tomaso, bitterly; 'the girl who loved Visconti.'

'And Heaven favours her love and not mine!' The cry was wrung from
Mastino. 'We are betrayed for a girl's love of Visconti. And my wife
waits for me!' He laughed wildly, and drew a faded rose from the folds of
his sash, flinging it on to the ground.

'Look, Ligozzi, a sign from Heaven--a sign I thought had been fulfilled.
But a girl prayed for Visconti, doubtless, and her prayers are heard.
Isotta must perish, but Visconti is saved To mock, Heaven sends me a
sign.'

He ground the rose to powder beneath his heel, and Ligozzi quailed at the
wild anguish of his face.

'I should have known,' he cried. 'I should have known. I called on God
and this is His answer. I will fight Visconti alone!'

He turned from the cavern to the open, and stepped out among the waiting
officers.

'Back to camp!' he cried wildly. We are betrayed again, by a woman who
loves Visconti! The Duke of Milan is fortunate; who would do the like for
me?' And he flung himself down upon the bank, and sank to the ground.

'Leave us,' whispered Ligozzi: 'Leave us, all is over for tonight, the
Prince and I will follow.'

'He is much moved,' returned one of the officers.

'All his hopes were on it,' said Ligozzi bitterly. 'His wife, his God.'

In disappointed groups the men moved off, to spread the evil news.

It was now fully dark, but not so dark that the three left by the cave
could not see each other in the faint starlight.

Mastino called to Tomaso. His voice was hoarse and strained.

'Tell me all, boy; tell how it happened'

'My lord,' faltered Tomaso, 'it is too painful'

'Painful!' And della Scala laughed harshly. I am well used to that; tell
me how it happened.'

He had risen, and standing in the shadow of the trees, only the outline
of his great figure was visible to Tomaso and Ligozzi, standing a few
paces before him.

'There is not much to tell,' said the boy uneasily; he was sick with
disappointment and the pain of his wound and leaned heavily against his
father.

'Agnolo opened the door to me--as had been arranged; he told me, with a
wild face, his daughter was gone. Visconti had carried her off, he vowed.
He was half-crazed, and ah, my lord, even as he spoke, the courtyard
filled with soldiers, Visconti's soldiers. The girl had fled to the
palace, and told the Duke all! We were betrayed!

'They laughed to see me there; vowed I should die a merry death, trusted
you would follow and let them give you a warm welcome. Agnolo, they
mocked with talk of pardon, for his daughter's sake, his daughter the
Duchess to be, whom Visconti had proclaimed to all his court, if he would
tell them a little more of what you meant to do. But Vistarnini met them
with defiance.

'"At least Visconti shall not claim us both!" he cried, and then they
laughed and killed him. That was the Duke's word, they said, not pardon.'

Tomaso paused.

'And his daughter lives to be Duchess of Milan!' said della Scala. 'It is
the will of Heaven!' He laughed again, harshly.

'I escaped while they argued over the poor painter's body, and they dared
not follow, being in terror of an ambush. If it had not been for saving
thee, I would I might have died!' And he sank his head upon his father's
shoulder with heart-wrung sobs.

'Take him to the camp,' said Mastino, rising. 'How can I comfort him or
thee, wanting it so much myself?' And he turned away through the trees.

The air was perfumed and soft, it fanned the heavy hair back from his
face and rustled the flowers around his feet.

He walked fast, in a fury of hate. It came to him to rush into Milan, and
die upon the soldiers' spears, if he might only get his hands upon
Visconti. 'I will challenge him to fight, to single combat,' he thought
madly. Then his mood changed, he stopped and felt for the locket at his
neck.

'Isotta! Oh, my dear, my dear!' and his voice was full of tears.



Chapter 25. - In Cloth of Gold


Graziosa Vistarnini, the saviour of Milan, and the Duke's betrothed, was
lodged with regal state in the magnificent new tower that stood in the
grounds of the Visconti palace. Visconti could be liberal to a fault
where it suited his vanity or his purpose, and Graziosa's new residence
was decorated with a lavishness that made the French stare.

For not only had she saved Milan, but she had done it solely for love of
him, and it gratified Visconti's pride as much as it pleased his
ambition. Save for this girl he had been now even as had been della
Scala, and Milan humbled as Verona. She had been the means of his once
more outwitting a foe; she had assured his safety and the safety of his
city; and Visconti's proud gratitude showed in the state and splendour
with which he surrounded his chosen wife.

This glorious summer morning she was seated on the side terrace that
surrounded the tower, a terrace of black marble and alabaster, the
delicate balustrade smothered in lemon and myrtle trees and clusters of
white roses.

Graziosa was in the midst of a brilliant company; the best-born dames in
Italy were among her women, and more knights and pages composed her train
than had ever waited on Visconti's sister.

Beneath them the garden, reached by a shallow flight of steps, spread in
perfect loveliness to the palace, above whose pink brick walls and rugged
grey fortifications floated the banner of the Viper.

The air was golden with the brightness of the sun, there was not a cloud
in the purple sky, and Graziosa's heart was singing in pure happiness.

She rose from her chair impulsively, and walked to the edge of the
terrace, leaning over the balustrade, the ladies behind her.

''Tis sad to think there should be fighting on such a day as this,' said
one, handing Graziosa her fan. 'God grant it may soon be peace!'

'God grant it!' repeated the painter's daughter fervently. 'They say the
Veronese cannot hold out much longer,' said another. 'This very morn
there was news. Bassano has fallen--' Graziosa picked a cluster of roses
and buried her face in them.

'How beautiful they are!' she said. 'See, they have little hearts all
gold, never showing till they die; a pretty fancy, is it not?' And she
stroked them tenderly.

'Bassano has fallen?' she repeated idly.

'Yes, and 'tis said they cannot fail in getting Reggio.'

'Then my lord's arms are everywhere victorious!' cried Graziosa with
sparkling eyes.

'As ever, lady,' was the answer.

'And we can hope for peace,' continued Graziosa softly.

'And when peace is proclaimed you will be Duchess--almost Queen--of
Lombardy, Gian Visconti's wife!'

There was a note of envy in the speaker's voice at such a splendid
destiny, but Graziosa did not notice it. She even shuddered faintly at
Visconti's name; it had been associated with awe and terror too long for
her to be able easily to shake the fear away.

'Meanwhile, the sun is shining hot, lady,' said a third attendant. Will
you not come into the shelter?'

Graziosa moved away; the white roses at her bosom were not more pure than
her face. Two pages lifted her rich train, and as she crossed the terrace
a third came and spoke to her on bended knee.

'My Lord Giannotto awaits your pleasure, lady.'

'Tell him I am here,' and the colour rose in Graziosa's face at so much
honour.

She turned to the steps where Giannotto waited, cap in hand, and advanced
toward him.

'Lady,' said the secretary, bowing low, 'my lord sent me to say he will
wait on you himself; and meanwhile, if you have any commands--'

Graziosa interrupted him.

'Indeed, my lord is too good; what commands should I have? Tell him so,
with my deepest thanks, sir.'

Giannotto looked at her curiously, with a mixture of pity and wonder.

'He comes himself, lady, to hear your thanks, and learn your will.'

And he stepped aside, joining the group that had been gathered about
Graziosa.

Gian Visconti was coming through the garden, a grave-looking man by his
side, a white hound at his heels, and two boys following, one bearing a
wooden case, the other carrying a roll of drawings.

Visconti was talking to his companion; he was in the best of humours, at
the height of triumph and success, his enemies well under his heel, his
ambitions on the point of being gratified.

Graziosa came to the head of the steps, and Visconti took his gold cap
off and waved it, coming up them gaily.

She stood silent in the glory of the sunshine and held out her hands,
and he kissed them, and looked at her and laughed pleasantly.

'Now art thou happy, donna mia?' he said. 'Hast thou all that thou
couldst wish?'

'More than I ever dreamed of, my lord,' she answered softly. 'I did not
know the world could be so beautiful--or so happy.' ''Tis but a small
return, Graziosa, my beloved, for what thou hast done for me,' returned
Visconti. 'And I will make it more--this is but an earnest of the future.
Visconti's wife shall live in such splendour that men shall not see her
for its dazzle.'

What am I, that thou shouldst give me so much joy!' cried Graziosa, with
swimming eyes.

Visconti smiled.

'Thou art thyself--it is enough!'

He turned to his companion, who stood respectfully at some little
distance.

'Come hither, Messer Gambera. Here is a lady who shall often pray within
your church--my betrothed, who saved us Milan.'

Messer Gambera bowed low, and kissed the hem of her gown.

Visconti watched his homage with pleased pride, arid turned again to
Graziosa.

'Now I have somewhat to show thee. This is the architect of my new
church, which shall be the wonder of Italy. Follow me, messer.' And he
led the way into the entrance hall.

It was low and wide, the walls covered with frescoes, the floor red
sandstone, the windows opening on to the terrace.

In the middle stood a gilt stucco table, and to this Visconti drew a
chair and bade Graziosa seat herself.

'Here is what I will make of Milan, sweet, when the war is ended!' he
said, as the architect unrolled and arranged his drawings.

'And will that be soon?' she asked, looking up at him.

'Aye, I hope so,' laughed the Duke. 'Mastino della Scala grows weaker day
by day--I have Bassano, and shall have Reggio. He has lost his wits as
well as his fortresses,' for he bids me to a single combat: all to stand
or fall by our own swords. He has his answer, and I have his wife. Now,
look at these, Graziosa--' and he took the drawings from the architect
and spread them on the table.

'My new church,' he said. 'The plans, my well-beloved.' And he looked
eagerly at Graziosa.

'Indeed, my lord, I do not understand them--it is no church, surely?' And
she raised a sweet, bewildered face.

''Tis the plan of one. Messer Gambera will explain it,' and he motioned
eagerly to the architect. 'Here, messer, this is the porch?' and he laid
his finger on the drawing, absorbed in contemplation.

'Yes, my lord.'

'Set on three steps?'

''Tis so, my lord.'

'I do not care for that, messer, and I will have more carving--would you
not, Graziosa?'

'You must not ask me; indeed I do not know,' she smiled.

Visconti's face for an instant darkened. 'You must learn,' he said. 'My
duchess must know architecture. Take away the plans, messer; I will look
at them alone.'

'Perchance the lady might care for the model, my lord?' returned the
architect. He spoke bad Italian, and was shaking with nervousness.

'Bring the model,' replied Visconti, and the page placed the box upon the
table.

Messer Gambera touched a spring and it flew apart, showing an exquisite
little model of white marble, some twelve inches high.

'Oh! it is beautiful!' said Graziosa, and Visconti looked at her with
sparkling eyes.

'You think so? Yes, it will be beautiful--the church of all Lombardy.'

'It will be like this, of marble?' she asked, breathless.

'Every inch--from the porch to the pinnacles, and the floor shall be
precious mosaic, and the altars crystal and serpentine, jasper and
amethyst; men shall spend their lives in carving one pillar, and the
price of cities shall pay for the gold that shall be lavished on it. Not
in our life will this be done, nor in the lives of those that reign after
us--or even them that follow, but finished it shall be, and one of the
wonders of the world--and I shall be remembered as he who planned it--to
the glory of God and the house of Visconti!'

He turned with shining eyes to the architect, who gazed on him with
admiration, with a face that reflected the speaker's own fervour.

'Yes, mine will be the glory, though I shall never see the pinnacles kiss
the sky, or hear the Mass beneath that marble roof--mine will be the
glory--even though I am not buried there, it will be my monument to all
eternity!'

Graziosa gazed at him in silence: she could not understand. Gian glanced
down at her with a smile.

'Would it not be a worthy tomb, even for a king, Graziosa?'

'For an emperor--but we will not talk of tombs, my lord,' she answered,
'but of pleasant things, and--and--of something that I have to ask you.'

'What?' smiled Visconti.

The pages had gathered up the drawings, and the architect had removed his
precious model and withdrawn.

They were alone, and Graziosa rose and looked at Visconti a little
timidly.

'I--I mean--there will be peace soon--you think, my lord?'

'I think so--but peace or war, it shall not touch thee, Graziosa.'

'Indeed, I do not fear it--but--'

She hesitated a moment, and glanced anxiously at Visconti's smiling face.

'Prince Mastino's wife--my lord--'

'What of her?' asked Gian, lightly. 'How does she trouble thee?'

'I fear she is in sad woe,' said Graziosa, encouraged by his tone. 'She
will return to della Scala when the war is ended?' Visconti laughed.

'The war will not be ended till she does, methinks; yet be comforted,
Graziosa; before our wedding day she shall be in della Scala's camp--and
the war over: now think of it no more.'

'Indeed I am satisfied; and my father, my lord?'

'Now, can I help it and he will not come to the palace? My word on it, he
is safe; think no more of that, Graziosa. Now are you content?'

'My dear, dear lord, I am content: I will trouble you no more with
questions. I am content to leave my father's safety in your
hands--content.'

She laid her arms about his neck, and Visconti kissed the roses on the
breast that crushed them against his golden doublet, and then her
upturned face.

Through the open window came the distant sound of singing; someone was
singing in French, and then a woman's laugh. Graziosa drew herself away,
and Visconti's face darkened.

'Please Heaven, she will not annoy me long,' he muttered. He took
Graziosa's hand in silence and stepped out on to the terrace.

Seated on the steps was Orleans, playing with the red ribbons of his
lute, and standing among the cluster of ladies at the foot of them was
Valentine Visconti.

She looked very brilliant and beautiful, and angry and scornful; her
laughter was bitter, and the veiled brightness of her eyes not pleasant.

The shade of Visconti's face deepened as he looked at her: compared to
his sister, Graziosa was a candle beside the sun; the contrast did not
please Gian.

Orleans rose and bowed low to the lady, yet in a way that was not
respectful.

'So there has been a challenge from the enemy,' he lisped. 'Now I shall
love to see a single meeting of brave swords again.'

'Who said so?' asked Visconti. He came slowly down the steps; his manner
had quite changed, and his eyes were on his sister.

'The Lady Valentine,' said the Frenchman. 'She--'

'The Lady Valentine,' interrupted the Duke sternly, 'had best
remember--what I have often remembered to her advantage--that she is a
woman, and these affairs are none of hers'

And he gave her a glance that made her wince, as that glance always did,
for all her boldness.

Graziosa, her hand held lightly by the Duke, was following him down the
steps, her pages behind, and Visconti kept his eyes upon his sister.

There was a meaning pause, and Orleans grew restless in the silence and
moved away.

Valentine sent after him a look of bitter scorn, then walked slowly up to
Graziosa and saluted her humbly, though her eyes were burning brightly.

Visconti watched them keenly, and noticed with displeasure how crushed
and silent Graziosa showed before his brilliant sister: she shrank into
herself, as if she divined the scorn Valentine concealed, and could
scarce stammer a few words of greeting in reply.

'I must go back to the palace, Graziosa,' said Visconti, as they reached
the garden, and his eyes roved over the crowd of attendants for
Giannotto's figure. 'Remember these are all at thy commands--and, for the
present, then farewell.'

To Valentine he said nothing, but turned away toward the palace with the
secretary.

Graziosa looked after him, a little pained; she had noticed he was always
different when his sister was there. Valentine had noticed it too, and
guessed the cause, and the knowledge gave a triumph to her beauty that
made it dazzling indeed.

'I fear I interrupted your discourse,' she said with another curtsey.

'Indeed no, lady,' replied Graziosa, timidly, 'you not come within with
me from the sun?'

Nay, that were too much of an honour,' said Valentine. 'Are you not my
brother's promised wife--and the saviour of Milan?'

'I pray you, do not speak of it--I--I--' answered Graziosa hurriedly.

Valentine lifted her brows and opened her grey eyes wide. 'Do not speak
of it? Why, 'tis a deed to be proud of--even when so well rewarded,
lady.'

Graziosa flushed under the mock in her tone, and turned to one of her
ladies.

'We will go in--alone--since the Princess will not come,' she said.

'Come and walk in the garden, madama,' said Valentine. 'At least it seems
like liberty--there will be little enough of that when you are Duchess of
Milan.'

Graziosa, looking at her with frightened eyes, joined her meekly, having
not the spirit to refuse.

Now, bid your ladies back a pace--at least Gian will allow us that,' and
Valentine motioned them away.

'What do you mean?' faltered Graziosa, with a pang of something like
envy, as she noticed the grace and dignity of Valentine's bearing, and
the superb carriage of her queenly head.

Valentine shrugged her white shoulders and laughed bitterly.

'Many things--among them this--get yourself a better tire-woman and you
will keep Visconti longer--learn a little spirit and you will keep him
longer still.'

Graziosa glanced down at her dress, the richer of the two, but worn with
no such grace.

''Tis no question of my dress, lady,' she answered, with some dignity,
'nor of beauty--but of love alone.'

Valentine looked at her curiously, scornfully. They were passing between
rich bushes of roses and lilies, the air was heavy with scent, and from
the ladies following came gentle laughter.

'You think he loves you?' asked Valentine.

'I know it,' answered Graziosa, proudly.

Valentine smiled and looked away. The smile and glance stung Visconti's
betrothed like a whip-stroke. 'What do you mean?' she cried. 'You insult
me--you insult him!'

'Do you know Gian Visconti so very well?' asked his sister. 'Have you
seen him torturing his prisoners with the slow torture of the mind--worse
than any rack? Have you seen him lying and betraying, stealing and
murdering?'

Graziosa looked at her wildly; Valentine looked strangely, as her brother
could look, her voice was very like his.

'You know how his father died? How his mother's heart was broken?'

'I know you never raised a hand to save them--I know I love him!' cried
Graziosa.

'Doubtless,' smiled Valentine with scorn. 'But does he love you? Why, he
is so stained with crime I do not care to touch his hand. Would such a
man love--you?'

'Some tales I have heard, but now I know them false,' said Graziosa,
white and trembling. 'And I will hear no more.'

'She thinks he loves her!' murmured Valentine. 'She thinks Gian Visconti
loves her!'

Graziosa was as near hate as was possible for her; her heart was too full
for a reply, she called to her ladies and turned away. But Valentine
followed, and laid her hand on her shoulder with what seemed a loving
gesture.

'Tell Gian what I have said,' she whispered. 'It will be an office to
suit you, traitress!'. and with a smile she turned away.

Graziosa walked slowly toward her tower; somehow the garden had grown
dim, the sky was not so bright, nor the sun so brilliant; she was looking
at them through a veil of tears, unshed and bitter.

'The Lady Valentine is not a gay companion today,' remarked one of her
attendants, looking at her.

'No,' said Graziosa dully. Valentine's words were rankling in her heart;
all the past came before her, all the tales she had heard of Visconti,
all her father's tenderness, the old, happy time. What if it had all been
a mistake? What if Visconti still played with her and he was what
Valentine had said? The idea was too awful, she crushed it back, she
would not believe.

She thought of her father with a sudden yearning; she had always turned
to him in her little troubles. She felt uneasy about him with a sudden
wave of homesickness. 'Can I forget?' she cried in her heart. 'Can I live
this life and forget?'

But the next moment she calmed herself. She thought of Visconti leaning
over his cathedral, of his hand in hers, of his' earnest voice--and she
had his word for her father's safety.

Smiling to herself, she mounted the steps to her gorgeous dwelling, made
splendid by Visconti's love.

'My father! We shall be happy together again yet!' And she laughed and
kissed the roses Gian had kissed, and the sun seemed bright again.

But Agnolo Vistarnini lay in the little chapel of Santa Maria Nuova, near
to the western gate, with tapers burning at his head and feet, and five
sword-thrusts through his heart.



Chapter 26. - In Visconti's Hands


Valentine Visconti was praying in the Church of Sant' Apollinare. It
stood some way from the Visconti palace, a magnificent building, rich
with the Duke's gifts.

That morning thanksgiving rose from every church in Milan; from the
palace to the hut, all showed some sign of rejoicing. The Duke had
ordered public processions and thanksgiving, and none dared disobey.

His Holiness Pope Boniface had deserted the failing cause of Verona;
there was nothing to be feared and little to be gained from Mastino della
Scala; the Duke of Milan had offered his aid against the rebellious
Florentines, and many bribes besides, and today had seen the new league
between the powerful tyrant of Lombardy and His Holiness publicly
ratified.

From Rome Visconti had nothing more to fear, Mastino nothing more to
hope.

The country around Padua was Visconti's too; Cologna, which he had always
held, the great seaport of Chioggia, Mestre and Lovigo, betrayed by
Carrara.

Bassano had fallen, and now Reggio; there was cause for thanksgiving in
Milan.

As a last triumph, Valentine had been sent to offer up prayers and gifts
for her brother's success. She was guarded on her errand, practically a
prisoner. Soldiers stood at every door of the church, and a mounted
escort waited to conduct her back. She was on her knees before the
blazing altar, her head low over her missal, but she was not offering
thanks to heaven for Gian's victories.

She thought of Graziosa with angry hate. But for that girl, della Scala
had been in Milan, and Count Conrad with him--and in reward for her
treachery Graziosa was to queen it over her! Visconti delighted to flaunt
her with her at every turn.

That morning Visconti had told her the war was drawing to a close--said
it with much meaning, and promised her, smiling, Count Conrad's head as a
wedding gift. He had been closeted long with Giannotto; strangely elated
he had seemed, and Valentine shudderingly wondered what was in the air.

That there was something she knew full well; Visconti was hatching some
stroke that would complete della Scala's ruin. For some days she had seen
his purpose in his face, and today the alliance with the Pope confirmed
it.

She did not greatly care, she was too crushed with her own failures to
care much for the failure of another. She felt sorry for Isotta d'Este,
and bitter toward Count Conrad.

'But were I either of them, Prince Mastino or Count Conrad,' she thought
in hot anger, 'I would not live to grace Visconti's triumph.'

The sound of bells penetrated even into the hushed interior of the
church. As the service ended and Valentine rose to her feet, she heard
them burst into wild music; the dim, incensed air seemed troubled by
their triumphant throb, the gold tapestry to shake with it.

'Is it another victory?' murmured Valentine. The church had emptied, she
was alone in it save for two ladies kneeling motionless.

The monks swept out, with a swinging of censer and a low chanting. Only
one remained, putting out candles about the altar.

Valentine closed her missal and turned to leave. The sun was streaming
through the gold and opal windows in a dazzling shaft of light, it fell
over her face and blinded her for a second. The next, she looked round to
see the solitary monk behind her. His head hidden in his cowl, his arms
folded, he passed her without looking up.

'Count Conrad is in Milan,' he said, under his breath, and silently and
swiftly he was gone.

Valentine, hardly believing she had heard aright, gazed after him wildly,
then collecting herself, walked down the aisle, her brain on fire.

Her ladies-in-waiting rose, and under no excuse could she prolong her
stay.

'Count Conrad is in Milan!'

Did that mean that he would rescue her yet--was it Conrad himself who
spoke?

The thought was grateful to her sore, angry heart. She had not much
confidence in Count Conrad's skill nor his chances of success--still, he
was in Milan, he cared enough to have risked that, and she could wait.

After the dim church the sun was blinding, the crash of the bells
deafening. Valentine mounted her horse with a throbbing heart; that
whisper in the church had given her new life.

The soldiers formed up either side, behind and before; it would not have
been possible for her to drop even her glove unnoticed. She was riding
the streets of Milan as her brother's trophy, as his prisoner; every one
of those who bowed so humbly to her as she passed, every peasant her
guards thrust back from her path, was freer than she.

Sant'Apollinare was far from the palace, and for that reason Visconti had
chosen it. All Milan should see her ride to offer thanksgiving for his
victories.

'Surely there is more good news,' said Costanza, as they crossed the
bridge that spanned the canal; 'the air is full of rejoicing, and I have
seen many messengers spur past.'

Valentine set her teeth, and looked between the spears of her escort at
the bright blue water beneath them. All the craft that covered its
surface were gay with flags, its depth reflected buildings hung with the
banners of the Viper.

'It fills the very air we breathe,' shuddered Valentine, 'the shadow of
the Viper.'

Costanza glanced at her.

'I must confess,' she replied, 'I should be proud an it were my bearing.
To be a Visconti on such a day as this would please me well; and though I
am your friend, madama, I must say it.'

'As do all the others,' said Valentine, bitterly. 'You are blinded by
splendour and power--you see no deeper than the skin!'

'Maybe,' said the other lightly. 'Yet am I glad the Duke hath triumphed,
and not Mastino della Scala, who is as sullen as a peasant, and a foe to
all display'

'And his wife?' asked Valentine in a low tone. 'Have you no thought for
her?'

Costanza shrugged her shoulders.

'Methinks I have done much to show I have! But she is a prisoner of war,
and must take her chances like another. Were it the Visconti's wife in
such a case--she would not be a prisoner long! Let Mastino della Scala
tear her from his foe himself--let him do as Visconti did when the Lady
Graziosa was in danger.'

'Hold thy tongue,' returned Valentine angrily. 'You talk as a child--you
know not what you say.'

'I only know this,' retorted the other, 'I would I were the Lady
Graziosa,' and she looked defiantly at Visconti's angry sister.

'For shame, Costanza,' said Valentine. 'Remember yourself.'

They rode in silence till, at the turn of the street, another splendid
cavalcade crossed theirs. It was the Lady Graziosa and her suite. Tisio
Visconti and Orleans were in attendance; she rode a white palfrey.

The sun lay tenderly in her soft hair; her green dress was covered with
pearls, and round her throat she wore the emeralds Visconti had promised
his sister, the first jewels in Italy, robbed from della Scala.

Valentine noticed them, she noticed Graziosa's happy face, the joy she
took in the homage paid her, in Visconti's success that so galled her,
Visconti's sister, and a sudden purpose rose in her eyes.

She smiled sweetly on Graziosa, and rode up to Orleans; the Frenchman
remarked with pleasure how she outshone the Duke's betrothed. The deep
blue of her velvet robe made her skin appear of dazzling fairness, her
hair was like burnished gold, her mouth like a red flower, but her eyes,
for all her smile, as dangerous as Gian Maria's could be, as mad, almost
as wicked.

'We are well met, my lord,' she said, smiling. 'Have there been even
greater victories?'

'I know not, lady; they say something of Lucca's having fallen,' returned
Orleans. 'I have been escorting the Lady Graziosa to view the new
church--by the Duke's orders'; he added in a lower tone, 'could I have
chosen my companion, it had not been she.'

Valentine listened with downcast eyes, playing with the rubies at her
wrist. Her escort was grouped about her, and Costanza glanced aside at
her curling lips with some mistrust.

'The Lady Graziosa is happier and fair today,' she whispered to her
companion, and Valentine overheard and smiled the more. 'And my brother,
the Duke?' she asked.

'I have not seen the Duke all day,' replied the Frenchman. 'There is talk
of an embassy to the enemy--confusion and crowds--'

'You have been riding Milan to see the rejoicings?' interrupted
Valentine, and she raised her eyes to Graziosa once--the glance was not
pleasant--then she fell to playing with her bracelet again.

'Yes,' said Graziosa innocently. 'My lord bade me ride to the new
church.'

She was very happy, and affection welled up in her tender heart, even for
the woman who had used her so cruelly--for she was Gian's sister.

With a timid gesture she held out her little hand to Valentine. 'Will you
not ride back beside me?' she asked, pleadingly. But Valentine ignored
her hand and her request.

'Have you visited any other churches in your ride?' she asked. 'What
other church in Milan should interest the Lady Graziosa?' asked Orleans
wearily, fearing to be sent back on some distasteful journey.

'I did not know--I thought there might be one--Santa Maria, close to the
western gate.'

And Valentine looked straight at Graziosa, who paled beneath her tone.

'How should that interest me?' she faltered.

Costanza put her hand on Valentine's sleeve.

'Have a care,' she whispered. 'Not before them all, madama, for pity's
sake!'

But Visconti's sister took no heed; she gathered up her reins and signed
to her escort to move on.

'Of course,' she said, 'why should it interest thee? There is nothing
there--it is only a small, mean church, where a poor, obscure traitor
lies on his bier.' She looked around the startled faces with a bitter
scorn on her own. 'Who has heard of him?--one Agnolo Vistarnini--killed
by the Duke's orders, killed by thy lover's orders, in the very hour that
thou betrayedst him to him, Graziosa Vistarnini!'

She flung the words at her as if they had been knives, and if they had
been they could not have been more deadly. Without a word, her hand
catching at her throat, Graziosa sank from her horse, the scene in an
instant one of confusion.

'Dieu! What have you done!' cried Orleans, springing from the saddle and
raising Graziosa. 'Who will answer for this?'

'She will not die of it,' said Valentine, scornfully. 'She will take care
to live--to be Duchess of Milan'

'Oh, shame! Shame!' cried Costanza, and several echoed the cry.

''Twas no gentle act,' said Orleans, lifting Graziosa, 'and Heaven save
you now, Princess!'

'And our heads may have to pay for it,' grumbled the officer who led
Graziosa's escort. 'Men, see the Princess does not escape, or there will
no one of us live to save himself.'

'Shame! Shame!' said the Duke again, as Graziosa, white as death, was
laid in a litter. 'You have done a mad thing!' And the whole fluttering
cavalcade whirled in startled confusion toward the palace.

Valentine looked after them, and there was no remorse in her face.

'You must answer to the. Duke for this, madama,' said the officer, 'and
at once.'

She turned her horse slowly, and at a quiet pace rode toward the Visconti
palace. Costanza began to weep.

'Nothing can save you now, mistress--why did you do it? Oh, why!'

'Count Conrad is in Milan!' was Valentine's answer to herself; and to
Costanza she said, coldly, 'Do not fear for me. I am too valuable to be
meddled with. Even a Visconti would not dare to slay his sister before
the Frenchman's eyes'

They entered the courtyard in silence, the soldiers forming up close
around her. The cavalcade had ridden slowly, and there was no trace of
Graziosa's arrival. The palace seemed quiet. Valentine dismounted as
usual, and was mounting the entrance steps when de Lana advanced.

'I have a painful duty to discharge, Princess,' he said. 'You are my
prisoner.'

Valentine went white: she had not expected this so swiftly. 'The Lady
Graziosa is in danger of her life,' continued de Lana.

''Tis no fault of mine,' said Valentine. What do you want with me?'

Costanza clung to her, weeping loudly.

'Have done!' said the soldier, sternly. 'Follow behind your lady. You
will follow me, Princess.'

'Seeing I cannot help it,' retorted Valentine, with flaming cheeks.
'Where is my brother? Where is the Duke of Orleans?' She looked round
once; from somewhere there stepped forward two of de Lana's men and took
their places at her side. She moved up the stair, Costanza with her,
weeping with fear.

The corridors were empty, save for the soldiers at their posts. De Lana
opened the door of the Duke's apartments and stood aside for her to
enter, but Valentine shrank back.

''Tis the Duke's orders,' said de Lana, and he moved Costanza back. 'You
will enter alone.'

Then Valentine summoned up her courage, and when she had passed the door,
de Lana followed and stood beside it.

Visconti was at the table, behind him Giannetto, and at her entrance he
raised such a white, distorted face of fury, that Valentine quailed and
sank back against the wall.

'Ah!' said Visconti, 'I have it in my mind to kill you, my sister. I have
it in my mind to give myself that pleasure--to kill you.'

He rose as he spoke, and Giannotto drew farther away from him, glancing
at Valentine with a white amazement; the Duke was bordering on frenzy.

'Oh,' cried Visconti again, 'so you have no more wits than Tisio: you
think, because it suited me that you should wed with Orleans, that you
are free to flout me at your will?'

'Now be silent,' breathed de Lana to Valentine, who leaned against the
wall beside him.

'You!' said Visconti, stopping before her. 'You!--to meddle with me--let
me lift my finger and I can bring you lower than any slave in Milan!'

'Silence!' breathed de Lana again. But Valentine had too much of her
brother's own spirit. The madness of the Visconti rose into her eyes; she
straightened herself and moved forward defiantly.

'Aye, or you can kill me,' she said, 'as you have the others; but you
cannot make me humble before your wife out of the streets.'

Visconti stood stock still, and Giannotto, glancing at de Lana, wondered
if she were to be murdered before their eyes. Under the look in her
brother's face Valentine stepped back again and huddled against the wall:
she saw Visconti draw his dagger--and she hid her eyes--but motionless
and without a sound.

'I have had enough of you,' said Visconti, and strode down upon her in a
white madness of fury, forgetful of all else. 'I will clear you from my
path--yes, as I did the others.' Then he looked at de Lana, and something
in the soldier's face told him he would have to kill him first.

'And as I will any who oppose me,' he cried, furiously. 'Am I not the
Duke of Milan? Take thy hand from thy sword, de Lana. Now we will settle
scores, Valentine.' His hand was lifted, Giannotto turned his face away,
and de Lana had thrown himself forward, when a light knock on the door
close by broke the moment's silence, and Visconti's hand sank to his
side.

'Open!' he cried. 'It is the messenger from the Lady Graziosa,' and de
Lana, eagerly seizing the interruption, flung wide the door.

Visconti looked up and met Valentine's eyes, and she knew how near she
was to death.

'My lord,' said de Lana, returning, 'the Lady Graziosa hath
recovered--there is no fear of her life, my lord.'

'Ah!' Visconti returned his dagger to its sheath, and Giannotto gave a
gasp of relief.

'Take my sister to her apartments, de Lana, and guard her well there--and
if any ask for her, say she is under my displeasure--'

The captain turned, glad to take her from the room alive.

'Will you see the messenger, my lord?'

'No,' said Visconti, fiercely. 'As long as she lives, what care I for the
messenger?'

The soldier seized Valentine's wrist and forced her, still reluctant,
from the room. She was conquered, not subdued. 'If Graziosa dies,' said
Visconti, turning to Giannotto, 'she does not live either. You have heard
me say it. She and her woman's venom!' he continued, pacing the room
furiously. 'I should have swept her away sooner--I would now but for the
French, and the French shall not save her next time. He is a fool,
Giannotto, who thinks that because a woman is a prisoner she is
powerless--let him remember her tongue.'

'My lord, she may have thought the lady knew,' faltered Giannotto.

'Silence!' cried Visconti. 'She may have thought I wanted to give Isotta
d'Este her liberty! Ah, let her beware! Graziosa, too; why did she not
tell her that she lied? Had I not said he lived? I las she no spirit--no
dignity--to shame me by her silence and her moans?'

The secretary ventured on no reply. He fumbled with the parchments on the
table and drew one forward. Visconti's glance fell on it and his rage
calmed instantly; his eyes flashed with a changed expression.

'These are the terms we sent to della Scala?' he asked, with a sudden
smile.

'Yes, my lord; terms I think that cannot fail.'

The Duke sat silent a while, and the smile deepened to a laugh.

'I disturb myself for a woman's quarrels,' he said at last, 'and am on
the eve of winning Lombardy!'

'The Estes may already have detached themselves from della Scala, my
lord,' said the secretary.

'We will hope not. They will cling to the losing cause, and Mastino della
Scala, the stainless knight, himself shall betray them!' smiled Visconti,
with such cruel wickedness that Giannotto shrank.

'You stand so strong after your victories, my lord,' he said, 'you might
well crush them all by force.'

'Only I do not choose that way of doing it,' replied the Duke, still
smiling. 'I will accomplish a bloodless victory, I will spend no
treasure, no time, and no men on this conquest, but I will win from it,
not alone della Scala's towns, but his honour and his fame.'



Chapter 27. - Unequal Odds


For days the sun had risen and set in cloudless splendour, hanging
through the long summer day in a sapphire sky, flooding the beautiful
country with gold, making the air heavy with perfume and sense of summer.

Mastino della Scala, standing at the door of his tent, hardly saw the
glory and the brightness, the splendour of the great chestnuts, all deep
green and snowy white, the proud beauty of the heaped-up flowers, the
vivid richness of the foliage; for his heart was too sore for the finest
sun that ever shone to ease it. He had waited long, and waited
hopelessly.

In the tent behind him, Tomaso and a page polished his armour. For once
Mastino was without it--yesterday he had donned it, and waited expectant
for the answer to the challenge he could not believe Visconti would
refuse. It was his fault to think the best of men, a fault that had cost
him dear when he had trusted Count Conrad, a fault that had cost him the
insult now of Visconti's answer to his message.

'I have tried everything, and in everything I have been outwitted or
betrayed. I am helpless, powerless. Will it last unto the end?'

The thought burned across Mastino's heart like fire.

Would it last unto the end?

The dazzling sun blinded him, the waving of the green made him giddy; he
lifted the flap of the tent and entered. After the glare the dark and
gloom were welcome.

The tent was large and bare, only the two boys in their quiet dresses and
the bright armour strewn over the worn grass, only these and Ligozzi
seated near the entrance watching Mastino with anxious eyes.

Della Scala could not speak to him. He avoided his eyes, he had talked to
him so often on this one theme. He could not meet his friend's eyes, so
often humiliated with failure, with nothing but fresh disaster to speak
of.

In silence he paced up and down the tent, Ligozzi's eyes following him
wistfully. He also did not care to speak.

Mastino had left the entrance half open, and a great shaft of sunlight
fell across the ground like a branch of yellow flowers. And as della
Scala passed it fell upon him, showing clearly his erect figure in its
leathern doublet, his fine worn face and the unhappiness in his eyes, his
hands locked behind his back.

The next instant he had passed into the shadow again, and Ligozzi leaned
from where he sat and shook the covering into place. Twice Mastino had
passed, twice he had seen the look on his face, and he did not care to
see it again.

The tent was hot.

Tomaso and the page laid the armour down in silence, overawed by the
silent figure pacing to and fro.

Outside it was quiet too, only now and then the gallop past of horses or
the tramp of men as they moved from one part of the field to another.

At last Mastino spoke, stopping before Ligozzi suddenly.

'I have not told thee yet,' he said, 'but a messenger has arrived from
d'Este. There have been some slight successes with his army, and he
thinks that I should join him.'

'And leave Milan?'

'And leave Milan. He thinks it is hopeless, now Rome leagues with
Visconti--he thinks it better to hold what we have nor risk it all by
careless daring--but I--I shall stay here, Ligozzi.'

Ligozzi was silent; he knew d'Este's words were true; he knew Mastino
knew it also. There was nothing to be said.

'I shall advance on Milan,' continued della Scala. 'If the d'Estes'
troops care not to join me, I will advance alone with my Veronese.'

He sat down on the wooden bench, fingering with nervous hands his gold
belt and the dagger that hung there.

'Why dost thou not speak?' he said, after a moment's pause, suddenly
turning to Ligozzi. 'Dost thou too think it hopeless?'

There was a wistful eagerness in his voice that struck to Ligozzi's
heart; he could not utter his thought.

'With waiting, my lord,' he replied. 'With new allies--' But della Scala
cut him short.

'I see, Ligozzi, I see. I am a man wanting to be persuaded against
himself; yet do I still hope--against myself--'

'To rescue--'

'To rescue my wife, wouldst thou say?' flashed Mastino. 'No, I do not
hope that: that I will do--in my soul I know it; but I still hope to
conquer in fair fight. What did the attempt at guile avail us? We were
betrayed; open force were better.'

Ligozzi's anger rose at the thought of that betrayal.

'I would I had the slaying of the traitoress!' he cried. Mastino smiled
sadly.

'What were we to her? She loved, perchance. I should have done the
same--for Isotta.'

'Thou wert ever too gentle, my lord,' returned Ligozzi. 'Could woman love
Visconti?'

'She loved someone of her own creating, I trow,' said della Scala. 'Poor
lady! The awakening will be her punishment.'

Ligozzi made no reply. Mastino's point of view was not his: in his eyes
Graziosa was a hussy he would have liked to have the hanging of.

'In two days or a little more, when I have had my answer from the Estes,'
said Mastino, rising, 'I march on Milan.'

'But in those two days?' questioned Ligozzi.

'Visconti seems to have ceased all sallies,' said della Scala; 'and yet I
know not what this quiet means.'

'It means his policy was ever caution,' returned Ligozzi. 'Of a sudden he
may--'

'He may do anything,' cried Mastino; 'he hath Milan and Rome and the
Empire to back him. Still do I hold many towns. Verona is strongly
fortified; I lie between him and Mantua. He cannot fall on those.'

'He has Padua, Bassano, Mestre, and Chioggia,' said Ligozzi.

Mastino struck his hand against the tent impatiently.

'I know!' he cried. 'I know the odds are not equal! When I seek to
comfort myself, why wilt thou remind me, Ligozzi? What can I do? Nothing
but what I say: march on Milan. And mark me, Ligozzi; whatever befall, if
all desert me to a man, if d'Este fail me, I will not leave the walls of
Milan--alive--without my wife.'

'I will not desert thee,' said Ligozzi 'I will never desert thee, my
lord.'

'I never doubted thee,' returned Mastino impulsively. 'Ah, forgive me if
I am harsh, for in truth my heart is very heavy; when I think of her--in
Visconti's power--it is terrible! Terrible!'

He shuddered and put his hand on Ligozzi's shoulder, speaking eagerly.

'Such things cannot happen, Ligozzi, can they? It cannot be I shall never
see her again! God cannot mean that--though He take all from me, though
He humiliate me before my enemy, He cannot mean that! No! Visconti is not
leagued with Heaven: it cannot be! It cannot be!'

'No,' said Ligozzi; 'even Visconti would not dare to harm the Duchess. Ye
will see her again, my lord.'

Della Scala turned away to the other end of the tent; it was plain to him
Ligozzi's heart was not in the comfort that he gave, that he thought with
the others that they would do well to fall back from Milan, join the
Estes, and hold the towns they had.

'But they do not understand,' said Mastino in his heart. 'I will never go
back alive--withotit my wife.'



Chapter 28. - The Viper


The Duke of Milan had sent a secret embassy to Mastino della Scala, lying
crushed outside Milan--a secret embassy he had long been meditating. The
master-stroke of his policy should be the Duke of Verona's ruin, and his
complete triumph.

And the moment of his sending was well chosen. The two days of which
Mastino spoke had passed. The answer from d'Este at Novara had been
unfavourable. His plans, he said, were to march back to Modena and
Ferrara, protecting that part of Lombardy, held now by Julia Gonzaga's
men alone, against Visconti; he would wait for his army to come up; he
would wait for Mastino, but not long; his duty lay inside Modena and
Ferrara, not outside the hopeless walls of Milan.

And Mastino had set his teeth, and taken his answer in silence. That
night there was a wild attack on the walls of Milan, so sudden, so
fierce, that it almost seemed as if the ramparts must fall before the
furious onslaught.

For five hours the Veronese and the defenders had struggled on the walls.
Twice Mastino had wrenched the towers of the western gate from the
enemy's hand; twice he had been driven back, leaving his dead piled high.
A third desperate attempt had also been lost, and della Scala fell back
toward Brescia with frightfully diminished numbers, and mad with the
agony of final defeat. His cause seemed hopeless. And in the moment of
his hopelessness Visconti's embassy arrived.

'Give della Scala one day to consider,' Visconti said to Giannotto, who
accompanied de Lana on this mission. 'And if he mislikes the terms, say
thou art to carry them to Ippolito d'Este.'

It was evening, and very still. Visconti stepped on to the balcony, and
looked through the clustered pillars of its arcade into the garden.

The setting sun blended all flowers alike with soft gold; a little breeze
shook the leaves, and stirred the jasmine that clung to the carved
sandstone, fluttering its white stars delicately; the sky was very clear,
as pure as a shell, and tinted like a wild rose.

Visconti was busy with his thoughts. His eyes rested on Isotta's dark
prison with an utter satisfaction in gazing on this evidence of his power
over della Scala. And then he looked to Graziosa's dwelling, and a shade
crossed his face. Even to himself he would not admit it--but with her it
was not perfect success.

Since Valentine's cruel stab, Graziosa had faded, grown silent and dull;
and her beauty had gone with her happiness. She looked no wife for a
Visconti. Torn from its setting, her fresh face lost its charm; the
simplicity that had pleased him in her father's house annoyed the Duke in
his own palace; the meekness and devotion that had flattered his vanity
now angered it--in his eyes she had no more presence than a serving-maid;
she was making his choice a mock before all Milan, with her white face
and timid voice.

Visconti frowned to himself as he thought of her. She had said no word,
she had uttered no reproach; she had remained passive and dull; but she
was grown a mere shadow, a reflection of her former self.

'Maybe her folly will wear away,' mused Visconti moodily. Tut if not--if
she prefers her father before me--she may follow him.'

Today he had not as yet seen her. This was the first thought he had
spared her; now he had a free moment and he would visit her--see for
himself if her humour should promise of changing--the humour of:

'My Lady Graziosa Vistarnini, who hath not spirit for her destiny, who
hath not the greatness to be proud to be a Duchess of Milan.'

Visconti sneered at her scruples, and was inclined to be angry with his
own folly in choosing his wife for a soft heart and true affection; and
with more even than anger he thought of Valentine. He took his way alone
through the sumptuous gardens.

Graziosa was not in her gorgeous residence. 'She had gone to the little
summer-house in the garden,' he was told, 'to see the sun set, and pray
to Santa Teresa, whose name-day it is.'

Visconti turned on his heel with an impatient shrug of his shoulders. He
was not attuned to passive virtue or to saintly prayers, nor was his
palace their best background.

He saw Tisio and his pages in the distance--behind them, the white marble
summer-house, standing on a gentle eminence, half hidden in laurel; and
as he advanced through the clustering flowers he saw Tisio enter the low
door, the scarlet liveries of the pages flashing through the deep green.

The perfect evening was like music in its calm loveliness. Visconti felt
its charm; he was ever alive to obvious beauty, and none of his artist's
perception could have walked this glorious summer garden, at such an
hour, unmoved. His heart softened toward Graziosa: she had saved
Milan--for his sake: in his great triumph he could afford to remember it,
and the affection that prompted it, and set to her credit much else she
might seem to lack.

He picked up a white rose from the bush that crossed his path, and stuck
it in his belt; he remembered she had often worn them--there was a bush
in Agnolo's bower, and they reminded him of her. He looked up at the
white summer-house, a square tower, distinct against the sky: the top
window was open wide, then suddenly blew to--and Visconti started at it
curiously and so suddenly that a pang shot through his heart. Then he
advanced with a quicker step toward the marble summer-house.

Graziosa stood in its upper chamber, a circular room, broken by three
large windows--the walls a marvel of serpentine and jasper, the casements
a glory of stained glass, through which there poured the last rays of the
setting sun, flooding everything with a thousand dazzling colours.

A carved marble bench ran around the wall, and above it shallow niches,
in one of which stood a gilt lamp. On the floor lay a forgotten lute,
tied with a knot of cherry-coloured ribbons.

Graziosa unlatched one of the windows; it opened centre-wise, and the
girl stood, one hand on either leaf, the sun making her golden bright
from head to foot. Before her lay Milan, the beautiful, with its trees
and gardens, clear in the setting sun that sank, a fiery ball, behind the
distant purple hills. Graziosa breathed heavily. The tower looked toward
the western gate; the sun caught the roof of a little house beside it,
the roof of a house and a flock of white doves that flew around it, as if
looking for something they could not find. Near rose the square tower of
a little church, Santa Maria Nuova.

Graziosa stepped back into the room, letting the window fall to with a
clang. Someone must come soon. With a piteous little gesture she pulled
at the jewelled fastening of her stiff satin robe. For some moments her
trembling fingers could not undo the great pearl clasp. At last it
opened, and the yellow robe fell apart.

A rope of pearls bound her waist: with a hasty movement she undid them,
and let slip the gorgeous dress, that fell stiff and gemmed on to the
marble floor. Beneath was the blue robe she had worn when she first came
to the palace.

With hasty fingers she pulled the ornaments from her hair, throwing them
to the ground. Her long curls fell about her shoulders; a little sob
shook her throat; she looked wistfully around, and sank into the chair.
For a little while she sat silent with closed eyes, panting.

Suddenly the sun sank, leaving the room dull, all the light and colour
gone.

Graziosa opened her eyes with a little cry.

'I am so lonely!' she whispered to herself--'so lonely. I want
someone--to kiss me--good-bye.'

She rose and fumbled among the folds of her fallen gown; she found
something small she grasped tight in her cold fingers. 'I am not
brave--ah, I fear I am not brave!'

She rested her head against the arm of the chair, as if collecting
herself; then, with a little smile, lifted it with a pitiful show of
courage.

The wind blew the unlatched window open, showing the city roofs and the
wall distant and grey; then it fell to again, leaving the chamber dull,
almost dark, when a little later a footstep fell on the stair and the
door was pushed open.

Tisio stepped in, peering around with vacant eyes. Orleans had lost his
lute. Tisio remembered it left here. A heap of shimmering yellow satin
caught his eye--yellow satin and a great rope of pearls. He marked it
with vacant surprise, then, seeing the lute he sought for, made for it
eagerly. He was proud to do these things. It pleased him to be so useful.
He would not risk the page should find it. The lute lay near the bench
against the wall, and, picking it up, Tisio noticed that someone sat
there, someone very still and silent, against the cold white marble. He
dropped the lute and came nearer. The chamber was utterly silent in the
cold light, and the window was blowing to and fro with a dismal, sullen
sound; but Tisio knew no ghostly terrors, he was not fearful of the dark.

He leaned over the figure eagerly, and when he knew it for Graziosa he
was pleased. He liked her. That morning she had met him and seized his
hands, and talked to him wildly, telling him with sobs something he could
not understand. He thought it had to do with Gian.

Her head lay back against the purple cushion, and Tisio stroked it
tenderly, fondling the beautiful bright curls that fell over the plain
blue dress.

'Pretty thing!' he said gently. 'Pretty thing!'

He had no remembrance how he had stroked that hair before, in the streets
of Milan, in the sunshine.

She never moved under his touch, and something in the droop of her
attitude struck him.

'She is sad,' he thought, and with a change of tone he lifted one of her
limp hands.

'Poor thing!' he said again. 'Poor, pretty thing! Art thou sad, poor,
pretty thing?'

She made no answer, and he laid her hand back on her lap tenderly,
smoothing her dress, and whispering comfort in her unhearing ears.

Suddenly the door swung under an impetuous hand. It was the Duke, but
Tisio was not startled.

'Gian!' he said, 'be kind to her; talk to her, poor thing!'

Visconti stepped into the room, looking at Tisio keenly.

'Where is she?' he asked, for in the gloom he could not at once see the
silent figure in the corner. 'Where is she, Tisio?'

'The girl with the pretty hair--' began his brother; but Visconti grasped
him by the arm with a cry.

'Bring me a light!' he cried, 'a light 2

With trembling hands Tisio lit the lamp and brought it near. Its yellow
light fell over Visconti's green dress and Graziosa's bright hair.

'If it should be so!' muttered Visconti. 'If it should be so!' The light
was faint, but it showed him enough. He looked into her face, and his own
changed darkly.

'Tisio,' he said, 'she's dead! Graziosa! Graziosa!'

He bent closer, eagerly.

'Get help, Tisio! Help!'

And Tisio, eager, alert, put the lamp in the window, where it flung long,
ghostly shadows, and sped calling down the stairs.

Visconti had sent for help, yet even while he sent he knew it useless:
she was dead! He stood looking at her. Poison!--she had poisoned herself!
Something was tightly locked in her right hand! He forced the fingers
apart, and looked at it--poison. 'How dared she do it?' he muttered, with
an ever-darkening face. 'How dared she? Who gave it her? Who dared to
give it her?'

He would never have thought it lay in her to do this. All Milan must know
she had preferred to die rather than be his bride. He had failed in this,
though he had sworn he could not, though he had sworn she should share
his throne before them all--the woman who loved him for himself alone. He
remembered Valentine. Valentine had done this.

At his feet lay the satin garments and the jewels Graziosa had flung
aside: she would not wear them. Not all his power could do that; not all
his pride, all his ambition, could make her wear the crown, without the
love. Gian Visconti stamped his foot. How dared she! How dared she!

Her eyes would never sparkle at his coming nor sadden at his good-bye.
And Visconti, coming back to look at her again, was awed; affection
stirred anew, and something like respect at the sight of her still
dignity.

He looked around to find the door full of anxious faces, and Tisio behind
him.

'Finely I am served!' he cried in a transport. 'Do you let the Lady
Graziosa go unattended? She hath been murdered, and those who should have
been with her shall die for it!'

Weeping ladies and frightened pages crept in and stood aghast, silent at
what they saw--more silent at his face. Visconti stood before Graziosa's
body and looked at them with mad eyes; he held a white rose in his
fingers. The flickering lamp was just over his head; its light fell on
his face and on hers--her sweet face that told its own tale.

For some moments Visconti was silent, gazing at them wildly, and it
seemed to more than one of those who crowded there appalled that there
came a new expression to his face, a new look into his widely opened
eyes--not madness and not rage--but fear.

'In a week I would have made her Duchess of Milan,' he said at last, with
a sudden break in his voice; and he dropped his white rose at her dead
feet with a shudder, and turned away, through the crowd that fell away
from him, down the stairs in silence.

It was two hours later, in the hushed, awe-struck, half-expectant palace,
when Visconti opened the door of his inner room and stepped into the
ante-chamber, where one page kept watch.

To him the Duke beckoned, handing him a glass with milk-white lines
circling it--a slender, flower-like glass with a long stem.

'Fill up with wine,' he said.

The page obeyed.

'Now bring the glass and follow me,' said Visconti, and left the room,
the boy behind him.

Before his sister's door he paused. Soldiers guarded it: within could be
heard footsteps and anxious frightened voices, the whispers of the
tragedy. The key was turned: he entered, opening the door quietly,
admitting himself and the page, the guard closing it behind him.

The room was lofty, and, like all Visconti's rooms, A great crucifix hung
at the far end, and before it knelt Valentine. When she heard the door
she turned and started to her feet. Put the wine down and go,' said
Visconti to the page.

'Ah, no!' cried Valentine. 'Let the page stay, Gian

She stepped forward with imploring eyes upon the boy. 'Go,' said Visconti
again.

'In the name of mercy, stay!' cried Valentine, in sudden desperate fear,
seeing her brother's face. 'Stay!'

The wretched page hesitated, but not for long. Visconti turned once more,
and he tapped on the door to be let out, making no more ado.

Visconti watched him go, then stepped to the inner door and locked it on
the women whispering and quaking within. Valentine tried to speak; the
words died away on her tongue; she fell back against the tapestry,
grasping it in stiff fingers, her eyes on his face.

Visconti seated himself at the table on which the page had stood the
glass, and, resting his face on his hands, looked at her. The Viper on
his doublet seemed to writhe, alive.

'Graziosa is dead,' he said.

Valentine's eyes grew wild with fear.

'I did not kill her!' she cried. 'I did not kill her, Gian!'

'I found her dead,' said Visconti, still looking at her. Valentine
writhed against the wall, wringing her hands. 'She slew herself,' she
moaned, 'I did not kill her--'

'I shall not kill thee,' said Gian.

He looked down at the wine as he spoke, with a smile. Valentine threw
herself on her knees.

'I did not touch her!' she screamed wildly. 'I did not lay a hand on
her!'

'I shall not touch thee; I shall not lay a hand on thee,' smiled
Visconti.

'Then I shall not die? I shall not die?'

She staggered to her feet, with an effort to be calm.

'Thou wilt not die?' said Visconti, softly, his eyes on her. 'Thou wilt
drink--this.' And he touched the glass beside him. 'Thou canst not be so
cruel,' pleaded Valentine. 'I am thy sister, Gian--'

'Do I think so much of family affection?' said Visconti. 'Still, she was
to be my wife! Thou wilt drink this.'

Valentine flung herself on her knees again, and dragged herself along the
floor toward him.

'Have pity!' she cried. 'Have pity, I am so helpless! Spare me, and I
will never offend thee again--never!'

'Thou hast strangely lost thy courage,' returned her brother. 'What is
there in drinking this wine?'

She was at his feet, clinging to him, imploring.

'Let me live till morning!' she pleaded. 'Do not kill me here--in this
dark chamber. Oh! I cannot die here, I cannot!' Visconti looked at her
calmly:

'Graziosa died not in a fairer place, she died lonely and alone,' he
said. 'Thou wilt drink this.' He put out his hand and drew the glass
nearer. 'Come, thou wilt drink this.'

'I am so young,' sobbed Valentine. 'Think, Gian; I am so young, Gian!'

'Graziosa was no older,' he said.

She clung to his hand in agony, beseeching him, calling on him, wildly
trying to move him to let her live until the morning--only until morning!

'Graziosa died after the sun had set,' said Visconti. 'Drink the wine,
nor keep me here so long. Thou hast often wished to escape--where is thy
courage gone, not to take this chance?'

'But not to die like this--not like this--give me a priest!'

'Had Graziosa one?'

She cowered down on the floor, her beautiful hair falling over her
shoulders, her face hidden; then suddenly uplifted it again to Visconti,
who sat looking at her, motionless.

'Gian, I loved thee once, when we were little children.'

'I have forgotten it, and so hadst thou until this moment--drink!'

Valentine sprang up in a paroxysm of uncontrollable terror. 'I cannot! I
cannot! Kill me thyself!'

'With this?' and Visconti touched his dagger. 'No; a smoother death for
one so fair.'

Valentine flew to the door and clung to it.

'Philippe! Philippe!' she shrieked. 'Conrad! Costanza!' Visconti rose
suddenly, with such a force as to fling over the chair. 'Cease!' he
cried. 'Wilt thou drink this? Or who dost thou think will dare to
interrupt me now?'

Valentine's wild eyes looked at him in silence a moment, then her glance
dropped.

'Give it to me,' she whispered.

Visconti did not move.

'Come and take it,' he said.

She came slowly, one hand against the wall, her long shadow flickering
before her.

Visconti watched her, motionless. 'Make haste,' he said. 'Make haste.'

She came to the table, her eyes down, her breast heaving, past tears or
entreaties.

'Drink!' said Visconti, leaning with narrowing eyes across the space
between them. 'Drink in it della Scala's health, as thou didst once
before.

Valentine raised her head and looked at him, and grew fascinated with
terror. She crouched away from him, and lifted the glass to her lips.

Visconti bent nearer and she drank, putting it down half empty with a
shudder and staring eyes.

Visconti smiled, and brought the evil of his face still nearer. 'Drink
the rest,' he said. 'Drink it, Valentine.'

Still in silence she obeyed him.

When the empty glass stood before him, Visconti turned away, taking his
eyes from her with a laugh, and walked toward the door.

Valentine's gaze followed him with a look of utter woe; still she said
nothing, from her parted lips there came no sound. He looked back over
his shoulder at her, standing there with her face toward him, with all
expression gone, with unseeing eyes.

'I will leave thee,' he said savagely, 'to await--the morning.' She
seemed roused by the sound of his voice, and stepped forward with a cry
on her white lips.

But the door closed heavily--the room was in darkness, or was it her
sight failed her? Everything swam before her in a blackening mist; she
grasped at the table and fell across it, senseless.

The dawn was breaking, filling the room with a grey and ghostly light;
the great curtains looked black and gloomy, and the corners of the room
were filled with strange and moving shadows. Through an open window a
cool breeze blew across Valentine's sick forehead: she opened her eyes.
The empty glass met her gaze, the fallen chair was beside her. She looked
at them strangely. She was still alive.

'Gian's poison is slow,' she said, and smiled to herself. After a time
she rose and stumbled to the window.

'When the sun rises I shall be dead, or perhaps I shall live till noon,'
she said to herself.

She mounted the estrade and sat beside the open window, resting her head
against the woodwork, singing to herself. Suddenly the whole grey sky
flushed purple: the sun rose above the horizon.

Valentine looked down into the garden, the sight seemed to awaken
memories.

'Hush!' She laid her finger on her mouth. 'Hush, Conrad--if Gian hears
us--hast thou velvet shoes on--hush! He treads warily--ah, but it is no
use--he poisoned me! He poisoned me!'

She rocked herself to and fro.

'In a tall glass with white lines--it was not Gian--it was the Viper from
the Standard--all green and silver--all green and silver--a coiling
viper'

She dropped her head forward, then raised it with trembling lips.

'Conrad, come and save me!' Then she fell to laughing, whispering under
her breath, counting on her fingers the hours she might have to live. 'If
to noon--how many?'

The door opened, and she stopped her muttering, turning lacklustre eyes
toward it.

'Goodmorrow,' said Visconti, standing with his back against it and
looking at her keenly. 'Goodmorrow, Valentine.'

She looked at him and put the hair back from her face.

'I thought I saw Count Conrad walking in the garden: I would have called
him up to see me die--how long will it be?' Visconti advanced with a
bitter smile. 'Has the lesson tamed thee? It would have been reality, but
ye are pledged to France. I would that I dare poison thee, thou
tiger-cat, but thou art tamed!'

Valentine's face did not change. 'Hush she said, leaning from the window.
'He is back on the tower now--' she pointed to where the silver banner
hung idle against the brightening sky. What dost thou think? Shall I sit
and watch, lest he spy on us, Conrad?'

Visconti looked at her.

'Thou art tamed indeed,' he said. 'I am not ill-avenged.'

Valentine stepped down into the room, her tangled hair hanging about her,
and grasped him by the arm. 'I was waiting.' she whispered. 'I feared he
would come back before I was dead. Ah, and he did! Count Conrad could not
keep him off; the Viper, green and silver; the Viper, he has poisoned
me.' And she sank on to the floor with a sudden scream, her hands before
her eyes.

'Thou art neither poisoned nor dying,' said Visconti roughly. 'Call thy
women, and--remember.'

She looked at him with vacant eyes.

Visconti turned away. 'She is not likely to forget, it seems,' he
thought. 'Her spirit will not trouble my path more.'

Neither his nor anyone's. The brilliant, witty, and daring Valentine
Visconti was to dare, to mock, to laugh no more; her high spirit was
broken, her proud courage gone. From that fearful night she was timorous,
shrinking, like a child, wandering and vacant--like Tisio, half-crazed.



Chapter 29. - The Ordeal of Mastino della Scala


'A secret embassy from Milan!'

Mastino repeated the words slowly, and looked at Ligozzi, who had brought
them. 'And to see me alone?'

'With terms from Visconti--so they said,' answered Ligozzi. 'Terms of
peace.'

'From Visconti!'

Mastino looked out through the open entrance into the blinding summer
day, and then back at Ligozzi. 'I fear they come with no honourable
terms--from Visconti victorious.'

'They would never dare come with dishonourable ones--to thee, my lord,'
returned Ligozzi.

Mastino laughed bitterly.

'Dare! He is Visconti--with near all Italy at his back--he knows no such
words as shame or honour. And I must see his messengers,' he added, after
a pause. 'I know no such words now as pride or refusal.'

Ligozzi turned, but hesitated at the entrance.

'And--alone?' he asked. 'They are from Visconti'

'And may be skilful in dagger thrusts and poison,' said Mastino. 'Nay,
that is not what I fear, Ligozzi.' But he unstrapped his sword and laid
it on the table in front of him. 'All the same, I will have thee with me,
Ligozzi. I see not why I should humour them too far--I shall have naught
to say thou mayst not hear.'

Ligozzi left, and Mastino sat alone, his head in his hands, his elbows
resting on the table.

It was blazing hot, the very crown of summer, languid and golden, with a
haze of purple sky beating down on the swooning trees; noon, the sun at
its height, the stillness of great heat in the air.

Mastino raised his head and looked out on it. What was Gian Visconti
planning now?

He had some faint foreboding--a secret embassy from Milan--and following
so swiftly on that last crushing blow; following so swiftly as to come
upon him helpless from it--what had it to say, and to his ears alone? He
had some premonition as he sat there. But it was not long. Ligozzi,
exercising due precaution, returned with the two Milanese.

Giannotto stepped forward with a smooth obeisance, but stopped, a little
surprised at the one occupant of the tent--the tall man with the proud
dark face.

'My lord--the Prince?' he asked.

'I am della Scala,' said Mastino, and he turned to de Lana who looked an
obvious soldier, and the worthier of the two. 'Your errand, sir? I would
hear you quickly.'

'We have greetings from our lord, the Duke of Milan,' replied de Lana,
his speech and bearing uneasy, like one trying to gain time. He had
always disliked his mission, and never more so than now, standing face to
face with della Scala.

Here was someone very different from the man he had expected, and it
tended to confuse him.

Della Scala's dignity was his own, not that of pomp and splendour, the
terror of crime, or the dazzle of power, that made Visconti feared and
obeyed. As plainly attired as any of his soldiers, Mastino overawed the
Milanese with something new to them--the sense of worth.

They were not trained to dealings with it.

'Greetings from Gian Visconti, Duke of Milan,' took up the secretary.
'Moreover, we bring terms of peace for your acceptance, my lord.'

Mastino was silent a space, and Ligozzi, standing behind his chair,
looked at them with an ill-concealed abomination that Giannotto's quick
eyes noticed keenly.

'My lord, is the one with you to be trusted even as yourself?' he asked,
submissively. Tor our mission, Prince, is secret.'

'He is my friend,' said Mastino, shortly. 'And now these terms of peace?'

'The Duke is weary of the war,' said de Lana. 'He hath powerful allies,
my lord.'

'And the choice of means to crush me,' interposed Mastino, his bright
eyes full on the speaker, 'are in his hands, you would say? Perhaps; and
yet, messer, I ask for no quarter 'from Gian Visconti.' De Lana bowed.

Nor could he offer it, my noble lord; only terms as between equals.'

Mastino smiled bitterly.

'That is generous in Gian Visconti, seeing we are not--equals'

Giannotto wished the Duke could have heard both words and tone.
Visconti's birth was a sore point with him. The secretary wondered if
there might be found a 'safe way of repeating them. De Lana flushed a
little under Mastino's steady gaze and quiet scorn of the master who had
sent him.

'The Duke of Milan sends by us this,' he said, and laid the parchment
before Mastino. 'These are his terms, my lord.' But della Scala did not
drop his eyes to it.

'What are these terms?' he said.

'They are set forth there, my lord,' began Giannotto.

'So you have forgotten what they are, or did Visconti not tell you?' and
della Scala handed the roll to the secretary. When you have read it, tell
me what Gian Visconti says.'

He leaned back, his eyes still on them.

Giannotto bit his lips in vexation.

'Spare Visconti's loving greetings. To the point, in a few words,'
continued della Scala, as the secretary still hesitated. 'Then, my lord,
this: the Duke of Milan will leave you Verona, where you may rule under
his protection, provided you now put into his hands every other town you
or your allies now, singly or together, hold.'

Mastino flushed and half rose.

'Gian Visconti might have spared these insults,' he said sternly, 'and
you yourself the relating of them. When have I shown myself such that
your master should think I could betray Lombardy to keep one town? Get
back, I have no answer save I have left you your lives.'

De Lana fingered the parchment nervously.

'That is not all, my lord,' he began, and stopped suddenly. 'I cannot say
it,' he murmured to Giannotto.

Della Scala beat his feet upon the floor impatiently.

'Do you think I am afraid to hear?' he said. 'Still, it may be spared. I
see, Gian Visconti's spirit is not peace but insult. On no terms will I
treat with him.'

'On no terms?' repeated Giannotto.

'On no terms of insult,' said Mastino coldly. 'I favour Visconti too much
in listening so long. Leave me and take your lives back for answer.'

'Better listen, perchance, my lord, before refusing,' said Giannotto. 'It
is the Duke's interest to offer you these terms; methinks it will be no
less yours at least to consider them.'

De Lana stood silent, his eyes upon the ground. After this, give him
plain soldiering.

'What plot has Visconti hatched now?' asked della Scala. 'What more has
he to say?'

Giannotto's pale eyes twinkled unpleasantly.

'Only this: Visconti bids me tell della Scala, Duke of Verona, that if he
refuse his terms we take them instantly to my Lord of Este; also he bids
me remind my Lord della Scala that he holds the Duchess of Verona, my
lord's dear wife.'

Ligozzi drew a deep breath and looked at della Scala; he had not quite
expected this.

But della Scala rose with a white face and stared at the two ambassadors,
incredulous.

'Surely even Visconti will not use that against me?' he said.

'Visconti must have the towns; Visconti holds your wife. The rest is for
you to reflect upon, my lord: or, since you refuse all terms, we will
take them to my Lord of Este. Perhaps he will give up the towns and save
his daughter.' And Giannotto turned toward the entrance.

'Stay!' cried Mastino, in an agony. 'Stay! Your terms again--' He dropped
back into his seat with wild eyes on Giannotto. All his calm had fled,
his pride was cowed: the secretary noted it, well pleased, but de Lana
shrank from his changed look.

'This is what Visconti offers, my lord,' repeated the secretary smoothly:
'Give up all the cities, forts, and soldiers under your command, and the
Duke forthwith makes an honourable return to you of the Duchess he holds
captive, giving you leave to hold Verona under fief to him, doing yearly
homage for it--he garrisoning it. If, however, my lord, you refuse--'

'If I refuse?' cried della Scala, leaning forward. 'If I refuse?'

'Visconti's prisons are unwholesome; for some weeks the Duchess has
pined; it is feared, without instant liberty--'

Giannotto paused a moment, and lightly shrugged his shoulders.

'In a word, my lord, if you refuse--the Duchess dies'

A terrible silence fell, no one moved or spoke, the lazy flapping of the
tent struggling on its cords was the only sound. Della Scala sat rigid,
looking at Giannotto, all power of thought struck out of him.

'Shall we take these terms to d'Este--shall we offer him his daughter for
his towns?' said Giannotto softly.

D'Este! D'Este was not the man to place his daughter before
states--Mastino knew it; Visconti knew it.

'No! No!' he cried, with sudden vehemence, 'I will.'

He put his hand to his forehead with a dazed expression and whispered
something to himself.

Ligozzi, standing erect behind his chair, touched him gently on the
shoulder.

'Send them away, my lord,' he whispered. 'Let them not remain here--send
them away.'

'With a refusal?'

Della Scala lifted his white face. 'With a refusal?' he muttered
stupidly.

'With what else?' said Giorgio firmly. 'With what else?' Giannotto moved
a little nearer and spoke with a sickly smile.

'Our answer may wait. The Duke of Milan gives a day in which my Lord of
Verona may decide upon his answer.'

'Give them their answer now,' whispered Ligozzi eagerly. 'Do not let them
imagine for one moment that you hesitate.'

Mastino did not heed him; he sat as if frozen.

'Leave me to 2 the words died on his lips. 'Leave me--to answer--I will
give you my answer--anon.'

De Lana and Giannotto moved in silence to the far end of the tent.

'Visconti is a fiend,' said de Lana, with a gesture of revolt.

'Santa Maria, I wish I had never seen this della Scala. His face will
haunt me.'

Giannotto smiled.

'Thou hast not been in Visconti's service long,' he said, 'and what have
these things to do with us?'

'But this is inhuman,' returned de Lana. 'Della Scala hath a winning
face. I might have been a better man if I had sold my sword to him.'

'This way, messers,' said Ligozzi. 'I will come to you presently' And the
flap of the tent fell to behind Visconti's messengers. Mastino sat, his
head dropped into his hands.

'My lord--'

Ligozzi put his hand upon his master's arm.

'My lord--'

Mastino raised his head and looked at him; his face was distorted, his
eyes unnaturally bright.

'Give them their answer, my lord,' said Ligozzi. 'Every moment gives them
a triumph. Send it now.'

'Now,' cried Mastino, hoarsely. 'They give me till tonight--surely,
Ligozzi, they gave me till tonight.'

'Thou dost not need until tonight, my lord. Visconti asked thy honour.'

'And offered me,' said della Scala slowly, 'Isotta.'

Ligozzi looked at him horror-struck; an awful thought was breaking on
him.

The eyes of the two men met; Ligozzi's were steady, but Mastino's
flinched.

Neither spoke for some moments, Ligozzi at last incredulously.

'You cannot mean--to accept?' Mastino was silent. 'Oh, no,' cried
Ligozzi, passionately. 'You are not yourself. For the love of Heaven let
me go and tell them to depart.'

And he started forward, but Mastino caught him by the arm. 'Stay,
Ligozzi; I command it.'

'Then you yourself will tell them? Oh, it is impossible that thou couldst
fall--'

'Impossible?' Mastino rose with clenched hands. 'I think it is impossible
that I could let her die.'

Ligozzi looked at his changed face.

'The cities are not yours, my lord; the soldiers are not yours--would you
be a traitor, della Scala?'

Mastino winced.

'I would save my wife,' he muttered, his face turned aside. 'Your wife! A
woman!' cried Ligozzi. 'Gian. Visconti will burn in hell for tempting
you, but, by all the saints, so will you, my lord, if you accept such
terms.'

Mastino was roused. The energy of Ligozzi broke the bonds of his dull
agony. He turned, also passionately.

'Have I not prayed and implored for this--only this--her life and return?
Have I not sworn and vowed I would recover her--at any cost? Have I not
warned them of it--and she shall not die! She shall not die! What care I
for the cities! Did I not warn them? She shall not die!'

He fell to pacing the tent wildly, but Ligozzi stood in his place, bitter
sorrow, deep anger in his face.

'Think what it means,' he said sternly.

'I will not,' cried Mastino. 'I will be baited and hounded no more. What
has their grudging help done for me? I tell thee I warned them, I would
hold them as nothing when it came to saving her.'

'Still they trust you,' returned Ligozzi. 'Listen, della Scala; I speak
in the cause of honour--you shall hear, you shall know what it means,
before you lend yourself to such a thing for love of a woman! It will
give all Lombardy to Visconti, it and hundreds to the sword; it will mean
the burning of cities to the ground; it will mean the misery of half
Italy! It will give a mad tyrant to rule over thousands who are at
present free--it will send d'Este and Vincenzo to prison--to shame,
misery, death perchance--it will strip Julia Gonzaga of everything--and
is she not as young and fair and good as Isotta d'Este--and did she not
trust you with her all? And yourself? What will it make of you? What
triumph will it not give Visconti to see you fall? Have you kept your
name high so long to make it a by-word now? Beyond redemption will you be
dishonoured, della Scala--an outcast, a traitor--to hold a little fief at
Visconti's pleasure, the mirth of your enemies, the scorn of your
one-time friends.'

Mastino broke into a wild exclamation. 'I will hear no more! I will hear
no more!'

'I must wound you to save you,' continued Ligozzi. 'Against yourself I
will persuade you; my love cannot see you do this thing. Oh, remember
yourself! A man, a prince; not hothead of a boy. This black offer will be
the turning-point and strengthen you. No man's cause is bettered by such
means as this. All Italy will rise to cry shame on Visconti--heaven
itself will turn against him and make you firm to overthrow him!'

'And Isotta!' said Mastino fiercely. 'Isotta will be slain!'

'She is one woman--how many as fair and good as she will perish if della
Scala betrays Lombardy! She is one woman against the fate of half Italy.'

'She is my wife!' cried della Scala desperately; 'that one woman is my
wife! Thou hast forgotten!'

'Forget it too, my lord; for your own honour's sake, forget it too.'

'Ligozzi, Ligozzi,' whispered Mastino, 'thou canst not mean it: deliver
up to die by _Visconti's hands_ the woman I--love!'

'If they hanged her from the ramparts where I must watch her die, they
should not move me,' said Ligozzi grimly. 'But--by all the saints, I
would take my revenge.'

'Aye!' said della Scala bitterly. 'But perchance it would not be given
thee to take revenge--perchance thou wouldst fall lower and lower, and be
crushed after all and have gained nothing! Ah, Ligozzi, is this the
beginning? Have I not pitted courage and high purpose, and honourable
dealing and a righteous cause, against craft and cruelty and force? And
to what end? Visconti triumphs. Always Visconti! What availed honour and
faith when Visconti's cunning and Count Conrad's folly made the plans of
weeks naught! Again, undaunted, I said I will succeed in the face of
failure, I will succeed! What happened? Visconti had a handsome face;
what mattered if his cause was bad? Again we failed! And what since? Half
my men are dead against the walls of Milan! And now, am I to choose again
what thou callest honour, am I to leave Isotta to die by his dishonouring
hands--oh, canst thou think of it!--and then be crushed at his leisure
for all my reward? Am I so tied by tradition as that? Does not Visconti
fling all laws, all humanity, all honour to the winds--can I fight him
within the bounds of a boy's code of honour? The time comes, Ligozzi,
when such things hold one no longer--the soul thrusts them asunder and
does what if must, regardless of the laws of men! I must save her. Here
is my chance and, fair or foul, I take it. I cannot think of the welfare
of unknown thousands; what are they to me? Cities pass under Visconti's
rule and cities are snatched from him--am I responsible for the fate of
Lombardy? Men fight, betray, deceive, and lie for wealth, ambition, and
revenge--and common folk pay the price--shall I consider it too closely
if they suffer once in a cause like mine? I tell thee, Ligozzi, I would
hold it cheap to have her from Visconti with the misery of all Italy.'

Ligozzi's eyes did not move from della Scala's face.

'Thou art striving to blind thyself, della Scala. Oh, my lord,' he
resumed, 'because others are dishonourable will ye be so also? And what
do ye say of common folk?--not common folk alone will ye sacrifice, but
d'Este--'

'He has helped me half-heartedly--and is she not his daughter? Yet at a
word from Visconti he would league with him behind my back,' cried della
Scala.

'I do not think so,' said Ligozzi, firmly. 'But Julia Gonzaga, who
trusted you--what have you to say to her?'

'Naught cried Mastino, distracted. 'Naught! save that I do not love
her--let him who does look to her--as I will to Isotta!'

'And she!' said Ligozzi, resorting desperately to his last argument,
'will she not turn from the liberty bought at such a price? Is she not
the daughter of a noble house? Has she not been taught to consider death
preferable to dishonour--if she was asked, what would she choose?'

Mastino's breast heaved.

'Ah--but I cannot ask her. If I could--Ligozzi, if I could go to her and
look into her eyes, and say, "I promised, give me back my promise, for
only on terms thou wouldst spurn can I save thee", she would
understand--she would die with a smile, as I should--and that I could do.
But to let her die a slow death--a dishonoured death! Wilt thou remember
it is Visconti! His lies in her ears--knowing nothing of my struggles!
Thinking herself forsaken, yet hoping against hope, and ever coming to
her belief I would not let it be, till one day it was! Ah! I cannot do
it! I cannot do it!'

He threw himself on the chair again and hid his face. 'She loves me,' he
said brokenly. 'It seems strange, Ligozzi--that she should--care--for me.
God knows, I have no charm such as Visconti has. I cannot please, I am
clumsy and uncouth compared to those she had around her--and yet she
chose me. "While thou art alive I fear nothing," were the last words I
heard her say, and I shall leave her to curse the day she met and trusted
me to save her from a villain. What commonest foot-soldier I have would
leave the woman that he loves to die Visconti's way? Ah, Heaven have
mercy! For what crime is this a punishment!'

'Then you will accept these terms for her release?' said Ligozzi. will
plead with you no more, my lord--only, if you do this thing, I, who am
your faithful servant, I, who ever loved and worshipped you, can serve
you no longer--it is too terrible a thing--I cannot stay and see it
done!'

Mastino's head was bent forward, his hands clenched so tightly that the
flesh was broken, his whole attitude so hopeless in its agony that
Ligozzi feared for his reason.

'Oh, my lord!' he cried passionately, and flung himself on his knees by
Mastino's side. 'Oh, my dear, dear lord! Thou wilt choose the noble part,
I know! Thou wilt not let Visconti triumph, for this is all a devilish
plot to make thee dishonoured, to make thee betray thy trust--foil
him--say no!'

Mastino made no answer, and Ligozzi too lapsed into silence, rising from
his knees softly.

How hot it was, how hot! Ligozzi felt dizzy--he wished the sun would
cease blazing down--he wished della Scala would move--had he persuaded
him? Mastino raised his head.

'Bring them back,' he said slowly, 'I will see them now.'

Ligozzi's heart beat high. 'He has won--over himself at least he has a
victory!' he thought--but looking on della Scala's haggard face, he
ventured no speech.

Mastino sat erect--his hands on the table in front of him, his eyes on
the floor. Visconti's envoys entered.

Giannotto, glancing at Mastino and then at Ligozzi keenly, saw that there
Visconti had an adverse advocate. But the strained silence on them all
was hard to break. They were uneasy, like men before a great grief, or in
the presence of one about to die--it was difficult to treat the matter as
an ordinary one, or to ask a decision from that tortured man before them.

Even Giannotto's heart failed him, and he stayed near the entrance,
abashed and afraid, but with a fear different from that with which he
fawned upon Visconti. Visconti's moods and motives he could
understand--to some extent they were his own, on his own level--but this
man--some things were beyond the Duke of Milan's secretary, and for the
first time in his life he felt it. Mastino himself broke that hideous
silence. He raised his head, and with a little affectionate movement
Ligozzi laid his hand on his master's arm as if to strengthen him.

'I have considered,' said della Scala, in a hard voice. He paused a
moment, but a moment only. 'I have considered, and my answer is: I will
accept Visconti's terms--my wife against the towns.'

'Oh, dear lord breathed Ligozzi. It was the only sound; the Milanese were
silent, almost as if they too winced to hear the words.

Mastino rose, with defiance in his burning eyes.

'I accept--every city in my hands, every soldier--all--against my wife--I
accept Visconti's terms.'

Ligozzi's hand had dropped from his shoulder, the clink of metal was
heard through the heavy silence, without a word he stepped forward and
laid his sword on the table before the Prince, then turned toward the
entrance.

'Ligozzi!' cried Mastino, incredulous. 'Not thou, Ligozzi--not thou, my
friend!'

He held out his hand imploringly, regardless of the eyes upon him.
Ligozzi stopped and turned, answering della Scala's wistful look by one
of bitter scorn and pain.

'I had that sword from an honourable prince--I go to weep that I should
have to return it to a traitor!'

'Ligozzi!' Mastino staggered back, his extended, rejected hand fell
against his side. 'Thou might'st have pared me that before these--for the
sake of the old days--Ligozzi--' he said, steadying himself. Ligozzi did
not turn; with a hard face he walked across the tent--without a look
back, without a word or a sign, he was gone.

Mastino watched his only friend depart with straining eyes, that then he
covered for a moment as if to shut out what they had seen. But the next
moment he turned proudly to the messengers.

Giannotto was alone. The soldier, de Lana, had vanished. Mastino started
forward with a cry, but the secretary interposed: 'My lord,' he said
smoothly, 'our duty is our duty. There is no harm intended, there shall
no harm be done; but of what value is your consent to my Lord Visconti's
terms, if your friend should speak of it?'

Mastino fell back. A swift beginning.

'Your lady's safety, my lord,' said Giannotto, 'depends on your friend's
silence. He has left his sword. There will be no bloodshed.'

There was a silence, then Mastino looked up and spoke hoarsely.

'Begone! And take my answer to Visconti. I accept and will carry out his
terms; my wife against the towns.'

'Only remember, my lord,' and the secretary smoothed his hands together
nervously, 'any attempt on Milan, any movement on your part, and the
offer is null and void and the Duchess dies.'

'Begone!' screamed Mastino, 'take my answer and begone!' Giannotto turned
and went softly out of the tent.

It was done--it was done--beyond redemption had he fallen; he had
chosen--there was no turning back.

Mastino della Scala sat alone and stared in the face of what he had done.
These few moments were his; then he must go and lie to his officers,
deceive his men, weaken his towns, destroy his forts--prepare to place
them in Visconti's hands. He must send false messages to the Estes and to
Julia Gonzaga--lie and deceive and betray! But he had saved his wife from
Visconti--his wife--.Isotta.

Outside he heard familiar voices, officers and men; his Veronese, still
glad to trust his leadership; and he was to betray and trick them into
shame.

'Can I carry it through, can I go forth with a calm face and lie to
them--my soldiers!' he cried in agony. 'But her life--her dear life--her
more than life--hangs upon my falsity!'

He thought of the beautiful free towns of Italy: his Verona he had
rescued once; proud Ferrara; Mantua that had never felt any yoke but that
of the Gonzaga; Pavia; all the haughty fair towns that had scorned
Visconti. What would Visconti's vengeance on them be? Mastino could
hardly believe he had done this thing. Yet were the choice given again,
he would choose the same--he would choose the same!

The sultry breeze blew back the opening, showing the deep blue sky and
near-lying tents; a company of soldiers galloped by carrying the standard
of Verona--the ladder of the Scaligeri.

How soon would that banner be torn from the walls of Verona and the Viper
take its place?

'My city!' cried Mastino, 'my city!' and his head sank forward on his
out-thrown arms, while his shoulders heaved with sobs.



Chapter 30. - The Wedding


Seven days had passed.

In Milan there was much rejoicing, in its streets and palaces much
splendour; it was the Lady Valentine's wedding day.

Among the throng outside the church of Sant'Apollinare, the eager crowd
that fought and battled for a better chance of seeing the splendid
procession, was a monk, seemingly a wandering friar, who pressed his face
against the cold marble walls in the silent vexation of an utter
disappointment. It was Conrad.

He had failed in his mad mission; success from the first had been
hopeless; he had not redeemed himself. He had not helped della Scala, he
had not rescued Valentine--he had failed.

A dozen different plans had been formed--equally futile and impossible to
carry out. Who could outwit Visconti in his own city? Bitterly Conrad
regretted the false hopes conveyed in that whisper in this very church.
Perhaps she had trusted to them, and here was her wedding day and he was
standing outside, helpless!

He knew it pure folly, this risking his life for nothing, and what had
brought him there he could scarcely tell; but under his monk's habit he
had a concealed dagger.

He felt desperate, wounded badly in both heart and pride. It was not so
much for love of Valentine Visconti--that had ever been more fancy than
aught else--it was the sense of failure--of self-humiliation; a bitter
sense of how Visconti laughed at him. Far better a fine, romantic death
than disgrace one side, defeat the other. In fact a fine, romantic death
in a lady's cause would be decidedly gratifying. With this new thought of
it struggling in his mind, Count Conrad suddenly turned from the wall and
forced lustily through the crowd to the church steps.

He was there none too soon. A sudden wild shout from the crowd, a
movement of the soldiers keeping guard, told him they were leaving the
church. The pushing, struggling people were well kept back by the stout
halberds; but Conrad, partly by virtue of his dress, but rather by the
strength of his squared arms, managed to force to the front, where he
stood close behind the stalwart figure of a German mercenary.

Conrad glanced at the blond hair and mild blue eyes. 'Friend,' he
whispered in German, leaning forward, 'have consideration for a German
father who will say many prayers for thee--in his native tongue.'

The soldier turned.

'Quick,' said Conrad, 'a place next thee, my friend.'

The soldier smiled at the friar's curiosity, and allowed him vantage; and
Conrad, stationed near the foot of the steps, looked up them eagerly to
the brilliant group issuing from the church doors.

His roving eyes sought Gian Visconti. It was only four months since he
had seen him, talked to him freely, face to face, his friend and
favourite, but it seemed years. Visconti had grown in greatness since
then, and Conrad, when his gaze caught the once familiar figure, felt far
away from knowledge of him.

Visconti was standing, his cap in his hand, surveying the crowd. He
looked much older, Conrad thought, his face was dark and sombre, hardly
like the face of a man at the summit of his ambition. He came down the
steps slowly, on one side his sister, her bridegroom on the other, and
taking no further notice of the shouting people, gazed down moodily.

Conrad hardly looked at Valentine, whiter than her white dress, gazing
vacantly before her; he did not notice the utter change from her former
brilliancy, he had no eyes for the overdressed, foppish bridegroom--he
was looking at Visconti.

The steps were thickly strewn with flowers; the train of lords and ladies
was one of colour and gems still flowing from the church as Visconti came
to within three steps of the Count, and Conrad sprang forward before the
startled soldier could throw out a hand.

Visconti stopped, and the procession behind him, arrested, stood a
flaming band of movement and colour. Conrad threw back his hood with a
sweeping gesture, thrilled by the excitement of the moment to dare
anything. What his motive was he could not have told, but it was a fine
moment. He caught one glimpse of Valentine's suddenly illumined face, and
drew the dagger.

'Another wedding gift!' he cried in ringing tones, and struck Visconti
full upon the breast.

Then an utter confusion fell upon Count Conrad. He was seized, and
pinioned tight amid wild yells, while the dagger, glancing off the armour
beneath the soft rose-coloured velvet, fell on the steps unheeded.

'Count Conrad?' said Visconti clearly through the babble of voices.
'Conrad von Schulembourg?'

'Aye,' said Conrad wildly, struggling between the two soldiers who held
him. 'Complete your triumph, Visconti. I would have killed you; kill
me--kill me! You tried before and failed. I have tried and I fail. End
it.'

He would have added more defiances, but the soldiers hauled him roughly
back, and choked the words back into his throat.

'Count Conrad?' asked Valentine, in a clear tone. 'Did he say Count
Conrad?'

Visconti motioned to Orleans.

'Take the Duchess on, my lord. I will remain and deal with this crazy
friar.'

'Surely he needs but little dealing with!' said the Frenchman. 'An
assassin! There is the gallows ready!'

'There is also your wedding procession waiting,' returned Visconti
quietly, and he motioned the train onward, and Conrad forward, the eager
people in the street all straining every nerve to know what might have
happened; appeased by the oncoming train, they gave only half a thought
to the little knot pressed round the steps, and what the Duke had paused
for.

Conrad stood between his guards, with a flushed face and a proud bearing.
He would have liked to kiss his hand to Valentine, stepping into her
gorgeous litter, looking back with half-awakened eyes; but his hands were
held firmly, and his feet lashed together.

'Well, Visconti,' he said, with a still higher carriage of his head,
'what is it this time--starvation or the rack?'

Visconti made no answer: he was looking down at the flowers on the steps.

'Take those away,' he said to a page, and pointed to a spray of white
roses.

The boy obeyed, and glanced at his companions, wondering.

'Saint Hubert!' cried Conrad, with a sudden laugh. 'You are full of whims
as of old! How long must I wait for my death, at your good pleasure, my
lord?'

The Duke turned his eyes on him.

'You are strangely foolish,' he said, and hesitated, looking at Conrad
with a moody face.

'Foolish indeed, or I had never been Visconti's friend!' retorted Conrad.
'Foolish--or I had never trusted to his friendship. But call me also
bold, my lord, to be here now, buying with my life the pleasure of saying
so!'

'The impudent German murmured a lady in Visconti's ear. 'Heaven has given
your lordship even this--to crown your perfect triumph.'

The Duke was still silent: he looked from Conrad to the crowd, shouting,
throwing up their hats to see the procession pass, and then to the
soldiers, wondering at this strange hesitation.

Why did you come to Milan?' he asked at last, fingering the gold tassels
on his sleeve, and speaking slowly.

'To save your unhappy sister,' cried Conrad. 'To try and kill you,
Visconti!' And he struggled fiercely in the grip of his captors.

'Take him away,' said Visconti. 'Take him--' He paused a moment.

'To the gibbet, my lord?'

'No--outside the gates. Give him a safe-conduct that will take him out of
my soldiers' lines. And so farewell, Count Conrad; I can waste no more
time on you.'

'I will not go!' shrieked Conrad furiously. 'I will not have your mercy,
Visconti--I will not accept from you my life!' Visconti passed on.

'I say I will die!' cried Conrad after him. 'Do you quail at another
murder, Visconti? Dare you not kill one more?' The Duke looked back at
him.

'I owe you somewhat, Count. You may remember a certain game of chess you
played in della Scala's camp. It served me well--it saved my life--and
gave me--della Scala. Now take yours--as a most unequal recompense.'

He smiled unpleasantly, and Conrad was silent, struck, chilled.

Tut him outside the gates,' continued Visconti; 'and give him money for
his journey. Maybe he left della Scala too hastily to bear much away;
maybe della Scala did not in any case pay well; and we would not have the
noble Count beg his way to Germany'.

'Visconti--' Conrad choked on the word. 'Visconti--'

'I will spare thy thanks,' smiled the Duke. 'Farewell.'

'Give me a dagger--someone!' yelled Conrad. 'That villain shall see I do
not live to profit by his scorn. Give me a dagger--I--you truckling
knaves! You shaveling cowards!'

When your blood is a little cooler,' said the soldier calmly, tying his
hands the tighter, 'you'll be giving us a ducat apiece for not taking you
at your word.'

'Silence, churl! I will not leave Milan; I will not be put outside the
gates!'

'Just whatever the Duke says, messer, you'll do--just whatever the Duke
says; and thank your guardian saint he was not himself today, or you'd
have had your death--but not quite so pleasant as you seem to think it'

And for all he could shriek and threaten and pray, struggle and fight,
Count Conrad was escorted through the crowded streets, between soldiers
with immovable faces, and amid a crowd that laughed in huge enjoyment of
his angry threats and bitter entreaties. A good mile outside the gates
they led him, a fine rabble at his heels. And then they left him, with a
good horse, a sword, and a bag of ducats.

'Now, Count, take those and ride to Germany--or if you must die, try and
get back into Milan.' And they rode away, laughing heartily.

Count Conrad seated himself on the roadside, and was, silent a long
while. Then he rose, and rubbed his stiff arms, bruised by the soldiers'
grip, looked back toward Milan, looked at the horse and sword, gave one
sigh to the past, mounted and rode away out of the shadow of Milan toward
Novara, the first town on the route to Germany.

There was a great coming and going of brilliant company in the Visconti
palace, a constant spurring of horses through its gates, the riding in of
messengers and soldiers, the riding out of officers and nobles.

The Duke of Orleans and his wife had left for France, with a splendid
cavalcade of knights and ladies, escorted by the flower and chivalry of
Milan.

All Valentine's struggles and proud resistance and scorn had come to
this: she left for France, as Visconti had ever said she should--left
Milan dull to craziness, forgetful, with no sign of either joy or regret.

Visconti thought of this consummation with some satisfaction, then
banished his sister from his mind. There were other matters more
important to Visconti than the subdual of his sister--Mastino della Scala
and his wife for one.

Mastino had kept his pact: in one week, Pavia, Treviso, Cremona, Vicenza,
and Verona had fallen; company after company of Mastino's soldiers had
passed into the hands of the Milanese. Modena and Ferrara were left, but
so weakened that a few days must see their end, though the deserted
garrisons were fighting desperately, and sending wild messages to della
Scala, imploring aid.

Julia Gonzaga in Mantua was sore beset. At an urgent appeal from Mastino,
almost every trained man holding the city had been sent to his
assistance, to find themselves surrounded and cut to pieces by the
Milanese, and Mantua left defenceless.

In Novara the Estes were shut up, waiting anxiously for news from
Mastino--waiting in vain.

Isotta d'Este had been removed from Milan, and was lodged in a strong
fort some miles outside Brescia, guarded still by Visconti's soldiers,
but also by some of della Scala's trusted but still unwitting
Veronese--men who kept watch over her night and day, inspected all she
ate, and allowed no emissary from Visconti to see her alone.

Such were the terms.

The thing had been done secretly. Vague rumours that the Duchess's
release was being negotiated were the utmost that got abroad. The
soldiers guarding her for Mastino thought the privilege bought, or that
the Emperor had wrung it from Visconti. There were none who suspected the
truth. Though for those ten days had been disaster on disaster, though
town after town had fallen, squadron after squadron been ambushed, and
though some whispered treachery had pointed to this captain and to that,
none thought of staining the loftiest name in Lombardy with even a
doubt--Mastino della Scala, the son of Can' Gran' della Scala, of a race
that had never lied or betrayed, the one race in Lombardy of a lofty
honour. Men would have as soon thought the stars would fall as Mastino
della Scala.

Visconti, pacing his palace in a fever of triumph, thought of all this;
thought of the d'Estes in Novara, still trusting--thought of Mastino's
Veronese, their devotion, their sympathy--thought of Mastino's feelings.
It was almost enough to satisfy his hate--but not quite--not quite.

'Tomorrow,' he said, stopping before de Lana--'tomorrow I shall march
from Milan, and I shall lay in ashes every village, every town that has
favoured della Scala. I will let loose my soldiers to pay themselves from
the wealth of Lombardy, and I will make the Estes take their proud banner
down from the walls of Novara, and hoist with their own hands the Viper!'

'Mastino della Scala lies at Brescia,' said de Lana, with an uplifting of
his dark eyes. 'His army has dwindled almost to a handful of picked
Veronese; so a deserter who rode in tells me. He waits there for his
wife.'

'And I,' said Visconti, leaning against the table, 'have given orders she
is to be sent, de Lana. He has kept his word; I will keep mine. He has
paid dearly enough--he shall have his wife. And tomorrow I march on
Novara?

'I have my orders, my lord.'

'I have nothing more to say, de Lana. Tomorrow we leave Milan.'

The captain was turning in silence, when Visconti spoke again.

'Della Scala is at Brescia, ye say? Then his wife will reach him tomorrow
about the time we reach Novara.' He paused and looked at de Lana
steadily. 'I have sent orders for her release and forwarding in all due
privacy, but with sufficient state, and I have sent her back her wedding
ring.'

De Lana only half understood him, but Visconti had small care for that.

'The Estes--in Novara, de Lana--they are unsuspecting?'

'How can they be otherwise, my lord? They are isolated--'

'Waiting for succour from della Scala doubtless! How many could their
numbers be?'

'Some thousand--no more. Della Scala called his Veronese out, my lord.'

''T'will be almost too easy a victory,' said Visconti, smiling. 'And then,
from Piedmont to the Apennines, Italy will be under my rule: and della
Scala--I wonder what will happen to della Scala, de Lana?'

'There is nothing but death for della Scala,' returned the soldier,
standing at the door as if anxious to be gone. 'Nothing is left for him
but that, my lord.'

'Ah--you forget,' said Visconti softly. 'There is his price--his wife;
there is always his wife' And repeating the words, as if to himself,
Visconti motioned de Lana away, and entered the inner room.

Giannotto was looking out of the window, and at Visconti's sudden
entrance turned with a start.

'Giannotto,' said the Duke smoothly, 'you will come with me on the march
tomorrow--not for love of your company, my friend, but because I do not
trust you. Still, I keep you.'

'There is now no Lady Valentine to outwit me in your absence with some of
her brother's skill, my lord,' replied the secretary meekly.

Visconti made no reply, but viewed the secretary sullenly. His words had
brought up unpleasant memories: his palace was free of his rebel sister,
but it was free also of another, one who should have been his wife.

All his brilliant, his magical successes could not quite obliterate the
sting of that one failure. Graziosa's name was a forbidden one; the
splendid dwelling where she had shone so brief a while, shut to moulder.
She was a thing of the past, though only ten days dead; but Visconti
could not quite forget.

She had been buried quietly, in the same church as her father, at dead of
night, with no mourners. And was she not gone--forgotten? Yet, disguise
it as he might, it was failure.

'Yet she loved me,' thought Visconti; and it roused his wrath that he
must think of her--the house by the western gate--the sweet face, the
white roses.

'Giannotto,' he said moodily, 'had she lived, I would not have done
it--on my soul I would not have done it!'

'Done what, my lord?' asked the startled secretary, looking up at his
dark, musing face.

'Ah, I forgot,' said Visconti. 'You do not know.'



Chapter 31. - The Pride of the d'Estes


'No news! So many days, and still no news!'

Ippolito d'Este spoke in an anxious voice, leaning in the wide-cut window
of the watch-tower that rose above the gates of Novara.

'I would we had not sent those last men,' said Vincenzo gloomily.

He was seated at the table, his head resting in his hands. The chamber
was large and dark, built of rough stone for strength and defence, fixed
with narrow windows, and set with three doors--one into the narrow
stairs, standing open, one on either side of it, shut. The walls were
bare of arras. Vincenzo's armour lay piled in a corner, and a great
crucifix, a red praying hassock beneath, hung near one of the windows.

'How many have we, my father?' asked Vincenzo, rising.

'Six hundred trained soldiers,' was the brief answer.

'And the townsfolk!'

'And the townsfolk,' replied d'Este, 'and useless.'

Novara had been stormed and taken from Visconti some months ago, and the
Estes, fixing their headquarters there, had foraged the country around as
far as the ramparts of Magenta, a large town held by Visconti's men.

For these last fatal ten days, disaster after disaster had reduced the
Modenese soldiers to a mere handful; and when Mastino, sending word he
was in desperate straits, had called out all of the Veronese that manned
the town, they were left practically defenceless, in the midst of a
country where Visconti's arms were everywhere triumphant.

They dared not leave the town; behind its walls was the only chance of
safety. They knew not what positions Visconti held, nor what positions
della Scala. Since that last appeal for aid, they had had no message, no
sign from him. Scouts sent out had not returned; one company, advancing
from the walls, to find no sign or trace of Mastino, was surrounded and
cut to pieces--the few who escaped returning to Novara with ghastly
tales. Visconti's arms seemed everywhere victorious. The country was laid
waste--and not by their allies.

But the d'Estes' hope was still in della Scala. Urgent messages were sent
to his camp outside Milan, and when neither answer nor messengers
returned, the Duke of Modena grew sick at heart indeed.

He had not mentioned all his fears to his son, though Vincenzo could not
but know their strait desperate.

'If we hear not today,' said d'Este slowly, 'I shall think there is
treachery; not one messenger has returned--treachery, or some misfortune
to della Scala.'

'Then are we lost indeed!' cried Vincenzo. 'So far from Modena--so near
Milan--only, what of the army that is with della Scala--our army, his and
ours?'

'What army we had with us,' replied Ippolito, still looking with anxious
eyes on the level country, 'I sent to della Scala--he was in sore need.
What men we had outside the town have melted away like snow.'

Vincenzo began to pace the room impulsively--a slender figure in a
scarlet velvet doublet, his great black eyes bright and angry.

'Shall we not make a sortie, my father? Shall we not dash out and fight,
seeing for ourselves what has become of della Scala?'

Ippolito turned and looked at him, with a yearning love lighting his dark
face.

'I am waiting, Vincenzo. I have sent trusty scouts to Brescia. This
silence cannot last long now; either Mastino or Visconti march this
way--and in either case we shall be ready to receive them, Vincenzo.'

The younger d'Este lapsed into silence. Ippolito, too, was quiet, and the
pause was broken by an officer entering. 'The Count von Schulembourg,' he
began.

'Conrad!' cried Vincenzo, springing up.

'Has he news?' asked his father, eagerly.

'I know not, my lord,' replied the soldier. 'He is riding unattended, and
craves a passage through the town.'

'He is riding away!' said Vincenzo, 'away from Milan!'

'I must see him,' said d'Este, with a darkening face, 'at once.'

As the soldier left, Vincenzo looked at his father eagerly. 'What may
this mean, that Count Conrad rides away?'

'We lie on the route to the Empire. The German maybe rides home from
a losing cause.'

'I never thought such of Conrad,' began Vincenzo, when the door opened
and the Count himself stepped into the room, brilliant, gay as ever, well
armed, the double-headed eagle on his breastplate, and the black and
yellow of the Empire floating from his helm.

'Now well met, my good lords,' he cried, 'and fair fortune smile on you!
I would ask the favour of a good horse--I am on my way to Germany.'

'You leave the fight?' asked d'Este.

Conrad nodded.

'For better men--i' faith, I've tried all I know--no man is asked to break
his head against a brick wall for nothing--not while the sun shines, and
there is such a place as his own land to see again!'

'You used not to hold such language, Conrad,' said Vincenzo, with some
reproach.

'I have tried everything,' cried Conrad, gaily. 'I tried to rescue the
Lady Valentine, I tried to kill Visconti, I tried to make him kill me--I
have failed. My Lady Valentine is married, and is set out for France.

'For France!' interrupted d'Este. 'Then must the country indeed be in
Visconti's hands if his sister and a wedding-train set out for France!
What news, Count? Surely there is some news?'

Not much I care to repeat,' replied Conrad. 'Only rumours--all the
country I rode through, from here to Milan, seems to swarm with
Visconti's men--I saw no sign of della Scala--there were wild tales
abroad, and wild sights.'

'On my honour, Count, you might have come with better information than
this--days have we been waiting with no sign nor word--'

'From Mastino, would you say?' asked Conrad, eagerly. 'From Mastino. Have
you not heard or seen aught of him?' cried Ippolito.

Conrad looked at d'Este's intent face, and from him to Vincenzo, waiting
expectantly for his answer.

'I--I cannot say I have,' he answered. 'But as I tell you, I heard
nothing save rumours--'

'And they--?'

Conrad fingered his yellow sash uneasily.

'One said Modena had fallen--'

Ippolito gave a sudden cry.

'Modena!'

'Aye,' said Conrad, regretfully. 'And Ferrara and Verona--so I heard--'

'Mastino is dead!' cried d'Este, and Vincenzo echoed the cry wildly.

'Mastino is dead!'

'I know not,' said the Count. 'I cannot tell--only this, that Visconti
marches this way--and once more--a good horse. Vincenzo, Saint Hubert has
saved me once--I dare not ask him again!'

'Modena fallen,' murmured d'Este, unheeding Conrad's words. 'And
Verona--Mastino dead--Visconti marches on Novara!'

'My father, we are lost indeed!' cried Vincenzo, with a white face. 'If
Mastino be dead--'

'If!' said the elder d'Este, sternly. 'There is no if, Vincenzo.' The boy
looked round bewildered, and his eye fell on Conrad, waiting by the door.

'I will give orders for thy horse,' he said. 'Come with me--' and he led
the way from the room. Conrad paused in the door, but Ippolito waved him
aside sternly.

'Fare you well, Count, Vincenzo will see to your needs; meanwhile I have
other things to think of--' and he strode past them, swiftly ascending
the stairs to the soldiers in the higher chamber of the watch-tower.

Vincenzo, leaning on the stair-rail, with very bright eyes, looked after
his father, and then toward Conrad with a sudden wistful smile. 'I almost
would I were to be riding gaily across a summer plain, away--away--this
castle has grown gloomy of late--there is horror in the air.' He shook
the feeling off, speaking gaily. 'Well, be glad thou art on thy way,
Count Conrad, and in exchange for the horse, take, for my sake, with thee
the little page Vittore. He is very young, and not of Lombardy.'

'Gladly will I,' replied Conrad, as they descended the narrow stairs.
'And always shall I keep him for thy sake.'

'Aye, do,' said Vincenzo wistfully again, 'otherwise thou wouldst
forget--of a surety, forget.'

'Not I--I shall always remember.'

Horses were brought to the courtyard, and Vincenzo called his little page
and put him on one.

The sight of him brought memories to both of a certain game of chess--how
fatal it had been: how long ago it seemed!

'I tried to make atonement,' Conrad murmured.

'My atonement, methinks, is to come,' said Vincenzo. 'But Mastino will
never hear of it--Mastino is dead.'

Conrad winced. He knew Mastino was not dead, but he would as soon have
stabbed Vincenzo d'Este as told him.

'Fare thee well,' he said, holding out his hand.

'Fare thee well.'

Vincenzo took his hand, smiled up at him gravely, and re-entered the
castle, mounting to the room he had left.

Visconti was on the march.

Vincenzo caught his breath sharply and went to the window to see the last
of Conrad. Again he wished he was riding away into the sunshine, away
from the dark walls that seemed closing round him for ever.

'Farewell!' called back Conrad, gaily waving his mailed hand, and
Vittore, excited at the sudden journey, drew off his cap and waved it
gaily too. 'I go to my own land,' cried the Count. Vincenzo's lips
trembled, but his words sounded as cheerily as Conrad's.

'And we stay here in ours,' he called back.

And in after days in peaceful times in Germany, when that brilliant,
bloodstained Lombard summer seemed far away and strange as a wild dream,
Conrad remembered; a memory he shared only with the dead.

The spurs jingled, with a trampling of hoofs the horses turned, the
strong sun caught Conrad's plumes and Vittore's bright hair, he looked
back with a laugh, and at a swift trot they passed through the castle
gate.

Down the long paved street they clattered, till that sound too was gone.

Count Conrad had ridden away. Vincenzo stood silent in the great patch of
sunlight that lay along the floor till Conrad's bridle bells were quite
lost in the distance; then he turned, with something like a sigh.

He was not alone long--Ippolito re-entered with a calm face, and yet one
his son was startled by.

'Count Conrad's news has been confirmed,' he said; 'a messenger has
returned' He paused a moment. 'All the country is in Visconti's hands.'

'The saints save us!' cried Vincenzo.

'Aye, the saints, for there is no hope in man!'

We must get arms--and succour into the city--'

Ippolito looked at him with a proud affection.

'Follow me, Vincenzo.'

He opened one of the small doors; it led to a twisting flight of steps,
and the two mounted in silence.

At the head of the stairway was a chamber used as an outlook
toward--Milan.

'Gaze yonder,' said Ippolito, pointing through the narrow arched window.

Vincenzo obeyed, and looking out over the great wide plain, with its
white campaniles dazzling in the sunlight, at first saw nothing.

But on the horizon was a silver light, a light that danced and quivered,
flecked here and there with red, and dotted about with curious faint
smoke wreaths, fires in broad day.

'Visconti's army!' said d'Este. 'And those fires the forts and villages
della Scala held--held but yesterday!'

Their doom was in those words and in what they saw; there was no need for
more.

'Santa Maria save us!' murmured Vincenzo, with a blanched face. It was
all he said--words were poor, there was little enough time for action,
none for comment.

Outside could be heard the steady tramp of the sentries, and the hurry of
more soldiers to the walls.

'Do they know?' asked Vincenzo, as they descended.

'The soldiers--yes--they are Modenese. The townsfolk--poor wretches--why
tell them?'

They watched the other chamber, and after a silence Vincenzo spoke
incredulously.

'Conrad said Modena had fallen?'

'It is true,' said his father, in a low voice. 'And Ferrara--oh--my
cities!'

Vincenzo gave a little gasp of pain.

'And Verona?'

'That too.'

The younger d'Este looked out blankly at the sunshine, all hope faded
from his face.

'And Mastino, Father?'

Ippolito was silent, a silence worse than speech. Vincenzo was awed.

'So we are abandoned--defenceless, resistance hopeless! Oh, my lord! My
father! We cannot fall into Visconti's hands! We--the d'Estes!'

'Hush said his father, sternly, yet with sparkling eyes. 'I have been
considering all--the Viper shall never fly in triumph from the walls from
which a living d'Este is turned. Oh, had I never left Modena! See,
Vincenzo--as soon as Visconti is within two miles of the gate--this!' He
touched the door beside him, pushing it open, and Vincenzo's startled
gaze followed the direction of his hand.

In the dark recess were the stone steps leading to the store beneath; the
powder, the rude engines of war, and a vast quantity of wood, stored for
winter use, and piled high even to the door. Vincenzo felt his heart grow
cold; he looked from his father's proud face to what the steps beyond
conveyed, and understood.

He raised his eyes steadily and smiled. He, too, was a d'Este,
and in this moment the proud glory in his birth was plain. 'My son!'
cried Ippolito, suddenly, passionately. 'My son!' Vincenzo could not
trust his voice to answer; he sat very still, the smile on his lips,
his hand on his toy-like dagger.

D'Este turned his head away. From without came the sound of voices and
footsteps--sounds of alarm, commands, shouts. Ippolito turned to the
door.

'I go to give the last orders,' he said, and left Vincenzo alone with his
approaching fate.

He sat very silent.

This, then, was the end, the end of it all!

That one thought beat strongest on his brain--this was the end. What had
he not meant life to give him--all he had seen others enjoy, all he had
ever dreamed of, honour and fame, power and love, visions there were no
words for--the future for him had held all these--and now, a burst
bubble!

In the very richness of his youth he had flung away his days and hours,
laughing at time, if he ever thought of it, and at life--then were life
and time and an unending world before him.

Life! And even while he sported with it as endless, it could have been
measured by hours.

A great wave of homesickness rushed over him, homesickness for the world,
for the past he had never treasured, for Modena, the leaves and roses
outside his father's palace, and Conrad riding away into the
sunshine--away from this dark chamber he would never leave. Yet he did
not for a moment flinch, such a thought never entered his mind, only he
could not bear to have to wait; he wished it were done and over--now.

From the street below rose a great uproar; there was some panic among the
people; the country folk were pressing through the gates, fire and sword
behind them--Visconti was on the march! Wild frightened screams, and the
hurry of feet, rose to the gloomy room, and Vincenzo sprang up; he wished
his father had not left him, he wished he were not alone.

For his thoughts were bitter, and hard to bear alone. His life would be
different, he thought, if he lived it again: not wasted, flung away. For
the first time he felt he loved his father dearly, for the first time he
realized how Mastino loved his wife--he understood. Was all knowledge
coming to him so late, things to be made clear only to be darkened for
ever?

Ah, well, it was all over now; there were only a few moments to--what? He
shuddered a little--to what? He wished his father would return,
passionately he wished it; he did not want to think--for the first time
and the last. He stood there with tight-clasped hands, his eyes on the
door, holding desperately on to his control.

And at last Ippolito entered, quietly, closing it behind him. He held a
missal in his hand, and a parchment. As he laid them on the table,
Vincenzo noticed the last was sealed with the seal of Verona, the ladder
of the Scaligeri.

'Mastino?' he whispered.

'Mastino is dead,' said d'Este, in a calm voice, and he crumpled the
parchment in his hand.

On it was written: 'I have betrayed you for Isotta's life,' and it was
signed with the proudest name in Lombardy--'Mastino Orazio della Scala.'

'That shall not destroy the glory of Vincenzo's death,' thought d'Este
sternly, and he flung it from him, into the room beyond, among the
powder--something only fit to be consumed.

The castle within was built largely of wood, and Vincenzo, looking into
the darkness with a painful eagerness, watched the powder laid carefully
about the walls, extending in a long train to tanks of oil, while fire
boughs, dry and leafless, lay scattered thickly. D'Este had not been
taken unprepared. Vincenzo's flesh stirred and shrank; he remembered
snatching a bat once from the camp fire, and how the pain in his hurt
hand had tortured him.

''Tis a fearful death!' he murmured.

Ippolito turned a drawn face toward him.

'What didst thou say, my son?'

'Naught, Father,' answered Vincenzo bravely, though his heart was beating
hot and thick. 'Naught, save that that cannot fail us.'

'No, Vincenzo; the wind blows eastward across the town,' said d'Este,
with a calmness that was almost brutal. 'There will be none for Visconti
to take back to Milan.'

'We shall light the sky bravely tonight,' said Vincenzo, and bit his lip
to keep it steady.

His father's dark face lit with a sudden proud smile that transfigured
it.

'Some scouts say Visconti sends men to treat with us, Vincenzo--with
us--d'Estes! This will be what he never reckoned on: the flames blowing
from the walls shall be our flags of truce!'

The streets, the whole town, were in a panic. The wild terror of the
whole countryside had found its voice inside the gates of Novara; there
were six hundred men to defend the walls--and God! How Visconti sacked a
town!

The sunlight that had rested along the walls when Conrad said farewell,
lay along the floor now, a great square of gold that just tipped the
table where Vincenzo's hand rested, and lay lovingly on his scarlet
doublet, with its little foolish vanity of ribbons, and that other hand
among them, clutched nervously, almost desperately, in the poor crumpled
finery.

D'Este took the crucifix from the wall and laid it on the table. Under it
burned a candle, and he moved that too, standing it beside him, as he
took his seat opposite his son.

Behind him was the open door, in front the symbol of his religion--both
meaning one thing, that the crucifix lying there baldly on the rough wood
table told more plainly even than the powder kegs.

Vincenzo's eyes were on the missal, but not his thoughts: his ears on the
strain for that sound he set his teeth in readiness to hear--the call to
the gates.

In the silence of the chamber, the noises from the street sounded
distinct, painfully distinct--shrieks and cries. Poor souls! So near
eternity, and fighting over a handful of goods! Presently all noises died
away into faint murmuring--or had he lost his power to hear? Then all at
once it came--the beat of the drums, the summons to the walls! Louder,
louder, wild, inspiring, the beat of the drums; and Vincenzo's heart bore
them company.

They rose to their feet, the two d'Estes, and clasped hands across the
table, the crucifix between them.

'God have mercy on our souls!' said Ippolito, and raised the pale,
flaming candle.

'Amen,' said Vincenzo, kissing the missal with cold lips.

The drums beat wildly, intoxicatingly, then suddenly stopped.

D'Este pushed back his chair; for a moment there was perfect stillness,
then he laid the candle to the powder...And Vincenzo d'Este was on his
knees in the patch of sunlight, its glory full on his beautiful, upturned
face.



Chapter 32. - The Price of Dishonour


He who was once the great Lord of Verona and a proud and stainless knight
stood without Brescia, awaiting the price of his dishonour. It was
midday, of a swooning heat, and great purple clouds lay heavily about the
horizon, with a sombreness that foretold a storm.

Mastino della Scala stood alone on a group of rocks scattered upon the
plain, that sent his tall figure up against the deep sky, erect and
motionless.

All that was left of his army was behind him in the chestnut wood: half
had been betrayed, half had been cut to pieces rather than yield. Some
few--the lowest dregs of his camp, the men who cared not where or when
they drew their swords, so they had food and drink--remained, to try
their luck with him, now no better than one of themselves. Through all
the miseries of that weary week his gallant band of Veronese, some two
hundred, had stood by him, watching the others ambushed, attacked,
surrounded, and destroyed, hearing of town after town that fell, and
smiling scornfully at talk of treachery, accepting without question
Mastino's silence. Was he not the son of Can' Gran' della Scala, and his
name one with honour, the proudest name in Lombardy, the proudest badge
in Italy, the ladder of the Scaligeri!

So had they stayed with scorn at thoughts of betrayal whispered among the
baser residue, until that morning when he had summoned their leaders and
told them, with a strange calmness, he had sold them, Verona and
Veronese, for his wife's release--sold Lombardy for Isotta d'Este.

Then leaving them, standing silent and bewildered, della Scala mounted to
these rocks to await his wife--alone. His eyes were on the fields before
him; he hardly noticed a slight figure that crept timidly to his
feet--Tomaso.

'My lord'--the boy's voice faltered, and he kept his eyes turned
away--'the Duchess hath started safely; I saw her mount her litter with
glad eyes; they bade me hasten forward and tell thee so.'

'Ah!'

Della Scala stepped on to a higher rock and shaded his eyes with his
hand. He was in armour, and bore on his arm his shield, across the boss,
the ladder, the ladder on which the Scaligeri had climbed so high, and
from which they had fallen--to this!

Tomaso crouched beside him, silent and dismayed. He had clung to della
Scala in spite of his father's loss (that he could not understand), and
in spite of what was happening now, that began to make plain that and
many things.

Tomaso glanced up at the sombre figure standing alone above him. Mastino
wore no mantle, and the golden circlet was gone from his helmet. Mastino
della Scala was no longer Duke of Verona.

No pages or footmen followed; save for this one boy, he was alone,
carrying his own shield, holding his own horse, despised of those he once
had thought of as beneath even his scorn.

A gallop of horses broke the summer quiet, and spears gleamed through the
ruddy chestnuts behind them. The Veronese, thought Tomaso, the Veronese
soldiers.

Della Scala neither turned his head nor moved, but stood there with his
shield hanging on his arm, his sword hand listless by his side.

Tomaso was right. The riders were a band of Veronese. At a full gallop
they flew out of the shade into the sun, in face and movement, fury.

Tomaso shrank back at sight of them, roused from their bewilderment,
riding full tilt toward Mastino in a silence that was more deadly than
shouts of hate; and Mastino turned at last and faced them with wild eyes.

The foremost man was swiftly on them, his furious face brought close to
theirs. As he swept up he drew the dagger at his waist and hurled it full
on Mastino's shield.

'That from me!' he cried, and rose in his stirrups with a shout. 'That
and my scorn, della Scala!'

But Mastino was prepared; he stood erect and did not flinch. Another rode
by; bending his face close to him, he spat at him; both shattered their
daggers on to his shield, those daggers mounted with his arms that they
carried as his soldiers. One tore from his neck the collar Mastino had
hung there, and flung it at his feet with curses.

'Traitor, where is Ligozzi?' cried one, hurling an imprecation, and della
Scala took a step back with a cry wrung from him; but the man was gone,
and the face of another Veronese was looking into his with utter
loathing. Without a pause they dashed by, each hurling his dagger, and
many some order or sign of, Mastino's friendship, full upon that shield
that hung on della Scala's arm.

'That to cheer thee in thy shame!'

'That to make a necklet for Isotta d'Este!'

'This from me, who would have died for thee!'

The taunts were bitter and savage, and hurled in a fury of scorn and
hate; but Mastino della Scala, save for that one movement, neither
flinched nor stepped out of the way of the onward rush, but bore for a
long hour of that summer day that wild ride past of the Veronese and the
batter on his shield of the daggers that disdained to slay him.

'Stop! in the name of Heaven, stop!' shrieked Tomaso, and held his hands
against his ears.

They took no heed of him, in their mad fury did not even see the boy. But
to Tomaso it was most terrible that della Scala made no movement to
defend himself; his calm face was awful.

'Stop Tomaso shrieked again. 'Stop!'

How many more, how many more! How many times more that rattle as the
daggers struck the shield and then fell to lie bright in the sun? How
many more furious faces, how many more bitter curses? How long would
della Scala stand there turned to stone? Tomaso crouched and hid his
eyes. At last they came to an end. The last rode by, the standard-bearer,
tearing the standard to rags with furious hands.

'Verona is no more!' he yelled. 'The Scaligeri are no more, the standard
is no more, the standard of Verona!'

He threw the twist of red and gold at Mastino's feet with a sudden wail
in his voice. He was an old man, one who had served Mastino and Mastino's
father well. He stopped his horse; the first who had done so.

'Mastino della Scala! Oh, why didst thou do this thing? Tell me thou
repentest!' he cried.

Mastino looked into the old man's wistful face.

'Verona is no more, the Scaligeri are no more. Ride thou to the others,
old man,' he said.

The standard-bearer wrung his hands.

'I loved thee he pleaded. 'Save thy soul and say thou dost repent!'

Mastino's proud head was erect.

'And do I live to save my soul? Get thee to the others, I do not repent.'

The old man rode away sorrowfully. Della Scala watched him disappear
behind the rocks and trees.

He was the last, and silence fell.

'They are gone!' breathed Mastino. 'They are gone!'

His eyes fell to his shield; from rim to rim it was defaced and dented,
and the ladder of the Scaligeri was beaten from its boss. The ground
around was piled with arms, and Mastino put his hand up to his eyes,
staggering. The ladder of the Scaligeri was beaten from his shield!

'Some men remain, my lord,' said Tomaso timidly, at last, with a boyish
effort at some consolation.

But Mastino winced; that they remained was a sorer shame even than the
desertion of the others: for they were men, scum of camps, who fought
solely for pay and plunder, and laughed at dishonour and admired
treachery--they were the men who had stayed.

'Isotta!' cried Mastino, with a sudden wild movement. 'Why does she not
come--have I not waited long--have I not paid enough?'

'I think I see her escort coming across the fields,' said Tomaso
timorously.

Mastino turned and grasped his arm with a sudden change of manner.

'Tomaso,' he faltered, 'methinks I am changed since last I saw her;
perhaps she will--not know me--or will startle at me if she does. Tomaso,
she is very fair and I have nothing to offer now--Tomaso, am I very
changed?'

He was changed, so changed the boy would scarce have known him; his soft
brown hair was streaked with grey, his fine face drawn and white, his
eyes, once soft and kind, unnaturally bright, and, like his mouth,
strained and hard.

Mastino laughed pitifully as he read the answer in Tomaso's frightened
eyes.

'She will not care--she will not care,' he said. But his voice was
unsteady, and he supported himself against the saddle of his horse.

'The Duchess comes!' said Tomaso, and clutched Mastino's hand.

Out of a little wood of delicate trees, in front of them, the cavalcade
was winding: Visconti's soldiers, Veronese soldiers, and a white,
curtained litter in the midst.

Mastino's gaze flew to that, and to that only.

'Oh, my heart's desire!' he murmured. 'I do not repent!' And he forgot
the ladder of the Scaligeri battered from his shield.

The soldiers cantered up _and lowered their halberds in a salute to the
magnificent figure standing there alone, while the officer read in a high
voice from the parchment, that stated that Isotta d'Este, Duchess of
Verona, prisoner of war of Gian Galeazzo Maria Visconti, Duke of Milan,
was returned to her husband in fulfilment of the league and treaty
between them.

'Into your hands we deliver her in safety, my lord, and my Lord of Milan
offers three months in which either to quit Lombardy or choose some post
in his service in Verona.'

'My choice is made: I quit Lombardy,' said Mastino. 'Leave me.'

The soldier slightly shrugged his shoulders and gave the word, and,
cantering off, Visconti's guards wheeled and followed swift behind him.
They had fulfilled their duty. Isotta d'Este's safety was no affair of
theirs now.

The Veronese footmen bearing the litter had set their burden down; the
white curtains fluttered--was it the breeze, or Isotta's hand, that
stirred them so?

'Tomaso, Tomaso, I have borne much; can I bear this?'

His eyes were sparkling, his tone joyful; he had thrown all his shame
from his heart; the miserable past, the miserable future, were alike
forgotten; the world had narrowed to this--her welcoming face.

He laid his shield on the ground gently, and walked across the grass
softly. The curtains, white in the still blazing sun, dazzled him; his
heart was beating so, he thought it must choke him.

'Isotta!'

He called her name so low she could not hear.

'Isotta!'

Still she made no answer.

'Perchance she is very weary,' said Mastino to himself, tenderly, and
drew the white curtains back. She lay back among silk cushions.

'Isotta, my dear!'

There was a tremor in his voice. Had she fainted?

She lay back, her head away from him, and, bending over her, he saw
through her long curls that her eyes were closed, her lips parted, and
one hand at her throat--the hand that bore his wedding ring. Oh, heaven!

He caught her head in his hands and looked at her. She was dead, quite
dead. The silk curtains fell to again, and at Mastino's cry the bearers
shrank, appalled. Isotta d'Este was dead.

And Mastino lay along the ground, senseless, his defaced shield near him,
bare to the bright glare of the sinking sun.



Chapter 33. - The Storm


The storm had gathered and burst; rain fell in great drops that did not
allay the heat; the sky was covered with clouds that dragged across the
moon in a slow procession, dark and mysterious.

In one or two tents, thrown open to catch the breeze that stirred the
chestnuts, sat the little handful of soldiers left to Mastino. Rude and
coarse, still were they awed, by the horror that had befallen, to a
whispering quiet.

Like a patch of white showing dimly through the gloom, the curtains of a
litter were to be seen. At thought of who sat within alone there in the
rain and dark, the men shuddered and drew nearer together.

'The Prince?' one whispered.

'I have been to the tent, but further than the door I dare not.'

'What was there to see?'

'The boy--alone, weeping like a woman. Santa Maria! I should not like the
watch he keeps!'

'The Prince is mad, think you?'

'The Prince is mad, or--hush!--possessed.'

The men fell again to a silence, broken only by the patter of the rain.
At last another spoke, one drawn further back into the tent.

'How came it about, think you?'

'Visconti--'

'Ah, yes, Visconti, of a surety; but how?'

'The wedding ring, Petio--it was handed to her as she entered the
litter--it was poisoned! She put it on, poor soul--kissed it, no
doubt--well, it was poisoned, Petio!'

'And so she started alive, and now lies there dead--poor soul!' The men
muttered and crossed themselves; a few sat in moody thought.

'The sun--we need the sun,' said one at last.

'And a little wind, not these stifling puffs--a little wind from heaven.
'Tis hot as hell!'

'Hush!'

How it rained! And a wind rose, but it scarcely seemed from heaven. The
chestnuts moaned, tossing their branches. 'Hush said someone suddenly.
'The dear Lord forgive my sins! Who comes?'

They heard a footstep; a hand was fumbling at the entrance of their tent.

'The Prince!'

And the next instant the men sprang to their feet in affright at what was
before them, at the livid face looking at them--Mastino della Scala.

'My wife!' he cried hoarsely. 'Give me my wife

They looked on one another, helpless, and made no answer. But Mastino,
striding forward, seized the foremost by the throat and shook him like a
rag.

'Where is she? What have you done with her? Is she not bought and paid
for? Where is she?'

Tomaso sprang into the tent, a piteous young figure, wet to the skin.

'Oh, my lord! I will take thee to her. Come away! Come with me!'

His voice broke into a passion of sobs, and Mastino dropped his hands and
paused.

'Your lady lies still in her litter,' said a soldier.

'Out yonder in the rain, you rascal!' cried della Scala. 'What is she
doing there?'

He flung from the tent, and Tomaso after him, the bitter sobs catching at
his throat.

'I cannot bear it,' he cried. 'It is doom itself. Oh, my master! My dear
master!'

The soldiers crowded together and watched.

'Look!' gasped one, pointing through the dark. 'He hath got her--he hath
got her!'

And they huddled back, half falling over one another, as Mastino came
into view--a slender thing in white and purple in his arms. Close by, he
paused, and laid it tenderly across the saddle of his white horse,
whinnying low and waiting.

'Jesu, protect us!' cried the men. 'Where is he going?'

'Stop him! stop him!' shrieked Tomaso, running to them. 'He goes to
find--Visconti--'

'Then no one of us had best dare meddle,' was the answer. 'Keep away from
him, boy; he is mad, possessed--maybe by the devil!'

'I care not!' cried Tomaso in an agony of sorrow. 'He shall not ride so;
he has no armour on--it will be to his death. He shall not go--my lord!
My dear lord!'

He sprang forward to the white horse, which Mastino had mounted, and
clung to the stirrup.

'Not tonight, my lord; wait till the morn--till the storm is over; thou
art unarmed!'

Mastino drew Isotta close to him, till her head rested on his shoulder,
and looked down wildly at Tomaso.

'Visconti lies outside Novara--I know the way!' he said. 'Take some of us
with thee!' implored Tomaso. 'Oh, my lord--'

But della Scala spurred the horse into a sudden leap that threw Tomaso to
the ground.

'I know the way!' he said.

The white horse plunged forward into the storm, and the dark closed round
the rider and his burden.


For hours had della Scala ridden with his wife across his horse and
against his breast, but riding always toward Novara; and now he had
ridden suddenly into a wild red glare that lit the sky.

Mastino's thoughts were centred on one thing--Visconti. There was no
reflection in them; neither the past nor present had meaning. He was
riding in a nightmare: he knew he carried Isotta, and that she was dead;
he knew too he was riding to find Visconti--nothing more.

The red glare rose into the sky in pointed flames.

''Tis a burning city,' said Mastino; but the words had no meaning. Here
was light, however, had he needed it whereby to find Visconti.

That blinding flare, though still a mile away, lit up the great posterns
of a gate near, and a long wall adjoining was glowering red in it, the
trails of the flowers showing like blood as they hung over it, spectral
and strange. It was a noble's summer palace, lit by Novara burning
yonder.

Mastino stopped his horse, that needed no checking, worn out by the wild
ride, and gazed before him at the flames, and slowly something of
reasoning power returned. He had ridden to meet Visconti, and Visconti
was here. He knew it--either of God or devil--knew it surely; and he rode
his horse on slowly, with the double burden, through the unguarded gates,
and came to a flight of steps unguarded too, leading up to a wide
balcony, overlooked by high, open, lighted windows. Here was the
place--unguarded. Here was Visconti, and the soul of Mastino suddenly
blazed into a white heat that for a moment blinded him.

Then he dismounted, and laid Isotta down, speaking the while to his
horse. The glow from the burning city wrapped them both and made the fair
dead face 'rosy. The, tempest was over, and only a soft rain fell,
ceasing gradually. Mastino found a sheltered spot beneath the bushes, and
with a pitiful gentleness laid Isotta down and drew the hood about her
head.

'I will come back,' he murmured, kissing her. Then he turned to the steps
with his naked dagger in his hand. He wore no armour; he was
bare-headed--he gave it no thought. He was here to slay Visconti. That
was God's fact.

Along the steps a soldier came lazily, and Mastino sprang on him and
strangled him before he could cry out, bearing the body noiselessly to
the ground. Then, listening, he heard from within the palace a laugh and
a voice--Visconti's. Della Scala looked round. How was he to get him? He
must feel Visconti's blood run warm over his hands, and quickly.

'How it blazes! The soldiers will have poor spoil,' said Visconti. 'But
we will build another town, de Lana: we are rich enough.'

'Outside the walls just now we found a ghastly thing,' said a second
voice: 'a human hand grasping tight a knot of scarlet ribbons--just the
hand, a beautiful hand.'

'Your tales sicken me--I have always hated horrors,' said Visconti.

Mastino crept along and found a door.

'I will get in there,' he said within himself; and then within himself he
laughed, for it was opened.

The tapestry within was moved aside, and there was a glimpse of a white
sleeve and a delicate ringed hand. The next moment the curtain was torn,
in a giant's grip, from its fastening, and Mastino, trampling it under
him, was upon them--in his madness staying to reckon on no odds.

Where was Visconti? Not far, for he himself; with his own hand, had
opened the door.

But from the red glare outside, the blaze within blinded della Scala. He
looked round him for Visconti. Then a voice screamed: 'Keep him off!' and
suddenly his eyes met the Duke's and he strode forward. It seemed almost
done. Visconti, in wild fear, fell back before that terrible face,
staggering against the wall, his hand fumbling for his dagger, and the
men in the room scattered to right and left, as before an apparition.

'Gentlemen!' shieked Visconti, 'you are ten to one: stop him! A fortune
for the one who slays him!'

But Mastino had him in his grip--almost: another moment

But Visconti fell, and crouched along the wall, those reaching hands
above him; and a dozen swords leaped out: the soldiers flocked in from
the anteroom; there was a wild confusion.

'Slay him!' shrieked Visconti. But from della Scala, as they closed on
him, came a yell that froze the marrow.

Ten to one! They needed to be. The place began to run with blood.

'Gian Visconti! Gian Visconti!'

Visconti rose by the wall again. 'Kill him!' he gasped. 'Kill him!' and
cowered away. He was not sure if that face or that figure, struggling
ever toward him, could be killed; that they were earthly, or that that
was the voice of a man which, with no sound of the human left in it,
called his name.

'Let them kill him!' screamed Visconti.

But de Lana did not move, he did not look round; neither did Visconti.

'Visconti! Visconti!' gasped the voice...Ah!...There was a great
scuffling of feet, the dragging of a heavy body, and Mastino, an inert
mass upon the soldiers' arms, was forced back upon the balcony.

They let him fall there, and one heard him moan; but he was bleeding from
twenty wounds. They left him and closed the door.

Visconti looked round fearfully.

'Is he gone?' he asked.

The great candelabra had been overturned and the room was in a
semi-gloom, broken only by the dim candles in their sconces and the
fitful flare from the city.

No one answered Visconti. The men drew breath in silence and looked at
their wounds. How he had fought! A horror fell upon them.

'Is he dead?' asked Visconti, shaking like a leaf.

'There were fifteen men to kill him,' said de Lana, and he wiped some
blood from his hand with a shiver.

No one else broke the silence, all stood still as if spell-bound; it was
a horrible, horrible thing, and they drew back from the door--afraid.

'Hush! What was that?'

Visconti leaned forward fearfully.

What was it?'

The sound of someone on the balcony. Visconti's face went livid.

'He is alive--'

A horrid shudder ran through them all. De Lana strove to speak and could
not.

'The door is not fastened,' whispered Visconti, hoarsely. 'Fasten the
door--someone!'

But no one moved, no one dared, for superstitious horror.

Something fell back from the door, then the sound of something that
dragged itself against it painfully, then a rattle at the unbolted door.

'He is not dead!' half screamed Visconti. 'A town to the man who will go
out and slay him!'

No one moved.

'A half-dead man!' cried the Duke, 'and no one will end his misery?'

They dared not.

'Hark! He will have the door open. De Lana, I command you--' He pointed
with a shaking hand, but de Lana only shook his head.

'There has too much been done already,' he said, shudderingly.

The Duke looked round wildly.

'A town, a fortune to the one who will have compassion'; and with a shrug
and a grimace, a rough soldier stepped forward, his drawn ord in his
hand, and opening the door, pushed something back before him and went
out.

Gian breathed heavily, listening, but the next second the soldier was in
the room again, with altered face, and the door ajar behind him.

'I cannot,' he gasped--'it's blind, struggling--it--does not look like a
man!'

'Shut the door!' yelled Visconti, and then fell back against de Lana,
shaking, for a livid face appeared, with dim eyes and a bare throat
streaked with blood. For one moment the ghastly apparition showed there,
then fell into the dark again.

There was a sickening pause. Visconti spoke first, looking around.

'Are we fools or women? He came to murder me, and he is slain--what is
there in that? Go and see now if he be dead.' Someone went, fearfully.

'He lies very still, my lord; he is dead--'

The trembling pages had brought more lights, and light was life to
Visconti. He came forward and looked, a little nearer, on the figure in
the doorway, but very slowly, with de Lana between.

Mastino lay out straight, in a sudden up-flare from the burning city, his
arm flung over his face.

'He was a giant,' whispered Visconti, fearfully. 'And how dark! I do not
remember him so dark--'

He looked over de Lana's shoulder at him.

The soldiers peered behind him. That man was Mastino della Scala once! It
was strange even to their cold hearts.

He was dead--_dead_! Visconti's fear, the superstitious fear of a
righteous, God-sent vengeance, turned to a savage joy; still he was
afraid, still afraid.

He touched the body with the point of his gold shoe.

'Throw him into the garden,' he said to the soldiers, showing his teeth.

Giannotto and de Lana exchanged a curious glance; the soldier set his
lips.

'Are you all traitors or cowards, that you do not heed me?' cried
Visconti in a fury. 'Throw, thrust, kick this thing into the garden--let
him lie there till the morning.'

'My lord,' said de Lana, with a dangerous look in his eyes, 'he was a
prince and a Scaligeri!'

'He was my enemy--scorn for scorn! Throw Mastino della Scala from the
balcony--or--'

And half a dozen men came forward and lifted the prostrate body.

'Haste,' said Visconti, his eyes on de Lana. 'Throw him out of my sight.'

'Let them carry him down the steps, my lord,' cried de Lana. But Visconti
turned on him, his face and hair glowing in the light of the flames from
Novara, his face fiendish.

'They shall do as I bid, or hang from the nearest tree! Now haste!' he
said again, as if he feared the dead might yet arise.

They carried the body to the edge of the steps and pushed it over,
crashing dully down the foliage that half overspread the marble.

Visconti stepped to the parapet and looked over.

'He said something as he fell,' he whispered to himself. 'I heard
him--but he must be dead now--'

He turned back into the room, breathing more freely.

'Now close the door again,' he said, and watched while it was done.



Chapter 34. - An Instrument of God


'How many, de Lana--how many?'

'Five--six or seven--'

'Hundreds!'

'Thousands, my lord!'

Visconti leaned forward in his chair in his excitement. 'Thousands?'

The men from Magenta are come in, laden with plunder.'

Visconti laughed.

'I said I would give them Lombardy to sack--and there are thousands of
prisoners?'

The scene was the summer palace, that same night. Visconti sat at the
head of a table in a room adjoining the one in which the tapestry was
torn and the floor still sticky with blood. It was a small apartment,
beautifully inlaid with mosaic, and now blazing with lights, and full of
a fine company of officers and nobles.

'Thousands--men, women, and children--some men of note, too, my lord; the
ransacking of palaces for miles--'

'And Novara?'

'Some beat the flames out still--they say half the place is saved'

'Let them plunder it cried Visconti. 'Let them pick Novara bare! The
palace was burned?'

'To a cinder.'

'To a heap of ashes!' said another. 'There is nothing but the bastion,
red hot--'

'As you should know, da Ribera,' laughed the officer next him, 'seeing
you tried to ride over it.'

'And killed his horse,' said another.

'And saved myself!' shouted da Ribera. 'I look for a reward for that, my
lord--the saving of a valiant officer of yours--'

'Shall not be forgotten!' laughed Visconti. 'Be paid by this advice.
Remember burning towns are dangerous, as to his mortal cost a certain
great Frenchman found at Rouen, and several great Germans more recently
at Milan--'

'When they lay along the rampart like flies, I have heard my grandfather
say, striving to loot in the midst of the very flames,' said de Lana,
'like da Ribera here.'

'Had I been in Milan, Barbarossa himself would have burned in the midst
of it,' said Visconti, sweeping back the glass and silver before him.
'The town had weeks to prepare'

'Had you been there, Milan would not have burned at all, my lord!' said a
flattering voice.

'Maybe it would not. It was certainly before the Visconti's rule began,'
and he looked down the table with a smile at the dark face of Martin
della Torre.

'And now the plans, de Lana--Novara to Magenta, Magenta to Vercelli.'

He swept the glasses still further back, and spread the parchment de Lana
handed him on the coloured marble table. 'Vercelli--we hold Vercelli, de
Lana?' The officers moved up closer, leaning over the table.

'We hold Vercelli--and Magenta.'

Visconti placed a silver goblet to keep the parchment down, and traced
the route with the point of his dagger.

To Turin--to Cuneo--as near as we dare to the stiff-necked Genoese, and
we have circled Piedmont.'

'And these same Genoese?'

'Let them keep quiet,' said Visconti; sheathing his dagger and leaning
back, 'and they may keep Genoa; we have larger game in view--the Empire.
From the walls of Novara the Alps are to be seen, from the walls of
Magenta they hide half the sky, from Turin one may touch them, and so we
go closer--'

'And hold the Empire in check,' said de Lana, with excited eyes. 'Ah, my
lord, it was almost worth it--'

Visconti turned to him sharply.

'What do you say, de Lana?'

There was a second's pause. This was the first, even vague, reference to
what had happened earlier that same night; it seemed weeks since, and yet
the sun had not risen on it. Visconti looked at de Lana and laughed.

'Almost worth it--almost worth what, de Lana?'

The soldier, recovering himself, returned his glance. 'The extinction of
four noble families, my lord.'

'Did my lord do it?' cried another.

Did he ask the d'Estes to burn Novara?'

'No,' smiled Visconti. 'But had they not, I had done it for them, as I
will burn Mantua, and the Gonzagas in it. We will have no seditious spots
in the Lombardy I rule. There will be one capital and one ruler,' he
added sternly. 'The d'Estes knew enough to anticipate it.'

De Lana was silent.

'And these prisoners, my lord?' asked da Ribera. What of them?'

'They choke the camp,' said another.

'They are partisans of Mastino della Scala, naturally,' said Visconti. It
was the first time the name had been mentioned, and Visconti's eyes
flared to see that there was silence at it. 'Mastino della Scala, I
said--they favoured him.'

'Yes, my lord; him, or the Estes.'

'You will put them to the sword.'

'All?'

'All!' shouted Visconti, half rising. 'I will have no rebellious slaves
to groan over della Scala's grave, and hatch me plots from the ashes of
their bones--we will raze the cities to the ground, and put them to the
sword. My triumph will need no prisoners to prove it--and see it done, de
Lana.'

They quailed; their attitude acknowledged him the master. 'Spare the
churches,' said Visconti, 'and see that all relics are brought with due
honour to Milan. Da Ribera, you ventured furthest into Novara; saw you
any churches?'

'One, my lord, is saved: the church of Santa Chiara.'

We tried to rescue the monks,' struck in Martin della Torre. 'They
refused our succour, and returned into the flames--screaming--'

He paused.

'What?' demanded Visconti.

'Somewhat about God's curse,' answered della Torre. 'Their execration was
not pleasant.'

'Had you not been there, you had not heard it,' said de Lana. 'And a few
crazy--hark!'

There came a great noise from without, and the trampling of crowding
feet.

'Another company is joining us,' remarked Visconti.

'The soldiers from Novara,' said della Torre, and put his goblet down,
and de Lana turned expectantly to the door. Visconti, facing it, rose in
his seat as it was flung wide and a couple of scorched and bleeding
soldiers entered followed by a trampling guard.

'From Novara?' asked the Duke.

They stopped short, saluting.

'From Novara! We have saved the library and the college, my lord, and
some three palaces.'

'They would have burned the library,' cried Visconti, 'sooner than it
should enrich Milan--the jealous fools!'

'Now, hark you,' he added to the soldiers, 'every man bringing a book or
a gem or a picture, I reward; every man destroying one, I hang. Now,
which is he who saved the library?'

An officer pushed forward.

'This is he, my lord; one of my company.'

'Take this from me,' and Visconti handed the man his neck-chain.

'And the prisoners, my lord?'

'What care I for the prisoners! You will give no quarter, I say!'

The officer bowed, and drew a little book from his doublet, laying it on
the table.

'A monk gave me this for his life,' he said. 'And all Lombardy knows your
taste in books, my lord.'

'Remember we league with the Pope,' said Visconti, taking it up. 'The
monk should have had his life without a bribe; now go, and heed what I
have said.' He turned to de Lana: 'Follow, and see if the flames be out;
'tis daylight.'

The curtains were drawn away from the window, and the early light, fast
glowing into sunlight, and the fresh morning air, filled the heated
chamber.

The lamps flared pale, the gorgeous dresses and flushed eager faces of
the men round the table, the glimmer of the gold and silver vessels
before them, showed in a garish contrast with the soft light.

'Seneca,' said Visconti, turning over the volume the soldier had brought.
'Where is that knave Giannotto? Seneca, spoiled by interlining, but still
Seneca. Giannotto--I say!'

The secretary was not in the room, but the page dispatched soon brought
him. He stood in the doorway, blinking at the daylight, looking around
confused, and the company broke into laughter.

'Take this!' cried Visconti. 'A Seneca on vellum, with some dolt's
comments; take it, Giannotto.'

'There is a library being brought in below,' said the secretary.

'Because we spared the church of Santa Chiara, who must have been the
patron saint of poets--eh, de Lana?'

'Messer Francesco Petrarca found her so,' said a noble laughing. 'A lucky
day for him when he stepped inside the church of Santa Chiara!'

'He had cause to thank her, doubtless--'

'If Messer Hugues had not,' smiled Visconti.

'I know not, my lord; for a dull boor like that, he gathered some fame
else never his.'

'And the poet turned it to good account,' said Visconti. 'Methinks he
used his love for money-making; he coined the Lady Laura into good gold
pieces!'

'Now, my lord, is not that spite because Messer Petrarca left his library
to Venice?'

Visconti laughed.

'Let him leave his library where he pleased, he was a fine man of
business, say!'

'And a wearisome poet,' said de Lana.

'O Fiametta!' said Visconti laughing. 'Joanna! Naples and the blue sea!
These are thy patron saints, de Lana?'

'Nay, I like not that book of feeble love-making any better,' replied de
Lana; 'a Florentine dallying!'

'I doubt me if thou hast ever read it,' said the Duke gaily.

'Alighieri is more to de Lana's mind,' remarked da Ribera, pouring wine,
'and the fair daughter of old Folco. I myself used to sing Alighieri's
verses till I tired.'

'Yourself or your audience, my friend?'

But Visconti looked at the speaker, frowning.

'You have mentioned Alighieri, forgetting who was his patron,' whispered
della Torre. 'The court of Verona and Can' Gran' della Scala--'

'He recanted, my good lord; he died a Ghibelline,' said da Ribera, acting
on the whisper.

'Mastino della Scala was a Ghibelline; we never quarrelled over that,'
said Visconti easily. 'But Mastino was no patron of poets like his
father.' He leaned back in his chair and looked out of the window, where
above the beautiful fresh green of the garden faint smoke-wreaths showed
the last of Novara.

'De Lana, you stood next; what did he say--as he went over?'

At the sudden brutal question, they started, and de Lana suppressed a
shudder.

'I did not hear--I thought--he was dead.'

'I think you are still afraid of him,' smiled Visconti. 'I should like to
know what he said.' And he looked round for Giannotto, who had shrunk
into a corner, and sat there gazing dully at the company.

'Did you hear, Giannotto?'

'I? How should I, my lord?' and the secretary shuffled uneasily.

'Ho! a sullen knave!' cried Visconti, then leaned forward and touched de
Lana on the arm.

'I hear more arrivals--hark!'

'What should this be?' asked da Ribera in surprise. 'Not my Lord Arezzo
from Modena?'

'From Modena!' cried Visconti with sparkling eyes. 'Is there success
there too?'

'Your arms cease to meet with aught else, Lord Visconti,' said della
Torre. 'I drink to your perfect triumph!' He raised his glass, red as a
huge ruby in the light, and Visconti, triumphant indeed when the leader
of a faction admitted it and deemed it politic to say so, drank to della
Torre standing.

There was a clatter of footsteps and the noise of a great entry.

'Silence!' said Visconti. ''Tis Arezzo, I hear his voice.'

The door was again thrown wide, this time upon a splendid cavalier, clad
in magnificent armour, shining beneath his travel-stained scarlet cloak.

'Success rest upon your helm, Visconti, for Lombardy to Belluno is
yours!' He swept his cap off, and stood, flushed and panting, before the
eager, excited company, who rose to a man.

'Modena?' asked Visconti. 'And Mantua?'

'Yours,' said Guido d'Arezzo. 'And of Ferrara, I myself received the
keys, and rode post-haste to Milan, through a country that dared not
raise a finger, where even the nobles came uncovered to my stirrup; and
so from thence I followed you here--with these as proof of my success.'
He stepped aside, showing a glimpse of the disordered room beyond, and
beckoned to one of the men behind him, taking two great standards from
him.

'This as a proof--the banner of the Gonzagas, the standard of the
d'Estes!' He dropped to one knee and laid them at Visconti's feet, both
bloodstained, torn, to rags, the bearings beaten from their surface;
still, the flags that had floated from Modena and Mantua. The company
burst into wild shouts, mad with the intoxication of success, and
Visconti raised Arezzo and placed him beside him at the table, the
banners at his feet.

'Thou hast done splendidly,' he cried. 'On our side too there is
fortune--Mastino della Scala will trouble us no more!'

'Dead!' cried the general. 'Dead!'

'He lies yonder in the garden.' With smiling lips Visconti pointed
through the open window. 'He was killed last night!'

'The last of the Scaligeri! Then Lombardy is yours indeed!'

'From Vercelli to Belluno!' cried de Lana.

'I shall not forget those who helped me,' said Visconti, and called for
wine and himself served Arezzo. 'I will prove I am no niggard to my
friends--your health, Arezzo!'

The name of the victorious captain was shouted down the table; only
Giannotto was silent, seated in the window-seat, and the Duke's eyes fell
on him.

'Give the rogue there some wine,' he laughed. 'Have no fears, Giannotto,
I will remember thee, there are palaces enough to loot. Thou shalt have
the pickings of one. Drink!' he added in a sterner tone, as the secretary
refused the wine with muttered excuses. 'Take it, and warm thy frozen
blood, or we will find somewhat will do it better.'

The secretary took the goblet, but so gripping the glass that the slender
stem snapped, and the liquid ran red over the black and white floor, like
a trail of fresh blood.

The cellars are not so full that we can spare good wine,' said da Ribera.

But Visconti laughed, and pulling the map again toward him, pointed out
the march to Arezzo; and the secretary was forgotten, cowering in gloomy
aloofness.

Giannotto watched the scene with a dull interest, as if it were far away
and in no way belonging to him; he had had no sleep that night, and felt
dizzy and confused. He could not forget Mastino, slain last night, and
yet an eternity ago, and lying now out in the garden, marring the perfect
morning with the horror of his face.

Giannotto turned his back to the garden and fixed his eyes on the group
round the table.

They made a brilliant picture.

The background was mosaic, black and silver, gold and white, saints with
glittering haloes, warriors in shining armour, placid and dignified--a
splendid decoration; and against these the moving figures, brilliant in
colour, scarlet mantles, doublets, purple and orange, glittering with
jewels, and laughter and talk--a riot of life and colour. Slashed sleeves
and gorgeous tassels were laid on or swept across the many-tinted marble
table, on which there stood gold and silver goblets of curious shape, and
glasses, milk-white, azure, or painted, some delicate as flower-bells,
others with twisted stems clasped by a snake with emerald eyes. And tile
centre of it all was Visconti, leaning eagerly over the map, with
brocaded mantle thrown back.

'And so to Turin!' Giannotto heard him say through the confusion of
voices. 'We march next to Magenta.'

A dozen voices caught up the word. Giannotto watched them idly.

The sun, flooding the room, made the gold on the wall twinkle and glint,
and caught Arezzo's inlaid armour in points of light.

Visconti overturned one of the glasses, and drew on the table the plan of
Turin in spilled wine, de Lana leaning over eagerly.

Giannotto closed his eyes and leaned back. To his fevered senses the
scene seemed unreal, and the two torn banners resting against the wall
to add a touch of the horrible to the brilliancy and the triumph.

From Mantua and Modena--how much that meant! How many lives had been
flung aside in wild agony and despair to make way for those banners to
stand there!

'Mantua resisted desperately,' Arezzo was saying. 'But della Scala had
left them so weakened.'

'Della Scala!' cried Visconti. 'I remember, he is in yonder garden; see
he be brought in, da Ribera; out of all Lombardy I can spare him a tomb!'

The soldier left the room, and the talk went on with little heed of the
interruption; Visconti still busy with the ramparts of Turin and the
defences of Modena, de Lana disputing the route to Vercelli; but the
secretary was not interested. His head pained him, and he fixed his eyes
on Visconti's triumphant face with a strange fascination. It seemed a
long time before da Ribera returned, and when he did, at something in his
face, a sudden silence fell.

'What is it?' asked Visconti, and, half-reeling, Giannotto leaned forward
to listen for the answer.

Da Ribera did not at once reply.

'What is it?' repeated the Duke angrily.

'We have found della Scala,' returned da Ribera, finding voice, 'but not
only his body.'

'Ah!' cried Visconti as if a sudden thought had struck him, 'whom else
then, da Ribera?'

'I cannot tell, only there is a dead lady in the garden; she is laid as
if sleeping on the grass, quite dead.'

Visconti rose so suddenly that the sweep of his long sleeve sent the
glasses crashing to the ground, and made Arezzo start. 'It is Isotta
d'Este!' he cried. 'Mastino's wife!'

'Isotta dead?' cried de Lana, and the words echoed around the room. 'How
should she be here, and dead?'

'The dead only can answer you,' said Visconti. 'Now I can recall what
'twas Mastino said--something about her! Still, it may not be his
duchess. As you say, how should she be dead, and here?'

'How should she be dead?' asked de Lana again. 'Yet truly what else--' he
paused, keeping back his words, and his glance met the secretary's.

Giannotto was remembering something: the figure of Visconti standing
sullen, with a moody face, thinking on another dead woman; 'Had she lived
I would not have done it!' he had said. The secretary rose; now he
understood.

In this triumphant Visconti there was no sign of the spirit that had
prompted that murmur, but the secretary understood.

Close behind Giannotto was a fresco painting, a panel between the
windows--St Sebastian in a glory, smiling, transfixed with arrows,
brilliant against a background of blue.

Giannotto, standing there half-dazed with his new thought, noticed it,
and clutched the wooden ribbings underneath with something like a prayer
on his lips. Might the saints and martyrs remember to him he had had no
share in this!

Visconti turned to leave the table, and with a clinking of armour and a
dazzling display of scarlet and blue the nobles moved back; the sunshine
was now golden and filling the room.

'Can he be going to look at her?' thought the secretary, dully; then,
stumbling over something as he moved forward, he glanced down and
started. The next moment he looked round sharply to see if any eye was
upon him, stooped quickly, and picked it up.

It was a little stiletto, a thing dropped, perhaps last night, and
overlooked, a tiny thing with a long, glittering blade. Giannotto slipped
it into his dress, he hardly knew why--it gave him a feeling of security;
it was a long time since Visconti's secretary had been armed, even by so
much as this.

With good horses,' said Visconti, drawing on his gloves, 'we reach
Magenta--when, de Lana?'

'In two days, my lord.'

'And Turin?'

'If there's no resistance--' began de Lana.

Visconti laughed.

'Resistance? Lombardy is ours, my good de Lana! Resistance--'

'Is hardly wise,' put in da Ribera.

'And quite useless,' said della Torre, with a low bow.

The splendid group was passing Giannotto, standing dully beneath St
Sebastian, when the Duke stopped.

'Come, I may have need of you, Giannotto.'

The secretary's hand stole to his breast. He felt the handle of the
stiletto, and wondered why he had picked it up.

The doors were thrown open for the Duke to pass, and as they passed out
into the stairs, Giannotto slunk into his place behind Visconti.

Here were also noise and crowds; the coming and going of soldiers and
courtiers, excited talk and laughter, and in the distance the sound of
the drums, for the army was preparing to march. The front of the palace
was alive with them, the rattle of the new-fashioned artillery, the
shouted commands, the sunshine upon the standards and the armour, and the
fluttering, coloured plumes.

But Visconti turned aside to the back of the palace, and descended the
steps that led to the garden. It was quiet here, all sounds subdued and
distant.

The balustrade of the steps and the terrace was smothered in roses,
white, pink, and crimson, past their full summer pride, and many lying
crushed across the marble, while tangled trails of leaves and creepers
lay torn from the stone where they had clung.

Visconti noticed it, and looked with a smile at da Ribera, who in his
turn smiled also and passed a light word on at which the laugh was
general.

They were great nobles, princes some of them, yet not one dared to look
grave when Visconti smiled, or was not eager to fawn upon his notice.

At the foot of the steps the grass was crushed and bloodstained, and from
beside the oleanders and olives, drooping in the sun, a little procession
of men was engaged lifting something from the ground.

Visconti stopped.

'Della Scala,' said de Lana. 'They are moving him, according to your
orders, my lord.'

Visconti stroked his chin thoughtfully.

'Bid them set him down again' And he stepped softly down the steps.

Giannotto looked at his smiling face with a cold, strange horror, and
glanced round to see if it were not in the others' faces too, but he did
not see it.

The soldiers, at de Lana's peremptory order, stopped, and laid the burden
they were lifting at Visconti's feet.

'Mastino della Scala!'

Visconti repeated the name and grasped his dagger.

Mastino della Scala, the man who had checked him, scorned him, foiled him
all his life, the proudest race, the most stainless name in Lombardy,
ended here and in this!

Visconti stepped close and looked down into his enemy's uncovered face.

'He was not beautiful, this della Scala,' he said.

Then he glanced up and round with a wordless, an unutterable exultation.
All he had asked had been given him and more! He, Visconti, Duke of
Milan, could ask for nothing more than this moment gave him--a perfect
triumph.

Da Ribera peered forward curiously. 'He is torn to rags,' he said. 'He
must have fought like a madman--'

'He was mad,' said Visconti.

'And the lady?' said de Lana, suddenly, to Visconti. 'Where is she, my
lord?'

Visconti, lacing his gold gloves, paused a moment, and answered over his
shoulder, lightly:

'She seems to fill thy thoughts, de Lana!'

'Only, can it be the Duchess?' said da Ribera. 'I have never seen Isotta
d'Este, so cannot tell. I left her where I found her--on the grass,
beneath those laurels. But that it is a lady--'

He pointed as he spoke to a distant bush, round which tall lilies grew.

'It is the Duchess!' cried another.

'How should she be dead?' asked de Lana, and his glance again sought the
secretary's.

'How, indeed?' said Visconti, with a curious smile. 'And yet there are
enough ways of dying abroad. I will see for myself--so that if it indeed
be Isotta d'Este she may have fitting honour--'

The group moved forward. The advance of the army was already marching
past the walls of the garden, past the gate through which Mastino had
ridden; the pennons from their lances showed above the yellow jasmine
that covered the stonework, and the drums beat loud as Visconti and his
company reached the laurel clump and stood looking down at the silent
figure in the crushed and bedraggled white and purple.

'Isotta d'Este!' said Visconti, under his breath, and yet with an
unmoved face, that showed no surprise.

'Dead!' said de Lana, after a pause, and looked at him. Visconti laughed
softly, and turned with shining eyes.

'Did I not tell you della Scala was mad--did we not see it for ourselves
last night?' he said.

'So it is the Duchess?' whispered da Ribera. 'She was very beautiful,
they say.'

She lay where they had drawn her from her shelter underneath the laurels,
her dress clinging close, her head turned away. Mastino had wrapped her
round carefully, with a clumsy tenderness; wrapped her veil about her
face, and laid his own cloak over her to shield her from the night and
rain. And his last whisper was for her--an appeal to someone's humanity
to see that Visconti should not look upon his victim's face, should not
defile her with his touch.

It rushed on Giannotto with the certainty of conviction--he had caught
only the ghostly whisper, but he was sure in this moment of the sense of
it; and the music, the colours and sunshine, and splendour and pomp of
triumph, and Gian Visconti's cold, mocking face began to dance before
Giannotto's vision like figures and fancies of a dream. He heard Visconti
speak to Arezzo, saw Arezzo stoop and lift the mantle, and he moved back
a step and put his hand to his breast.

Isotta d'Este!' said Visconti, turning to the others, and pointing down
to the dead uncovered face. 'Now what was she to lose everything for?'

'His wife,' said de Lana, and turned his head away.

'Yes, my friend--do not forget it: della Scala's wife!' and Visconti
touched him on the shoulder warningly.

The group turned to go, and the secretary saw it with a feeling of
relief, when by some sudden impulse Visconti stepped back, and stood
looking down once at the poor white face. His own showed neither fear,
nor remorse, nor wonder, only triumph, and the secretary felt the blood
rise slowly from his heart toward his brain, and he drew the stiletto
half from his breast.

'Donna mia,' said Visconti, speaking to her with a smile, 'we must not
part so coldly, you and I--I will give you a fair tomb in Verona--in red
Verona, donna mia.'

He dropped on one knee beside her, holding the laurels back and the
lilies that hung above her head.

'This as in earnest,' he said, and bent over her and kissed her--kissed
the cold cheek of Mastino's wife.

The group watching stirred among themselves; no smiling faces now; each
eye averted, but still no one spoke.

And Visconti stooped and kissed her again, where the dark hair lay about
her forehead.

Then something gave in Giannotto's brain; a voice seemed to thunder in
his ears--'Judgement!' His hand flew from his breast and up and down upon
the kneeling figure, while he cried out terribly with a white, inspired
face, and Visconti fell forward stabbed through the back.

'Treachery,' cried da Ribera, scarcely seeing who had done it. 'The Duke
is stabbed!'

Visconti clutched at the flowers and fell without a word. 'Killed!'
screamed de Lana. 'Now God is just!'

'Killed--the Duke is killed!'

Guido d'Arezzo bent over him with a white face, but della Torre stamped
in a passion of excitement and dragged at his shoulder.

'Killed!--come away--there are ourselves to think of--come away!'

Arezzo sprang to his feet.

'To Milan!' cried della Torre. 'He leaves no heirs.'

Visconti was still breathing: he struggled, and Giannotto pushed to his
side and stood above him, bursting into wild words.

'I did it--Visconti! I did it--do you hear--do you hear! I knew, and I
did it!'

'Keep away!' yelled della Torre, and pulled him back.

Then he dropped to his knee and tore the signet ring from the hand of the
dying man.

'To Milan!' he cried, springing up. 'Haste! To Milan!'

'To Milan!' echoed Arezzo. 'To Milan and the army--'

'Back--all of you!' said de Lana, and he raised Visconti. 'He is not
dead--'

'He is past life. To Milan!'

The garden was one wild, yelling confusion; the news was spreading like
fire; each thought and acted for himself; and Giannotto, instrument of
vengeance, whimpered on his knees.

The rush to the gate came by so close, the flying feet almost touched
Visconti's face; and as della Torre passed, he struck his glove across
him.

De Lana lifted Visconti from the grass, but with a last effort he
struggled from him and dropped back.

'Milan!' he sobbed.

De Lana bent down eagerly to catch a muttered prayer, but there was
nothing more.

'Milan!'

The voices and shouts rose to a deafening pitch of confusion, the very
air seemed fevered with excitement; a flock of startled doves flew past
in panic, a rainbow of colour; flew so low and so close to de Lana as to
blind him for a moment with the whirr of their wings, and in that moment
was a terrible cry.

They passed, beating the lilies down.

'My lord!' cried de Lana. 'My lord!'

But even as he spoke, he knew Gian Visconti was dead.



THE END


Project Gutenberg Australia